THE REVOLUTIONARY AMBONOCLAST.

Jacques Frénin was the name of the man who so fearfully figured as the

executioner of the abbé. From an early age he had imbibed those infidel

opinions that were too industriously propagated among the French people

for a considerable time previous to the breaking out of the great

revolution. He hated the priests, because he thought they were rich, and

not obliged to labour like himself; for the same reason he detested the

nobility and higher classes. He considered religion as a mere invention

of priestcraft; he was never seen at its offices, or participating in

its rites; it was therefore not surprising that he assisted at the

demolition of the ancient rood of the abbey with a sort of diabolical

satisfaction. "Ma foi," he exclaimed, "c'était un beau commencement,

mais ça ne s'arrêtera pas là;" and indeed, a few years later the full

principles of infidelity developed themselves in the closing of all the

temples of God, and total destruction of many of the most glorious

religious monuments. As soon as popular fury had made head against all

regular government, Jacques entered the National Guard, and proceeded to

Paris, where his great strength and daring courage soon raised him in

the estimation of his fiend-like associates. He was always the ready

destroyer of a cleric or aristocrat; hence the terrible part he

performed at the close of the last chapter. Through the continual

occasions of plunder that presented themselves in those lawless times,

he obtained a considerable sum of money, and with this he determined on

retiring to his village, and securing some property. The abbey buildings

had been nearly demolished for the materials, with the exception of the

great western towers, which had resisted destruction, and stood now

isolated, and of immense apparent height. Fragments of shafts, mullions,

ribs, and ashlar-work were piled in heaps for sale, and the area of the

church was one great mound of lime and broken materials. The sad scene

of desolation produced no regret on the mind of the hardened Jacques,

who merely exclaimed, "Ah, c'est fini!" and turned towards the old

parish church, which was still standing. On drawing near he perceived an

affiche announcing it for sale as part of the propriétés nationales.

"Here is a capital chance," he thought; "a store for wood is what I

require, and then if I buy that neighbouring forest my fortune is made."

In a short time the purchase was concluded, and the venerable temple,

which had for some time ceased to echo the divine praises, was disposed

of to become a common wood-store. The interior of the building had a

most desolate appearance; the whole was denuded of every ornament; the

side altars were standing, but the high altar had been thrown down in a

fruitless search for supposed treasure. An ancient image of our Lady had

been removed, but the corbel remained, and the outline of the figure

itself was traceable on the wall. The floor was strewed with rubbish,

and damp was gathering round the bases of the pillars and chancel steps.

Jacques viewed his purchase with great satisfaction. Could he but fill

it with wood, what profit he should realize! "But, peste!" he exclaimed,

"with that diable de jubé, it is impossible to get a cart up near the

end. Tu descendras vite." Now Frénin had assisted during his

revolutionary campaigns at the destruction of many a noble church, and

had remarked the expeditious way in which this was effected by cutting

away the bases of the shafts, and propping them up with pieces of

timber, smeared with pitch, which, when fired, were rapidly consumed,

and caused the instant fall of the superincumbent weight; so that, as

one of the writers of that period triumphantly explains, "_On peut

détruire toute une cathédrale dans un petit quart d'heure._" Having

frequently witnessed the success of this plan on a great scale, Jacques

determined to apply it to the pillars of the rood screen, and with the

aid of a mason who had been employed in the demolition of the abbey, he

succeeded in stilting all the shafts on wooden shores, which he

afterwards covered with grease and pitch. He calculated that in their

fall they would bring in the vaulting of the loft, and, in fine, save

all the trouble of pulling down piecemeal. All being prepared, he

entered the church early in the morning, and twisting the wooden props

with straw, he proceeded to ignite them. Those who have read the last

chapter should remember the peculiar construction of this screen, with

its iron trellis-work between the walls, the solid reredoses towards the

chancel. A volume of smoke rose from each of the four piles of wood,

succeeded by fierce crackling flames, and still denser smoke. Frénin was

quickly escaping, when in the confusion of the moment, he pressed the

iron gate from him; it closed with a spring catch, and with the rebound

shot the key far beyond his reach into the nave. He rushed to the

chancel doors, but they were barred within. In the midst of the

increasing flame he frantically dashed himself now against the door, and

now straining at the iron trellis, he roared with despair and terror;

for at that early hour no one would be near to force the gates and save

him. But two little children, belonging to a devout widow of the

village, had been taught to go and offer their morning prayers before

the church doors, though its portals had been closed for the ingress of

the faithful; and, as usual, they bent their knees before the sacred

threshold. Scarcely had they commenced their orisons, when the crackling

sounds within the building attracted their attention; these were rapidly

succeeded by the shouts of Frénin. Looking through the crevice, they

beheld flames, and ran back affrighted to the village, exclaiming, "Le

feu est à l'église." At this cry the peasants rushed from the houses,

and the smoke, which now escaped from the broken windows of the edifice,

showed that the alarm was too well founded. Proceeding to the western

doors, which Frénin had closed on entering, they forced them open by

means of a felled tree, swung by their united efforts as a ram.

