6

I was travelling by the 6.28 back to Potter's Bar. I lay back in my

corner with closed eyes, recalling the events of that wonderful afternoon

in the darkened, scented room. It had been a strange, almost overwhelming

experience. I had been keyed up to a point of tension which was almost

unendurable, while my friend gazed and murmured into the glass ball.

These glimpses into the occult are really too much for my system; they

wring my nerves. I could have screamed when Amy said, 'Wait--wait--the

darkness stirs. I see--I see--a fair man, with the face of a Greek god.'

'Is he alone?' I whispered.

'He is not alone. He is talking to a tall dark man.'

'Yes--yes?' I bent forward eagerly, as she paused and seemed to brood

over the clear depths where, as I knew, she saw shadows forming and

reforming.

'They talk,' she murmured. 'They talk.'

(Knowing that she could not, unfortunately, hear what they said, I

did not ask.)

'They are excited.... They are quarrelling.... Oh, God!' She hid her eyes

for a moment, then looked again.

'The dark man strikes the fair man.... He is taken by surprise; he steps

backward and falls ... falls backwards ... down ... out of my vision....

The dark man is left standing alone.... He is fading ... he is gone.... I

can see him no more.... Leila, I have come to an end; I am overdone; I

must rest.'

She had fallen back with closed eyes.

A little later, when she had revived, we had had tea together, and I had

put a few questions to her. She had told me little more than what she had

revealed as she gazed into the crystal. But it was enough. She knew the

fair man for Oliver, for she had seen him at the wedding. She had not

seen the dark man's face, nor had she ever met Arthur Gideon, but her

description of him was enough for me.

I had left the house morally certain that Arthur Gideon had murdered (or

anyhow manslaughtered) Oliver Hobart.

7

I told Percy that evening, after Clare had gone to bed. I had confidence

in Percy: he would believe me. His journalistic instinct for the truth

could be counted on. He never waived things aside as improbable, for he

knew, as I knew, how much stranger truth may be than fiction. He heard

me out, nodding his head sharply from time to time to show that he

followed me.

When I had done, he said, 'You were right to tell me. We must look into

it. It will, if proved true, make a most remarkable story. Most

sensational and remarkable.' He turned it over in that acute, quick

brain of his.

'We must go carefully,' he said. 'Remember we haven't much to go on yet.'

He didn't believe in the crystal-gazing, of course, so had less to go on

than I had. All he saw was the inherent possibility of the story

(knowing, as he did, the hatred that had existed between the two men) and

the damning fact of Gideon's presence at the house that evening.

'We must be careful,' he repeated. 'Careful, for one thing, not to

start talk about the fellow's friendship with Jane. We must keep Jane

out of it all.'

On that we were agreed.

'I think we must ask Clare a few questions,' said Percy.

He did so next day, without mentioning our suspicion. But Clare could

still scarcely bear to speak of that terrible evening, poor child, and

returned incoherent answers. She knew Mr. Gideon had been in the

house, but didn't know what time he had gone, nor the exact time of

the accident.

I resolved to question Emily, Jane's little maid, more closely, and did

so when I went there that afternoon. She was certainly more

circumstantial than she had been when she had told me the story before,

in the first shock and confusion of the disaster. I gathered from her

that she had heard her master and Mr. Gideon talking immediately before

the fall; she had been surprised when her mistress had said that Mr.

Gideon had left the house before the fall. She thought, from the sounds,

that he must have left the house immediately afterwards.

'It is possible,' I said, 'that Mrs. Hobart did not know precisely when

Mr. Gideon left the house. It was all very confusing.'

'Oh, my lady, indeed it was,' Emily agreed. 'I'm sure I hope I shall

never have such a night again.'

I said nothing to Jane of my suspicion. If I was right in thinking that

the poor misguided child was shielding her husband's murderer, from

whatever motives of pity or friendship, the less said to disturb her the

better, till we were sure of our ground.

But I talked to a few other people about it, on whose discretion I could

rely. I tried to find out, and so did Percy, what was this man's record.

What transpired of it was not reassuring. His father was, as we knew

before, a naturalised Russian Jew, presumably of the lowest class in his

own land, though well educated from childhood in this country. He was, as

every one knew, a big banker, and mixed up, no doubt, with all sorts of

shady finance. Some people said he was probably helping to finance the

Bolsheviks. His daughter had married a Russian Jewish artist. Jane knew

this artist and his wife well, at that silly club of hers. Arthur Gideon,

on coming of age, had reverted to his patronymic name, enamoured, it

seemed, of his origin. He had, of course, to fight in the war, loath

though he no doubt was. But directly it was over, or rather directly he

was discharged wounded, he took to shady journalism.

Hardly a reassuring record! Add to it the ill-starred influence he had

always attempted to exert over Johnny and Jane (he had, even in Oxford

days, brought out their worst side) his quarrels with Oliver in the

press, his unconcealed hatred of what he was pleased to call 'Potterism'

(he was president of the foolish so-called 'Anti-Potter League'), his

determined intimacy with Jane against her husband's wishes, and Jane's

own implication that he at times drank too much--and you had a picture of

a man unlikely to inspire confidence in any impartial mind.

Anyhow, most of the people to whom I broached the unpleasant subject (and

I saw no reason why I should not speak freely of my suspicion) seemed to

think the man's guilt only too likely.

Some of my friends said to me, 'Why not bring a charge against him and

have him arrested and the matter thoroughly investigated?' But Percy told

me we had not enough to go on for that yet. All he would do was to put

the investigation into the hands of a detective, and entrust him with the

business of collecting evidence.

The only people we kept the matter from were our two daughters. Clare

would have been too dreadfully upset by this raking up of the tragedy,

and Jane could not, in her present state, be disturbed either.

8

About three weeks after my visit to Amy Ayres, I had rather a trying

meeting with that young clergyman, Mr. Juke, another of the children's

rather queer Oxford friends. He is the son of that bad old Lord

Aylesbury, who married some dreadful chorus girl a year or two ago, and

all his family are terribly fast. We met at a bazaar for starving clergy

at the dear Bishop of London's, to which I had gone with Frank. I think

the clergy very wrong about many things, but I quite agree that we cannot

let them starve. Besides, Peggy had a stall for home-made jam.

I was buying some Armenian doily, with Clare at my side, when a voice

said, 'Can I speak to you for a moment, Lady Pinkerton?' and, turning

round, Mr. Juke stood close to us.

I was surprised, for I knew him very little, but I said, 'How do you do,

Mr. Juke. By all means. We will go and sit over there, by the missionary

bookstall.' This was, as it sometimes is, the least frequented stall, so

it was suitable for quiet conversation.

We left Clare, and went to the bookstall. When we were seated in two

chairs near it, Mr. Juke leant forward, his elbows on his knees, and said

in a low voice, 'I came here to-day hoping to meet you, Lady Pinkerton. I

wanted to speak to you. It's about my friend, Gideon....'

'Yes,' I helped him out, my interest rising. Had he anything to

communicate to me on that subject?

The young man went on, staring at the ground between his knees, and it

occurred to me that his profile was very like Granville Barker's. 'I am

told,' he said, in grave, quick, low tones, 'that you are saying things

about him rather indiscriminately. Bringing, in fact, charges against

him--suspicions, rather.... I hardly think you can be aware of the

seriousness of such irresponsible gossip, such--I can't call it anything

but slander--when it is widely circulated. How it grows--spreads from

person to person--the damage, the irreparable damage it may do....'

He broke off incoherently, and was silent. I confess I was taken aback.

But I stood to my guns.

'And,' I said, 'if the irresponsible gossip, as you call it, happens to

be true, Mr. Juke? What then?'

'Then,' he said abruptly, and looked me in the face, '_then,_ Lady

Pinkerton, Gideon should be called on to answer to the charge in a court

of law, not libelled behind his back.'

'That,' I said, 'will, I hope, Mr. Juke, happen at the proper time.

Meanwhile, I must ask to be allowed to follow my own methods of

investigation in my own way. Perhaps you forget that the matter concerns

the tragic death of my very dear son-in-law. I cannot be expected to let

things rest where they are.'

'I suppose,' he said, rising as I rose, 'that you can't.'

'And,' I added, as a parting shot, 'it is always open to Mr. Gideon to

bring a libel action against any one who falsely and publicly accuses

him--_if he likes_.'

'Yes,' assented the young man.

I left him standing there, and turned away to speak to Mrs. Creighton,

who was passing.

I considered that Mr. Juke had been quite in his rights to speak to me as

he had done, and I was not offended. But I must say I think I had the

best of the interview. And it left me with the strong impression that he

knew as well as I did that 'his friend Gideon' would in no circumstances

venture to bring a libel action against any one in this matter.

I believed that the young clergyman suspected his friend himself, and was

trying in vain to avert from him the Nemesis that his crime deserved.

Clare said to me when I rejoined her. 'What did Mr. Juke want to speak to

you about, mother?'

'Nothing of any importance, dear,' I told her.

She looked at me in the rather strange, troubled, frowning way she has

now sometimes.

'Oh, do let's go home, mother,' she said suddenly. 'I'm so tired. And I

don't believe they're really starving a bit, and I don't care if they

are. I do hate bazaars.'

Clare used once to be quite fond of them. But she seemed to hate so many

things now, poor child.

I took her home, and that evening I told Percy about my interview

with Mr. Juke.

'A libel action,' said Percy, 'would be excellent. The very thing. But if

he's guilty, he won't bring one.'

'Anyhow,' I said, 'I feel it is our duty not to let the affair drop. We

owe it to poor dear Oliver. Even now he may be looking down on us, unable

to rest in perfect peace till he is avenged.'

