Scene I.

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GEOGRAPHY AND PLAYS

By GERTRUDE STEIN

Three Lives

Matisse and Picasso

Mabel Dodge of the Villa Curonia

Tender Buttons

Have They Attacked Mary. He Giggled.

(_A Political Satire._)

GEOGRAPHY AND PLAYS

BY

GERTRUDE STEIN

BOSTON

THE FOUR SEAS COMPANY

PUBLISHERS

Copyright, 1922, by

The Four Seas Company

The Four Seas Press

Boston, Mass., U. S. A.

THE WORK OF GERTRUDE STEIN

By SHERWOOD ANDERSON

One evening in the winter, some years ago, my brother came to my rooms

in the city of Chicago bringing with him a book by Gertrude Stein. The

book was called _Tender Buttons_ and, just at that time, there was a

good deal of fuss and fun being made over it in American newspapers. I

had already read a book of Miss Stein's called _Three Lives_ and had

thought it contained some of the best writing ever done by an American.

I was curious about this new book.

My brother had been at some sort of a gathering of literary people on

the evening before and someone had read aloud from Miss Stein's new

book. The party had been a success. After a few lines the reader stopped

and was greeted by loud shouts of laughter. It was generally agreed that

the author had done a thing we Americans call "putting something

across"--the meaning being that she had, by a strange freakish

performance, managed to attract attention to herself, get herself

discussed in the newspapers, become for a time a figure in our hurried,

harried lives.

My brother, as it turned out, had not been satisfied with the

explanation of Miss Stein's work then current in America, and so he

bought _Tender Buttons_ and brought it to me, and we sat for a time

reading the strange sentences. "It gives words an oddly new intimate

flavor and at the same time makes familiar words seem almost like

strangers, doesn't it," he said. What my brother did, you see, was to

set my mind going on the book, and then, leaving it on the table, he

went away.

And now, after these years, and having sat with Miss Stein by her own

fire in the rue de Fleurus in Paris I am asked to write something by way

of an introduction to a new book she is about to issue.

As there is in America an impression of Miss Stein's personality, not at

all true and rather foolishly romantic, I would like first of all to

brush that aside. I had myself heard stories of a long dark room with a

languid woman lying on a couch, smoking cigarettes, sipping absinthes

perhaps and looking out upon the world with tired, disdainful eyes. Now

and then she rolled her head slowly to one side and uttered a few words,

taken down by a secretary who approached the couch with trembling

eagerness to catch the falling pearls.

You will perhaps understand something of my own surprise and delight

when, after having been fed up on such tales and rather Tom Sawyerishly

hoping they might be true, I was taken to her to find instead of this

languid impossibility a woman of striking vigor, a subtle and powerful

mind, a discrimination in the arts such as I have found in no other

American born man or woman, and a charmingly brilliant conversationalist.

"Surprise and delight" did I say? Well, you see, my feeling is something

like this. Since Miss Stein's work was first brought to my attention I

have been thinking of it as the most important pioneer work done in the

field of letters in my time. The loud guffaws of the general that must

inevitably follow the bringing forward of more of her work do not

irritate me but I would like it if writers, and particularly young

writers, would come to understand a little what she is trying to do and

what she is in my opinion doing.

My thought in the matter is something like this--that every artist

working with words as his medium, must at times be profoundly irritated

by what seems the limitations of his medium. What things does he not

wish to create with words! There is the mind of the reader before him

and he would like to create in that reader's mind a whole new world of

sensations, or rather one might better say he would like to call back

into life all of the dead and sleeping senses.

There is a thing one might call "the extension of the province of his

art" one wants to achieve. One works with words and one would like words

that have a taste on the lips, that have a perfume to the nostrils,

rattling words one can throw into a box and shake, making a sharp,

jingling sound, words that, when seen on the printed page, have a

distinct arresting effect upon the eye, words that when they jump out

from under the pen one may feel with the fingers as one might caress the

cheeks of his beloved.

And what I think is that these books of Gertrude Stein's do in a very

real sense recreate life in words.

We writers are, you see, all in such a hurry. There are such grand

things we must do. For one thing the Great American Novel must be

written and there is the American or English Stage that must be uplifted

by our very important contributions, to say nothing of the epic poems,

sonnets to my lady's eyes, and what not. We are all busy getting these

grand and important thoughts and emotions into the pages of printed

books.

