As I descended the mountain’s brow I observed that the little isthmus

which joined the peninsula to the main land had been cut away, and

a curious danger-threatening bridge was rudely thrown across the

intervening gulf, flung from the rocks on one side to an angle of the

mountain on the other, leaving a yawning chasm of some fathoms deep

beneath the foot of the wary passenger. This must have been a very

perilous pass in the days of civil warfare; and in the intrepidity of

my daring ancestor, I almost forgot his crime. Amidst the interstices

of the rocks which skirted the shores of this interesting peninsula,

patches of the richest vegetation were to be seen, and the trees which

sprung wildly among its venerable ruins, were bursting into all the

vernal luxuriancy of spring. In the course of my descent, several cabins

of a better description than I had yet seen, appeared scattered beneath

the shelter of the mountain’s innumerable projections; while in the air

and dress of the inhabitants (which the sound of my horse’s feet brought

to their respective doors,) I evidently perceived a something original

and primitive, I had never noticed before in this class of persons here.

They appeared to me, I know not why, to be in their holiday garb,

and their dress, though grotesque and coarse, was cleanly and

characteristic. I observed that round the heads of the elderly dames

were folded several wreaths of white or coloured linen, * and others

had hand kerchiefs ** lightly folded round their brows, and curiously

fastened under the chin; while the young wore their hair fastened up

with wooden bodkins. They were all enveloped in large shapeless mantles

of blue frieze, and most of them had a rosary hanging on their arm, from

whence I inferred they were on the point of attending vespers at the

chapel of Inismore.

* “The women’s ancient headdress so perfectly resembles that

of the Egyptian Isis, that it cannot be doubted but that the

modes of Egypt were preserved among the Irish.”--Walker on

the Ancient Irish dress, p. 62.

** These handkerchiefs they call “Binnogues,” it is a remnant

of a very ancient mode.

I alighted at the door of a cabin a few paces distant from the Alpine

bridge, and entreated a shed for my horse, while I performed my

devotions. The man to whom I addressed myself, seemed the only one of

several who surrounded me that understood English, and appeared much

edified by my pious intention, saying, “that God would prosper my

Honour’s journey, and that I was welcome to a shed for my horse, and a

night’s lodging for myself into the bargain.” He then offered to be my

guide, and as we crossed the drawbridge, he told me I was out of luck by

not coming earlier, for that high mass had been celebrated that morning

for the repose of the soul of a Prince of Inismore, who had been

murdered on this very day of the month. “And when this day comes

round,” he added, “we all attend dressed in our best; for my part, I

never wear my poor old grandfather’s _berrad_ but on the like occasion,”

taking off a curious cap of a conical form, which he twirled round his

hand and regarded with much satisfaction. *

* A few years back, Hugh Dugan, a peasant of the county of

Kilkenny, who affected the ancient Irish dress, seldom

appeared without his berrad.

By heavens! as I breathed this region of superstition, so strongly was

I infected, that my usual scepticism was scarcely proof against my

inclination to mount my horse and gallop off, as I shudderingly

pronounced, “I am then entering the castle of Inismore on the

anniversary of that day on which my ancestors took the life of its

venerable Prince!”

You see, my good friend, how much we are the creatures of situation and

circumstance, and with what pliant servility the mind resigns itself to

the impressions of the senses, or the illusions of the imagination.

We had now reached the ruined cloisters of the chapel, I paused to

examine their curious but dilapidated architecture when my guide,

hurrying me on, said, “if I did not quicken my pace, I should miss

getting a good view of the Prince,” who was just entering by a door

opposite to that we had passed through. Behold me then mingling among

a group of peasantry, and, like them, straining my eyes to that magnet

which fascinated every glance.

And sure, fancy, in her boldest flight, never gave to the fairy vision

of poetic dreams, a combination of images more poetically fine, more

strikingly picturesque, or more impressively touching. Nearly one half

of the chapel of Inismore has fallen into decay, and the ocean breeze

as it rushed through the fractured roof, wafted the torn banners of

the family which hung along its dismantled walls. The red beams of the

sinking sun shone on the glittering tabernacle which stood on the altar,

and touched with their golden light the sacerdotal vestments of the two

officiating priests, who ascended its broken steps at the moment that

the Prince and his family entered.