'He may, he may, my dear,' said Percy, nodding his head. 'Never know, do

you. Never know anything at all.... On the other hand, he may have lost

his own balance, as they decided at the inquest, and tumbled downstairs

on to his head. Nasty stairs; very nasty stairs. Anyhow, if Gideon didn't

shove him, he's nothing to be afraid of in our talk, and if he did he'll

have to face the music. Troublesome fellow, anyhow. That paper of his

gets worse every week. It ought to be muzzled.'

I couldn't help wondering how it would affect the _Weekly Fact_ if its

editor were to be arrested on a charge of wilful murder.

PART IV:

TOLD BY KATHERINE VARICK

A BRANCH OF STUDY

1

People are very odd, unreliable, and irregular in their actions and

reactions. You can't count on them as you can on chemicals. I suppose

that merely means that one doesn't know them so well. They are far harder

to know; there is a queer element of muddle about them that baffles one.

You never know when greediness--the main element in most of us--will stop

working, checked by something else, some finer, quite different motive

force. And them checking that again, comes strong emotion, such as love

or hate, overthrowing everything and making chaos. Of course, you may say

these interacting forces are all elements that should be known and

reckoned with beforehand, and it is quite true. That is just the trouble:

one doesn't know enough.

Though I don't study human nature with the absorption of Laurence Juke

(after all, it's his trade), I find it interesting, like other curious

branches of study. And the more complex and unreliable it is, so much the

more interesting. I'm much more interested, for instance, in Arthur

Gideon, who is surprising and incalculable, than in Jane and Johnny

Potter, who are pushed along almost entirely by one motive--greed. I'm

even less interested in Jane and Johnny than in the rest of their family,

who are the usual British mixture of humbug, sentimentality,

commercialism, and genuine feeling. They represent Potterism, and

Potterism is a wonderful thing. The twins are far too clear-headed to be

Potterites in that sense. You really can, on almost any occasion, say how

they will act. So they are rather dull, as a study, though amusing enough

as companions.

But Arthur Gideon is full of twists and turns and surprises. He is one of

those rare people who can really throw their whole selves into a

cause--lose themselves for it and not care. (Jukie says that's Christian:

I dare say it is: it is certainly seldom enough found in the world, and

that seems to be an essential quality of all the so-called Christian

virtues, as far as one can see.)

Anyhow, Arthur's passion for truth, his passion for the first-rate, and

his distaste for untruth and for the second-rate, seemed to be the

supreme motive forces in him, all the years I have known him, until

just lately.

And then something else came in, apparently stronger than these forces.

Of course, I knew a long time ago--certainly since he left the army--that

he was in love with Jane. I knew it long before he did. It was a queer

feeling, for it went on, apparently, side by side with impatience and

scorn of her. And it grew and grew. Jane's marriage made it worse. She

worked for him, and they met constantly. And at last it got so that we

all saw it.

And all the time he didn't like her, because she was second-rate and

commercial, and he was first-rate and an artist--an artist in the sense

that he loved things for what they were, not for what he could get out of

them. Jane was always thinking, 'How can I use this? What can I get out

of it?' She thought it about the war. So did Johnny. She has always

thought it, about everything. It isn't in her not to. And Arthur knew

it, but didn't care; anyhow he loved her all the same. It was as if his

reason and judgment were bowled over by her charm and couldn't help him.

2

The evening after Oliver Hobart's death, Arthur came in to see me,

about nine o'clock. He looked extraordinarily ill and strained, and was

even more restless and jerky than usual. He looked as if he hadn't

slept at all.

I was testing some calculations, and he sat on the sofa and smoked. When

I had finished, he said, 'Katherine, what's your view of this business?'

Of course, I knew he meant Oliver Hobart's death, and how it would affect

Jane. One says exactly what one thinks, to Arthur. So I said, 'It's a

good thing, ultimately, for Jane. They didn't suit. I'm clear it's a good

thing in the end. Aren't you?'

He made a sharp movement, and pushed back his hair from his forehead.

'I? I'm clear of nothing.'

He added, after a moment, 'Is that the way _she_ looks at it, do

you suppose?'

'I do,' I said.

He half winced.

'Then why--why the devil did she marry the poor chap?'

There was an odd sort of appeal in his voice; appeal against the cruelty

of fate, perhaps, or the perverseness of Jane.

I told him what I thought, as clearly as I could.

'She got carried away by the excitement of her life in Paris, and he was

all mixed up with that. I think she felt she would, in a way, be carrying

on the excitement and the life if she married him. And she was knocked

over by his beauty. Then, when the haze and glamour had cleared away, and

she was left face to face with him as a life companion, she found she

couldn't do with him after all. He bored her and annoyed her more and

more. I don't know how long she could have gone on with it; she never

said anything, to me about it. But, now this has happened, what might

have become a great difficulty is solved.'

'Solved,' he repeated, in a curious, dead voice, staring at the floor. 'I

suppose it is.'

He was silent for quite five minutes, sitting quite still, with his black

eyes absent and vacant, as if he were very tired. I knew he was trying to

think out some problem, and I supposed I knew what it was. But I couldn't

account then for his extreme unhappiness.

At last he said, 'Katherine. This is a mess. I can't tell you about it,

but it is a mess. Jane and I are in a mess.... Oh, you've guessed,

haven't you, about Jane and me? Juke guessed.'

'Yes. I guessed that before Jukie did. Before you did, as a matter of

fact.'

'You did?' But he wasn't much interested. 'Then you _see_ ...'

'Not altogether, Arthur. I can't see it's a mess, exactly. A shock, of

course ...'

He looked at me for a moment, as if he were adjusting his point of

view to mine.

'Well, no. You wouldn't see it, of course. But there's more to this than

you know--much more. Anyhow, please take my word for it that it _is_ a

mess. A ghastly mess.'

I took his word for it. As there didn't seem to be any comment to make, I

made none, but waited for him to go on. He went on.

'And what I wanted to ask you, Katherine, was, can you look after Jane a

little? She'll need it; she needs it. She's got to get through it

somehow.... And that family of hers always buzzing round.... If we could

keep Lady Pinkerton off her ...'

'You want me to mix a poison for Lady P?' I suggested.

Arthur must have been very far through, for he actually started.

'Oh, Heaven forbid.... One sudden death in the family is enough at a

time,' he added feebly, trying to smile.

'Well,' I said, 'I'll do my best to see after Jane and to counteract the

family.... I've not gone there or written, or anything yet, because I

didn't want to butt in. But I will.'

'I wish she'd come back here and live with you,' he said.

To soothe him, I said I would ask her.

For nearly an hour longer he stayed, not talking much, but smoking hard,

and from time to time jerking out a disconnected remark. I think he

hardly knew what he was saying or doing that evening; he seemed dazed,

and I noticed that his hands were shaking, as if he was feverish, or

drunk, or something.

When at last he went, he held my hand and wrung it so that it hurt;

this was unusual, too, because we never do shake hands, we meet much

too often.

I thought it over and couldn't quite understand it all. It even occurred

to me that it was a little Potterish of Arthur to make a conventional

tragic situation out of what he couldn't really mind very much, and to

make out that Jane was overwhelmed by what, I believed, didn't really

overwhelm her. But that didn't do. Arthur was never Potterish. There

must, therefore, be more to this than I understood.

Unless, of course, it was merely that Arthur was afraid of the effects of

the shock and so on, on Jane's health, because she had a baby coming. But

somehow that didn't really meet the situation. I remembered Arthur's

voice when he said, 'There's more to it than you know.... It _is_ a mess.

A ghastly mess.'

And another rather queer thing I remembered was that, all through the

evening, he hadn't once met my eyes. An odd thing in Arthur, for he has a

habit of looking at the people he is talking to very straight and hard,

as if to hold their minds to his by his eyes.

Well, I supposed that in about a year those two would marry, anyhow. And

then they would talk, and talk, and talk.... And Arthur would look at

Jane not only because he was talking to her, but because he liked to look

at her.... They would be all right then, so why should I bother?

3

I went to see Jane, but found Lady Pinkerton in possession. I saw Jane

for five minutes alone. She was much as I had expected, calm and rather

silent. I asked her to come round to the flat any evening she could. She

came next week, and after that got into the way of dropping in pretty

often, both in the evenings, when I was at home, and during the day, when

I was at the laboratory. She said, 'You see, old thing, mother has got it

into her head that I need company. The only way I can get out of it is to

say I shall be here.... Mother's rather much just now. She's got the

Other Side on the brain, and is trying to put me in touch with it. She

reads me books called _Letters from the Other Side_, and _Hands Across

the Grave_, and so on. And she talks ...'

Jane pushed back her hair from her forehead and leant her head on her

hand.

'In what mother calls "my condition,"' she went on, 'I don't think I

ought to be worried, do you? I wish baby would come at once, so that I

shouldn't be in a condition any more.... I'm really awfully fond of baby,

but I shall get to hate it if I'm reminded of it much more.... What a

rotten system it is, K. Why haven't we evolved a better one, all these

centuries?'

I couldn't imagine why, except for the general principle that as the

mental equipment of the human race improves, its physical qualities

apparently deteriorate.

'And where will that land us in the end?' Jane speculated. 'Shall we be a

race of clever crocks, or shall we give up civilisation and education and

be robust imbeciles?'

'Either,' I said, 'will be an improvement on the present régime, of

crocky imbeciles.'

We would talk like that, of things in general, in the old way. Jane,

indeed, would have moods in which she would talk continuously, and I

would suddenly think, watching her, 'You're trying to hide from

something--to talk it down.'

4

And then one evening Arthur and she met at my flat. Jane had been having

supper with me, and Arthur dropped in.

Jane said, 'Hallo, Arthur,' and Arthur said, 'Oh, hallo,' and I saw

plainly that the last person either had wanted to meet was the other.