And in the meantime the little words, that are the soldiers with which

we great generals must make our conquests, are neglected.

There is a city of English and American words and it has been a

neglected city. Strong broad shouldered words, that should be marching

across open fields under the blue sky, are clerking in little dusty dry

goods stores, young virgin words are being allowed to consort with

whores, learned words have been put to the ditch digger's trade. Only

yesterday I saw a word that once called a whole nation to arms serving

in the mean capacity of advertising laundry soap.

For me the work of Gertrude Stein consists in a rebuilding, an entire

new recasting of life, in the city of words. Here is one artist who has

been able to accept ridicule, who has even forgone the privilege of

writing the great American novel, uplifting our English speaking stage,

and wearing the bays of the great poets, to go live among the little

housekeeping words, the swaggering bullying street-corner words, the

honest working, money saving words, and all the other forgotten and

neglected citizens of the sacred and half forgotten city.

Would it not be a lovely and charmingly ironic gesture of the gods if,

in the end, the work of this artist were to prove the most lasting and

important of all the word slingers of our generation!

TABLE OF CONTENTS

Page

SUSIE ASADO 13

ADA 14

MISS FURR AND MISS SKEENE 17

A COLLECTION 23

FRANCE 27

AMERICANS 39

ITALIANS 46

A SWEET TAIL (GYPSIES) 65

THE HISTORY OF BELMONTE 70

IN THE GRASS (ON SPAIN) 75

ENGLAND 82

MALLORCAN STORIES 96

SCENES. ACTIONS AND DISPOSITIONS OF RELATIONS AND POSITIONS 97

THE KING OR SOMETHING (THE PUBLIC IS INVITED TO DANCE) 122

PUBLISHERS, THE PORTRAIT GALLERY, AND THE MANUSCRIPTS OF THE

BRITISH MUSEUM 134

ROCHE 141

BRAQUE 144

PORTRAIT OF PRINCE B. D. 150

MRS. WHITEHEAD 154

PORTRAIT OF CONSTANCE FLETCHER 157

A POEM ABOUT WALBERG 166

JOHNNY GREY 167

A PORTRAIT OF F. B. 176

SACRED EMILY 178

IIIIIIIIII 189

ONE (VAN VECHTEN) 199

ONE. HARRY PHELAN GIBB 201

A CURTAIN RAISER 202

LADIES VOICES (CURTAIN RAISER) 203

WHAT HAPPENED. _A Play in Five Acts_ 205

WHITE WINES. _Three Acts_ 210

DO LET US GO AWAY. _A Play_ 215

FOR THE COUNTRY ENTIRELY. _A Play in Letters_ 227

TURKEY BONES AND EATING AND WE LIKED IT. _A Play_ 239

EVERY AFTERNOON. _A Dialogue_ 254

CAPTAIN WALTER ARNOLD. _A Play_ 260

PLEASE DO NOT SUFFER. _A Play_ 262

HE SAID IT. _Monologue_ 267

COUNTING HER DRESSES. _A Play_ 275

I LIKE IT TO BE A PLAY. _A Play_ 286

NOT SIGHTLY. _A Play_ 290

BONNE ANNEE. _A Play_ 302

MEXICO. _A Play_ 304

A FAMILY OF PERHAPS THREE 331

ADVERTISEMENTS 341

PINK MELON JOY 347

IF YOU HAD THREE HUSBANDS 377

WORK AGAIN 392

TOURTY OR TOURTEBATTRE. A STORY OF THE GREAT WAR 401

NEXT. (LIFE AND LETTERS OF MARCEL DUCHAMP) 405

LAND OF NATIONS. (SUB TITLE: AND ASK ASIA) 407

ACCENTS IN ALSACE. A REASONABLE TRAGEDY 409

THE PSYCHOLOGY OF NATIONS OR WHAT ARE YOU LOOKING AT 416

GEOGRAPHY AND PLAYS

SUSIE ASADO

Sweet sweet sweet sweet sweet tea.

Susie Asado.

Sweet sweet sweet sweet sweet tea.

Susie Asado.

Susie Asado which is a told tray sure.

A lean on the shoe this means slips slips hers.

