THE RYE-HOUSE PLOT――DEATH OF CHARLES II.

A fit of slavishness now befell the English nation, as remarkable in

its extent as the late fury against the court and the Catholics.

Supported by this mood of the people, Charles caused all the

corporations in the kingdom to give up their old charters, and accept

of new ones, by which he became all-powerful over the elections of

magistrates, and consequently, over those of parliamentary

representatives should ever another election of that kind take place.

The leaders of the late majority in Parliament, comprising the Duke of

Monmouth, Lord Russell (son of the Earl of Bedford), the Earl of

Essex, Lord Howard, the famous Algernon Sydney, and John Hampden,

grandson of the patriot who first resisted Charles I, being reduced to

absolute despair, formed a project for raising an insurrection in

London, to be supported by one in the west of England, and another

under the Earl of Argyle in Scotland, and the object of which should

be confined to a melioration of the government. They were betrayed by

an associate named Rumsay, and implicated, by a train of unfortunate

circumstances, in a plot for assassinating the king (styled the

Rye-house Plot), of which they were perfectly innocent. By the

execution of Russell and Sidney, and some other severities, the

triumph of the king might be considered as completed. After having

been an absolute sovereign for nearly four years, he died (February 6,

1685), professing himself at the last to be a Catholic, and was

succeeded by the DUKE OF YORK.

Charles II was a prince of a gay and cheerful disposition, and so

noted a sayer of witty things, and so addicted to humorous amusements,

that he was called ‘the Merry Monarch.’ His wit, shrewdness, and good

humor, form the best side of his character. On the other side, we find

a deficiency of almost every active virtue and of all steady

principle. He never allowed any duty of his station, or any claim upon

his justice or clemency, to interfere with his own interests, or even

to disturb him in his indolent and vicious pleasures. Neglecting his

wife, who never had any children, he spent most of his time with his

various mistresses, who openly lived at court, and were even received

by the queen. Of these ladies, the most remarkable were Louisa

Querouaile, whom he created Duchess of Portsmouth, and Barbara

Villiers, whom he made Duchess of Cleveland. Six sons of the king by

his mistresses were made dukes, and five of these were the progenitors

of families in the present English nobility.

During the reign of Charles II, the nation advanced considerably in

the arts of navigation and commerce; and the manufactures of brass,

glass, silk, hats, and paper, were established. The post-office, set

up during the Commonwealth as a means of raising money, was advanced

in this reign, and the penny-post was now begun in London by a private

person. Roads were greatly improved, and stage-coach traveling was

commenced, though not carried to any great extent. During this reign,

tea, coffee, and chocolate, which have had a great effect in improving

and softening manners, were first introduced. In 1660, the Royal

Society was established in London, for the cultivation of natural

science, mathematics, and all useful knowledge. The science of

astronomy was greatly advanced by the investigations of Flamstead and

Halley. But the greatest contribution to science was made by Sir Isaac

Newton, whose Principles of Natural Philosophy were published in 1683:

in this work, the true theory of planetary motion was first explained,

in reference to the principle of gravitation. Among the literary men

of the period, the first place is to be assigned to John Milton,

author of the ‘Paradise Lost’ and other poems: Samuel Butler shines as

a humorous and satirical poet, and Edmund Waller as a lyrist. Amongst

divines, the highest names connected with the church are those of

Jeremy Taylor and Isaac Barrow; while the highest among the

Nonconformists are those of Richard Baxter and John Bunyan. The

theatre, which had been suppressed during the Commonwealth, was

revived in this reign; but the drama exhibited less talent and more

licentiousness than it did in the previous reigns. Female characters,

which had formerly been acted by men, were now for the first time

performed by females.

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