Arthur didn't stay at all. He said he had come to speak to me about a

review he wanted me to do. It wasn't necessary that he should speak to me

about it at all; he had already sent me the book, and I hadn't yet read

it, and it was on a subject he knew nothing at all about, and there was

nothing whatever to say. However, he succeeded in saying something, then

went away.

Jane had hardly spoken to him or looked at him. She was reading an

evening paper.

She put it down when he had gone.

'Does Arthur come in often?' she asked me casually, lighting another

cigarette.

'No. Sometimes.'

After a minute or two, Jane said, 'Look here, K, I'll tell you something.

I'm not particularly keen on meeting Arthur for the present. Nor he me.'

'That's not exactly news, my dear.'

'No; it fairly stuck out just now, didn't it? Well, the fact is, we both

want a little time to collect ourselves, to settle how we stand....

Sudden deaths are a bad jar, K. They break things up.... Arthur and I

were more friends than Oliver liked, you know. He didn't like Arthur, and

didn't like my going about with him.... Oh, well, you know all that as

well as I do, of course.... And now he's dead.... It seems to spoil

things a bit.... I hate meeting Arthur now.'

And then an extraordinary thing happened. Jane, whom I had never seen

cry, broke down quite suddenly and cried. Of course it would have seemed

quite natural in most people, but tears are as surprising in Jane as they

would be in me. They aren't part of her equipment. However, she was out

of health just now, of course, and had had a bad shock, and was

emotionally overwrought; and, anyhow, she cried.

I mixed her some sal volatile, which, I understand, is done in these

crises. She drank it, and stopped crying soon.

'Sorry to be such an ass,' she said, more in her normal tone. 'It's this

beastly baby, I suppose.... Well, look here, K, you see what I mean.

Arthur and I don't want to meet just now. If he's likely to come in much,

I must give up coming, that's all.'

'I'll tell him,' I said, 'that you're often here. If he doesn't want to

meet you either, that ought to settle it.'

'Thanks, old thing, will you?'

Jane was the perfect egotist. If it ever occurred to her that possibly

Arthur would like to see me sometimes, and I him, she would not think it

mattered. She wanted to come to my flat, and she didn't want to meet

Arthur; therefore Arthur mustn't come. Life's little difficulties are

very simply arranged by the Potter twins.

5

Then, for nine days, we none of us thought or talked much about anything

but the railway strike. The strike was rather like the war. The same old

cries began again--carrying on, doing one's bit, seeing it through,

fighting to a finish, enemy atrocities (only now they were called

sabotage), starving them out, gallant volunteers, the indomitable

Britisher, cheeriest always in disaster (what a hideous slander!),

innocent women and children. I never understood about these, at least

about the women. Why is it worse that women should suffer than men? As

to innocence, they have no more of that than men. I'm not innocent,

particularly, nor are the other women I know. But they are always

classed with children, as sort of helpless imbeciles who must be kept

from danger and discomfort. I got sick of it during the war. The people

who didn't like the blockade talked about starving women and children,

as if it was somehow worse that women should starve than men. Other

people (quite other) talked of our brave soldiers who were fighting to

defend the women and children of their country, or the dastardly air

raids that killed women and children. Why not have said

'non-combatants,' which makes sense? There were plenty of male

non-combatants, unfit or over age or indispensable, and it was quite as

bad that they should be killed--worse, I suppose, when they were

indispensable. Very few women or children are that.

So now the appeal to strikers which was published in the advertisement

columns of the papers at the expense of 'a few patriotic citizens'

said, 'Don't bring further hardship and suffering upon the innocent

women and children.... Save the women and children from the terror of

the strike.' Fools.

In another column was the N.U.R. advertisement, and that was worse. There

was a picture of a railwayman looking like a consumptive in the last

stages, and embracing one of his horrible children while his more

horrible wife and mother supported the feeble heads of others, and under

it was written, 'Is this man an anarchist? He wants a wage to keep his

family,' and it was awful to think that he and his family would perhaps

get the wage and be kept after all. The question about whether he was an

anarchist was obviously unanswerable without further data, as there was

nothing in the picture to show his political convictions; they might,

from anything that appeared, have been liberal, tory, labour, socialist,

anarchist, or coalition-unionist. And anyhow, supposing that he had been

an anarchist, he would still, presumably, have wanted a wage to keep his

family. Anarchists are people who disapprove of authority, not of wages.

The member of the N.U.R. who composed that picture must have had a

muddled mind. But so many people have, and so many people use words in an

odd sense, that you can't find in the dictionary. Bolshevist, for

instance. Lloyd George called the strikers Bolshevists, so did plenty of

other people. None of them seem to have any very clear conception of the

political convictions of the supporters of the Soviet government in

Russia. To have that you would need to think and read a little, whereas

to use the word as a vague term of abuse, you need only to feel, which

many people find much easier. Some people use the word capitalist in the

same way, as a term of abuse, meaning really only 'rich person.' If they

stopped to think of the meaning of the word, they would remember that it

means merely a person who uses what money he has productively, instead of

hoarding it in a stocking.

But 'capitalist' and 'Bolshevist' were both flung about freely during the

strike, by the different sides. Emotional unrest, I suppose. People get

excited, and directly they get excited they get sentimental and confused.

The daily press did, on both sides. I don't know which was worse. The

Pinkerton press blossomed into silly chit-chat about noblemen working on

under ground trains. As a matter of fact, most of the volunteer workers

were clerks and tradesmen and working men, but these weren't so

interesting to talk about, I suppose.

The _Fact_ became more than ever precise and pedantic and clear-headed,

and what people call dull. It didn't take sides: it simply gave, in more

detail than any other paper, the issues, and the account of the

negotiations, and had expert articles on the different currents of

influence on both sides. It didn't distort or conceal the truth in either

direction.

I met Lady Pinkerton one evening at Jane's. She would, of course, come up

to town, though the amateur trains were too full without her. She said,

'Of course They hate us. They want a Class War.'

Jane said, 'Who are They, and who are Us?' and she said 'The working

classes, of course. They've always hated us. They're Bolshevists at

heart. They won't be satisfied till they've robbed us of all we have.

They hate us. That is why they are striking. We must crush them this

time, or it will be the beginning of the end.'

I said, 'Oh. I thought they were striking because they wanted the

principle of standardisation of rates of wages for men in the same grade

to be applied to other grades than drivers and firemen.'

Lady Pinkerton was bored. I imagine she understands about hate and love

and envy and greed and determination, and other emotions, but not much

about rates of wages. So she likes to talk about one but not about the

other. All, for instance, that she knows about Bolshevism is its

sentimental side--how it is against the rich, and wants to nationalise

women and murder the upper classes. She doesn't know about any of the

aspects of the Bolshevist constitution beyond those which she can take in

through her emotions. She would find the others dull, as she finds

technical wage questions. That's partly why she hates the _Fact_. If she

happened to be on the other side, she would talk the same tosh, only use

'capitalist' for 'Bolshevist.'

She said, 'Anyhow, whatever the issue, the blood of the country is up. We

must fight the thing through. It is splendid the way the upper classes

are stepping into the breach on the railways. I honour them. I only hope

they won't all be murdered by these despicable brutes.'

That was the way she talked. Plenty of people did, on both sides.

Especially, I am afraid, innocent women. I suppose they were too innocent

to talk about facts.

After all, the country didn't have to fight the thing through for very

long, and there were no murders, for the strike ended on October the 5th.

6

That same week, Jukie came in to see me. Jukie doesn't often come,

because his evenings are apt to be full. A parson's work seems to be like

a woman's, never done. From 8 to 11 p.m. seems to be one of the great

times for doing it. Probably Jukie had to cut some of it the evening he

came round to Gough Square.

I always like to see Jukie. He's entertaining, and knows about such queer

things, that none of the rest of us know, and believes such incredible

things, that none of the rest of us believe. Besides, like Arthur, he's

all out on his job. He's still touchingly full of faith, even after all

that has and hasn't happened, in a new heaven and a new earth. He

believed at that time that the League of Nations was going to kill war,

that the Labour Party were going to kill industrial inequity, that the

country was going to kill the Coalition Government, that the Christian

Church was going to kill selfishness, that some one was going to kill

Horatio Bottomley, and that we were all going to kill Potterism. A

perfect orgy of murders, as Arthur said, and all of them so improbable.

Jukie is curate in a slummy parish near Covent Garden. He succeeds,

apparently, in really being friends--equal and intimate friends--with a

lot of the men in his parish, which is queer for a person of his kind. I

suppose he learnt how while he was in the ranks. He deserved to; Arthur

told me that he had persistently refused promotion because he wanted to

go on living with the men; and that's not a soft job, from all accounts,

especially for a clean and over-fastidious person like Jukie. Of course

he's very popular, because he's very attractive. And, of course, it's

spoilt him a little. I never knew a very popular and attractive person

who wasn't a little spoilt by it; and in Jukie's case it's a pity,

because he's too good for that sort of thing, but it hasn't really

damaged him much.

He came in that evening saying, 'Katherine, I want to speak to you,' and

sat down looking rather worried and solemn. He plunged into it at once,

as he always does.

'Have you heard any talk lately about Gideon?' he asked me.

'Nothing more interesting than usual,' I said. 'But I seldom hear talk. I

don't mix enough. We don't gossip much in the lab, you know. I look to

you and my Fleet Street friends for spicy personal items. What's the

latest about Arthur?'

'Just this,' he said. 'People are going about saying that he pushed

Hobart downstairs.'

I felt then as if I had known all along that of course people were

saying that.

'Then why isn't he arrested?' I asked stupidly.

'He probably will be, before long,' said Jukie. 'There's no evidence yet

to arrest him on. At present it's merely talk, started by that Pinkerton

woman, and sneaking about from person to person in the devilish way such

talk does.... I was with Gideon yesterday, and saw two people cut him

dead.... You see, it's all so horribly plausible; every one knows they

hated each other and had just quarrelled; and it seems he was there that

night, just before it happened. He went home with Jane.'

