CHAPTER II.

OXFORD: SPRING AND EARLY SUMMER.

[Illustration: Fieldfares.]

All the birds mentioned in the last chapter are residents in Oxford, in

greater or less numbers according to the season, except the Fieldfares

and Redwings, the Grey Wagtail, and the rarer visitors: and of these the

Fieldfares and Redwings are the only true winter birds. They come from

the north and east in September and October, and depart again in March

and April. When we begin our Summer Term not one is to be seen. The

berries in the meadow are all eaten up long before Lent Term is over,

and though these are not entirely or even chiefly the Redwing’s food,

the birds have generally disappeared with them.

They do not however leave the country districts till later. When wild

birds like these come into a town, the cause is almost certain to be

stress of weather; when the winter’s back is broken, they return to the

fields and hedges till the approach of summer calls them northwards.

There they assemble together in immense flocks, showing all the

restlessness and excitement of the smaller birds that leave us in the

autumn; suddenly the whole mass rises and departs like a cloud. Accounts

are always forthcoming of the departure of summer migrants, and

especially of the Swallows and Martins, and there are few who have not

seen these as they collect on the sunny side of the house-roof, or bead

the parapet of the Radcliffe building, before they make up their minds

to the journey. But few have seen the Fieldfares and Redwings under the

same conditions, and I find no account of their migration, or at least

of what actually happens when they go, in any book within my reach as I

write. But on March 19, 1884, I was lucky enough to see something of

their farewell ceremonies. I was walking in some water-meadows adjoining

a wood, on the outskirts of which were a number of tall elms and

poplars, when I heard an extraordinary noise, loud, harsh, and

continuous, and of great volume, proceeding from the direction of these

trees, which were at the time nearly half-a-mile distant. I had been

hearing the noise for a minute or two without attending to it, and was

gradually developing a consciousness that some strange new agricultural

instrument, or several of them, were at work somewhere near, when some

Fieldfares flew past me to alight on the meadow not far off. Then

putting up my glass, I saw that the trees were literally _black_ with

birds; and as long as I stayed, they continued there, only retreating a

little as I approached, and sending foraging detachments into the

meadow, or changing trees in continual fits of restlessness. The noise

they made was like the deep organ-sounds of sea-birds in the

breeding-time, but harsher and less serious. I would willingly have

stayed to see them depart, but not knowing when that might be, I was

obliged to go home: and the next day when I went to look for them, only

a few were left.

These birds do not leave us as a rule before the first summer visitors

have arrived. In the case I have just mentioned, the spring was a warm

one, and the very next day I saw the ever-welcome Chiff-chaff, which is

the earliest to come and the latest to go, of all the delicate warblers

which come to find a summer’s shelter in our abundant trees and herbage.

I use this word ‘warbler’ in a sense which calls for a word of

explanation: for not only are the birds which are called in the natural

history books by this name often very difficult to distinguish, but the

word itself has been constantly used to denote a certain class of birds,

without any precise explanation of the species meant to be included in

it. Nor is it in itself a very exact word; some of the birds which are

habitually called warblers do not warble in the proper sense of the

word,[11] and many others who really warble, such as the common

Hedge-sparrow, have no near relationship to the class I am speaking of.

But as it is a term in use, and a word that pleases, I will retain it in

this chapter, with an explanation which may at the same time help some

beginner in dealing with a difficult group of birds.

