THE CALVINIST AMBONOCLAST.

When we now behold the city of London, with its narrow lanes, lined with

lofty warehouses and gloomy stores, leading down to the banks of the

muddy Thames, whose waters are blackened with foul discharges from

gas-works and soap-boilers, while the air is darkened with the dense

smoke of chimneys rising high above the parish steeples, which mark the

site of some ancient church, destroyed in the great conflagration, it is

difficult to realize the existence of those venerable and beautiful

fabrics where the citizens of London assembled in daily worship, and

whose rood lofts shone so gloriously on Easter and Christmas feasts. But

this great and ancient city was inferior to none in noble religious

buildings; and in the sixteenth century the traveller who approached

London from the west, by the way called Oldbourne, and arriving at the

brow of the steep hill, must have had a most splendid prospect before

him; to the right the parish church of S. Andrew's, rising most

picturesquely from the steep declivity, and surrounded by elms, with its

massive tower, decorated nave, and still later chancel; on the left the

extensive buildings of Ely-house, its great gateway, embattled walls,

lofty chapel and refectory, and numerous other lodgings and offices,

surrounded by pleasant gardens, as then unalienated from the ancient see

after which it was called, it presented a most venerable and

ecclesiastical appearance. Further in the same direction might be

perceived the gilded spire of S. John's church of Jerusalem and the

Norman towers of S. Bartholomew's priory. Immediately below was the

Fleet river, with its bridge, and the masts of the various craft moored

along the quays. At the summit of the opposite hill, the lofty tower of

S. Sepulchre's, which though greatly deteriorated in beauty, still

remains. In the same line, and over the embattled parapets of the

Newgate, the noble church of the Grey Friars, inferior in extent only to

the cathedral of S. Paul, whose gigantic spire, the highest in the

world, rose majestically from the centre of a cruciform church nearly

seven hundred feet in length, and whose grand line of high roofs and

pinnacled buttresses stood high above the group of gable-houses, and

even the towers of the neighbouring churches. If we terminate the

panorama with the arched lantern of S. Mary-le-Bow, the old tower of S.

Michael, Cornhill, and a great number of lesser steeples, we shall have

a faint idea of the ecclesiastical beauty of Catholic London. But to

return to our more immediate subject, each of these fine churches was

provided with its screen and rood. Numerous are the entries in the old

churchwardens' accounts yet remaining of pious offerings made by the

citizens to beautify the devotional sculptures which decorated them, and

to provide tapers and branches to deck them for the returning festivals.

There were veils for Lent, when the glory of our Lord was partially

obscured by his approaching Passion; and there were garlands for Easter,

and paschal lights, and crowns, and diadems. The old parish church of S.

Mary-at-Hill was inferior to none in the beautiful partition of its

chancel; it was principally the work of a pious citizen, who, on the

decay of the older work, renewed the same; or, as the old chronicle

expresses it:—"For the love he bore to Jesu and his holy Modir did sett

up at his own proper costes and charges, and most artificially

dispensil, the image of Christ, Mary, and John, and many saynts and

aungels, with the loft whereon they stood: and for the due maintainyng

of a perpetual light to hang brenyng before the same, and for a priest

to synge at his anniversary he also left two tenements in the paryshe of

Barkynge; and when he died he was buried under a grey stone, over and

against the holy doors of the chancel, and till the sad time of the

civil wars, was his portraieture in brass, and that of his wife, and 3

sons and 5 daughters at their feet, and his shield of mark, and the arms

of the honourable Company of the Fishmongers, and round the bordure,

with an Evangelist at every corner, was this inscription: '✠ Good

Christen people, of your charitie pray for the soulys of John Layton,

citizen and fyshemonger of London, who deceeded on the feast of S.