When the ancient light grey is clean it is yellow, it is a silver

seller.

This is a please this is a please there are the saids to jelly. These

are the wets these say the sets to leave a crown to Incy.

Incy is short for incubus.

A pot. A pot is a beginning of a rare bit of trees. Trees tremble, the

old vats are in bobbles, bobbles which shade and shove and render clean,

render clean must.

Drink pups.

Drink pups drink pups lease a sash hold, see it shine and a bobolink has

pins. It shows a nail.

What is a nail. A nail is unison.

Sweet sweet sweet sweet sweet tea.

ADA

Barnes Colhard did not say he would not do it but he did not do it. He

did it and then he did not do it, he did not ever think about it. He

just thought some time he might do something.

His father Mr. Abram Colhard spoke about it to every one and very many

of them spoke to Barnes Colhard about it and he always listened to them.

Then Barnes fell in love with a very nice girl and she would not marry

him. He cried then, his father Mr. Abram Colhard comforted him and they

took a trip and Barnes promised he would do what his father wanted him

to be doing. He did not do the thing, he thought he would do another

thing, he did not do the other thing, his father Mr. Colhard did not

want him to do the other thing. He really did not do anything then. When

he was a good deal older he married a very rich girl. He had thought

perhaps he would not propose to her but his sister wrote to him that it

would be a good thing. He married the rich girl and she thought he was

the most wonderful man and one who knew everything. Barnes never spent

more than the income of the fortune he and his wife had then, that is to

say they did not spend more than the income and this was a surprise to

very many who knew about him and about his marrying the girl who had

such a large fortune. He had a happy life while he was living and after

he was dead his wife and children remembered him.

He had a sister who also was successful enough in being one being

living. His sister was one who came to be happier than most people come

to be in living. She came to be a completely happy one. She was twice

as old as her brother. She had been a very good daughter to her mother.

She and her mother had always told very pretty stories to each other.

Many old men loved to hear her tell these stories to her mother. Every

one who ever knew her mother liked her mother. Many were sorry later

that not every one liked the daughter. Many did like the daughter but

not every one as every one had liked the mother. The daughter was

charming inside in her, it did not show outside in her to every one, it

certainly did to some. She did sometimes think her mother would be

pleased with a story that did not please her mother, when her mother

later was sicker the daughter knew that there were some stories she

could tell her that would not please her mother. Her mother died and

really mostly altogether the mother and the daughter had told each other

stories very happily together.

The daughter then kept house for her father and took care of her

brother. There were many relations who lived with them. The daughter did

not like them to live with them and she did not like them to die with

them. The daughter, Ada they had called her after her grandmother who

had delightful ways of smelling flowers and eating dates and sugar, did

not like it at all then as she did not like so much dying and she did

not like any of the living she was doing then. Every now and then some

old gentlemen told delightful stories to her. Mostly then there were not

nice stories told by any one then in her living. She told her father Mr.

Abram Colhard that she did not like it at all being one being living

then. He never said anything. She was afraid then, she was one needing

charming stories and happy telling of them and not having that thing she

was always trembling. Then every one who could live with them were dead

and there were then the father and the son a young man then and the

daughter coming to be that one then. Her grandfather had left some money

to them each one of them. Ada said she was going to use it to go away

from them. The father said nothing then, then he said something and she

said nothing then, then they both said nothing and then it was that she

went away from them. The father was quite tender then, she was his

daughter then. He wrote her tender letters then, she wrote him tender

letters then, she never went back to live with him. He wanted her to

come and she wrote him tender letters then. He liked the tender letters

she wrote to him. He wanted her to live with him. She answered him by

writing tender letters to him and telling very nice stories indeed in

them. He wrote nothing and then he wrote again and there was some

waiting and then he wrote tender letters again and again.

She came to be happier than anybody else who was living then. It is easy

to believe this thing. She was telling some one, who was loving every

story that was charming. Some one who was living was almost always

listening. Some one who was loving was almost always listening. That one

who was loving was almost always listening. That one who was loving was

telling about being one then listening. That one being loving was then

telling stories having a beginning and a middle and an ending. That one

was then one always completely listening. Ada was then one and all her

living then one completely telling stories that were charming,

completely listening to stories having a beginning and a middle and an

ending. Trembling was all living, living was all loving, some one was

then the other one. Certainly this one was loving this Ada then. And

certainly Ada all her living then was happier in living than any one

else who ever could, who was, who is, who ever will be living.