The first of this most singular and interesting group, was the venerable

Father John, the chaplain. Religious enthusiasm never gave to the

fancied form of the first of the patriarchs, a countenance of more

holy expression or divine resignation; a figure more touching by its

dignified simplicity, or an air more beneficently mild, more meekly

good. He was dressed in his pontificals, and, with his eyes bent to the

earth, his hands spread upon his breast, he joined his coadjutors.

What a contrast to this saintly being now struck my view; a form almost

gigantic in stature, yet gently thrown forward by evident infirmity;

limbs of herculean mould, and a countenance rather furrowed by the

inroads of vehement passions, than the deep trace of years. Eyes still

emanating the ferocity of an unsubdued spirit, yet tempered by a strong

trait of benevolence; which, like a glory, irradiated a broad expansive

brow, a mouth on which even yet the spirit of convivial enjoyment seemed

to hover, though shaded by two large whiskers on the upper lip, * which

still preserved their ebon hue; while time or grief had bleached the

scattered hairs which hung their snows upon the manly temple. The

drapery which covered this striking figure was singularly appropriate,

and, as I have since been told, strictly conformable to the ancient

costume of the Irish nobles.

* “I have been confidently assured, that the granfather of

the present Rt. Hon. John O’Neal, (great grandfather to the

present Lord O’Neal) the elegant and accomplished owner of

Shane’s Castle, wore his beard after the prohibited Irish

mode.”--Walker, p. 62.

The only part of the under garment visible, was the ancient Irish

_truis_, which closely adhering to the limbs from the waist to the

ancle, includes the pantaloon and hose, and terminates in a buskin not

dissimilar to the Roman _perones_. A triangular mantle of bright scarlet

cloth, embroidered and fringed round the edges, fell from his shoulders

to the ground, and was fastened at the breast with a large circular

golden brooch, of a workmanship most curiously beautiful; round his neck

hung a golden collar, which seemed to denote the wearer of some order

of knighthood, probably hereditary in his family; a dagger, called a

_skiene_ (for my guide explained every article of the dress to me,) was

sheathed in his girdle, and was discerned by the sunbeam that played on

its brilliant haft. And as he entered the chapel, he removed from his

venerable head a cap or berrad, of the same form as that I had noticed

with my guide, but made of velvet, richly embroidered.

The chieftain moved with dignity--yet with difficulty--and his colossal,

but infirm frame, seemed to claim support from a form so almost

impalpably delicate, that as it floated on the gaze, it seemed like

the incarnation of some pure ethereal spirit, which a sigh, too roughly

breathed, would dissolve into its kindred air; yet to this sylphid

elegance of spheral beauty was united all that symmetrical _contour_

which constitutes the luxury of human loveliness. This scarcely “mortal

mixture of earth’s mould,” was vested in a robe of vestal white, which

was enfolded beneath the bosom with a narrow girdle embossed with

precious stones.

From the shoulder fell a mantle of scarlet silk, fastened at the neck

with a silver bodkin, while the fine turned head was enveloped in a veil

of point lace, bound round the brow with a band or diadem, ornamented

with the same description of jewels as encircled her arms. *

* This was, with a little variation, the general costume of

the female noblesse of Ireland from a very early period. In

the fifteenth century the veil was very prevalent, and was

termed fillag, or scarf; the Irish ladies, like those of

ancient and modern Greece, seldom appearing. As the veil

made no part of the Celtic costume, its origin was probably

merely oriental.

The great love of ornaments betrayed by the Irish ladies of

other times, “the beauties of the heroes of old,” art thus

described by a quaint and ancient author:--“Their necks are

hung with chains and carkanets--their arms wreathed with

many bracelets.”

Such was the _figure_ of the Princess of Inis-more! But oh! not once

was the face turned round towards that side where I stood. And when

I shifted my position, the envious veil intercepted the ardent glance

which eagerly sought the fancied charms it concealed: for was it

possible to doubt the face would not “keep the promise that the form had

made.”

The group that followed was grotesque beyond all powers of description.

The ancient bard, whose long white beard

“Descending, swept his aged breast,”

the incongruous costume--half modern, half antique, of the bare footed

domestics, the ostensible steward, who closed the procession--and above

all, the dignified importance of the _nurse_, who took the lead in it

immediately after her young lady; her air, form, countenance, and dress,

were indeed so singularly fantastic and _outre_, that the genius

of masquerade might have adopted her figure as the finest model of

grotesque caricature.