I remembered that they had left my place together. But neither Arthur

nor Jane had told me that he had gone home with her.

'The inquest said it was accidental,' I said, protesting against

something, I didn't quite know what.

Jukie shrugged his shoulders.

'That's not very likely to stop people talking.'

He added after a moment, 'But it's got to be stopped somehow.... I went

to an awful bazaar this afternoon, on purpose to meet that woman. I met

her. I spoke to her. I told her to chuck it. She as good as told me she

wasn't going to. I mentioned the libel law--she practically dared Gideon

to use it against her. She means to go on. She's poisoning the air with

her horrible whispers and slanders. Why can't some one choke her? What

can we do about it, that's the question? Ought one of us to tell Gideon?

I'm inclined to think we ought.'

'Are you sure he doesn't know it already?'

'No, I'm not sure. Gideon knows most things. But the person concerned is

usually the last to hear such talk. And, in case he has no suspicion, I

think we should tell him.'

'And get him to issue, through the _Fact_, a semi-official declaration

that "the whole story is a tissue of lies."'

Then I wished I hadn't used that particular phrase. It was an unfortunate

one. It suggested a similarity between Lady Pinkerton's story and Mr.

Bullitt's, between Arthur Gideon's denial and Lloyd George's.

Jukie's eyes met mine swiftly, not dreamy and introspective as usual, but

keen and thoughtful.

'Katherine,' he said, 'we may as well have this out. It won't hurt Gideon

here. _Is_ it a lie? I believe so, but, frankly, I don't feel certain. I

don't know what to think. Do you?'

I considered it, looking at it all ways. The recent past, Arthur's

attitude and Jane's, were all lit up by this horrible flare of light

which was turned upon them.

'No,' I said at last. 'I don't know, either.... We can't assume for

certain that it is a lie.'

Jukie let out a long breath, and leant forward in his chair, resting his

head on his hands.

'Poor old Gideon,' he said. 'It might have happened, without any

intention on his part. If Hobart found him there with Jane ... and if

they quarrelled ... Gideon's got a quick temper, and Hobart always made

him see red.... He might have hit him--pushed him down, without meaning

to injure him--and then it would be done. And then--if he did it--he must

have left the house at once ... perhaps not knowing he'd killed him.

Perhaps he didn't know till afterwards. And then Jane might have asked

him not to say anything ... I don't know. I don't know. Perhaps it's

nonsense; perhaps it _is_ a tissue of lies. I hope to God it is.... I

only know one thing that makes me even suspect it may be true, and that

is that Gideon has been absolutely miserable, and gone about like a man

half stunned, ever since it happened. _Why_?'

He shot the question at me, hoping I had some answer. But I had none. I

shook my head.

'Well,' said Jukie sadly, 'it isn't, I suppose, our business whether he

did or didn't do it. That's between him and--himself. But it _is_ our

business, whether he's innocent or guilty, to put him on his guard

against this talk. It's for you or me to do that, Katherine. Will you?'

'If you like.'

'I'd rather you did it, if you will ... I think he's less likely to

think that you're trying to find things out.... You see, I warned him

once before, about another thing, and he might think I was linking it in

my mind with that.'

'With Jane,' I said, and he nodded.

'Yes. With Jane ... I spoke to him about Jane a few days before it

happened. I thought it might be some use. But I think it only made things

worse.... I'd rather leave this to you, unless you hate it too much....

Oh, it's all pretty sickening, isn't it? Gideon--_Gideon_ in this sort of

mess. Gideon, the best of the lot of us.... You see, even if it's all

moonshine about Hobart, as I'm quite prepared to believe it probably is,

he's gone and given plausibility to the yarn by falling in love with

Hobart's wife. Nothing can get round that. Why couldn't he have chucked

it--gone away--anything--when he felt it coming on? A strong, fine, keen

person like that, to be bowled over by his sloppy emotions and dragged

through the mud, like any beastly sensualist, or like one of my own

cheery relations.... I'd rather he'd done Hobart in. There'd have been

some sense about that, if he had. After all, it would have been striking

a blow against Potterism. Only, if he did do it, it would be more like

him to face the music and own to it. What I can't fit into the picture is

Gideon sneaking away in the dark, afraid ... Oh well, it's not my

business ... Good-night, Katherine. You'll do it at once, won't you? Ring

him up to-morrow and get him to dine with you or something. If there's

any way of stopping that poisonous woman's tongue, we'll find it....

Meanwhile, I shall tell our parish workers that Leila Yorke's works are

obscene, and that they're not to read them to mother's meetings as is

their habit.'

I sat up till midnight, wondering how on earth I was going to put it

to Arthur.

7

I didn't dine with Arthur. I thought it would last too long, and that he

might want me to go, and that I should certainly want to go, after I had

said what I had to say. So I rang him up at the office and asked if he

could lunch. Not at the club; it's too full of people we know, who keep

interrupting, and who would be tremendously edified at catching murmurs

about libel and murder and Lady Pinkerton being poisoned. So I said the

Temple Bar restaurant in Fleet Street, a disagreeable place, but so noisy

and crowded that you can say what you like unheard--unheard very often by

the person you are addressing, and certainly by every one else.

We sat downstairs, at a table at the back, and there I told him, in what

hardly needed to be an undertone, of the rumours that were being

circulated about him. I felt like a horrid woman in a village who repeats

spiteful gossip and says, 'I'm telling you because I think you ought to

know what's being said.' As a matter of fact, this was the one and only

case I have ever come across in which I have thought the person concerned

ought to know what was being said. As a rule, it seems the last thing

they ought to know.

He listened, staring at the tablecloth and crumbling his bread.

'Thank you,' he said, 'for telling me. As a matter of fact, I knew.

Or, anyhow, guessed.... But I'm not sure that anything can be done

to stop it.'

'Unless,' I said, looking away from him, 'you could find grounds for a

libel action. You might ask a lawyer.'

'No,' he returned quickly. 'That's quite impossible. Out of the

question.... There are no grounds. And I wouldn't if there were. I'm not

going to have the thing made a show of in the courts. It's exactly what

the Pinkertons would enjoy--a first-class Pinkerton scoop. No, I shall

let it alone.'

'Is there no way of stopping it, then?' I asked.

'Only one,' he murmured, absently, beneath his breath, then caught

himself up. 'I don't know. I think not.'

I didn't make any further suggestions. What was the good of

advising him to remonstrate with the Pinkertons? If they were

lying, it was the obvious course. If they weren't, it was an

impossible one. I let it alone.

Arthur was frowning as he ate cold beef.

'There's one thing,' he said. 'Does Jane know what is being said? Do you

suppose her parents have talked about it to her?'

I said I didn't know, and he went on frowning. Then he murdered a wasp

with his knife--a horrible habit at meals, but one practised by many

returned soldiers, who kill all too readily. I suppose after killing all

those Germans, and possibly Oliver Hobart, a wasp seems nothing.

'Well,' he said absently, when he was through with the wasp, 'I don't

know. I don't know,' and he seemed, somehow, helpless and desperate, as

if he had come to the end of his tether.

'I must think it over,' he said. And then he suddenly began to talk about

something else.

8

Arthur's manner, troubled rather than indignant, had been against him. He

had dismissed the idea of a libel action, and not proposed to confront

his libellers in a personal interview. Every circumstance seemed against

him. I knew that, as I walked back to the laboratory after lunch.

And yet--and yet.

Well, perhaps, as Jukie would say, it wasn't my business. My business at

the moment was to carry on investigations into the action of

carbohydrates. Arthur Gideon had nothing to do with this, nor I with his

private slayings, if any.

I wrote to Jukie that evening and told him I had warned Arthur, who

apparently knew already what was being said, but didn't seem to be

contemplating taking any steps about it.

So that was that.

Or so I thought at the time. But it wasn't. Because, when I had posted my

letter to Jukie, and sat alone in my room, smoking and thinking, at last

with leisure to open my mind to all the impressions and implications of

the day (I haven't time for this in the laboratory), I began to fumble

for and find a new clue to Arthur's recent oddness. For twenty-four hours

I had believed that he had perhaps killed Oliver Hobart. Now, suddenly I

didn't. But I was clear that there was something about Oliver Hobart's

death which concerned him, touched him nearly, and after a moment it

occurred to me what it might be.

'He suspects that Jane did it,' I said, slowly and aloud. 'He's trying to

shield her.'

With that, everything that had seemed odd about the business became

suddenly clear--Arthur's troubled strangeness, Jane's dread of meeting

him, her determined avoidance of any reference to that night, her sudden

fit of crying, Arthur's shrinking from the idea of giving the talk

against him publicity by a libel action, his question, 'Does Jane know?'

his remark, to himself, that there was only one way of stopping it. That

one way, of course, would be to make Jane tell her parents the truth, so

that they would be silenced for ever. As it was, the talk might go on,

and at last official investigations might be started, which would lead

somehow to the exposure of the whole affair. The exposure would probably

take the form of a public admission by Jane; I didn't think she would

stand by and see Arthur accused without speaking out.

So I formed my theory. It was the merest speculation, of course. But it

was obvious that there was something in the manner of Oliver Hobart's

death which badly troubled and disturbed both Arthur and Jane. That being

so, and taking into account their estrangement from one another, it was

difficult not to be forced to the conclusion that one of them knew, or

anyhow guessed, the other to have caused the accident. And, knowing them

both as I did, I believed that if Arthur had done it he would have owned

to it. Wouldn't one own to it, if one had knocked a man downstairs in a

quarrel and killed him? To keep it dark would seem somehow cheap and

timid, not in Arthur's line.

Unless Jane had asked him to; unless it was for her sake.

