A dramatist who undertakes to write a play which is to be almost devoid

of incident, and to depend for interest on the development of an

eccentric character, with only a single strong situation, even though

that situation be one of surpassing power, is considered by those

learned in such matters to be almost courting failure. Such a work is

therefore rarely attempted, and is still more rarely successful. Yet

this is what Mr Besant has had to do in writing the Life of Edward Henry

Palmer; and we are glad to be able to say at once that he has discharged

a delicate and difficult task in a most admirable fashion. For in truth

he had a very unpromising subject to deal with. It is always difficult

to interest the general public in the sayings and doings of a man of

letters, even when he has occupied a prominent position, and thrown

himself with ardour into some burning question of the day, political or

social. Palmer, however, was not such a man at all. He did ‘break his

birth’s invidious bar,’ but alas! it was never given to him, until the

end was close at hand, ‘to grasp the skirts of happy chance,’ or to rise

into a position where he could be seen by the world. It is melancholy

now to speculate on what might have been had he returned in safety from

the perilous enterprise in which he met his death, for it is hardly

likely that the Government would have failed to secure, by some

permanent appointment, the services of a man who had proved, in so

signal a manner, his capacity for dealing with Orientals. As it was,

however, with the exception of the journeys to the Sinaitic Peninsula

and the Holy Land, he lived a quiet student-life; not wholly retired,

for he was no book-worm, and enjoyed, after a peculiar fashion of his

own, the society of his fellow-men; but still a life which did not

really bring him beyond the narrow circle of the few intimate friends

who knew him thoroughly, and were proportionately devoted to him. He

took no part in any movement; he was not ‘earnest’ or ‘intense.’ He did

not read new books, or any of the ‘thoughtful’ magazines; nor had he any

particular desire to alter the framework of society. The world was a

good world so far as he was concerned; and men were strange and

interesting creatures whom it was a pleasure to study, as a naturalist

studies a new species; why alter it or them? The interest which attaches

to such a life depends wholly on the way in which the central character

is presented to the public. That Mr Besant should have succeeded where

others would have failed need not surprise us. The qualities which have

made him a delightful novelist are brought to bear upon this prose _In

Memoriam_, with the additional incentives of warm friendship and

passionate regret. It is clear that he realized all the difficulties of

his task from the outset; and he has treated his materials accordingly,

leading the reader forward with consummate art, chapter by chapter, to

the final catastrophe, which is described with the picturesqueness of a

romance, and the solemn earnestness of a tragedy. Such a book is almost

above criticism. A mourner by an open grave, pronouncing the funeral

oration of his murdered friend, has a prescriptive right to apportion

praise and blame in what measure he thinks fit; and we should be the

last to intrude upon his sacred sorrow with harsh and inconsiderate

criticism. But we should be failing in our duty if we did not draw

attention to one point. It has been Mr Besant’s object to show the

difficulties of all kinds against which his hero had to

contend—ill-health, heavy sorrows, debt—and how he came triumphant

through them all, thanks to his indomitable pluck and energy; and

further, as though no element of interest should be wanting, he has

represented him as smarting under a sense of unmerited wrong done to him

by his University, which ‘went out of the way to insult and neglect’

him. This is no mere fancy of Mr Besant’s; we know from other sources

that Palmer himself thought he had not been treated at Cambridge as he

ought to have been, and that he was glad to get away from it. We shall

do our best to show that this was a misconception on his part, and we

regret that his biographer should have given such prominence to it. But,

though Mr Besant may have been zealous overmuch on this particular

point, his book is none the less fascinating, and we venture to predict

that it will live, as a permanent record of a very remarkable man. We

are sensible that much of its charm will disappear in the short sketch

which we are about to give, but if our remarks have the effect of

sending our readers to the original, we shall not have written in vain.

Edward Henry Palmer was born in Green Street, Cambridge, 7 August, 1840.

His father died when he was an infant, and his mother did not long

survive her husband. Her place was supplied to some extent by an aunt,

then unmarried, who took the orphan child to her own home and educated

him. She was evidently a person who combined great kindness with great

good sense. Palmer, we read, ‘owed everything to her,’ and ‘never spoke

of her in after years without the greatest tenderness and emotion.’ Of

his real mother we do not find any record; but the father, who kept a

small private school, was ‘a man of considerable acquirements, with a

strong taste for art.’ We do not know whether any of Palmer’s peculiar

talents had ever been observed in the father, or whether he can be said

to have inherited anything from his family except a tendency to asthma

and bronchial disease. From this, of which the father died before he was

thirty, the son suffered all his life. He grew out of it to a certain

extent, but it was always there, a watchful enemy, ready to start forth

and fasten upon its victim.

