1. The scooping out of a vessel from a ball of clay.

2. The building up of a form, often on a piece of basket-work or

matting, gradually raising the walls higher by applying and smoothing

down successive layers of clay.

3. Coiling; in which the clay is rolled out into thin ropes, and these

are coiled round and round upon each other and smoothed down with the

hands and with simple tools of bone, wood or metal.

The use of the potter's wheel is unknown, while it is remarkable how

beautifully true and finely-fashioned much primitive pottery is. The

primitive red and black vases discovered by Flinders Petrie in Egypt,

and the somewhat similar vessels of prehistoric date from Spain, are

remarkable instances of this. Some primitive races leave their pottery

without decoration, especially when they have a fine red-burning clay to

work in, but, generally speaking, primitive pottery of every race and

time is elaborately decorated, but only with the simplest patterns. Such

decorations consist of lines, dots or lunette-shaped depressions

arranged in crosses, chevrons, zigzags or all-over repeated pattern. All

this ornament is scratched or impressed into the clay before it is

fired. Simplest of all is, perhaps, the pattern which has so obviously

been produced by pressing a twisted thong round the neck or bowl of a

vase; though the thong may have been used in the first instance merely

to serve as a support while the vessel was dried. At a later stage the

ornament is generally obtained by scratching with a tool, by pressing

the end of a hollow stick into the clay to form rows of circles, by

using a stick cut at the end into the shape of a half-moon, or other

equally simple decorative device. In certain tropical countries this

rudimentary pottery becomes hard enough for a certain amount of use when

merely dried in the sun, but in all northern and temperate countries it

must have been fired, probably in the most imperfect way, in an open

fire or in such a kiln as could be formed by sinking a hole into the

ground and erecting round it a screen of stones. How imperfect the

firing was is shown by the ashen-grey colour due to smoke. In those

countries where the ware has been more perfectly fired the pieces

naturally become buff, drab, brown or red.

The primitive vessels that have been found in the grave-mounds of

England and the northern countries generally have received a number of

fanciful names for which there is very little warrant except in the case

of the cinerary urns. These are generally the largest vessels of this

class, and as they were used to contain burnt bones there seems

sufficient warrant for the supposition that they were made for this and

for no other purpose.

Our knowledge of primitive pottery has been greatly improved during

recent years by the labours of a number of American students connected

with the United States Geological Survey, who have carefully recorded

the present-day practices of those native tribes who make and use

pottery in various parts of North America and Mexico; while, in the same

way, Peruvian, Brazilian and other South American pottery has been as

closely investigated by European observers. It should be noted that no

primitive pottery reveals any trace of a knowledge of glaze, though much

of it has been highly polished after firing, and in some cases a varnish

has been applied which may perhaps be regarded as the earliest kind of

"glazing" ever applied to pottery vessels.

LITERATURE.--On primitive pottery the following works may be specially

mentioned. W. Greenwell, _British Barrows_ (1877); Boyd-Dawkins,

_Early Man in Britain_ (1880); Mortimer, _Forty Years' Researches in

British and Saxon Burial-mounds of East Yorkshire_ (1905); Abercromby,

"The Oldest Bronze-age Ceramic Type in Britain," _J. Anth. Inst._ vol.

xxxii. (1902), 373; _Guide to Antiquities of the Bronze Age_ (British

Museum, 1904); Koenen, _Gefässkunde der vorrömischen, römischen und

fränkischen Zeit in den Rheinländern_ (1895); Wosinsky, _Der

inkrustierte Keramik der Stein- und Bronze-zeit_ (1904); Walters,

_History of Ancient Pottery_ (Greek and Roman) (1905); Holmes,

_Aboriginal Pottery of the Eastern United States_ (Bureau of

Ethnology, Washington, 1899); also Holmes and Cushing in _Report_ of

Bureau of Ethnology for 1882; Wiener, _Pérou et Bolivie_ (1880); Von

der Steinen, _Natur-Völkerei Central Brasiliens_ (1894); Hartman,

_Archaeological Researches in Costa Rica_ (1905); Strebel, on "Mexican

Pottery" in _Publications_ of Museum für Völkerkunde (Berlin, vol. 6,

1899); Werner, _British Central Africa_ (1907); Füllborn, _Deutsche

Ost-Afrika_, vol. ix. (1907); Macluer, "Kabyle Pottery," _Journ. Anth.

Inst._ vol. xxxii. p. 245, and "Upper Egypt," _ibid_. xxxv. p. 20;

Myres, "Early Pottery Fabrics of Asia Minor," _Journ. Anth. Inst._

xxxiii. p. 367; Turveren Museum, _Notes analytiques sur les

collections ethnographiques du Congo_, tome ii. (1907); Cupart,

_Debuts de l'art de l'ancienne Égypte_ (1903). (W. B.*)

Encyclopaedia Britannica, 11th Edition, "Celtes, Konrad" to "Ceramics" Volume 5, Slice 6 · 第 33 / 73 题