III.

One afternoon, when people thronged the great cemetery of the city,

a strolling group were held fascinated by the unique loveliness of a

newly erected monument.

"Never," they exclaimed, "have we seen so exquisite a masterpiece. In

whose honor is it erected?"

But when they drew nearer, they found carved on it simply a woman's

name.

"Who was she?" they asked, puzzled and disappointed. "Is there no

epitaph?"

"Aye," spoke up a young man lying on the grass and eagerly watching

the spectators. "Aye, a very fitting epitaph."

"Where is it?"

"Carved on the heart of the monument!" he cried, in a tone of triumph.

"On the heart of the monument? Then we cannot see it."

"It is not meant to be seen."

"How do _you_ know of it?"

"I made the monument."

"Then tell us what it is."

"It cannot be told. It is there only because it is unknown."

"Out on you! You play your pranks with the living and the dead."

"You will live to regret this day," said a thoughtful by-stander. "You

have tampered with the memory of the dead."

"Why, look you, good people," cried Nicholas, springing up and

approaching his beautiful master-work. He rested one hand lovingly

against it and glanced around him pale with repressed excitement, as

though a long-looked-for moment had at length arrived. "I play no

pranks with the living or the dead. Young as I am, I have fashioned

many monuments, as this cemetery will testify. But I make no more. This

is my last; and as it is the last, so it is the greatest. For I have

fashioned it in such love and sorrow for her who lies beneath it as you

can never know. If it is beautiful, it is yet an unworthy emblem of

that brief and transporting beauty which was hers; and I have planted

it here beside her grave, that as a delicate white flower it may exhale

the perfume of her memory for centuries to come.

"Tell me," he went on, his lips trembling, his voice faltering with the

burden of oppressive hope--"tell me, you who behold it now, do you not

wed her memory deathlessly to it? To its fair shape, its native and

unchanging purity?"

"Aye," they interrupted, impatiently. "But the epitaph?"

"Ah!" he cried, with tenderer feeling, "beautiful as the monument is to

the eye, it would be no fit emblem of her had it not something sacred

hidden within. For she was not lovely to the sense alone, but had a

perfect heart. So I have placed within the monument that which is its

heart, and typifies hers. And, mark you!" he cried, in a voice of such

awful warning that those standing nearest him instinctively shrank

back, "the one is as inviolable as the other. No more could you rend

the heart from the human bosom than this epitaph from the monument. My

deep and lasting curse on him who attempts it! For I have so fitted the

parts of the work together, that to disunite would be to break them in

pieces; and the inscription is so fragile and delicately poised within,

that so much as rudely to jar the monument would shiver it to atoms. It

is put there to be inviolable. Seek to know it, you destroy it. This I

but create after the plan of the Great Artist, who shows you only the

fair outside of his masterpieces. What human eye ever looked into the

mysterious heart of his beautiful--that heart which holds the secret of

inexhaustible freshness and eternal power? Could this epitaph have been

carved on the outside, you would have read it and forgotten it with

natural satiety. But uncomprehended, what a spell I mark it exercises!

You will--nay, you _must_--remember it forever! You will speak of it

to others. They will come. And thus in ever-widening circle will be

borne afar the memory of her whose name is on it, the emblem of whose

heart is hidden within. And what more fitting memorial could a man rear

to a woman, the pure shell of whose beauty all can see, the secret of

whose beautiful being no one ever comprehends?"

He walked rapidly away, then, some distance off, turned and looked

back. More spectators had come up. Some were earnestly talking,

pointing now to the monument, now towards him. Others stood in rapt

contemplation of his master-work.

Tears rose to his eyes. A look of ineffable joy overspread his face.

"Oh, my love!" he murmured, "I have triumphed. Death has claimed your

body, heaven your spirit; but the earth claims the saintly memory

of each. This day about your name begins to grow the Legend of the

Beautiful."

The sun had just set. The ethereal white shape of the monument stood

outlined against a soft background of rose-colored sky. To his

transfiguring imagination it seemed lifted far into the cloud-based

heavens, and the evening star, resting above its apex, was a celestial

lamp lowered to guide the eye to it through the darkness of the

descending night.

Flute and Violin, and Other Kentucky Tales and Romances · 第 58 / 60 题