If the reader of this book who really cares to understand the

differences of the bird-life which abounds around us, will buy for a

shilling Mr. Dresser’s most useful _List of European Birds_,[12] he will

find, under the great family of the _Turdidae_, three sub-families

following each other on pages 7, 8, and 9, respectively called

_Sylvianae_, or birds of woodland habits, _Phylloscopinae_, or

leaf-searching birds, and _Acrocephalinae_, or birds belonging to a

group many of the members of which have the front of the head narrow and

depressed: and under all these three sub-families he will find several

species bearing in popular English the name of _warbler_. At the same

time he will find other birds in these sub-families, which are quite

familiar to him, but not as ‘warblers’ in any technical sense of the

word; thus the Robin will be found in the first sub-family, and the

Golden-crested Wren in the second. But, leaving out these two species,

and also the Nightingale, which is a bird of somewhat peculiar structure

and habits, he will find four birds in the first sub-family belonging to

the genus _Sylvia_, which are all loosely called warblers, and will be

mentioned in this chapter as summer visitors to Oxford, viz. the

Whitethroat (or Whitethroat-warbler), the Lesser Whitethroat, the

Blackcap, and the Garden-warbler; he will also find two in the second,

belonging to the genus _Phylloscopus_, the Chiff-chaff and the

Willow-wren (or Willow-warbler), and two in the third, belonging to the

genus _Acrocephalus_, the Sedge-warbler and the Reed-warbler. Let it be

observed that each of these three genera, _Sylvia_, _Phylloscopus_, and

_Acrocephalus_, is the representative genus of the sub-family in this

classification, and has given it its name; so that we might expect to

find some decided differences of appearance or habit between the members

of these genera respectively. And this is precisely what is the case, as

any one may prove for himself by a day or two’s careful observation.

The birds I have mentioned as belonging to the first genus, _i. e._

Whitethroat, etc., are all of a fairly substantial build, fond of

perching, singing a varied and warbling song (with the exception of the

Lesser Whitethroat, of whose song I shall speak presently), and all

preferring to build their cup-shaped nest a little way from the ground,

in a thick bush, hedge, or patch of thick-growing plants, such as

nettles. They also have the peculiarity of loving small fruits and

berries as food, and are all apt to come into our gardens in search of

them, where they do quite as much good as harm by a large consumption of

insects and caterpillars.

Secondly, the two kinds of birds belonging to the genus _Phylloscopus_,

Chiff-chaff and Willow-warbler, are alike in having slender, delicate

frames, with a slight bend forward as of creatures given to climbing up

and down, in an almost entire absence of the steady perching habit, in

building nests upon the ground with a hole at the _side_, and partly

arched over by a roof of dried grass, in feeding almost exclusively on

insects, and in singing a song which is always the same, each new effort

being undistinguishable from the last. In fact these two birds are so

much alike in every respect but their voices (which though unvarying are

very different from each other), that it is almost impossible for a

novice to distinguish them unless he hears them.

Thirdly, the two species belonging to the genus _Acrocephalus_, the

Sedge- and Reed-warblers, differ from the other two groups in

frequenting the banks of rivers and streams much more exclusively, where

they climb up and down the water-plants, as their name suggests, and

build a cup-shaped nest; and also in the nervous intensity and

continuity of their song.

[Illustration: Reed Warbler.—p. 42.]

These eight species, then, are the ‘warblers,’ of whom I am going to

speak in the first place. They may easily be remembered in these three

groups by any one who will take the trouble to learn their voices, and

to look out for them when they first arrive, before the leaves have come

out and the birds are shy of approach on account of their nests and

young. But without some little pains confusion is sure to arise, as we

may well understand when we consider that a century ago even such a

naturalist as White of Selborne had great difficulty in distinguishing

them; he was in fact the first to discover the Chiff-chaff (one of our

commonest and most obvious summer migrants) as a species separate from

the others of our second group. To give an idea of the progress

Ornithology has made during the last century, I will quote Markwick’s

note on White’s communication:—‘This bird, which Mr. White calls the

smallest Willow-wren, or Chiff-chaff, makes its appearance very early in

the spring, and is very common with us, _but I cannot make out the three

different species of Willow-wrens, which he says he has

discovered_.’[13] Nothing but a personal acquaintance—a friendship, as I

must call it in my own case—with these little birds, as they live their

every-day life among us, will suffice to fix the individuality of each

species in the mind; not even the best plates in a book, or the faded

and lifeless figures in a museum. You may shoot and dissect them, and

study them as you would study and label a set of fossils: but a bird is

a living thing, and you will never really know him till you fully

understand _how_ he lives.

Let us imagine ourselves taking a stroll into the Parks with the object

of seeing these eight birds, not as skeletons, but as living realities.