The beginning of Palmer’s education was of the most ordinary

description, and little need be said about it. He was sent in the first

instance to a private school, and afterwards to the Perse Grammar

School. There he made rapid progress, arriving at the sixth form before

he was fifteen; but all we hear about his studies is that he

distinguished himself in Greek and Latin, and disliked mathematics. By

the time he was sixteen he had learnt all that he was likely to learn at

school, and was sent to London to earn his living. He became a junior

clerk in a house of business in East-cheap, where he remained for three

years, and might have remained for the term of his natural life, had he

not been obliged to resign his situation on account of ill-health.

Symptoms of pulmonary disease manifested themselves, and he got worse so

rapidly that he was told that he had little hope of recovery. He

returned to Cambridge, with the conviction that he had but a few weeks

to live, and that he had better die comfortably among his relations,

than miserably among strangers. But after a few weeks of severe illness

he recovered, suddenly and strangely. Mr Besant tells a curious story,

which Palmer is reported to have believed, that the cure had been

effected by a dose of _lobelia_, administered by a herbalist. That

Palmer swallowed the drug—of which, by the way, he nearly died—is

certain, and that he recovered is equally certain; but that the dose and

the recovery can be correlated as cause and effect is more than we are

prepared to admit. We are rather disposed to accept a less sensational

theory, expressed by a gentleman who at that period was one of his

intimate friends:

‘Careful watchfulness on the part of his aunt, open air, exercise, and

freedom from restraint, were the principal means of patching him up. He

had frequent attacks of blood-spitting afterwards, and was altogether

one of those wonderful creatures that defy doctors and quacks alike, and

won’t die of the disease which is theirs by inheritance. How little any

of us thought that he would die a hero!’

Palmer’s peculiar gift of acquiring languages had manifested itself even

before he went to London. Throughout his whole career his strength as a

linguist lay in his extraordinary aptitude for learning a spoken

language. The literature came afterwards. We are not aware that he was

ever what is called a good scholar in Latin or in Greek, simply for the

reason, according to our view, that those languages are no longer spoken

anywhere. He did not repudiate the literature of a language; far from

it. Probably few Orientalists have known the literatures of Arabia and

Persia better than he knew them; but he learnt to speak Arabic and

Persian before he learnt to read them. In this he resembled Cardinal

Mezzofanti, who had the same power of picking up a language for speaking

purposes from a few conversations—learning some words, and constructing

for himself first a vocabulary and then a grammar. When Palmer was still

a boy at school he learnt Romany. He learnt it, says Mr Besant, ‘by

paying travelling tinkers sixpence for a lesson, by haunting the tents,

talking to the men, and crossing the women’s palms with his pocket-money

in exchange for a few more words to add to his vocabulary. In this way

he gradually made for himself a Gipsy dictionary.’ In time he became a

proficient in Gipsy lore, and Mr Besant tells several curious stories

about his adventures with that remarkable people. We will quote the

narrative supplied to him by Mr Charles Leland—better known as Hans

Breitmann—Palmer’s intimate friend and brother in Romany lore.

‘In one respect Palmer was truly remarkable. He combined plain common

sense, clear judgment, and great quickness of perception into all the

relations of a question, with a keen love of fun and romance. I could

fill a volume with the eccentric adventures which we had in common,

particularly among the gipsies. To these good folk we were always a

first-class mystery, but none the less popular on that account. What

with our speaking Romany “down to the bottom crust,” and Palmer’s

incredible proficiency at thimble-rig, “ringing the changes,” picking

pockets, card-sharping, three-monté, and every kind of legerdemain,

these honest people never could quite make up their minds whether we

were a kind of Brahmins, to which they were as Sudras, or what. Woe to

the gipsy sharp who tried the cards with the Professor! How often have

we gone into a _tan_ where we were all unknown, and regarded as a couple

of green Gentiles! And with what a wonderful air of innocence would

Palmer play the part of a lamb, and ask them to give him a specimen of

their language; and when they refused, or professed themselves unable to

do so, how amiably he would turn to me and remark in deep Romany that we

were mistaken, and that the people of the tent were only miserable

“mumpers” of mixed blood, who could not _rakker_! Once I remember he

said this to a gipsy, who retaliated in a great rage, “How could I know

that you were a gipsy, if you come here dressed up like a _gorgio_ and

looking like a gentleman?”