Conceive for a moment a form whose longitude bore no degree of

proportion to her latitude; dressed in a short jacket of brown cloth,

with loose sleeves from the elbow to the wrist, made of red camblet

striped with green, and turned up with a broad cuff--a petticoat of

scarlet frieze, covered by an apron of green serge, longitudinally

striped with scarlet tape, and sufficiently short to betray an ancle

that sanctioned all the libels ever uttered against the ancles of the

Irish fair--true national brogues set off her blue worsted stockings,

and her yellow hair, dragged over a high roll, was covered on the summit

with a little coiff, over which was flung a scarlet handkerchief, which

fastened in a large bow under her rubicund chin.

As this singular and interesting group advanced up the central aisle of

the chapel, reverence and affection were evidently blended in the looks

of the multitude which hung upon their steps; and though the Prince and

his daughter seeked to lose in the meekness of true religion all sense

of temporal inequality, and promiscuously mingled with the congregation,

yet that distinction they humbly avoided, was reverently forced on

them by the affectionate crowd, which drew back on either side as they

advanced, until the chieftain and his child stood alone in the centre

of the ruined choir, the winds of heaven playing freely amidst their

garments, the sun’s setting beam enriching their beautiful figures with

its orient tints, while he, like Milton’s ruined angel,

“Above the rest,

In shape and feature proudly eminent,

Stood like a tower;”

and she, like the personified spirit of Mercy hovered round him, or

supported more by tenderness than her strength, him from whom she could

no longer claim support.

Those gray headed domestics, too, those faith ful though but nominal

vassals, who offered that voluntary reverence with their looks, which

his repaid with fatherly affection, while the anguish of a suffering

heart hung on his pensive smile, sustained by the firmness of that

indignant pride which lowered on his ample brow!

What a picture!

As soon as the first flush of interest, curiosity, and amazement had

subsided, my attention was carried towards the altar; and then I thought

as I watched the impressive avocation of Father John, that had I been

the Prince, I would have been the _Caiphas_ too.

What a religion is this! How finely does it harmonize with the weakness

of our nature, how seducingly it speaks to the senses; how forcibly it

works on the passions; how strongly it seizes on the imagination; how

interesting its forms; how graceful its ceremonies; how awful its rites.

What a captivating, what a _picturesque_ faith! Who would not become

its proselyte, were it not for the stern opposition of reason, the cold

suggestions of philosophy!

The last strain of the vesper hymn died on the air as the sun’s last

beam faded on the casements of the chapel; and the Prince and his

daughter., to avoid the intrusion of the crowd, withdrew through a

private door, which communicated by a ruinous arcade with the castle.

I was the first to leave the chapel, and followed them at a distance as

they moved slowly along, their fine figures, sometimes concealed behind

a pillar, and again emerging from the transient shade, flushed with the

deep suffusion of the crimsoned firmament.

Once they paused, as if to admire the beautiful effect of the retreating

light, as it faded on the ocean’s swelling bosom; and once the Princess

raised her hand and pointed to the evening star, which rose brilliantly

on the deep cerulean blue of a cloudless atmosphere, and shed its fairy

beam on the mossy summit of a mouldering turret.

Such were the sublime objects which seemed to engage their attention,

and added their _sensible_ inspiration to the fervour of those more

abstracted devotions in which they were so recently engaged. At last

they reached the portals of the castle, and I lost sight of them. Yet

still spellbound, I stood transfixed to the spot from whence I had

caught a last view of their receding figures.

While I felt like the victim of superstitious terror when the spectre of

its distempered fancy vanishes from its strained and eager gaze, all I

had lately seen revolved in my mind like some pictured story of romantic

fiction. I cast round my eyes; all still seemed the vision of awakened

imagination. Surrounded by a scenery grand even to the boldest majesty

of nature, and wild even to desolation--the day’s dying splendours

Awfully involving in the gloomy haze of deepening twilight--the gray

mists of stealing night gathering on the still faintly illumined surface

of the ocean, which, awfully spreading to infinitude, seemed to the

limited gaze of human vision to incorporate with the heaven whose last

glow it reflected--the rocks, which on every side rose to Alpine

elevation, exhibiting, amidst the soft obscurity, forms savagely bold or

grotesquely wild; and those finely interesting ruins which spread

grandly desolate in the rear, and added a moral interest to the emotions

excited by this view of nature in her most awful, most touching aspect.