The first to present themselves to eye and ear will be the two species

of the second group, which may roughly be described (so far at least as

England is concerned) as containing Tree-warblers. From the tall trees

in St. John’s Gardens, before we reach the Museum, we are certain on any

tolerably warm day to hear the Willow-warbler, which has been the last

few years extremely abundant; in Oxford alone there must have been two

or three hundred pairs in the spring of 1885. From the same trees is

also pretty sure to come ringing the two notes of the Chiff-chaff, which

is a less abundant bird, but one that makes its presence more obvious.

Let us pause here a moment to make our ideas clear about these two. We

may justly take them first, as they are the earliest of their group to

arrive in England.

When the first balmy breath of spring brings the celandines into bloom

on the hedge-bank, and when the sweet violets and primroses are

beginning to feel the warmth of the sun, you may always look out for the

Chiff-chaff on the sheltered side of a wood or coppice. As a rule, I see

them before I hear them; if they come with an east wind, they doubtless

feel chilly for a day or two, or miss the plentiful supply of food which

is absolutely necessary to a bird in full song. Thus in 1884, I noted

March 20 as the first day on which I saw the Chiff-chaff, and March 23

as the first on which I heard him. The next year, the month of March

being less genial, I looked and listened in vain till the 31st. On that

day I made a circuit round a wood to its sunny side, sheltered well from

east and north, and entering for a little way one of these grassy

‘rides’ which are the delight of all wood-haunting birds, I stood quite

still and listened. First a Robin, then a Chaffinch broke the silence; a

Wood-pigeon broke away through the boughs; but no Chiff-chaff. After a

while I was just turning away, when a very faint sound caught my ear,

which I knew I had not heard for many months. I listened still more

keenly, and caught it again; it was the prelude, the preliminary

whisper, with which I have noticed that this bird, in common with a few

others, is wont to work up his faculties to the effort of an outburst of

song. In another minute that song was resounding through the wood.

No one who hails the approach of spring as the real beginning of a new

life for men and plants and animals, can fail to be grateful to this

little brown bird for putting on it the stamp and sanction of his clear

resonant voice. We may grow tired of his two notes—he never gets beyond

two—for he sings almost the whole summer through, and was in full voice

on the 25th of September in the same year in which he began on March

23rd; but not even the first twitter of the Swallow, or the earliest

song of the Nightingale, has the same hopeful story to tell me as this

delicate traveller who dares the east wind and the frost. They spend the

greater part of the year with us; I have seen them still lurking in

sheltered corners of the Dorsetshire coast, at the beginning of October,

within sound of the sea-waves in which many of them must doubtless

perish before they reach their journey’s end. And now and then they will

even pass the winter with us: this was the case with one which took up

his sojourn at Bodicote, near Banbury, in a winter of general mildness,

though not unbroken, if I recollect right, by some very sharp frosts.

The Willow-warbler follows his cousin to England in a very few days, and

remains his companion in the trees all through the summer. He has the

same brownish-yellow back and yellowish-white breast, but is a very

little larger, and sings a very different song, which is unique among

all British birds. Beginning with a high and tolerably full note, he

drops it both in force and pitch in a cadence short and sweet, as though

he were getting exhausted with the effort; for that it is a real effort

to him and all his slim and tender relations, no one who watches as well

as listens can have a reasonable doubt. This cadence is often perfect,

by which I mean that it descends gradually, not of course on the notes

of our musical scale, by which no birds in their natural state would

deign to be fettered, but through fractions of one or perhaps two of our

tones, and without returning upwards at the end; but still more often,

and especially, as I fancy, after they have been here a few weeks, they

take to finishing with a note nearly as high in pitch as that with which

they began.[14] This singular song is heard in summer term in every part

of the Parks, and in the grass beneath the trees there must be many

nests; but these we are not likely to find except by accident, so

beautifully are they concealed by their grassy roofs. Through the hole

in the upper part of the side you see tiny eggs, speckled with reddish

brown, lying on a warm bedding of soft feathers; one of these was built

last May in the very middle of the lawn of the Parsonage-house at

Ferry-Hincksey, and two others of exactly the same build, one a

Chiff-chaff’s, were but a little way outside the garden-gate, and had

escaped the sharp eyes of the village boys when I last heard of them.

