IV.

All summer long, Clatterbuck's dancing-pavilion was as silent in its

grove of oaks as a temple of the Druids, and his pleasure-boat nestled

in its moorings, with no hand to feather an oar in the little lake. All

summer long, no athletic young Kentuckians came to bathe their white

bodies in Hugh Lonney's new bath-house for twelve and a half cents,

and no one read Daukins Tegway's advertisement that he was willing

to exchange his Dunstable bonnets for flax and feathers. The likely

runaway boy, with a long, fresh scar across his face, was never found,

nor the buffalo bull roasted for Daniel Webster, and Peter Leuba's

guitars were never thrummed on any moonlit verandas. Only Dewees and

Grant were busy, dispensing, not snuff, but calomel.

Grass grew in the deserted streets. Gardens became little wildernesses

of rank weeds and riotous creepers. Around shut window-lattices roses

clambered and shed their perfume into the poisoned air, or dropped

their faded petals to strew the echoless thresholds. In darkened rooms

family portraits gazed on sad vacancy or looked helplessly down on

rigid sheeted forms.

In the trees of poplar and locust along the streets the unmolested

birds built and brooded. The oriole swung its hempen nest from a bough

over the door of the spider-tenanted factory, and in front of the old

Medical Hall the blue-jay shot up his angry crest and screamed harshly

down at the passing bier. In a cage hung against the wall of a house in

a retired street a mocking-bird sung, beat its breast against the bars,

sung more passionately, grew silent and dropped dead from its perch,

never knowing that its mistress had long since become a clod to its

full-throated requiem.

Famine lurked in the wake of the pestilence. Markets were closed. A

few shops were kept open to furnish necessary supplies. Now and then

some old negro might have been seen, driving a meat-wagon in from the

country, his nostrils stuffed with white cotton saturated with camphor.

Oftener the only visible figure in the streets was that of a faithful

priest going about among his perishing fold, or that of the bishop

moving hither and thither on his ceaseless ministrations.

But over all the ravages of that terrible time there towered highest

the solitary figure of that powerful grave-digger, who, nerved by the

spectacle of the common misfortune, by one heroic effort rose for the

time above the wrecks of his own nature. In the thick of the plague,

in the very garden spot of the pestilence, he ruled like an unterrified

king. Through days unnaturally chill with gray cloud and drizzling

rain, or unnaturally hot with the fierce sun and suffocating damps

that appeared to steam forth from subterranean caldrons, he worked

unfaltering, sometimes with a helper, sometimes with none. There were

times when, exhausted, he would lie down in the half-dug graves and

there sleep until able to go on; and many a midnight found him under

the spectral moon, all but hidden by the rank nightshade as he bent

over to mark out the lines of one of those narrow mortal cellars.

What weaknesses he fought and conquered through those days and nights!

Out of what unforeseen depths of nature did he draw the tough fibre of

such a resolution! To be alone with the pestilential dead at night--is

not that a test of imperial courage? To live for weeks braving swift

death itself--is not that the fierce and ungovernable flaring up of the

soul in heroism? For all the mockery and derision of his name, had it

not some fitness? For had he not a royal heart?

Flute and Violin, and Other Kentucky Tales and Romances · 第 26 / 60 题