It occurred to me that the thing to do was to go straight to Jane and

tell her what was being said. If she didn't choose to do anything about

it, that was her business, but I was determined she should know.

9

An hour later I was in Jane's drawing-room. Jane was sitting at her

writing-table, and the room was dim except for the light from the

reading-lamp that made a soft bright circle round her head and shoulders.

She turned round when I came in and said, 'Hallo, K. What an unusual

hour. You must have something very important to say, old thing.'

'I have rather,' I said, and sat down by her. 'It's this, Jane. Do you

know that people are saying--spreading it about--that Arthur killed

your husband?'

It was very quiet in the room. For a moment I heard nothing but the

ticking of a small silver clock on the writing-table. Jane sat quite

still, and stared at me, not surprised, not angry, not shocked, but with

a queer, dazed, blind look that reminded me of Arthur's own.

Then I started, because some one in the farther shadows of the room drew

a long, quivering breath and said 'Oh,' on a soft, long-drawn note.

Looking round, I saw Clare Potter. She had just got up from a chair, and

was standing clutching its back with one hand, looking pale and sick, as

if she was going to faint.

I hadn't, of course, known Clare was there, or I wouldn't have said

anything. But I was rather irritated; after all, it wasn't her business,

and I thought it rather absurd the way she kept up her attitude of not

being able to bear to hear Oliver Hobart's death mentioned.

I got up to go. After all, I had nothing more to say. I didn't want to

stop and pry, only to let Jane know.

But as I turned to go, I remembered that I had one more thing to say.

'It was Lady Pinkerton who started it and who is keeping it up,' I told

Jane. 'Can you--somehow--stop her?'

Jane still stared at me, stupidly. After a moment she half whispered,

slowly, 'I--don't--know.'

I stood looking at her for a second, then I went, without any more words.

All the way home I saw those two white faces staring at me, and heard

Jane's whisper 'I--don't--know....'

I didn't know, either.

I only knew, that evening, one thing--that I hated Jane, who had got

Arthur into this mess, and 'didn't know' whether she could get him out of

it or not.

And I may as well end what I have got to tell by saying something which

may or may not have been apparent to other people, but which, anyhow, it

would be Potterish humbug on my part to try to hide. For the last five

years I had cared for Arthur Gideon more than for any one else in the

world. I saw no reason why I shouldn't, if I liked. It has never damaged

any one but myself. It has damaged me in two ways--it has made it

sometimes difficult to give my mind to my work, and it has made me,

often, rather degradingly jealous of Jane. However, you would hardly (I

hope) notice it, and anyhow it can't be helped.

PART V:

TOLD BY JUKE (IN HIS PRIVATE JOURNAL)

GIVING ADVICE

1

It is always rather amusing dining at Aylesbury House, with my

stimulating family. Especially since Chloe, my present stepmother,

entered it, three years ago. Chloe is great fun; much more entertaining

than most variety artists. I know plenty of these, because Wycombe, my

eldest brother, introduces them to me. As a class they seem pleasant and

good-humoured, but a little crude, and lacking in the subtler forms of

wit or understanding. After an hour or so of their company I want to

yawn. But Chloe keeps me going. She is vulgar, but racy. She is also very

kind to me, and insists on coming down to help with theatrical

entertainments in the parish. It is so decent of her that I can't say no,

though she doesn't really fit in awfully well with the O.U.D.S. people,

and the Marlowe Society people, and the others whom I get down for

theatricals. In fact, Elizabethan drama isn't really her touch. However,

the parish prefers Chloe, I need hardly say.

I dined there on Chloe's birthday, October 15th, when we always have a

family gathering. Family and other. But the family is heterogeneous

enough to make quite a good party in itself. It was represented on that

particular evening by my father and Chloe, my young sister Diana, my

brothers Wycombe and Tony, Tony's wife, myself, my uncle Monsignor Juke,

my aunt the Marchesa Centurione and a daughter, and my Aunt Cynthia, who

had recently, on her own fiftieth birthday, come out of a convent in

which she had spent twenty-five years and was preparing to see Life.

Besides the family, there were two or three theatrical friends of

Chloe's, and two friends of my father's--a youngish literary man called

Bryan, and the cabinet minister to whom Tony was secretary, but whom I

will not name, because he might not care for it to be generally known

that he was an inmate of so fast a household.

My Aunt Cynthia, having renounced her vows, and having only a

comparatively short time in which to enjoy the world, the flesh and the

devil, is making the most of it. She has only been out of her convent a

year, but is already a spring of invaluable personal information about

men and manners. She knows everything that is being said of everybody

else, and quite a lot that hasn't even got as far as that. Her Church

interests (undiminished in keenness) provide a store of tales

inaccessible to most of my family and their set (except my Uncle

Ferdinand, of course, and his are mostly Roman not Anglican). Aunt

Cynthia has a string of wonderful stories about Cowley Fathers biting

Nestorian Bishops, and Athelstan Riley pinching Hensley Henson, and so

forth. She is as good as Ronnie Knox at producing or inventing them. I'm

not bad myself, when I like, but Aunt Cynthia leaves me out of sight.

This evening she was full of vim. She usually talks at the top of a very

high and strident voice (I don't know what they did with it at the

convent), and I suddenly heard her screaming to the cabinet minister,

'Haven't you heard _that_? Oh, everybody's quoting it in Fleet Street,

aren't they, Mr. Bryan? But I suppose you never go to Fleet Street, Mr.

Blank; it's so important, isn't it, for the government not to get mixed

up with the press. Well, I'll tell it you.

'There was a young journalist Yid,

Of his foes of the press he got rid

In ways brief and bright,

For, at dead of the night,

He threw them downstairs, so he did.

It's about the late editor of the _Daily Haste_ and Mr. Gideon of the

_Weekly Fact_. No, I don't know who's responsible for it, but I believe

it's perfectly true. They're saying so everywhere now. I believe that

awful Pinkerton woman is going about saying she has conclusive evidence;

it's been revealed from the Beyond, I believe; I expect by poor Mr.

Hobart himself. No, I'm sure she didn't make the limerick; she's not a

poet, only a novelist. Perhaps it came from the Beyond, through

planchette. Anyhow, they say Mr. Gideon will be arrested on a murder

charge very shortly, and that there's no doubt he's guilty.'

I leant across the table.

'_Who's_ saying so, Aunt Cynthia?' I asked her.

Aunt Cynthia hates being asked that about her stories. Of course. Every

one does. I do myself.

Aunt Cynthia looked at me with her childlike convent stare.

'My dear Laurie, how can I remember who says anything, with every one

saying everything all the time? Who? Why, all sorts of people.... Aren't

they, Chloe?'

Chloe, who was showing a spoon and glass trick to the Monsignor, said,

'Aren't who what?'

'Isn't every one saying that Arthur Gideon threw Oliver Hobart downstairs

and killed him?'

'I expect so, dear. Never heard of either of the gentlemen myself.

And did he?'

'Of course he did. He's a Jew, and he hated Hobart and his paper like

poison. The _Fact's_ so different, you know. Every one's clear he did

it. Mind you, I don't blame him. The _Daily Haste_ is a vulgar

Protestant rag.'

'The Jew's a dear friend of Laurie's,' put in Wycombe. 'You'd better be

careful, Aunt Cynthia.'

'Oh, Laurie dear,' my aunt cried, 'how tactless of me. But, my dear boy,

are you really friends with a Jew, and you a Christian priest?'

'I'm friends with Gideon. He's a Gentile by religion, by the way; an

ordinary agnostic. Aunt Cynthia, don't go on spreading that nonsense, if

you don't mind. You might contradict it if you hear it again.'

'Very well, dear. I'll say you have good reason to know it isn't true.

I'll say you've been told who did kill Mr. Hobart, only it was under the

seal, so you can't say. Shall I?'

'By all means, if you like.'

Then Aunt Cynthia chased off after another exciting subject, and that was

all about Gideon.

2

I came away early (about eleven, that is, which is very early for one of

Chloe's evenings, which don't end till summer dawn) feeling more worried

than ever about Gideon. If the gossip about him had penetrated from Lady

Pinkerton's circle to my aunt's, it must be pretty widespread. I was

angry with Aunt Cynthia, and a little with every one I had met that

evening. They were so cheerful, so content with things as they were,

finding all the world such a screaming farce.... I sometimes get my

family on my nerves, when I go there straight from Covent Garden and its

slum babies, and see them spending and squandering and being

irresponsible and dissolute and not caring twopence for the way

two-thirds of the world live. There was Wycombe to-night, with a long

story to tell me about his debts and his amours (he's going to be

co-respondent in a divorce case directly), and Chloe, as hard as nails

beneath her pretty ways, and simply out for a good time, and Aunt

Cynthia, with half the gossip of London spouting out of her like a

geyser, and Diana, who might turn out fine beyond description or

degenerate into a mere selfish rake (it won't be my father's and Chloe's

fault if she doesn't do the latter), and my Uncle Ferdinand in purple and

fine linen, a prince of the Church, and Tony already booked for a

political career, with his chief's shady secrets in his keeping to show

him the way it's done. And they bandied about among them the name of a

man who was worth the lot of them together, and repeated silly rhymes

which might hang him.... It was a little more than I could stand.

One is so queer about one's family. I'm inclined to think every one is.

Often I fit in with mine perfectly, and love to see them, and find them

immensely refreshing after Covent Garden and parish shop. And then

another time they'll be on my nerves and I feel glad I'm out of it all.

And another time again I'm jealous of them, and wish I had Wycombe's or

Tony's chances of doing something in the world other than what I am

doing. That, of course, is sheer vulgar covetousness and grab. It comes

on sometimes when I am tired, or bored, and the parish seems stale, and

the conferences and committees I attend unutterably profitless, and I

want more clever people to talk to, and bigger and more educated

audiences to preach to, and I want to have leisure to write more and to

make a name.... It is merely a vulgar disease--a form of Potterism. One

has to face it and fight it out.