Though from being on the ground they probably escape the notice of

Magpies and Jackdaws and other egg-devouring birds, these eggs and the

young that follow must often fall a prey to stoats and weasels, rats and

hedgehogs. That such creatures are not entirely absent from the

neighbourhood of the Parks, I can myself bear witness, having seen one

morning two fine stoats in deadly combat for some object of prey which I

could not discern, as I was divided from them by the river. The piping

squeaks they uttered were so vehement and loud, that at the first moment

I mistook them for the alarm-note of some bird that was strange to me.

In July, 1886, I saw a large stoat playing in Addison’s Walk, when few

human beings were about, and the young birds, newly-fledged, were no

doubt an easy prey.

One word more before we leave the Tree-warblers. In front of my

drawing-room window in the country are always two rows of hedges of

sweet peas, and another of edible peas; towards the end of the summer

some little pale _yellow_ birds come frequently and climb up and down

the pea-sticks, apparently in search of insects rather than of the peas.

These are the young Willow-warblers, which after their first moult

assume this gently-toned yellow tint; and very graceful and beautiful

creatures they are. I have sometimes seen them hover, like

humming-birds, over a spray on which they could not get an easy footing,

and give the stem or leaves a series of rapid pecks.

We have to walk but a little further on to hear or see at least two of

our first group, the _Sylviae_, or fruit-eating warblers. As we pass

into the Park by the entrance close to the house of the Keeper of the

Museum, we are almost sure, on any sunny day, to hear both Blackcap and

Garden-warbler, and with a little pains and patience, to see them both.

These two (for a wonder) take their scientific names from the

characteristics by which sensible English folk have thought best to name

them; the Blackcap being _Sylvia atracapilla_, and the Garden-warbler

_Sylvia hortensis_. Mr. Ruskin says, in that delicious fragment of his

about birds, called _Love’s Meinie_, that all birds should be named on

this principle; and indeed if they had only to discharge the duty which

many of our English names perform so well, viz. that of letting English

people know of what bird we are talking, his plan would be an excellent

one. Unluckily, Ornithology is a science, and a science which embraces

all the birds in the world; and we _must_ have some means of knowing for

certain that we shall be understood of all the world when we mention a

bird’s name. This necessity is well illustrated in the case of the

warblers. So many kinds of them are there, belonging to all our three

groups, in Europe alone, not to speak of other parts of the world, that

even a scientific terminology and description upon description have not

been able to save the birds from getting mixed up together, or getting

confounded with their own young, or with the young of other birds.

If the Blackcap were not a Sylvia, he could not well be scientifically

named after his black head, for other birds, such as Titmice, have also

black heads, and I have frequently heard the Cole Tit described as the

Blackcap. In any case he should perhaps have been named after his

wonderful faculty of song, in which he far excels all the other birds of

our three groups. Most people know the Blackcap’s song who have ever

lived in the country, for you can hardly enter a wood in the summer

without being struck by it; and all I need do here is to distinguish it

as well as I can from that of the Garden-warbler, which may easily be

mistaken for it by an unpractised ear, when the birds are keeping out of

sight in the foliage, as they often most provokingly will do. Both are

essentially warblers; that is, they sing a _strain_ of music, continuous

and _legato_, instead of a song that is broken up into separate notes or

short phrases, like that of the Song-thrush, or the Chiff-chaff. But

they differ in two points: the strain of the Blackcap is shorter,

forming in fact one lengthened phrase “in sweetness long drawn out,”

while the Garden-warbler will go on almost continuously for many minutes

together; and secondly, the Blackcap’s music is played upon a mellower

instrument. The most gifted Blackcaps—for birds of the same species

differ considerably in their power of song—excel all other birds in the

soft _quality_ of their tone, just as a really good boy’s voice, though

less brilliant and resonant, excels all women’s voices in softness and

sweetness. So far as I have been able to observe, the Blackcap’s voice

is almost entirely wanting in that power of producing the harmonics of a

note which gives a musical sound its brilliant quality; but this very

want is what produces its unrivalled mellowness.

