THE ARRIVAL OF THE COUSIN
When Rosarito left him so abruptly the Penitentiary looked toward the
garden wall, and seeing the faces of Licurgo and his companion, said to
himself:
“So the prodigy is already here, then.”
He remained thoughtful for some moments, his cloak, grasped with both
hands, folded over his abdomen, his eyes fixed on the ground, his
gold-rimmed spectacles slipping gently toward the point of his nose, his
under-lip moist and projecting, and his iron-gray eyebrows gathered in
a slight frown. He was a pious and holy man, of uncommon learning and of
irreproachable clerical habits, a little past his sixtieth year, affable
in his manners, courteous and kind, and greatly addicted to giving
advice and counsel to both men and women. For many years past he
had been master of Latin and rhetoric in the Institute, which noble
profession had supplied him with a large fund of quotations from Horace
and of florid metaphors, which he employed with wit and opportuneness.
Nothing more need be said regarding this personage, but that, as soon as
he heard the trot of the animals approaching the Calle del Condestable,
he arranged the folds of his cloak, straightened his hat, which was not
altogether correctly placed upon his venerable head, and, walking toward
the house, murmured:
“Let us go and see this paragon.”
Meanwhile Pepe was alighting from his nag, and Doña Perfecta, her face
bathed in tears and barely able to utter a few trembling words, the
sincere expression of her affection, was receiving him at the gate
itself in her loving arms.
“Pepe--but how tall you are! And with a beard. Why, it seems only
yesterday that I held you in my lap. And now you are a man, a grown-up
man. Well, well! How the years pass! This is my daughter Rosario.”
As she said this they reached the parlor on the ground floor, which
was generally used as a reception-room, and Doña Perfecta presented her
daughter to Pepe.
Rosario was a girl of delicate and fragile appearance, that revealed
a tendency to pensive melancholy. In her delicate and pure countenance
there was something of the soft, pearly pallor which most novelists
attribute to their heroines, and without which sentimental varnish it
appears that no Enriquieta or Julia can be interesting. But what chiefly
distinguished Rosario was that her face expressed so much sweetness and
modesty that the absence of the perfections it lacked was not observed.
This is not to say that she was plain; but, on the other hand, it is
true that it would be an exaggeration to call her beautiful in the
strictest meaning of the word. The real beauty of Doña Perfecta’s
daughter consisted in a species of transparency, different from that
of pearl, alabaster, marble, or any of the other substances used in
descriptions of the human countenance; a species of transparency through
which the inmost depths of her soul were clearly visible; depths not
cavernous and gloomy, like those of the sea, but like those of a clear
and placid river. But the material was wanting there for a complete
personality. The channel was wanting, the banks were wanting. The vast
wealth of her spirit overflowed, threatening to wash away the narrow
borders. When her cousin saluted her she blushed crimson, and uttered
only a few unintelligible words.
“You must be fainting with hunger,” said Doña Perfecta to her nephew.
“You shall have your breakfast at once.”
“With your permission,” responded the traveller, “I will first go and
get rid of the dust of the journey.”
“That is a sensible idea,” said the señora. “Rosario, take your cousin
to the room that we have prepared for him. Don’t delay, nephew. I am
going to give the necessary orders.”
Rosario took her cousin to a handsome apartment situated on the ground
floor. The moment he entered it Pepe recognized in all the details of
the room the diligent and loving hand of a woman. All was arranged
with perfect taste, and the purity and freshness of everything in this
charming nest invited to repose. The guest observed minute details that
made him smile.
“Here is the bell,” said Rosario, taking in her hand the bell-rope, the
tassel of which hung over the head of the bed. “All you have to do is to
stretch out your hand. The writing-table is placed so that you will have
the light from the left. See, in this basket you can throw the waste
papers. Do you smoke?”
“Unfortunately, yes,” responded Pepe Rey.
“Well, then, you can throw the ends of your cigars here,” she said,
touching with the tip of her shoe a utensil of gilt-brass filled with
sand. “There is nothing uglier than to see the floor covered with
cigar-ends. Here is the washstand. For your clothes you have a wardrobe
and a bureau. I think this is a bad place for the watch-case; it would
be better beside the bed. If the light annoys you, all you have to do is
to lower the shade with this cord; see, this way.”
The engineer was enchanted.
Rosarito opened one of the windows.
“Look,” she said, “this window opens into the garden. The sun comes in
here in the afternoon. Here we have hung the cage of a canary that sings
as if he was crazy. If his singing disturbs you we will take it away.”
She opened another window on the opposite side of the room.
“This other window,” she continued, “looks out on the street. Look;
from here you can see the cathedral; it is very handsome, and full of
beautiful things. A great many English people come to see it. Don’t open
both windows at the same time, because draughts are very bad.”
“My dear cousin,” said Pepe, his soul inundated with an inexplicable
joy; “in all that is before my eyes I see an angel’s hand that can be
only yours. What a beautiful room this is! It seems to me as if I had
lived in it all my life. It invites to peace.”
Rosarito made no answer to these affectionate expressions, and left the
room, smiling.
“Make no delay,” she said from the door; “the dining-room too is down
stairs--in the centre of this hall.”
Uncle Licurgo came in with the luggage. Pepe rewarded him with a
liberality to which the countryman was not accustomed, and the latter,
after humbly thanking the engineer, raised his hand to his head with a
hesitating movement, and in an embarrassed tone, and mumbling his words,
he said hesitatingly:
“When will it be most convenient for me to speak to Señor Don José about
a--a little matter of business?”
“A little matter of business? At once,” responded Pepe, opening one of
his trunks.
“This is not a suitable time,” said the countryman. “When Señor Don José
has rested it will be time enough. There are more days than sausages,
as the saying is; and after one day comes another. Rest now, Señor
Don José. Whenever you want to take a ride--the nag is not bad.
Well, good-day, Señor Don José. I am much obliged to you. Ah! I had
forgotten,” he added, returning a few moments later. “If you have any
message for the municipal judge--I am going now to speak to him about
our little affair.”
“Give him my compliments,” said Pepe gayly, no better way of getting rid
of the Spartan legislator occurring to him.
“Good-by, then, Señor Don José.”
“Good-by.”
The engineer had not yet taken his clothes out of the trunk when for the
third time the shrewd eyes and the crafty face of Uncle Licurgo appeared
in the door-way.
“I beg your pardon, Señor Don José,” he said, displaying his brilliantly
white teeth in an affected smile, “but--I wanted to say that if you wish
to settle the matter by means of friendly arbitrations---- Although, as
the saying is, ‘Ask other people’s opinion of something that concerns
only yourself, and some will say it is white and others black.’”
“Will you get away from here, man?”
“I say that, because I hate the law. I don’t want to have anything to
do with the law. Well, good-by, again, Señor Don José. God give you long
life to help the poor!”
“Good-by, man, good-by.”
Pepe turned the key in the lock of the door, saying to himself:
“The people of this town appear to be very litigious.”