THE YEARNING PASSED AWAY.

It was in the twilight of a late autumn day in the same year that

nature gave the colonel the first direct intimation to prepare for the

last summons. They had been passing along the garden walks, where a few

pale flowers were trying to flourish up to the very winter's edge, and

where the dry leaves had gathered unswept and rustled beneath their

feet. All at once the colonel turned to Peter, who was a yard and a

half behind, as usual, and said:

"Give me your arm, Peter, I feel tired;" and thus the two, for the

first time in all their lifetime walking abreast, passed slowly on.

"Peter," said the colonel, gravely, a minute or two later, "we are

like two dried-up stalks of fodder. I wonder the Lord lets us live any

longer."

"I reck'n He's managin' to use us _some_ way, or we wouldn' be heah,"

said Peter.

"Well, all I have to say is, that if He's using me, He can't be in much

of a hurry for his work," replied the colonel.

"He uses snails, en I _know_ we ain' ez slow ez _dem_," argued Peter,

composedly.

"I don't know. I think a snail must have made more progress since the

war than I have."

The idea of his uselessness seemed to weigh on him, for a little later

he remarked, with a sort of mortified smile:

"Do you think, Peter, that we would pass for what they call

representative men of the New South?"

"We done _had_ ou' day, Marse Rom," replied Peter. "We got to pass fur

what we _wuz_. Mebbe de _Lohd's_ got mo' use fur us yit 'n _people_

has," he added, after a pause.

From this time on the colonel's strength gradually failed him; but it

was not until the following spring that the end came.

A night or two before his death his mind wandered backward, after the

familiar manner of the dying, and his delirious dreams showed the

shifting, faded pictures that renewed themselves for the last time on

his wasting memory. It must have been that he was once more amid the

scenes of his active farm life, for his broken snatches of talk ran

thus:

"Come, boys, get your cradles! Look where the sun is! You are late

getting to work this morning. That is the finest field of wheat in the

county. Be careful about the bundles! Make them the same size and tie

them tight. That swath is too wide, and you don't hold your cradle

right, Tom....

"Sell _Peter_! _Sell Peter Cotton!_ No, sir! You might buy _me_ some

day and work _me_ in your cotton-field; but as long as he's mine, you

can't buy Peter, and you can't buy any of _my_ negroes....

"Boys! boys! If you don't work faster, you won't finish this field

to-day.... You'd better go in the shade and rest now. The sun's very

hot. Don't drink too much ice-water. There's a jug of whisky in the

fence-corner. Give them a good dram around, and tell them to work slow

till the sun gets lower."...

Once during the night a sweet smile played over his features as he

repeated a few words that were part of an old rustic song and dance.

Arranged, not as they came broken and incoherent from his lips, but as

he once had sung them, they were as follows:

"O Sister Phœbe! How merry were we

When we sat under the juniper-tree,

The juniper-tree, heigho!

Put this hat on your head! Keep your head warm;

Take a sweet kiss! It will do you no harm,

Do you no harm, I know!"

After this he sank into a quieter sleep, but soon stirred with a look

of intense pain.

"Helen! Helen!" he murmured. "Will you break your promise? Have you

changed in your feelings towards me? I have brought you the pinks.

Won't you take the pinks, Helen?"

Then he sighed as he added, "It wasn't her fault. If she had only

known--"

Who was the Helen of that far-away time? Was this the colonel's

love-story?

But during all the night, whithersoever his mind wandered, at intervals

it returned to the burden of a single strain--the harvesting. Towards

daybreak he took it up again for the last time:

"O boys, boys, _boys_! If you don't work faster you won't finish the

field to-day. Look how low the sun is!... I am going to the house. They

can't finish the field to-day. Let them do what they can, but don't let

them work late. I want Peter to go to the house with me. Tell him to

come on."...

In the faint gray of the morning, Peter, who had been watching by the

bedside all night, stole out of the room, and going into the garden

pulled a handful of pinks--a thing he had never done before--and,

re-entering the colonel's bedroom, put them in a vase near his sleeping

face. Soon afterwards the colonel opened his eyes and looked around

him. At the foot of the bed stood Peter, and on one side sat the

physician and a friend. The night-lamp burned low, and through the

folds of the curtains came the white light of early day.

"Put out the lamp and open the curtains," he said, feebly. "It's day."

When they had drawn the curtains aside, his eyes fell on the pinks,

sweet and fresh with the dew on them. He stretched out his hand and

touched them caressingly, and his eyes sought Peter's with a look of

grateful understanding.

"I want to be alone with Peter for a while," he said, turning his face

towards the others.

When they were left alone, it was some minutes before anything was

said. Peter, not knowing what he did, but knowing what was coming, had

gone to the window and hid himself behind the curtains, drawing them

tightly around his form as though to shroud himself from sorrow.

Flute and Violin, and Other Kentucky Tales and Romances · 第 33 / 60 题