CHAPTER II

ANDREW

WE are poor sometimes, we two Nomads, but we are never without a

retinue. There are two reasons for this. I am a helpless, incapable

woman, with an acute need of servants. My husband, on the other hand, is

phenomenally good to servants. They seem to know this instinctively.

They flock to him, and install themselves in his service, and he always

feels it difficult to dislodge them. We went into Colombo a party of

six. I am not speaking of our company of twenty odd artists (more or

less), but of our family party, in which were ourselves, our three

children, and their European nurse. We left Colombo a party of eight. A

Madrassi boy had attached himself to my husband, and I took the

Cingalese ayah for Baby. We left Andrew weeping and wailing on the

wharf, and doing it in the most approved and vigorous style. My husband

was half inclined to take Andrew with him, but we did not need him; and

I had rather discouraged the idea for two other reasons. I should

perhaps be ashamed of them both; but this is a true history as far as it

goes; so here they are:—Andrew was not good-looking. Now one must put

up with ill-looking relatives, but I can never bring myself to be

contented with positively plain servants. My other objection to Andrew

was that he was a “Cold Water Baptist.” I don’t in the least know what

cold water Baptists are. Were I to meet them in Europe, it is of course

possible that I should like and respect them intensely; but I must own

to a prejudice against native converts. Not so much because I believe

that they are usually insincere, as because they are almost invariably

hybrid. I believe in the suitability of all things, even in the

suitability of religion. Andrew was lank and hungry-looking; he wrapped

the native skirt about his legs; he pinned his long hair up with the

orthodox tortoise-shell comb; but he wore a European coat over a dirty

European shirt. Could anything have looked worse? I think not.

Andrew called himself a guide. He discovered my husband before we had

fairly arrived, and insisted upon being engaged. We found him very

useful, because he could speak English. And that was a comfort, though

he never had any exact information and very rarely spoke the rigid

truth. He never lost sight of his master for an instant, unless he was

peremptorily sent on an errand to the other end of the town. My husband

used to try to escape him. Once or twice we would really have enjoyed a

short walk or a drive, alone. But we never had either. There were many

exits from our hotel. We tried them all. Sometimes we would get as far

as the corner. Then we would hear the plunk—plunk—plunk—of Andrew’s

flying feet. “Salaam, sahib,” he would gasp breathlessly, “where are we

going?”

He never would tell us his real name. I used to try to bribe him. His

master would threaten him. He had but one reply for threat or bribe:

“Andrew is my Christian name. I am a Cold Water Baptist.” He never

seemed able to lessen my dense ignorance _re_ the interesting subject of

Cold Water Baptists. But he could talk glibly enough about the faith he

had forsworn. And I observed that he seemed on intimate terms with the

priests at all the native temples, and never failed to drop a copper in

the temple box. I concluded that his conversion had been purely

commercial. He told me that the “Padre Sahib” had given him three coats.

It is easier to give a native a coat than a belief.

When we drove in the chill early morning, Andrew used to wrap his head

in a Gordon tartan. If we chanced to pass the barracks, he promptly

unwound his shawl, folded it up, and sat upon it. Doubtless he did not

wish to embarrass me by having the sentry mistake him for the Colonel.

My husband often used, when he was too busy to go with me on my long

afternoon drives, to send Andrew—partly for my convenience, as I always

went into the densest native quarters, where English was not spoken, and

partly, I think, to get rid of Andrew.

One afternoon I looked behind to speak to Andrew, who with the sais was

perched on the back of the gharri. He was smoking a not bad cigar. I

flew at him, verbally.

“No harm,” he said, with insolence that was, I am sure, unconscious. “No

harm. The sahib is not here. I no smoke before my master.”

“You won’t smoke before me!” I said with undignified warmth. “Your

master would not smoke in a gharri with me. And I won’t allow any other

man to do so—black or white.”

Andrew looked at me stupidly and smiled. Then a thought flashed from my

eyes to his. He knocked the fire from his cigar, and put the stump in

his pocket. I had recognised my husband’s favourite Havanna, and Andrew

knew it.

One day I bought some trifle from an itinerant native. We were driving,

and I was wearing a pocketless dress.

“Give the man six annas for me, Andrew,” I said; “I have no money.”

“No,” he said smoothly, “a woman wouldn’t.”

I had one other experience with Andrew, when driving. My husband sent me

to capture a scene-painter, and bring him, if possible, to the theatre.

The man was that despised unhappy thing, a Eurasian. He was poor; and he

drank too much. But I had seen a fan he had painted, and some

water-colour sketches of Kandy which he had done. I knew that he was—in

part at least—a genius. We found him after a great deal of trouble. He

came out to my gharri, and I greeted him, as I would always greet an

artist, and stated my business. He took off his shabby sombrero and

climbed up to the seat I indicated beside me. Andrew broke into excited

vernacular. The man beside me flushed, and started to move.