‘One day, with Palmer, in the fens near Cambridge, we came upon a

picturesque sight. It was a large band of gipsies on a halt. As we

subsequently learned, they had made the day before an immense raid in

robbing hen-roosts and poaching, and were loaded with game, fowls, and

eggs. None of them knew me, but several knew the Professor as a lawyer.

One took him aside to confide as a client their late misdoings. “We have

been,” said he——

‘“You have been stealing eggs,” replied Palmer.

‘“How did you know that?”

‘“By the yolk on your waistcoat,” answered the Professor in Romany. “The

next time you had better hide the marks[89].”’

These experiences among the gipsies took place in 1874 or 1875, when

Palmer had perfected himself in their language, and we must go back for

a moment to the period spent in London. There, in his leisure hours, he

managed to learn Italian and French, by a process similar to that by

which he had previously acquired the rudiments of Romany.

‘The method he pursued is instructive. He found out where Italians might

be expected to meet, and went every evening to sit among them and hear

them talk. Thus, there was in those days a _café_ in Titchborne Street

frequented by Italian refugees, political exiles, and republicans. Here

Palmer sat and listened and presently began to talk, and so became an

ardent partisan of Italian unity. There was also at that time—I think

many of them have now migrated to Hammersmith—a great colony of Italian

organ-grinders and sellers of plaster-cast images in and about Saffron

Hill. He went among these worthy people, sat with them in their

restaurants, drank their sour wine, talked with them, and acquired their

_patois_. He found out Italian waiters at restaurants and talked with

them; at the docks he went on board Italian ships, and talked with the

sailors; and in these ways learned the various dialects of Genoa,

Naples, Nice, Livorno, Venice, and Messina. One of his friends at this

time was a well-known Signor Buonocorre, the so-called “Fire King,” who

used to astonish the multitude nightly at Cremorne Gardens and elsewhere

by his feats. For Palmer was always attracted by people who run shows,

“do” things, act, pretend, persuade, deceive, and in fact are

interesting for any kind of cleverness. However, the first result of

this perseverance was that he made himself a perfect master of Italian,

that he knew the country speech as well as the Italian of the schools,

and that he could converse with the Piedmontese, the Venetian, the

Roman, the Sicilian, or the Calabrian, in their own dialects, as well as

with the purest native of Florence.

‘Also while he was in the City he acquired French by a similar process.

I do not know whether he carried on his French studies at the same time

with the Italian, but I believe not. It seems certainly more in

accordance with the practice which he adopted in after life that he

should attempt only one thing at a time. But as with Italian so with

French; he joined to a knowledge of the pure language a curious

acquaintance with _argot_; also—which points to acquaintance made in

_cafés_—he acquired somehow in those early days a curious knowledge and

admiration of the French police and detective system[90].’

The illness which compelled Palmer to give up London had evidently been

very serious, and his convalescence was tedious. Nor, when supposed to

be well, did he feel any inclination to resume work as a clerk. So he

stayed in Cambridge at his aunt’s house, with no definite aim in life,

but taking up now one thing, now another, after the manner of clever

boys when they are at home for the holidays. He did a little literature

in the way of burlesques, one of which, _Ye Hole in ye Walle_, a legend

told after the manner of Ingoldsby, was afterwards published by Messrs

Macmillan; he wrote a farce, which was acted in that temple of Thespis,

once dear to Cambridge undergraduates, the old Barnwell Theatre; he

acted himself with considerable success, and for a week or so thought of

adopting the stage as a profession; he tried conjuring, in which in

after years he became an adept, and ventriloquism, where he failed; he

took up various forms of art, as wood-engraving, modelling, drawing,

painting, photography; in all of which, except the last, he arrived at

creditable results. His aunt is reported to have borne her nephew’s

changeable tastes with exemplary patience, until photography came to the

front; but ‘the waste of expensive materials, the damage to clothes,

stair carpets—he could always be traced—his disreputable piebald

appearance,’ and (last, but not least!) ‘the results on glass,’ were too

much for even her good-nature. The camera was banished, and the artist

was bidden to adopt some pursuit less annoying to his neighbours. The

one really useful study of this period was shorthand-writing; and in

after years, when he practised as a barrister, he found the usefulness

of it.