But to-night I wasn't feeling that. I wasn't feeling anything very much,

except that Gideon, and all that Gideon stood for, was worth immeasurably

more than anything the Aylesbury lot had ever stood for.

And when I got back, I found a note from Katherine saying that she

had warned Gideon about the talk and that he wasn't proposing to take

any steps.

3

Next morning I had to go to Church House for a meeting. I got the _Daily

Haste_ (which I seldom see) to read in the underground. On the front

page, side by side with murders, suicides, divorces, allied notes, and

Sinn Fein outrages, was a paragraph headed 'The Hobart Mystery. Suspicion

of Foul Play.' It was about how Hobart's sudden death had never been

adequately investigated, and how curious and suspicious circumstances had

of late been discovered in connection with it, and inquiries were being

pursued, and the _Haste_, which was naturally specially interested,

hoped to give more news very soon.

So old Pinkerton was making a journalistic scoop of it. Of course; one

might have known he would.

At my meeting (Pulpit Exchange, it was about) I met Frank Potter. He is a

queer chap--commercial and grasping, like all his family, and dull too,

and used to talk one sick about how little scope he had in his parish,

and so on. Since he got to St. Agatha's he's cheered up a bit, and talks

to me now instead of his big congregations and their fat purses. He's a

dull-minded creature--rather stupid and entirely conventional. He's all

against pulpit exchange, of course; he thinks it would be out of order

and tradition. So it would. And he's a long way keener on order and

tradition than he is on spiritual progress. A born Pharisee, he is

really, and yet with Christianity struggling in him here and there; and

that's why he's rather interesting, in spite of his dullness.

After the meeting I went up to him and showed him the _Haste_.

'Can't this be stopped?' I asked him.

He blinked at it.

'That's what Johnny is up in arms against too,' he said. 'He swears by

this chap who is suspected, and won't hear a word against him.'

'Well,' I said, 'the question is, can Johnny or any one else do anything

to stop it?... I've tried. I spoke to Lady Pinkerton the other day. It

was no use. Can _you_ do anything?'

'I'm afraid not,' he said, rather apathetically. 'You see, my people

believe Gideon killed Hobart, and are determined to press the matter. One

can't blame them, you know, if they really think that. My mother feels

perfectly sure of it, from various bits of evidence she's got hold of,

and won't be happy till the thing is thoroughly sifted. Of course, if

Gideon's innocent, it's best for him, too, to have the thing out, now

it's got so far. Don't you agree?'

'I don't. Why should a man have to waste his time appearing in a criminal

court to answer to a charge of manslaughter or murder which he never

committed? Gideon happens to have other things to do than to make a nine

days' wonder for the press and public.'

I suppose that annoyed Potter rather. He said sharply, 'It's up to the

chap to prove his innocence. Till he does, a great many people will

believe him guilty, I'm afraid.'

'Including yourself, obviously.'

He shrugged his shoulders.

'I've no prejudices either way,' he returned, his emphasis on the

personal pronoun indicating that I, in his opinion, had.

But there he was wrong. I hadn't. I was quite prepared to believe that

Gideon had knocked Hobart downstairs, or that he hadn't. You can't be a

parson, or, indeed, anything else, for long, without learning that decent

men and women will do, at times, quite indecent things, and that the

devil is quite strong enough to make a mess of any human being's life.

You hear of a man that he was in love with another man's wife and hated

her husband and at last killed him in a quarrel--and you think 'A bad

lot.' But he may not be a bad lot at all; he may be a decent chap, full

of ideals and generosity and fine thinking. Sometimes I'm inclined to

agree with the author of that gushing and hysterical book _In Darkest

Christendom and a Way Out_, that the only unforgiveable sin is

exploitation. Exploitation of human needs and human weaknesses and human

tragedies, for one's own profit.... And, as we very nearly all do it, in

one way or another, let us hope that even that isn't quite unforgiveable.

Yes, we nearly all do it. The press exploits for its benefit human

silliness and ignorance and vulgarity and sensationalism, and, in

exploiting it, feeds it. The war profiteers exploited the war.... We all

exploit other people--use their affection, their dependence on us, their

needs and their sins, for our own ends.

And that is deliberate. To knock a fellow human being downstairs in a

quarrel, so that he dies--that may be impulse and accident, and is not so

vile. Even to say nothing afterwards--even that is not so vile.

Still, I would rather, much rather, think that Gideon hadn't done it.

It was odd that, as I was thinking these things, walking up Surrey Street

from the Temple Embankment, I overtook Gideon, who was slouching along in

his usual abstracted way.

I touched his arm and spoke to him. He gave me his queer,

half-ironical smile.

'Hallo, Jukie.... Where are you bound?... By the way, did you by chance

see the _Haste_ this morning?'

'Not by chance. That doesn't happen with me and the _Haste_. But I saw

it.'

'They obviously mean business, don't they. The sleuth-hound touch. I

expect to be asked for my photograph soon, for the _Pink Pictorial_ and

the _Sunday Rag_. I must get a nice one taken.'

I suppose I looked as I felt, for he said in a different tone, 'Don't

worry, old man. There's nothing to be done. We must just let this thing

take its course.'

I couldn't say anything, because there was nothing to say that wouldn't

seem like asking him questions, or trying to make him admit or deny the

thing to me. I wanted to ask him if he couldn't produce an alibi and blow

the ridiculous story to the four winds. But--suppose he couldn't...?

So I said nothing but, 'Well, let me know if ever I can be any use,' and

we parted at the top of Surrey Street.

4

We have evensong at five at St. Christopher's. No one conies much. The

people in the parish aren't the weekday church sort. Those among them who

come to church at all mostly confine their energies to evening service on

Sundays, though a few of them consent to turn up at choral mass at

eleven. And, by means of guilds and persuasion, we've induced a good many

of the lads and girls to come to early mass sometimes. The vicar gets

discouraged at times, but not so much as most vicars would, because he

more or less agrees with me in not thinking church-going a test of

Christianity. The vicar is one of the cleverest and most original parsons

in the Church, in my opinion. He has a keen, shrewd, practical insight

into the distinction between essentials and non-essentials. He is popular

in the parish, but I don't think the people understand, as a rule, what

he is getting at.

Anyhow, the only people who usually came to our week-day services were a

few church workers and an elderly lady or two who happened to be passing

and dropped in. The elderly ladies who lived in the parish were much too

busy for any such foolishness.

But this evening--the evening of the day I had met Gideon--there was a

girl in church. She was rather at the back, and I didn't see who it was

till I was going out. Then she stopped me at the door, and I saw that it

was Clare Potter. I knew Clare Potter very slightly, and had never found

her interesting. I had always believed her to be conventional and

commonplace, without the brains of the twins or even the mild

spirituality of Frank.

But I was startled by her face now; it was white and strained, and

emotion wavered pitifully over it.

'Please,' she said, 'will you hear my confession?'

'I'm very sorry,' I told her, 'but I can't. I'm still in deacon's

orders.'

She seemed disappointed.

'Oh! Oh dear! I didn't know....'

I was puzzled. Why had she pitched on me? Hadn't she, I wondered, a

regular director, or was it her first confession she wanted to make? I

began something about the vicar being always glad ... But she stopped me.

'No, please. It must be you. There's a reason.... Well, if you can't hear

my confession, may I tell you something in private, and get your advice?'

'Of course,' I said.

'Now, at once, if you've time.... It's very urgent.'

I had time, and we went into the vestry.

She sat down, and I waited for her to speak. She wasn't nervous, or

embarrassed, as most people are in these interviews. Two things occurred

to me about her; one was that she was, in a way, too far through, too

mentally agitated, to be embarrassed; the other was that she was, quite

unconsciously, posing a little, behaving as the heroine of one of her

mother's novels might have behaved. One knows the situation in

fiction--the desperate girl appealing out of her misery to the Christian

priest for help. So many women have this touch of melodrama, this sense

of a situation.... I believed that she was, as she sat there, in these

two conditions simultaneously, exactly as I was simultaneously analysing

her and wanting to be of what service I could.

She leant forward across the vestry table, locking and unlocking

her hands.

'This is quite private, isn't it,' she said. 'As private as if...?'

'Quite,' I told her.

She drew a long, shivering breath, and leant her forehead on her

clasped hands.

'You know,' she said, so low that I had to bend forward to catch it,

'what people are saying--what my people suspect about--about Oliver

Hobart's death.'

'Yes, I know.'

'Well--it wasn't Mr. Gideon.'

'You know that?' I said quickly. And a great relief flooded me. I hadn't

known, until that moment, because I had driven it under, how large a part

of my brain believed that Gideon had perhaps done this thing.

'Yes,' she whispered. 'I know it ... Because I know--I know--who did it.'

In that moment I felt that I knew too, and that Gideon knew, and that I

ought to have guessed all along.

I said nothing, but waited for the girl's next word, if she had a next

word to say. It wasn't for me to question her.

And then, quite suddenly, she gave a little moan of misery and broke into

passionate tears.

I waited for a moment, then I got up and poured her out a glass of water.

It must have been pretty bad for her. It must have been pretty bad all

this time, I thought, knowing this thing about her sister.

She drank the water, and became quieter.

'Do you want to tell me any more?' I asked her, presently.

'Oh, I do, I do. But it's so difficult ... I don't know how to tell

you.... Oh, God ... It was _I_ that killed him!'

'Yes?' I said, after a moment, gently, and without apparent surprise. One

learns in parish work not to start, however much one may be startled. I

merely added a legitimate inquiry. 'Why was that?'

She gulped. 'I want to tell you everything. I _want_ to.'