Thus suddenly withdrawn from the world’s busiest haunts, its hackneyed

modes, its vicious pursuits, and unimportant avocations--dropped as

it were amidst scenes and mysterious sublimity--alone--on the wildest

shores of the greatest ocean of the universe; immersed amidst the

decaying monuments of past ages; still viewing in recollection such

forms, such manners, such habits (as I had lately beheld,) which to the

worldly mind may be well supposed to belong to a race long passed beyond

the barrier of existence, with “the years beyond the flood,” I felt like

the being of some other sphere newly alighted on a distant orb. While

the novel train of thought which stole on my mind, seemed to seize

its tone from the awful tranquillity by which I was surrounded, and I

remained leaning on the fragment of a rock, as the waves dashed idly

against its base, until their dark heads were silvered by the rising

moon, and while my eyes dwelt on her silent progress, the castle clock

struck nine. Thus warned, I arose to depart, yet not without reluctance.

My soul, for the first time, had here held commune with herself; the

“lying vanities” of life no longer intoxicating my senses, appeared to

me for the first time in their genuine aspect, and my heart still fondly

loitered over those scenes of solemn interest, where some of its best

feelings had been called into existence.

Slowly departing, I raised my eyes to the Castle of Inismore and sighed,

and almost wished I had been born the Lord of these beautiful ruins, the

Prince of this isolated little territory, and adored chieftain of these

affectionate and natural people. At that moment a strain of music stole

by me, as if the breeze of midnight stillness had expired in a manner on

the Eolian lyre. Emotion, undefinable emotion, thrilled on every nerve.

I listened. I trembled. A breathless silence gave me every note. Was it

the illusion of my now all-awakened fancy, or the professional exertions

of the bard of Inismore? Oh, no! for the voice it symphonized, the low,

wild, tremulous voice which sweetly sighed its soul of melody o’er the

harp’s responsive chords, was the voice of _a woman!_

Directed by the witching strain, I approached an angle of the building

from whence it seemed to proceed; and perceiving a light which streamed

through an open casement, I climbed with some difficulty the ruins of a

parapet wall which encircled this wing of the castle, and which rose

so immediately under the casement as to give me, when I stood on it, a

perfect view of the interior of that apartment to which it belonged.

Two tapers, which burned on a marble slab at the remotest extremity of

this vast and gloomy chamber, shed their dim blue light on the saintly

countenance of Father John, who, with a large folio open before him,

seemed wholly wrapped in studious meditation; while the Prince, reclined

on an immense Gothic couch, with his robe thrown over the arm that

supported his head, betrayed by the expression of his countenance those

emotions, which agitated his soul, while he listened to those strains

which spoke at once to the heart of the father, the patriot, and the

man--breathed from the chords of his country’s emblem--breathed in the

pathos of his country’s music--breathed from the lips of his apparently

inspired daughter! The white rising of her hands upon the harp the

half-drawn veil that imperfectly discovered the countenance of a seraph;

the moonlight that played round her fine form, and partially touched her

drapery with its silver beam--her attitude! her air! But how cold--how

inanimate--how imperfect this description! Oh! could I but seize

the touching features--could I but realize the vivid tints of this

enchanting picture, as they then glowed on my fancy! By heavens! you

would think the mimic copy fabulous; “the celestial visitant” of an

overheated imagination. Yet, as if the independent witchery of the

lovely minstrel was not in itself all, all-sufficient, at the back of

her chair stood the grotesque figure of her antiquated nurse. O! the

precious contrast. And yet it heightened, it finished the picture.

While thus entranced in breathless observation, endeavouring to support

my precarious tenement, and to prolong this rich feast of the senses and

the soul, the loose stones on which I tottered gave way under my feet,

and impulsively clinging to the wood work of the casement, it mouldered

in my grasp. I fell--but before I reached the earth I was bereft of

sense. With its return I found myself in a large apartment, stretched on

a bed, and supported in the arms of the Prince of Inismore! his hand was

pressed to my bleeding temple, while the priest applied a styptic to the

wound it had received; and the nurse was engaged in binding up my arm,

which had been dreadfully bruised and fractured a little above the

wrist. Some domestics, with an air of mingled concern and curiosity,

surrounded my couch; and at her father’s side stood the Lady Glorvina,

her looks pale and disordered--her trembling hands busily employed in

preparing bandages, for which my skilful doctress impatiently called.