“What is the matter?” I asked.

“I tell him I no let Eurasian man sit beside my master’s wife. He must

come back here with me and Sais.”

I was in a fine rage. I made Andrew get out and walk the several miles

that stretched between us and the theatre. That night I had my husband

tell him that, when he went out with me, he was, under no circumstances,

to speak, unless I spoke to him.

But it was the day of our first performance that I really established

myself in Andrew’s mind as a person of importance. I went to the theatre

about four o’clock to see if the ayah I had engaged to help me at the

theatre had put my dressing-room into proper trim. As I passed in, I

noticed Andrew sitting on the lowest rung of a bamboo ladder. He was

looking very vicious. He muttered “Salaam” rather than said it, and

didn’t rise. I went into my dressing-room, and then marched on to the

stage, to attack the poor stage manager.

“Am I to dress in that fearful hole?” I asked him sweetly.

Some one laughed. I turned round.

“I beg your pardon,” said Jimmie M‘Allister, “but do come and see the

governor’s quarters.” Jimmie was, of all the boys in our company, my

first favourite.

I followed him downstairs, and the stage manager followed me. I looked

into my husband’s quarters.

“Do you want to see where the other ladies dress?” asked the stage

manager softly.

“I say, do come and see our palace behind the scenes,” cried Jimmie

triumphantly.

But I had seen quite enough. The artists’ quarters at the Colombo

theatre did not compare favourably with the front of the house. I went

meekly back to my dressing-room, wondering what could be done to make my

husband’s den a little more comfortable.

“Would you mind speaking to this young imp of your husband’s?” said the

stage manager. “He won’t let us take the governor’s things into the

dressing-room.” My heart warmed to Andrew.

“Quite right,” I said; “the room certainly must be cleaned out first.”

“Oh! he doesn’t in the least mind the dirt,” explained Jimmie. “He’s

offended because your dressing-room is better than the governor’s.”

I had known a prominent actor in—well never mind where—who used to

dress luxuriously off the stage, while his wife climbed up a flight of

narrow stairs, and wandered down a dark corridor to a gruesome little

closet. But that any one would ever expect my husband to be brute enough

to allow me to do anything of that kind had never occurred to me. I felt

vexed for the moment. Then we came upon Andrew, sitting on the ladder,

doggedly guarding his master’s luggage. I realised that Andrew was quite

right from his point of view; and for a moment I felt tempted to gratify

him by ordering my things to be put into my husband’s room. Then I

remembered that we were to play the _Merchant of Venice_ that night.

Shylock wore one dress; Portia wore five. And then too, had I changed

rooms, my husband would have changed back again. I sent for some

coolies; I called my ayah, and superintended the cleaning of that room

myself. Jimmie M‘Allister and the stage manager helped me. Andrew stood

by sullenly. His master came in. Andrew sprang to him.

“The memsahib has a more nice room,” he said impressively.

“The memsahib has a beastly hole. Go and tell that Madrassi out in front

that I want a carpet and a sofa and some nice chairs, here in half an

hour, for the memsahib’s room—mind you.”

Poor Andrew gasped and went out. But his manner to me changed from that

moment. An hour later Jimmie and I went to the bazaar and got the

furniture for my husband’s room. I think Andrew forgave me when I came

back with it. I took some curtains from a property box, and told him to

tack them up at his master’s window. He answered me quite pleasantly.

I never had another encounter with Andrew; but I never could teach him

to knock. He would walk into my dressing-room, and coolly pick up my

hare’s-foot, or my scissors, without vouchsafing me one poor word of

explanation. If I ventured to ask “What are you doing?” he replied,

“Master want,” and went out. I used to beg him to knock; but I don’t

remember that he ever did knock. Nor did he ever beat a retreat, no

matter in what state of deshabille he found me. Finally, we used to turn

the key in the door, if I had an entire change to make. Then he would

pound on the door and cry so loudly that the people in front

heard—“Open, open; Master want your red paint.”

Andrew and I grew better friends. He used to bring me some little

present every morning. Three or four flowers, or a basket of cocoanuts,

or a spray of cinnamon.

He said one day to my nurse—“The master like the memsahib. I want

please the master—I must please the memsahib. When the memsahib grow

old and her teeth drop out, the master will sell her and buy a new

wife.” We overheard this remark of Andrew’s. My husband was delighted,

and to this day often holds the threat over my silvering head. But I

grew to really like Andrew, he was so unmistakably fond of his master. I

believe that he grew to really like me, for the same reason.

When We Were Strolling Players in the East · 第 2 / 39 章