I was sure she did. She had reached the familiar pouring-out stage. It

was obviously going to be a relief to her to spread herself on the

subject. I am pretty well used to being told everything, and at times a

good deal more, and have learnt to discount much of it. I looked away

from her and prepared to listen, and to give my mind to sifting, if I

could, the fact from the fancy in her story. This is a special art, and

one which all parsons do well to learn. I have heard my vicar on the

subject of women's confessions.

'Women--women. Some of them will invent any crime--give themselves away

with both hands--merely to make themselves interesting. Poor things, they

don't realise how tedious sin is. One has to be on one's guard the whole

time, with that kind.'

I deduced that Clare Potter might possibly be that kind. So I listened

carefully, at first neither believing nor disbelieving.

'It's difficult to tell you,' she began, in a pathetic, unsteady voice.

'It hurts, rather ...'

'No, I think not,' I corrected her. 'It's a relief, isn't it?'

She stared at me for a moment, then went on, 'Yes, I _want_ to tell. But

it hurts, all the same.'

I let her have it her own way; I couldn't press the point. She really

thought it did hurt. I perceived that she had, like so many people, a

confused mind.

'Go on,' I said.

'I must begin a long way back.... You see, before Oliver fell in love

with Jane, he ... he cared a little for me. He really did, Mr. Juke. And

he made me care for him.' Her voice dropped to a whisper.

This was truth. I felt no doubt as to that.

'Then ... then Jane came, and took him away from me. He fell in love with

her ... I thought my heart would break.'

I didn't protest against the phrase, or ask her to explain it, because

she was unhappy. But I wish people wouldn't use it, because I don't know,

and they don't know, what they mean by it. 'I thought I should be very

unhappy,' is that the meaning? No, because they are already that. 'I

thought my heart--the physical organ--would be injuriously affected to

the point of rupture.' No; I do not believe that is what they mean.

Frankly, I do not know. There should be a dictionary of the phrases in

common use.

However, it would have been pedantic and unkind to ask Miss Potter, who

could probably explain no phrases, to explain this.

She went on, crying a little again.

'I couldn't stop caring for him all at once. How could I? I suppose

you'll despise me, Mr. Juke, but I just couldn't help going on loving

him. It's once and for ever with me. Oh, I expect you think it was

shameful of me!'

'Shameful? To love? No, why? It's human nature. You had bad luck,

that's all.'

'Oh, I did.... Well, there it was, you see. He was married to Jane, and I

cared for him so much that I could hardly bear to go to the house and see

them together.... Oh, it wasn't my fault; he _made_ me care, indeed he

did. I'd never have begun for myself, I'm not that sort of girl, I never

was, I know some girls do it, but I never could have. I suppose I'm too

proud or something.'

She paused, but I made no comment. I never comment on the pride of which

I am so often informed by those who possess it.

She resumed, 'Well, it went on and on, and I didn't seem to get to

feel any better about it. And I hated Jane. Oh, I know that was

wicked, of course.'

As she knew it, I again made no comment.

'And sometimes I think I hated _him_, when he thought of nothing but her

and never at all of me.... Well, sometimes there was trouble between

them, because Jane would do things and go about with people he didn't

like. And especially Mr. Gideon. We none of us like Mr. Gideon at home,

you know; we think he's awful. He's so rude, and has such silly

opinions, and is so conceited and unkind. He's been awfully rude to

father's papers always. And that horrid article he had in his silly

paper about what he called 'Potterite Fiction,' mostly about mother's

books--did you read it?'

'Yes. But Gideon didn't write it, you know. It was some one else.'

'Oh, well, it was in his paper, anyhow. And he _thought_ it.... And,

anyhow, what are books, to hurt people's feelings about?'

(A laudable sentiment, and one which should be illuminated as a text on

the writing table of every reviewer.)

'Oh, of course I know he's a friend of yours,' she added. 'That's really

why I came to you.... But we none of us like him at home. And Oliver

couldn't stick him. And he begged Jane not to have anything more to do

with him, but she would. She wrote in his paper, and she was always

seeing him. And Oliver got more and more disgusted about it, and I

couldn't bear to see him unhappy.'

'No?' I questioned.

She paused, checked by the interruption. Then, after a moment, she

said, 'I suppose you mean I was glad really, because it came between

them.... Well, I don't know.... Perhaps I was, then.... Well, wouldn't

any one be?'

'Most people,' I agreed. 'Yes?'

She went on a little less fluently, of which I was glad. Fluency and

accuracy are a bad pair. I would rather people stumbled and stammered out

their stories than poured them.

'And I think he thought--Oliver thought--he began to suspect--that Mr.

Gideon was--you know--_in love_ with Jane. And I thought so too. And

he thought Jane was careless about not discouraging him, and seeing so

much of him and all. But _I_ thought she was worse than that, and

encouraged him, and didn't care.... Jane was always dreadfully selfish,

you know....'

'And ... that evening?' I prompted her, as she paused.

'Well, that evening,' she shuddered a little, and went on quickly. 'I'd

been dining with a friend, and I was to sleep at Jane's. I got there soon

after ten, and no one was in, so I went to my room to take my things off.

Then I heard Jane come in, with Mr. Gideon. They went upstairs to the

drawing-room, and I heard them talking there. My door was a little open,

and I heard what they said. And he said ...'

'Perhaps,' I suggested, 'you'd better not tell me what they said, since

they thought they were alone. What do you think?'

'Oh, very well. There's no harm. I thought I'd better tell you

everything. But as you like.' She was a little disappointed, but picked

herself up and continued.

'Well, then I heard Oliver coming upstairs, and he stopped at the

drawing-room door for a moment before they saw him, I think, because he

didn't speak quite at once. Then he said, "Good evening," and they said,

"Hallo," and they all began to be nasty--in their voices, you know. He

said he'd obviously come home before he was expected, and then Jane went

upstairs, pretending nothing was the matter--Jane never bothers about

anything--and I heard Mr. Gideon come up to Oliver and ask him what he

meant by that. And they talked just outside my door, and they were very

disagreeable, but I suppose you don't want me to tell you what they

said, so I won't. Anyhow it wasn't much, only Oliver gave Mr. Gideon to

understand he wasn't to come there any more, and Mr. Gideon said he

certainly had no intention of doing so. Oh, yes, and he said, "Damn you"

rather loud. And then he went downstairs and left the house. I heard the

door shut after him, then I came out of my room, and there was Oliver

standing at the top of the stairs, looking as if he didn't see anything.

He didn't seem to see me, even. I couldn't bear it, he was so white and

angry and thinking of nothing but Jane, who wasn't worth thinking about,

because she didn't care.... And then ... I lost my head. I think I was

mad ... I'd felt awfully queer for a long time.... I couldn't bear it any

more, his being unhappy about Jane and not even seeing me. I went up to

him and said, "Oliver, I'm glad you've got rid of that horrid man."

'He stared at me and still didn't seem to see me. That somehow made me

furious. I said, "Jane's much too fond of him.... She's always with him

now.... They spent this evening together, you know, and came home

together."

'Then he seemed to wake up, and he looked at me with a look I hadn't ever

seen before, and it was as if the world was at an end, because I saw he

hated me for saying that. And he said, "Kindly let my affairs and Jane's

alone," in a horrible, sharp, cold voice. I couldn't bear it. It seemed

to kill something in me; my love for him, perhaps. I went first cold then

hot, and I was crazy with anger; I pushed him back out of the way to let

me pass--I pushed him suddenly, and so hard that he lost his balance....

Oh, you know the rest.... He was standing at the top of those awful

stairs--why are people _allowed_ to make stairs like that?--and he reeled

and fell backwards.... Oh, dear, oh, dear, and you know the rest....'

She was sobbing bitterly now.

'Yes, yes,' I said, 'I know the rest,' and I said no more for a time.

I was puzzled. That she had truly repeated what had passed between her

and Hobart I believed. But whether she had pushed him, or whether he had

lost his own balance, seemed to me still an open question. I had to

consider two things--how best to help this girl, and how to get Gideon

out of the mess as quickly and as quietly as possible. For both these

things I had to get at the truth--if I could.

'Now, look here,' I said presently, 'is this story you've told me wholly

true? Did it actually happen precisely like that? Please think for a

moment and then tell me.'

But she didn't think, not even for a moment.

'Oh,' she sobbed, 'true! Why should I _say_ it if it wasn't?'

Why indeed? I began to enumerate some possible reasons--an inaccurate

habit of mind, a sensational imagination (both these misfortunes being

hereditary), an egotistic craving for attention, even unfavourable

attention--it might be any of these things, or all. But I hadn't got far

before she broke in, 'Oh, God. I've not had a moment's peace since ... I

loved him, and I killed him.... I let them think it was an accident....

It was as if I was gagged, I _couldn't_ speak. And after a bit, when it

had all settled down, there didn't seem to be any reason why I should say

anything.... I never thought, truly I never thought, that they'd ever

suspect some one else.... And then, a little while ago, I heard mother

saying something, to some one about Mr. Gideon, and last night Katherine

Varick came and told Jane people were saying it everywhere. And this

morning there was that piece in the _Haste_. ... Oh! what shall I _do?_'

'You don't really,' I said, 'feel any doubt about that. Do you?'

She lifted her wet, puckered face and stared at me, and I saw that, for

the moment at least, she was not thinking of herself at all, but only of

her tragedy and her problem.

'You mean,' she whispered, 'that I must tell ...'

'It's rather obvious, isn't it,' I said gently, because I was horribly

sorry for her. 'You must tell the truth, whatever it is.'

'And be tried for murder--or manslaughter? Appear in the docks?' she

quavered, her frightened brown eyes large and round.

'I don't think it would come to that. All you have to do is to tell your

parents. Your father is responsible for the stuff in the papers, and your

mother, I gather, for the spreading of the story personally. Your

confession to them would stop that. They would withdraw, retract what

they have said, and say publicly that they were mistaken, that the

evidence they thought they had, had been proved false. Then it would be

generally assumed again that the thing was an accident, and the talk

would die down. No one need ever know but your parents and myself. I am

bound, and they would choose, not to repeat it to any one.'