The other two members of our first group (we are still in genus

_Sylvia_) are the two Whitethroats, greater and lesser, and we have not

far to go to find them. They arrive just at the beginning of our Easter

Term, but never come to Oxford in great numbers, because their proper

homes, the hedge-rows, are naturally not common objects of a town. In

the country the greater Whitethroats are swarming this year (1885), and

in most years they are the most abundant of our eight warblers; and the

smaller bird, less seen and less showy, makes his presence felt in

almost every lane and meadow by the brilliancy of his note.

Where shall we find a hedge near at hand, where we may learn to

distinguish the two birds? We left the Blackcaps and Garden-warblers at

the upper end of the Park; we shall still have a chance of listening to

them if we take the walk towards Parsons’ Pleasure, and here in the

thorn-hedge on the right hand of the path, we shall find both the

Whitethroats.[15] As we walk along, a rough grating sound, something

like the noise of a diminutive corn-crake, is heard on the other side of

the hedge—stopping when we stop, and sounding ahead of us as we walk on.

This is the teasing way of the greater Whitethroat, and it means that he

is either building a nest in the hedge, or thinking of doing so. If you

give him time, however, he will show himself, flirting up to the top of

the hedge, crooning, craking, and popping into it again; then flying out

a little way, cheerily singing a soft and truly warbling song, with

fluttering wings and roughened feathers, and then perhaps perching on a

twig to repeat it. Now you see the white of his throat; it is real

white, and it does not go below the throat. In one book I have seen the

Garden-warbler called a Whitethroat; but in his case the white is not so

pure, and it is continued down the breast. The throat of both

Whitethroats is real white, and they have a pleasant way of puffing it

out, as if to assure one that there is no mistake about it.

But how to distinguish the two? for in size they differ hardly enough to

guide an inexperienced eye. There are three points of marked difference.

The larger bird has a rufous or rusty-coloured back,[16] and his

wing-coverts are of much the same colour; while the back of the lesser

bird is darkish or grayish brown. Secondly, the head of the lesser

Whitethroat is of a much darker bluish-gray tint. But much the best

point of distinction in the breeding season is in the song. As I have

said, the larger bird warbles; but the lesser one, after a little

preliminary soliloquy in an under-tone, bursts out into a succession of

high notes, all of exactly the same pitch. It took me some time to find

out who was the performer of this music which I heard so constantly in

the hedges, for the bird is very restless and very modest. When I caught

sight of him he would not stop to be examined closely. One day however

he was kind enough to alight for a moment in a poplar close by me, and

as I watched him in the loosely-leaved branches, he poured out the song,

and duly got the credit for it.

We are now close to our old winter-station on the bridge over the

mill-stream, and leaning over it once more on the upper side, we shall

hear, if not see, both the remaining species of the warblers that Oxford

has to show us. They are the only species of River-warblers that are

_known_ to visit England regularly every year; these two, the

Sedge-warbler and the Reed-warbler, never fail, and the Sedge-warbler

comes in very large numbers, but only a few specimens of other

River-warblers have been found out in their venturesomeness. Still,

every young bird-hunter should acquaint himself with the characteristics

of the rarer visitors, in order to qualify himself for helping to throw

light on what is still rather a dark corner of English ornithology.

These same species which we so seldom see are swarming in the flat lands

of Holland, close by us, and why should they not come over to the island

which birds seem to love so dearly?

But there is no doubt that birds have ways, and reasons for them, which

man is very unlikely ever to be able to understand. Why, as Mr. Harting

asks,[17] should the Reed-warbler be so much less “generally

distributed” than the Sedge-warbler? That it is so, we can show well

enough even from Oxford alone. You will find Sedge-warblers all along

the Cherwell and the Isis, wherever there is a bit of cover, and very

often they will turn up where least expected; in a corn-field, for

example, where I have seen them running up and down the corn-stalks as

if they were their native reeds. But you must either know where to find

the Reed-warbler, or learn by slow degrees. Parsons’ Pleasure is almost

the only place known to me where

“The Reed-warbler swung in a nest with her young,

Deep-sheltered and warm from the wind.”[18]

There is, however, in this case, at least a plausible answer to Mr.