MISS FURR AND MISS SKEENE

Helen Furr had quite a pleasant home. Mrs. Furr was quite a pleasant

woman. Mr. Furr was quite a pleasant man. Helen Furr had quite a

pleasant voice a voice quite worth cultivating. She did not mind

working. She worked to cultivate her voice. She did not find it gay

living in the same place where she had always been living. She went to a

place where some were cultivating something, voices and other things

needing cultivating. She met Georgine Skeene there who was cultivating

her voice which some thought was quite a pleasant one. Helen Furr and

Georgine Skeene lived together then. Georgine Skeene liked travelling.

Helen Furr did not care about travelling, she liked to stay in one place

and be gay there. They were together then and travelled to another place

and stayed there and were gay there.

They stayed there and were gay there, not very gay there, just gay

there. They were both gay there, they were regularly working there both

of them cultivating their voices there, they were both gay there.

Georgine Skeene was gay there and she was regular, regular in being gay,

regular in not being gay, regular in being a gay one who was one not

being gay longer than was needed to be one being quite a gay one. They

were both gay then there and both working there then.

They were in a way both gay there where there were many cultivating

something. They were both regular in being gay there. Helen Furr was gay

there, she was gayer and gayer there and really she was just gay there,

she was gayer and gayer there, that is to say she found ways of being

gay there that she was using in being gay there. She was gay there, not

gayer and gayer, just gay there, that is to say she was not gayer by

using the things she found there that were gay things, she was gay

there, always she was gay there.

They were quite regularly gay there, Helen Furr and Georgine Skeene,

they were regularly gay there where they were gay. They were very

regularly gay.

To be regularly gay was to do every day the gay thing that they did

every day. To be regularly gay was to end every day at the same time

after they had been regularly gay. They were regularly gay. They were

gay every day. They ended every day in the same way, at the same time,

and they had been every day regularly gay.

The voice Helen Furr was cultivating was quite a pleasant one. The voice

Georgine Skeene was cultivating was, some said, a better one. The voice

Helen Furr was cultivating she cultivated and it was quite completely a

pleasant enough one then, a cultivated enough one then. The voice

Georgine Skeene was cultivating she did not cultivate too much. She

cultivated it quite some. She cultivated and she would sometime go on

cultivating it and it was not then an unpleasant one, it would not be

then an unpleasant one, it would be a quite richly enough cultivated

one, it would be quite richly enough to be a pleasant enough one.

They were gay where there were many cultivating something. The two were

gay there, were regularly gay there. Georgine Skeene would have liked to

do more travelling. They did some travelling, not very much travelling,

Georgine Skeene would have liked to do more travelling, Helen Furr did

not care about doing travelling, she liked to stay in a place and be gay

there.

They stayed in a place and were gay there, both of them stayed there,

they stayed together there, they were gay there, they were regularly gay

there.

They went quite often, not very often, but they did go back to where

Helen Furr had a pleasant enough home and then Georgine Skeene went to a

place where her brother had quite some distinction. They both went,

every few years, went visiting to where Helen Furr had quite a pleasant

home. Certainly Helen Furr would not find it gay to stay, she did not

find it gay, she said she would not stay, she said she did not find it

gay, she said she would not stay where she did not find it gay, she said

she found it gay where she did stay and she did stay there where very

many were cultivating something. She did stay there. She always did find

it gay there.

She went to see them where she had always been living and where she did

not find it gay. She had a pleasant home there, Mrs. Furr was a pleasant

enough woman, Mr. Furr was a pleasant enough man, Helen told them and

they were not worrying, that she did not find it gay living where she

had always been living.

Georgine Skeene and Helen Furr were living where they were both

cultivating their voices and they were gay there. They visited where

Helen Furr had come from and then they went to where they were living

where they were then regularly living.

