THE MYSTERIOUS STAB IN THE DARK.

A few weeks after Raife's unfortunate interference in a Nubian's

domestic affairs at Khartoum, he was reclining amid soft cushions on the

piazza of Shepheard's Hotel at Cairo.

There may be no women in Khartoum--at least, there was one, who, being

in trouble herself, made trouble for Raife--but there are women at

Cairo. Just what the attraction is, no one really knows. It is hot and

dusty. There are flies, mosquitoes, and plenty of other irritating

little things in Cairo. But Shepheard's Hotel is generally full of

visitors, and there is a predominance of gaily and richly-dressed women.

They come from all countries and speak many languages. The language

that one hears more than any is that of the United States of America.

Americans do not, individually, stay longer, but there are more of them,

therefore the supply is greater. Further, the American woman is a good

talker; that is, she talks quickly and talks quite a good deal. There

are several of them who talk very well.

Exclusiveness used to be the prerogative of the English to a greater

extent than most other countries. As the English are becoming less

exclusive, so American women are cultivating the habit. The new

generation of American women have cultivated, almost inherited, a score

or more of little habits, mannerisms--perhaps affectations, which are

quite charming to the impressionable young English person. There is a

certain _gaucherie_ about the English which, in turn, retains a charm

for the American woman. They would openly hate one another if it were

not for these peculiarities, which make the one interesting to the

other.

The limelight of publicity has always been turned on to the American boy

and girl from infancy. For that reason they have never suffered from

shyness. Until recently there has been an excess of privacy in the

lives of the English of most ages. That has been altered, and now there

are English girls who can rock a chair level with any girl from Kentucky

to California.

Of course, the voice question had almost as much vogue as the colour

question. That, in turn, has been altered. There are as many soft

contraltos, or, at least, mezzo-sopranos coming from the United States

as from England nowadays. Altogether, there is less need for antagonism

and more need for good fellowship between the United States and Great

Britain, than at any period since "The Great Misunderstanding" of a

hundred years ago. This helps to explain the circumstances of the very

rapid friendship that had sprung up between Sir Raife Remington, Bart.,

of Aldborough Park, and Miss Hilda Muirhead, the daughter of Reginald

Pomeroy Muirhead, Esq., President of the Fifth State Bank of Illinois,

U.S.A.

In writing of Americans it has ever been customary to allude to their

wealth, of which many people possess an exaggerated estimate. The

successful American is, frequently, very generous, and it is from that

freedom and generosity that the exaggerated notion springs.

Mr Reginald Pomeroy Muirhead was not a very wealthy man, but he was a

prosperous man, and a generous man, a fine and courtly type of the

American banker.

His daughter, Hilda, who had formed such a rapid friendship with Raife

Remington, on the piazza--the balcony--in the drawing-room--on the

staircase--in the foyer--or any of those places where friendships are

made abroad, calls for more description.

Hilda Muirhead was not more than twenty. In some respects she had the

knowledge and experience of a woman of thirty. In other respects she

was a simple _ingenue_, with the attractive grace of a gazelle-like

child. The latter was her natural mood and attitude. The former had

been acquired and thrust upon her by the bitterness of cruel experience

at an immature period of her life.

She had a gift of talk, and the charm of her conversation won for her

the attention which invariably ended in admiration. Many girls, of any

nationality, do not realise the value of natural and intellectual

conversation. Her father had seen to it that Hilda did. Hilda's mother

died in her infancy, leaving Hilda an only child of a devoted and gentle

parent.

Hilda's appearance was striking in the extreme, and if she had been of

the "abounding" type who flaunt themselves for admiration, she would

have, in an obsolete vernacular, "swept the board." Her restraint and

lack of self-consciousness were an addition to her charm.

Her hair was a glory to behold. Few had seen the full extent of that

glory of her womanhood. Her old nigger "mammy" was almost the only one

who had seen it in its full maturity. Her face had an indefinable

irregularity of contour, and showed the southern blood in her veins.

Her eyes were only large when she opened them under some strong emotion.

They were not of that pertinacious, staring type, that are aggressively

anxious to attract on all occasions. Her eyes were grey, and

constructed for the purpose of normal sight and restrained emotion--but

they were beautiful eyes.

The form of her lips had not been moulded into beauty by an assumed

pout, nor were they distorted by youthful grimace. They were just

wholesome lips, that helped her to talk, and laugh and sing. The rest

of her face was in perfect harmony. It was not classical on the lines

of a Grecian statue, nor an Italian Madonna. It was a modern,

fascinating, yet dignified face.

A broken arm or a bandaged wound invariably attract attention and

sympathy, especially from women. Raife's bandaged shoulder, which

necessitated that the right sleeve should remain empty, attracted the

attention of the women at Shepheard's Hotel. His Apollo-like appearance

added to the effect when he arrived. In addition to the side glances in

his direction, as he reclined on a long wicker chair, shaded from the

hot sun which streamed from above, he had to endure the bold stares of

the more brazen-faced. At this time, Raife had suffered from two women,

and he was, for the present, at least, a woman-hater. He, therefore,

refused to notice any of the glances that he received, whatever their

nature might be. The balcony piazza and foyer of an hotel are very like

the deck of an ocean steamer, and it is not possible for an invalid to

resist the advances of those who wish to be polite and render aid.

Raife and Hilda Muirhead met in such a manner. The foyer was almost

deserted, and Raife dropped his book just out of reach. Hilda Muirhead

and her father were passing. Hilda darted forward and restored the book

to Raife, who thanked her.

The Broken Thread · 第 39 / 73 题