On entering, the most horrible spectacle presented itself. The pillars

and arches of the rood screen encircled in fire, and in the midst of

smoke and blaze the gigantic figure of a man whose hair and clothes were

already burning, yelling imprecations; in the agony of despair he

grasped the bars with fruitless efforts to tear them from their faithful

rivets. "Ah, mon Dieu, c'est Frénin," exclaimed the terrified villagers.

"Il est perdu!" cried another voice, and at that instant the wooden

shores, reduced to gleaming embers, gave way, and arches, vaulting, all

fell in crushing weight on the wretched ambonoclast, who was speedily

consumed beneath the burning mass. Water was now procured, and by the

ready help of the numerous villagers who had been gathered to the spot,

all danger to the fabric itself was soon prevented; but when the smoking

ruins had been cleared away, a few ashes were all that remained of the

powerful frame of Jacques Frénin, the revolutionary ambonoclast.

At this moment a man of venerable aspect entered the building, and who,

notwithstanding his secular apparel, might still be recognized as the

old curé, the Père Duchesne; for it was him, indeed. He had been

concealed during the Reign of Terror by a neighbouring farmer, in whose

loft the holy rites had often been privately celebrated. "My children,"

he exclaimed, "you behold the terrible judgments of God on those who

sacrilegiously deface his holy temples. The unhappy Abbé de Chantal

perished by the hand of that wretched man of whose awful death you have

but just been the terrified spectators." A cry of subdued horror was

heard among the listening people. "Yes," he continued, "I was an

unwilling witness of his murder at Paris, and it was Frénin who struck

the blow. Inured to every crime, a despiser of God's ordinances and of

his ministers, he came at last to pollute this very temple to profane

uses. But divine justice would not suffer this enormity; he has perished

by his own hands, and his end was destruction. My dear children,"

continued the curé, "my heart bleeds to enter this church where I for so

many years united with you in daily sacrifice and prayer, and from which

we have been so long excluded, to see it so forlorn and desolate; and

even now who knows but by my presence here I may be discovered and

destroyed?" "Ah, mon père, mon père," murmured the villagers, "we will

protect you." "God's will be done!" replied the curé. At that moment the

sound of an approaching horseman was heard. The women instantly drew

near the pastor, while some of the men hastened to the doors, to

ascertain the person who was arriving. In a few moments they returned

with a substantial farmer of the neighbourhood, covered with dust, who,

hastening to the curé, exclaimed, "Ah, Monsieur le curé, nous sommes

sauvés; le premier consul a restauré le culte," and handed a paper to

the venerable priest, who could scarcely peruse it from emotion. It was,

indeed, true; the concordat with the Holy Father was made, religion was

restored. Such was the exultation of the inhabitants, that they would

have had mass celebrated in the church, if the curé had not explained to

them that, after its recent desecration, and the horrible death of

Frénin, it would require reconciliation before any sacred rites could be

performed within its walls; and for that purpose they must wait either

for the bishop or his authority.

A procession in thanksgiving was then speedily arranged; and now with

what alacrity long-concealed objects appeared! One good woman

triumphantly produces a cope she had concealed under a quadruple layer

of mattresses; another hastens with the holy water vat, brightening it

up as she came along; half the contents of the ancient sacristy returned

to view as if by magic. But what gave greater joy to the old curé than

all the rest, was the ancient rood, that had been removed from the jubé

and concealed in a roof by a pious parishioner. It came supported by

four of the strongest youths, carried in triumph. The voice of the curé,

enfeebled by age, and tremulous with overflowing devotion, could

scarcely entone the Vexilla Regis, but it was instantly taken up by a

chorus of voices. With caps in hand, tearful eyes, and swelling hearts,

the villagers of Conques followed the venerable image of the Redeemer

till arrived at the cemetery. The curé, after an ardent address of

exhortation and thanksgiving, dismissed them with his blessing. One bell

yet remained in the old tower; a rope was soon obtained, and loudly it

rang on that happy day. The church was soon after reconciled, and the

holy sacrifice has been continually offered up ever since. The rood was

raised again on high, with great rejoicings, and Père Duchesne saw that

day, and sang his _Nunc Dimittis_. He reposes in peace in the adjoining

cemetery, but his spirit lives in his successor, who equally venerates

the ancient traditions of his ancient faith. The rood is now safe from

further profanation. The traces of Frénin's destruction will be shortly

effaced by a perfect restoration; but the frightful end of the

ambonoclasts of Conques will long form the subject of discourse among

the inhabitants of the village.

A Treatise on Chancel Screens and Rood Lofts Their Antiquity, Use, and Symbolic Signification · 第 100 / 102 题