Up to this time—the year 1860—he had never turned his attention to

Oriental literature, and very likely had never seen an Oriental

character. The friend whose reminiscences we have quoted more than once

already says that he remembers ‘going one morning into his bedroom (he

was a very late riser) and finding him looking at some Arabic

characters. They interested him; he liked the look of them; it was an

improvement on shorthand; he would find it all out; and so he did!’ He

set to work without delay to find somebody he could talk to about his

new fancy, and, as the supply of Oriental scholars is necessarily

limited even at one of the Universities, he was led at once to the only

two persons competent to instruct him—the Rev. George Skinner, and a

Mohammedan named Syed Abdullah. The former was a Master of Arts of the

University, who had published a translation of the Psalms; the latter

was a native of Oudh, who had resided in England since 1851, and who

about this time came to Cambridge to prepare students for the Civil

Service of India. Under the guidance of these gentlemen, Palmer plunged

into Oriental languages with the same enthusiasm with which he had

followed the various pursuits we have mentioned above. There was this

difference, however, between the new love and the old; there was no

turning back; the day of transient fancies was over; that of serious

work had begun. His ardour now knew no abatement; he is said to have

worked at this time eighteen hours a day. This may well be doubted; but

without pressing such a statement too closely, we may admit that he gave

himself up to his new studies with unwonted perseverance, and that his

progress was rapid. Mr Skinner used to take him out for walks in the

country, and discourse to him on Hebrew grammar. Hebrew, however, was a

language which did not attract him greatly, and in after years he used

to say that he did not know it. Syed Abdullah gave him more regular and

systematic instruction in Urdú, Persian, and Arabic. Palmer was

‘constantly writing prose and verse exercises for him.’ They became

intimate friends; and it was probably through his representations that

Palmer was allowed to give up all thoughts of resuming work as a clerk,

and to take up Oriental languages and literature as a profession.

Through him, too, he was introduced to the Nawab Ikbal ud Dawlah, son of

the late Rajah of Oudh, who took a very warm interest in Palmer’s

studies, allowed him to live in his house when he pleased, and gave him

the assistance of two able native instructors. Next he struck up a

friendship with a Bengalee gentleman named Bazlurrahim, with whom he

spent some time, composing incessantly under his supervision in Persian

and Urdú. Besides these he was on terms of intimacy with other Orientals

resident at that time in England, and also with Professor Mir Aulad Ali,

of Trinity College, Dublin, ‘who was constantly his adviser, critic,

teacher, friend, and sympathizer.’ Hence, as Mr Besant points out, we

may see that he had no lack of instructors; and may at once dismiss from

our minds two common misconceptions about him—first that Oriental

languages ‘came natural’ to him; and, secondly, that he was a poor,

friendless, solitary student, burning the midnight lamp in a garret, and

learning Arabic all alone. On the contrary, he never felt any pressure

of poverty, and was helped, sympathized with, encouraged, by all those

with whom he came in contact. His progress was rapid, and in 1862 he was

able to send a copy of original Arabic verses to the Lord Almoner’s

Reader in that language, who described them as ‘elegant and idiomatic.’

Up to this time Palmer does not appear to have known much of University

men, or to have thought of becoming a member of the University himself.