'Not to Jane?' she questioned.

'Well, what does Jane think at present? Does she suspect?'

She shook her head. 'I don't know. Jane's been rather queer all day....

I've sometimes thought she suspected something. Only if she did, I

believe she'd have told me. Jane doesn't consider people's feelings, you

know; she'd say anything, however awful.... Only she's deep, too. Not

like me. I must have things out; she'll keep them dark, sometimes.... No,

I don't know what Jane thinks, really I don't.'

I didn't know either. Another thing I didn't know was what Gideon

thought. They might both suspect Clare, and this might have tied Gideon's

hands; he might have shrunk from defending himself at the expense of a

frightened, unhappy girl and Jane's sister.

But this wasn't my business.

'Well,' I said, 'you may find you have to tell Jane. Perhaps, in a way,

you owe it to Jane to tell her. But the essential thing is that you

should tell your parents. That's quite necessary, of course. And you

should do it at once--this evening, directly you get home. Every minute

lost makes the thing worse. I think you should catch the next train back

to Potter's Bar. You see, what you say may affect what is in to-morrow

morning's papers. This thing has to be stopped at once, before further

damage is done.'

She looked at me palely, her hands twisting convulsively in and out of

each other. I saw her, for all her seven or eight-and-twenty years, as a

weak, frightened child, ignorant, like a child, of the mischief she was

doing to others, concerned, like a child, with her own troubles and fears

and the burden on her own conscience. I was inclined now to believe in

that push.

'Oh,' she whimpered, 'I _daren't_.... All this time I've said

nothing.... How can I, now? It's too awful ... too difficult ...'

I looked at her in silence.

'What's your proposal, then?' I asked her. I may have sounded hard and

unkind, but I didn't feel so; I was immensely sorry for her. Only, I

believe a certain amount of hard practicality is the only wholesome

treatment to apply to emotional and wordy people. One has to make them

face facts, put everything in terms of action. If she had come to me for

advice, she should have it. If she had come to me merely to get relief by

unburdening her tortured conscience, she should find the burden doubled

unless she took the only possible way out.

She looked this way and that, with scared, hunted eyes.

'I thought perhaps ... they might be made to think it was an

accident ...'

'How?'

'Well, you see, I could tell them that he'd left the house--Mr. Gideon, I

mean--before Oliver ... fell. That would be true. I could say I heard Mr.

Gideon go, and heard Oliver fall afterwards. That's what I thought I'd

say. Then he'd be cleared, wouldn't he?'

'Why haven't you,' I asked, 'said this already, directly you knew that

Gideon was suspected?'

'I--I didn't like,' she faltered. 'I wanted to ask some one's advice. I

wanted to know what you thought.'

'I've told you,' I answered her, 'what I think. It's more than thinking.

I know. You've got to tell them the exact truth whatever it is. There's

really no question about it. You couldn't go to them with a half true

story ... could you?'

'I don't know,' she sighed, pinching her fingers together nervously.

'You do know. It would be impossible. You couldn't lie about a thing like

that. You've got to tell the truth.... Not all you've told me, if you

don't want to--but simply that you pushed him, in impatience, not meaning

to hurt him, and that he fell. It's quite simple really, if you do it at

once. It won't be if you leave it until the thing has gone further and

Gideon is perhaps arrested. You'd have to tell the public the story then.

Now it's easy.... No, I beg your pardon, it's not easy; I know that. It's

very hard. But there it is: it's got to be done, and done at once.'

She listened in silence, drooping and huddled together. I was reminded

pitifully of some soft little animal, caught in a trap and paralysed

with fear.

'Oh,' she gasped, 'I must, I must, I know I must. But it's

_difficult_ ...'

I'm not going to repeat the things I said. They were the usual truisms,

and one has to say them. I had accepted her story now: it seemed simpler.

The complex part of the business was that at one moment I was simply

persuading a frightened and reluctant girl to do the straight and decent

and difficult thing, and at the next I was wasting words on an egotist

(we're all that, after all) who was subconsciously enjoying the situation

and wanting to prolong it. One feels the difference always, and it is

that duplicity of aim in seekers after advice that occasionally makes one

cruel and hard, because it seems the only profitable method.

It must have been ten minutes before I wrung out of her a faltering but

definite, 'I'll do it.'

Then I stood up. There was no more time to be wasted.

'What train can you get?' I asked her.

'I don't know.... The 7.30, perhaps.' She rose, too, her little wet

crumpled handkerchief still in her hand. I saw she had something

else to say.

'I've been so miserable ...'

'Well, of course.'

'It's been on my _mind_ so ...'

What things people of this type give themselves the trouble of saying!

'Well, it will be off your mind now,' I suggested.

'Will it? But it will still be there--the awful thing I did. I ought to

confess it, oughtn't I, and get absolution? I do make my confession, you

know, but I've never told this, not properly. I know I ought to have

done, but I couldn't get it out ever--I put it so that the priest

couldn't understand. I suppose it was awfully mean and cowardly of me,

and I ought to confess it properly.'

But I couldn't go into that question, not being entirely sure even now

_what_ she ought to confess. I merely said, 'Well, why make confessions

at all if you don't make them properly?'

She only gave her little soft quivering sigh. It was too difficult a

question for her to answer. And, after all, a foolish one to ask. Why do

we do all the hundreds of things that we don't do properly? Reasons are

many and motives mixed.

I walked with her to the King's Cross bus and saw her into it. We shook

hands as we parted, and hers was hot and clinging. I saw that she was all

tense and strung up.

'Good-bye,' she whispered. 'And thank you ever so much for being so good

to me. I'll do what you told me to-night. If it kills me, I will.'

'That's good,' I returned. 'But it won't kill you, you know.'

I smiled at her as she got on to the bus, and she smiled pitifully back.

5

I walked back to my rooms. I felt rather tired, and had a queer feeling

of having hammered away on something soft and yielding and yet

unbreakable, like putty. I felt sick at having been so hard, and sick too

that she was so soft. Sick of words, and phrases, and facile emotions,

and situations, and insincerities, and Potterisms--and yet with an odd

tide of hope surging through the sickness, because of human nature, which

is so mixed that natural cowards will sometimes take a steep and hard way

where they might take an easy one, and because we all, in the middle of

our egotism and vanity and self-seeking, are often sorry for what we have

done. Really sorry, beneath all the cheap penitence which leads nowhere.

So sorry that we sometimes cannot bear it any more, and will break up our

own lives to make amends....

And if, at the same time, we watch our sorrow and our amends, and see it

as drama and as interesting--well, after all, it is drama and it is

interesting, so why not? We can't all be clear and steely

unsentimentalists like Katherine Varick.

One has to learn to bear sentimentalism. In parishes (which are the

world) one has to endure it, accept it. It is part of the general

muddle and mess.

6

I got a _Daily Haste_ next morning early, together with the _Pink

Pictorial_, the illustrated Pinkerton daily. I looked through them

quickly. There was no reference to the Hobart Mystery. I was relieved.

Clare Potter had kept her word, then--or anyhow had said enough to clear

Gideon (I wasn't going further than that about her; I had done my utmost

to make her do the straight thing in the straight way, and must leave the

rest to her), and the Pinkertons were withdrawing. They would have,

later, to withdraw more definitely than by mere abstaining from further

accusation (I intended to see to that, if no one else did), but this was

a beginning. It was, no doubt, all that Pinkerton had been able to

arrange last night over the telephone.

It would have interested me to have been present at that interview

between Clare and her parents. I should like to have seen Pinkerton

provided by his innocent little daughter with the sensation of his life,

and Leila Yorke, the author of _Falsely Accused_ forced to realise her

own abominable mischief-making; forced also to realise that her messages

from the other side had been as lacking in accuracy as, unfortunately,

messages from this side, too, so often are. I hoped the affair Hobart

would be a lesson to both Pinkertons. But, like most of the lessons set

before us in this life, I feared it would be a lesson unlearnt.

Anyhow, Pinkerton was prompt and business like in his methods. His

evening paper contained a paragraph to this effect:--

'DEATH OF MR HOBART

'NOW CONSIDERED ACCIDENTAL

'FOUL PLAY NOT SUSPECTED

'The investigation into the circumstances surrounding the sudden death of

Mr. Oliver Hobart, the late editor of the _Daily Haste_, have resulted in

conclusive evidence that the tragedy was due to Mr. Hobart's accidental

stumbling and falling. His fall, which was audible to the other inmates

of the house, took place after the departure of Mr. Arthur Gideon, with

whom he had been talking. A statement to this effect has been made by

Miss Clare Potter, who was staying in the house at the time, and who was

at the time of the inquest too much prostrated by the shock to give

evidence.'

It was a retraction all right, and all that could be expected of the

Pinkerton Press. In its decision and emphasis I read scare.

I didn't give much more thought just then to the business. I was

pretty busy with meetings and committees, and with rehearsals of _A

New Way to pay Old Debts,_ which we were playing to the parish in a

week. I had stage-managed it at Oxford once, and had got some of the

same people together, and it was going pretty well but needed a good

deal of attention. I had, too, to go away from town for a day or two,

on some business connected with the Church Congress. Church Congresses

keep an incredible number of people busy about them beforehand;

besides all the management of committees and programmes and

side-shows, there is the management of all the people of divergent

views who won't meet each other, such as Mr. George Lansbury and Mr.

Athelstan Riley. (Not that this delicate task fell to me; I was only

concerned with Life and Liberty.)

On the day after I came back I met Jane at the club, after lunch. She

came over and sat down by me.

'Hallo,' she said. 'Have you been seeing the _Haste_?'