Stephen, in the yeare of our Lorde 1456, and of Margaret his wyffe, on

whose sowlys and the sowlys of Christen men may Jesu have mercy. Pater,

ave, Amen.'" And on the brestsumer of the rood loft were carved divers

devices, such as S. Peter's keys for his Patron, and dolphins and

sea-luces salterwise for the Company, and scrolls, with +Lays+ coming

out of tuns for the founder, and above all was a most artificial

bratishing, with large bowls of brass, with prickets for tapers on great

feasts, and there was a staircase of freestone, closed by an oak door,

set up on the south side of the aisle, for the convenience of ascending

to the same; and on each of the lower panels of the holy doors and of

the bays of the screen were pictures of saints and martyrs, on grounds

of gold diaper, each with their legend. For nearly a century this goodly

work had stood the pride and delight of the parishioners, who bestowed

much cost on sustaining its lights and ornaments, as the church books

yet testify. But a sad and fearful change was approaching—new and

heretical doctrines were circulated and even heard at Paul's Cross; men

became divided in heart and mind; the returning festivals exhibited no

unity of joy and devotion; many gloomily stayed away; and it was

currently reported that nocturnal meetings were privately held at some

citizens' houses, where preachers from beyond sea taught novel opinions,

and inveighed against altars and priests, and sacred images and ancient

rites; and soon there was a quest to examine into the ornaments of the

churches, and many a goodly pyx, and chalice, and chrismatory were

seized by the sacrilegious spoilers for the state; and shortly after the

ancient service was interrupted by scoffers and infidels, and they who

adhered to the old faith of England's church were filled with sorrow and

dismay, and they worshipped in fear and sadness, and every day brought

new troubles and greater sacrilege.

It was late in the evening, or rather the early part of the night, that

a number of persons, evidently of very varied ranks and conditions, were

crowded into a back chamber in the habitation of a citizen notoriously

disaffected to the ancient religion; they were listening with

considerable earnestness of attention, to the exhortations, or rather

ravings, of a man of sour aspect, whose dress and gestures announced him

as belonging to the class of unordained preachers called the New

Gospellers. The subject of his discourse was the extirpation of

idolatry; the triumphs of the Jewish people over the unbelieving nations

was the principal source from whence he drew his denunciations. The

texts relating to the destruction of the heathen idols he transferred to

the ancient images of the church, and succeeded in rousing the passions

of his hearers to the utmost frenzy. "But why," he exclaimed, "do we

waste time? Let us lay the axe to the root of the tree; the famous rood

of S. Mary-at-Hill standeth hard by, to the shame and reproach of

Christian men. Let us pluck it down and utterly deface it, so it perish

and be seen no more." Some of the most zealous of the fanatics instantly

acted on this suggestion. Descending to the street, they soon surrounded

the residence of the aged sacrist (who still retained his office, though

the duties were sadly curtailed), and rousing him from his rest,

demanded the keys of the church. Alarmed by the uproar, many casements

were opened; but the numbers of the clamouring party appeared so

considerable, and the prospect of any assistance from the watch (which

was then only perambulatory) so remote, that none ventured down to the

assistance of the old clerk, who, terrified by the menaces of his

assailants, and without any companion except a lad who acted as his

servant, at length surrendered the keys. A few links had by this time

been procured, and by their smoky and lurid light the southern door was

opened, and the whole party tumultuously crowded into the venerable

edifice. The lamp so liberally provided by John Layton had ceased to

burn for some time; its revenue had been sequestered as superstitious,

and the chancel was shrouded in impenetrable darkness. Against this

gloomy background the rood and its attendant images stood out in red

reflected light, but the Jews themselves that scoffed on Calvary's mount

were not more bitter in their scorn than the New Gospellers, who uttered

loud shouts and cries as they beheld the object of their sacrilegious

vengeance. The sound of hollow blows echoes through the church, the

lower door is forced: ascending footsteps are heard on the staircase;

then the rebounding tread of heavy feet on the loft itself, torches

appear—axes gleam—heavy blows fall thick; some cleave, some pierce, some

shout, and with one great crash it totters and falls—images, cross—all

lie a ruin on the ancient pavement. The work of destruction now

proceeds: some wrench the extended limbs from the sculptured cross;

broken and dismembered, the sacred image of the Redeemer is dragged down

the nave; while others deface and cleave the evangelistic symbols,

tossing the fragments in wild derision; some curse, some spit, some

foam, others exclaim, "Into the fire with it!" and a glare of light

striking through the western window, showed that the suggestion had been

followed; it crackled in the garth, and now the mangled images are piled

on the roaring mass, while furious cries, "Away with it! Destroy it

utterly!" break through the stillness of the night, and scare the

affrighted parishioners, who behold this horrible spectacle from their

gabled residences. Nearly three hundred years have elapsed, and the rood

was again raised in glory in this very city, and the cry "Away with it!"

was again heard. Came it from the blaspheming Jews? No. Came it from the

bitter Calvinists? No. Came it from the incarnate fiends? No. It

proceeded from a _modern Catholic ambonoclast_!!!!

A Treatise on Chancel Screens and Rood Lofts Their Antiquity, Use, and Symbolic Signification · 第 98 / 102 题