Harting’s question. Owing to the prime necessity of _reeds_ for the

building of this deep-sheltered nest, which is swung between several of

them, kept firm by their centrifugal tendency, yielding lovingly yet

proudly to every blast of wind or current of water—owing to this

necessity, the Reed-Warbler declines to take up his abode in any place

where the reeds are not thick enough and tall enough to give a real

protection to himself and his brood. Now in the whole length of Isis

between Kennington[19] and Godstow, and of Cherwell between its mouth

and Parsons’ Pleasure, there is no reed-bed which answers all the

requirements of this little bird. Now and then, it is true, they will

leave the reeds for some other nesting-place; one of them sang away all

the Summer Term of 1884 in the bushes behind the Museum, nearly half a

mile from the river, and probably built a nest among the lilac-bushes

which there abound. But that year they seemed to be more abundant than

usual; and this, perhaps, was one for whom there was no room in the

limited space of the reeds at Parsons’ Pleasure. Thick bushes, where

many lithe saplings spring from a common root, would suit him better

than a scanty reed-bed.[20]

There is no great difficulty in distinguishing Sedge- and Reed-warblers,

if you have an eye for the _character_ of birds. The two are very

different in temperament, though both are of the same quiet brown, with

whitish breast. The Sedge-bird is a restless, noisy, impudent little

creature, not at all modest or retiring, and much given to mocking the

voices of other birds. This is done as a rule in the middle of one of

his long and continuous outpourings of chatter; but I one day heard a

much more ridiculous display of impertinence. I was standing at the

bottom of the Parks, looking at a pair or two of Sedge-warblers on a

bush, and wondering whether they were going to build a nest there, when

a Blackbird emerged from the thicket behind me, and seeing a human

being, set up that absurd cackle that we all know so well. Instantly,

out of the bush I was looking at, there came an echo of this cackle,

uttered by a small voice in such ludicrous tones of mockery, as fairly

to upset my gravity. It seemed to say, “You awkward idiot of a bird, I

can make that noise as well as you: only listen!”—

The Reed-warbler, on the other hand, is quieter and gentler, and utters,

by way of song, a long crooning soliloquy, in accents not sweet, but

much less harsh and declamatory than those of his cousin. I have

listened to him for half-an-hour together among the bushes that border

the reed-bed, and have fancied that his warble suits well with the

gentle flow of the water, and the low hum of the insects around me. He

will sit for a long time singing on the same twig, while his partner is

on her nest in the reeds below; but the Sedge-warbler, in this and other

respects like a fidgety and ill-trained child, is never in one place, or

in the same vein of song, for more than a minute at a time.

It is amusing to stand and listen to the two voices going on at the same

time; the Sedge-bird rattling along in a state of the intensest

excitement, pitching up his voice into a series of loud squeaks, and

then dropping it into a long-drawn grating noise, like the winding-up of

an old-fashioned watch, while the Reed-warbler, unaffected by all this

volubility, takes his own line in a continued prattle of gentle content

and self-sufficiency.

These eight birds, then, are the _warblers_ which at present visit

Oxford. Longer walks and careful observation may no doubt bring us

across at least two others, the Wood-warbler and the

Grasshopper-warbler: the nest of the Wood-warbler has been found within

three miles. Another bird, too, which is often called a warbler, has of

late become very common both in and about Oxford—the Redstart. Four or

five years ago they were getting quite rare; but this year (1885) the

flicker of the red tail is to be seen all along the Cherwell, in the

Broad Walk, where they build in holes of the elms, in Port Meadow, where

I have heard the gentle warbling song from the telegraph wires, and

doubtless in most gardens. The Redstart is so extremely beautiful in

summer, his song so tender and sweet, and all his ways so gentle and

trustful, that if he were as common, and stayed with us all the year, he

would certainly put our Robin’s popularity to the proof. Nesting in our

garden, or even on the very wall of our house, and making his presence

there obvious by his brilliant colouring and his fearless domesticity,

he might become, like his plainer cousin of the continent, the favourite

of the peasant, who looks to his arrival in spring as the sign of a

better time approaching. “I hardly hoped,” writes my old Oberland guide

to me, after an illness in the winter, “to see the flowers again, or

hear the little Röthel (Black Redstart) under my eaves.”

