DIURNAL PARIS

See gleaming in the skies the great disk of red copper, immense

casserole where the good God cooks manna, the harlequin, eternal _plat

du jour_. It is dipped in sweat and dipped in love.

The laridons wait in a circle near the oven; vaguely one hears the

rustling of rancid flesh, and the tipplers, too, are there, holding out

their jugs; the wretches shiver, waiting their turn.

Thinkest thou the sun then fries for everybody these fat stirring

scraps of burnt meat which a flood of gold inundates? No, the dog-soup

falls on us from the sky.

They are beneath the ray and we beneath the gutter. To us the black jug

that grows cold without light. Our substance for ourselves is our bag

of gall.

(Tr. 42)

With the assent of the tall sunflowers.

(Tr. 43)

And since, then, I have bathed me in the poem of the sea, steeped in

stars and latescent, mastering the green azure where, flotation pale

and ravished, a pensive drowned person sometimes descends; where,

suddenly staining the nuances of blue, frenzied and slow rhythms

beneath the glinting red of day, stronger than alcohol, vaster than

your lyres, the bitter redness of love ferments.

(Tr. 44)

Who knows if genius is not one of your virtues.

(Tr. 45)

The sky rains without ending, though nothing agitates it; it rains, it

rains, shepherdess! on the stream....

The stream has its dominical repose; not a barge up stream, downstream.

Vespers chime in the town; the banks are deserted, not an isle.

Passes a boarding-school group, o poor flesh! Several already have on

their winter muffs.

One that has neither muff nor fur makes a quite sorry figure all in

gray.

And see! She breaks from the ranks and runs; O God, what has seized her?

She goes and throws herself in the stream. Not a boatman, not a

Newfoundland dog....

(Tr. 47)

Dismal north wind, screaming downpour and dark stream, and shut

houses....

(Tr. 48)

A full silence of vibrant gold has descended near the springs which

satyrs have troubled; a clear marvel enclosed in the heart of the

valleys, if the little singing bird remains silent.

Oblivion of the flute, hours of fearless dreams, where thou hast known

how to find for thy amorous blood the peacefulness of inhabiting a

place odorous with roses, whose sylvan gods make thee arms.

There thou goest, composing beautiful books, a credit to the French

language and the noble Athens.

(Tr. 49)

Of that Sophocles, credit to Ferté-Milon.

(Tr. 50)

Once while riding on a journey,

Pensive along the route that displeased me,

I found love in the middle of the road

In a vagrant's scant attire.

(Tr. 51)

Brilliant star, Phoebe with outspread wings, O name of night that

grows and wanes, favor my way through the gloomy forest where my

errant soul takes its modest steps! In the grotto with hollow sounds,

whose entrance is ivy-covered, on the rock topped with the familiar

she-goat, on the lake, on the pond, on the tranquil waters, on the

enamelled banks where reeds moan, she likes to see the trembling of thy

melancholy fires.

Phoebe, O Cynthia, from the first season my soul was drunk with thy

lovely light; observing thy diverse faces in their orb, beneath thy

gentle influence, she composed verses. Above Nicias, Eryx, Siris and

the sandy Iolchos, Timolus and the grand Epidorus, and Green Sidon, her

piety reveres this rock of Latmos where thou loved.

(Tr. 52)

It is the autumn wind in the lane, sister, hearken, and the fall of

willow and beach tree leaves on the water, and the hoar-frost in the

valley.

And come, like those drooping great ladies, to him who is thinking of

thee, in the silence when thy light spinning-wheel dies, O sister of

the sweet marjoram.

Loose--'tis the hour--thy hair fairer than the hemp thou spinnest....

(Tr. 53)

Come with wreathes of primroses in thy hands, O young girls, who mourn

the sister dead at dawn. Bells of the valley peal the end of a destiny,

and spades are seen gleaming in the morning sun.

Come with baskets of violets, O young girls who slightly hesitate in

the path of beeches, for fear of the priest's solemn words. Come, the

sky is quite sonorous with invisible larks....

'Tis the festival of the dead, one would say Sunday, the bells ring so

gently in the heart of the valley; boys have hidden in the lanes. Thou

alone goest to pray at the foot of the white grave.

Some year, the boys, who today are hidden, will come to tell you the

sweet pain of loving, and they will hear you all, around the maypole,

sing songs of childhood to greet the night.

(Tr. 54)

Fish, crane, eagle, flower, bird-bent bamboo.

Turtle, iris, peony, anemone, sparrows.

(Tr. 55)

The Book of Masks · 第 53 / 54 题