He would probably have never joined S. John’s College had he not been

accidentally ‘discovered,’ as Mr Besant happily puts it, by two of the

Fellows. The result of this discovery was that he was invited to become

a candidate for a sizarship in October 1863, and in the interval

prepared himself for the examination by reviving his former studies in

classics, and in working at mathematics. He was assisted in this

preparation by one of the Fellows, who tells us that, though he declared

that he knew no mathematics at all, he ‘always did what I set him,

passed the examinations very easily, and presumably obtained his

sizarship on it.’ His known proficiency in Oriental languages was

evidently not taken into account at the outset of his University career,

but some two years afterwards, in 1865 or 1866, a scholarship was given

to him on that account only. He took his degree in 1867, and, as there

was no Oriental Languages Tripos in those days, he presented himself for

the Classical Tripos, in which he obtained only a third class. Such a

place cannot, as a general rule, be considered brilliant; but in his

case it should be regarded as a distinction rather than a failure, for

it shows that he must have possessed a more than respectable knowledge

of Latin and Greek, and, moreover, have been able to write composition

in those languages. At the time of his matriculation (November 1863) he

could have known but little of either; and during the succeeding three

years he had been much occupied with vigorous prosecution of his

Oriental studies, with taking pupils in Arabic, and with making

catalogues of the Oriental manuscripts in the libraries of the

University, of King’s College, and of Trinity College. But he always had

a surprising power of getting through an enormous quantity of work

without ever seeming to be in a hurry. A friend tells us that Palmer

‘Did not strike one as a man of method, as an economist of time, as

moving about wrapped in thought. You met him apparently lounging along,

ready for a talk, perhaps in company with a rather idle man; yet when

you came to measure up his work you were puzzled to know how any one man

could do it.’

Palmer’s proficiency in Oriental languages at this time, 1867—only seven

years, it should be remembered, after he had begun to study them—is

abundantly attested by a very remarkable body of testimonials[91] which

he obtained when a candidate for the post of interpreter to the English

embassy in Persia. His old friend the Nawab said:

‘Notwithstanding the fact that he has never visited any Eastern kingdom,

or mixed with Oriental nations, he has yet, by his own perseverance,

application, and study, acquired such great proficiency, fluency, and

eloquence, in speaking and writing three Oriental tongues—to wit, Urdú

(Hindoostani), Persian, and Arabic—that one would say he must have

associated with Oriental nations, and studied for a lengthened period in

the Universities of the East.’

We have no room for quotations from the curious and flowery compositions

in which numerous learned Orientals held up his excellencies of every

sort to admiration; but we will cite a short passage from what was said

by Mr Bradshaw, Librarian to the University of Cambridge, who had

naturally seen a great deal of him while working at the manuscripts:

‘What was at once apparent was the radical difference of his knowledge

of these languages [Arabic and Persian] from that of any other

Orientalist I had met. It was the difference between native knowledge

and dictionary knowledge; between one who uses a language as his own and

one who is able to make out the meaning of what is before him with more

or less accuracy by help of a dictionary.’

In the autumn of 1867, a fellowship at S. John’s College being vacant,

the then Master, Dr Bateson, knowing Palmer’s reputation as an

Orientalist, asked Professor Cowell, then recently made Professor of

Sanskrit, to examine him. Professor Cowell writes:

‘I undertook to examine him in Persian and Hindustani, as I felt that my

knowledge of Arabic was too slight to justify my venturing to examine

him in that language. I well remember my delight and surprise in this

examination. I had never had any intercourse with Palmer before, as I

had been previously living in India; and I had no idea that he was such

an Oriental scholar. I remember well that I set him for translation into

Persian prose a florid description from Gibbon’s chapter on Mohammed.

Palmer translated it in a masterly way, in the true style of Persian

rhetoric, every important substantive having its rhyming doublet, just

as in the best models of Persian literature. In fact, his vocabulary

seemed exhaustless. I also set him difficult pieces for translation from

the Masnaví, Khondemir, and I think Saudá; but he could explain them all

without hesitation. I sent a full report to the Master, and the college

elected him at once to the vacant fellowship[92].’

It has now become an understood thing at Cambridge that a man who is

really distinguished in any branch of study has a good chance of a

fellowship; but twenty years ago this was not the case, and we believe

that Palmer was the first, at least in the present century, to obtain

that blue ribbon of Cambridge life for proficiency in other languages

than those of Greece and Rome. Such a distinction meant more to him than

it would have meant to most men. No further anxieties on the score of

money need trouble him for the future; he need no longer be dependent on

the generosity of relations who were not themselves overburdened with

the goods of this world. He might study Oriental languages to his

heart’s content without let or hindrance from anybody; and it was more

than probable that one piece of good fortune would be the parent of

another—a distinction so signal would bring him into notice, and obtain

for him the offer of something which would be worth accepting. He had

not long to wait. In less than a year a post was offered to him which

presented, in delightful combination, study, travel, some emolument, and

a reasonable prospect of fame and fortune if he worked hard and was

successful. At the suggestion of the Rev. George Williams, then a

resident Fellow of King’s College, he was asked to take part in the

exploration of the Holy Land, and to accompany an expedition then about

to start for the survey of Sinai and the neighbourhood. He was to

investigate the names and traditions of the country, and to copy and

decipher the inscriptions with which the rocks in the so-called ‘Written

Valley’ and in other places are covered. He accepted without hesitation,

and left England in November 1868.

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