While my mind almost doubted the evidence of my senses, and a physical

conviction alone _painfully_ proved to me the reality of all I beheld,

my wandering, wondering eyes met those of the Prince of Inismore! A

volume of pity and benevolence was registered in their glance; nor were

mine, I suppose, inexpressive of my feelings, for he thus replied to

them:

“Be of good cheer, young stranger; you are in no danger; be composed;

be confident; conceive yourself in the midst of friends; for you are

surrounded by those who would wish to be considered as such.”

I attempted to speak, but my voice faltered; my tongue was nerveless; my

mouth dry and parched. A trembling hand presented a cordial to my lips.

I quaffed the philtre, and fixed my eyes on the face of my ministering

angel. That angel was Glorvina! I closed them, and sunk on the bosom of

her father.

“Oh, he faints again!” cried a sweet and plaintive voice.

“On the contrary,” replied the priest, “the weariness of acute pain

something subsided, is lulling him into a soft repose; for see, the

colour reanimates his cheek, and his pulse quickens.”

“It indeed beats most wildly,” returned the sweet physician; for the

pulse which responded to her finger’s thrilling pressure moved with no

languid throb.

“Let us retire,” added the priest, “all danger is now, thank heaven,

over; and repose and quiet the most salutary requisites for our

patient.”

At these words he arose from my bedside, and the Prince, gently

withdrawing his supporting arms, laid my head upon the pillow. In a

moment all was deathlike stillness, and stealing a glance from under

my half closed eyes, I found myself alone with my skilful doctress,

the nurse, who, shading the taper’s light from the bed, had taken her

distaff and seated herself on a stool at some distance.

This was a golden respite to feelings wound up to that vehement excess

which forbade all expression, which left my tongue powerless, while my

heart overflowed with emotion the most powerful.

Good God! I, the son of Lord M--------, the hereditary object of

hereditary detestation, beneath the roof of my implacable enemy!

Supported in his arms; relieved from anguish by his charitable

attention; honoured by the solicitude of his lovely daughter;

overwhelmed by the charitable exertions of his whole family; and reduced

to that bodily infirmity that would of necessity oblige me to continue

for some time the object of their beneficent attentions.

What a series of emotions did this conviction awaken in my heart!

Emotions of a character, an energy, long unknown to my apathized

feelings; while gratitude to those who had drawn them into existence,

combined with the interest, the curiosity, the admiration they had

awakened, tended to confirm my irresistible desire of perpetuating the

immunities I enjoyed, as the guest and patient of the Prince and his

daughter. And, while the touch of this Wild Irish Girl’s hand thrilled

on every sense, while her voice of tenderest pity murmured on my ear,

and I secretly triumphed over the prejudices of her father, I would not

have exchanged my broken arm and wounded temple for the strongest limb

and soundest head in the kingdom; but the same chance which threw me in

the supporting arms of the irascible Prince, might betray to him in the

person of his patient, the son of his hereditary enemy: it was at least

probable he would make some inquiries relative to the object of his

benevolence, and the singular cause which rendered him such; it was

therefore a necessary policy in me to be provided against this scrutiny.

Already deep in adventure, a thousand seducing reasons were suggested by

my newly-awakened heart to go on with the romance, and to secure for my

farther residence in the castle, that interest, which, if known to be

the son of Lord M--------, I must eventually have forfeited, for the

cold version of irreclaimable prejudice. The imposition was at least

innocent, and might tend to future and mutual advantage; and after the

ideal assumption of a thousand fictitious characters, I at last fixed on

that of an itinerant artist, as consonant to my most cultivated talent,

and to the testimony of those witnesses which I had fortunately brought

with me, namely my drawing-book, pencils, &c., &c., self-nominated

_Henry Mortimer_, to answer the initials on my linen, the only proofs

against me, for I had not even a letter with me.

The Wild Irish Girl: A National Tale · 第 4 / 24 段