There were some dark and heavy men there then. There were some who were

not so heavy and some who were not so dark. Helen Furr and Georgine

Skeene sat regularly with them. They sat regularly with the ones who

were dark and heavy. They sat regularly with the ones who were not so

dark. They sat regularly with the ones that were not so heavy. They sat

with them regularly, sat with some of them. They went with them

regularly went with them. They were regular then, they were gay then,

they were where they wanted to be then where it was gay to be then, they

were regularly gay then. There were men there then who were dark and

heavy and they sat with them with Helen Furr and Georgine Skeene and

they went with them with Miss Furr and Miss Skeene, and they went with

the heavy and dark men Miss Furr and Miss Skeene went with them, and

they sat with them, Miss Furr and Miss Skeene sat with them, and there

were other men, some were not heavy men and they sat with Miss Furr and

Miss Skeene and Miss Furr and Miss Skeene sat with them, and there were

other men who were not dark men and they sat with Miss Furr and Miss

Skeene and Miss Furr and Miss Skeene sat with them. Miss Furr and Miss

Skeene went with them and they went with Miss Furr and Miss Skeene, some

who were not heavy men, some who were not dark men. Miss Furr and Miss

Skeene sat regularly, they sat with some men. Miss Furr and Miss Skeene

went and there were some men with them. There were men and Miss Furr and

Miss Skeene went with them, went somewhere with them, went with some of

them.

Helen Furr and Georgine Skeene were regularly living where very many

were living and cultivating in themselves something. Helen Furr and

Georgine Skeene were living very regularly then, being very regular then

in being gay then. They did then learn many ways to be gay and they were

then being gay being quite regular in being gay, being gay and they were

learning little things, little things in ways of being gay, they were

very regular then, they were learning very many little things in ways of

being gay, they were being gay and using these little things they were

learning to have to be gay with regularly gay with then and they were

gay the same amount they had been gay. They were quite gay, they were

quite regular, they were learning little things, gay little things, they

were gay inside them the same amount they had been gay, they were gay

the same length of time they had been gay every day.

They were regular in being gay, they learned little things that are

things in being gay, they learned many little things that are things in

being gay, they were gay every day, they were regular, they were gay,

they were gay the same length of time every day, they were gay, they

were quite regularly gay.

Georgine Skeene went away to stay two months with her brother. Helen

Furr did not go then to stay with her father and her mother. Helen Furr

stayed there where they had been regularly living the two of them and

she would then certainly not be lonesome, she would go on being gay. She

did go on being gay. She was not any more gay but she was gay longer

every day than they had been being gay when they were together being

gay. She was gay then quite exactly the same way. She learned a few more

little ways of being in being gay. She was quite gay and in the same

way, the same way she had been gay and she was gay a little longer in

the day, more of each day she was gay. She was gay longer every day than

when the two of them had been being gay. She was gay quite in the way

they had been gay, quite in the same way.

She was not lonesome then, she was not at all feeling any need of having

Georgine Skeene. She was not astonished at this thing. She would have

been a little astonished by this thing but she knew she was not

astonished at anything and so she was not astonished at this thing not

astonished at not feeling any need of having Georgine Skeene.

Helen Furr had quite a completely pleasant voice and it was quite well

enough cultivated and she could use it and she did use it but then there

was not any way of working at cultivating a completely pleasant voice

when it has become a quite completely well enough cultivated one, and

there was not much use in using it when one was not wanting it to be

helping to make one a gay one. Helen Furr was not needing using her

voice to be a gay one. She was gay then and sometimes she used her voice

and she was not using it very often. It was quite completely enough

cultivated and it was quite completely a pleasant one and she did not

use it very often. She was then, she was quite exactly as gay as she had

been, she was gay a little longer in the day than she had been.

She was gay exactly the same way. She was never tired of being gay that

way. She had learned very many little ways to use in being gay. Very

many were telling about using other ways in being gay. She was gay

enough, she was always gay exactly the same way, she was always learning

little things to use in being gay, she was telling about using other

ways in being gay, she was telling about learning other ways in being

gay, she was learning other ways in being gay, she would be using other

ways in being gay, she would always be gay in the same way, when

Georgine Skeene was there not so long each day as when Georgine Skeene

was away.

She came to using many ways in being gay, she came to use every way in

being gay. She went on living where many were cultivating something and

she was gay, she had used every way to be gay.