The Oxford Redstarts find convenient holes for their nests in the

pollard willows which line the banks of the Cherwell and the many arms

of the Isis. The same unvaried and unnatural form of tree, which looks

so dreary and ghastly in the waste of winter flood, is full of comfort

and adaptability for the bird in summer. The works of man, though not

always beautiful, are almost always turned to account by the birds, and

by many kinds preferred to the solitude of wilder haunts. Whether he

builds houses, or constructs railways, or digs ditches, or forces trees

into an unnatural shape, they are ready to take advantage of every

chance he gives them. Only when the air is poisoned by smoke and

drainage, and vegetation retreats before the approach of slums, do they

leave their natural friends to live without the charm of their

voices—all but that strange parasite of mankind, the Sparrow. He,

growing sootier every year, and doing his useful dirty work with

untiring diligence and appetite, lives on his noisy and quarrelsome life

even in the very heart of London.

Whether the surroundings of the Oxford Sparrows have given them a sense

of higher things, I cannot say; but they have ways which have suggested

to me that the Sparrow must at some period of his existence have fallen

from a higher state, of which some individuals have a Platonic ἀνάµνησις

which prompts them to purer walks of life. No sooner does the summer

begin to bring out the flies among our pollard willows, than they become

alive with Sparrows. There you may see them, as you repose on one of the

comfortable seats on the brink of the Cherwell in the Parks, catching

flies in the air with a vigour and address which in the course of a few

hundred years might almost develop into elegance. Again and again I have

had to turn my glass upon a bird to see if it could really be a Sparrow

that was fluttering in the air over the water with an activity

apparently meant to rival that of the little Fly-catcher, who sits on a

bough at hand, and occasionally performs the same feat with native

lightness and deftness. But these are for the most part young Sparrows

of the year, who have been brought here perhaps by their parents to be

out of the way of cats, and for the benefit of country air and an

easily-digested insect diet. How long they stay here I do not know; but

before our Autumn Term begins they must have migrated back to the city,

for I seldom or never see them in the willows except in the Summer Term.

These seats by the Cherwell are excellent stations for observation.

Swallows, Martins, and Sand-martins flit over the water; Swifts scream

overhead towards evening; Greenfinches trill gently in the trees, or

utter that curious lengthened sound which is something between the bleat

of a lamb and the snore of a light sleeper; the Yellow Wagtail, lately

arrived, walks before you on the path, looking for materials for a nest

near the water’s edge; the Fly-catcher, latest arrival of all, is

perched in silence on the railing, darting now and then into the air for

flies; the Corn-crake sounds from his security beyond the Cherwell, and

a solitary Nightingale, soon to be driven away by dogs and boats and

bathers, may startle you with a burst of song from the neighbouring

thicket.

Of the birds just mentioned, the Swifts, Swallows, and Martins build, I

need hardly say, in human habitations, the Sand-martins in some sand- or

gravel-pit, occasionally far away from the river. The largest colony of

these little brown birds, so characteristic of our Oxford summer, is in

a large sand-pit on Foxcombe Hill: there, last July, I chanced to see

the fledgelings peeping out of their holes into the wide world, like

children gazing from a nursery window. The destruction all these species

cause among the flies which swarm round Oxford must be enormous. One day

a Martin dropped a cargo of flies out of its mouth on to my hat, just as

it was about to be distributed to the nestlings; a magnifying glass

revealed a countless mass of tiny insects, some still alive and

struggling. One little wasp-like creature disengaged himself from the

rest, and crawled down my hand, escaping literally from the very jaws of

death.

Before I leave these birds of summer, let me record the fact that last

June (1886) a pair of swallows built their nest on the circular spring

of a bell just over a doorway behind the University Museum; the bell was

constantly being rung, and the nest was not unfrequently examined, but

they brought up their young successfully. This should be reassuring to

those who believe that the Museum and its authorities are a terror to

living animals.

[Illustration: Nest on College Bell.]

A Year with the Birds Third Edition, Enlarged · 第 2 / 7 章