They did not live together then Helen Furr and Georgine Skeene. Helen

Furr lived there the longer where they had been living regularly

together. Then neither of them were living there any longer. Helen Furr

was living somewhere else then and telling some about being gay and she

was gay then and she was living quite regularly then. She was regularly

gay then. She was quite regular in being gay then. She remembered all

the little ways of being gay. She used all the little ways of being gay.

She was quite regularly gay. She told many then the way of being gay,

she taught very many then little ways they could use in being gay. She

was living very well, she was gay then, she went on living then, she was

regular in being gay, she always was living very well and was gay very

well and was telling about little ways one could be learning to use in

being gay, and later was telling them quite often, telling them again

and again.

A COLLECTION

MY DEAR MISS CAREY: A STORY

There were little places to see Fernville, the town, the hospital, the

lying in hospital, the sea-shore and the city.

Once we met my brother he was ringing a bell. He needed an umbrella but

he would not buy it. I sent him one not prepaid. Oh yes the people are

kind they all drink together. Even now. No not now. We are late.

Did you see the pear tree. It resembles the figs. They are often ripe.

They grow in great abundance.

We like milk. My father likes milk and coffee.

Whenever there are flowers my mother is angry. She is even angry with

me. That is to say she is generous enough and wishes everything back. We

are all that way. My brother takes coal away in a little bag for use.

All dark days are necessary. No permission is asked and it is given. For

all day. For all day. Whenever it is needed. Not whenever it is needed.

We do as we say it is best to do. Even religious people do so.

Come together in Fernville. Not I I thank you. My brother finds

handkerchiefs there. For men. For men and for women. So does his wife.

Many. Not very many. She brings them with her. Is that so. Many

handkerchiefs are not necessary in Fernville. No indeed. We dismiss the

church. We separate it. We have it to-day. A great many people call. On

one another. Not altogether that. The post-office. The post-office of my

brother. Now. Not now. Yes he is there now. Since the war. Yes since the

war.

I remember when I was a b of c. I did not speak to old men then not when

I was busy. I waited until I was tired and then we all sat down and had

a cup of coffee. Coffee is very nourishing. I am very sensitive to the

influence of coffee. So are we all.

Do you think that we are married. That we are all married. Mr. Weeks is

married. He is going to be able to follow my advice. I advise him to go

to my country. There he will do very well. The only advice I have to

give him is never to live in the city. His wife does not like the city

nor does she like a sunny climate. She is not able to go about with him.

We are all of us leaving the end of the month.

Do not be angry.

I was very much surprised that water was the same color.

As what.

As the sun.

I feel that I must go at once.

Did you entirely forget about the other.

Drowning in water.

This is a question that I have never asked about because in the summer

one does not think about it. Now it is winter but it is as warm as in

summer.

Dear friends have a way of relating themselves to a town. We find in

some districts that there are better ways of investing money. Some find

that at the end of the war they are not able to continue paying on their

houses.

Does this affect you.

Oh no because even if the father of my child is killed his sister will

continue to give the money. She is obliged to by law.

This makes the whole matter very simple.

Not to me I have always been accustomed to it and have had some

difficulty.

Yes we know we know that it is suddenly cold.

You are not pleased to see the sun setting. Indeed I cannot blame you.

POLYBE IN PORT: A CURTAIN RAISER

Polybe in Port.

A hunter. He was not a hunter. He had a gun. I do not know whether they

have permission to shoot.

Of course he must have if he has a gun. In this country they have a

great many dogs who hunt rabbits. They run quicker.

We are surprised to see him.

Polybe is an ornament.

He is not thinner.

He likes the water now.

This I do not believe.

Neither do I believe there was any intention to go that way. Which way

do you mean. Polybe does not remember. Me. Yes. The house. Yes. The

servant. Yes. You are not mistaken.

We are not mistaken.

A great many shrubs every one of which are labelled.

SCENE II.

A credit to me.

The cares and duties of a mother had been denied to Carrie Russell.

Polybe silent.

He said earnestly that it didn't matter.

SPANISH CHATTINGS

Do you keep books.

All weddings are back.

Pigeons.

Pigeons recognise persons. Do they. We saw them. They flew around.

Shooting pigeons is necessary. For what. For the sea.

I see old peppers that are dried. We do not complain. We say winds are

violent and I do not wish them. Wish for them. I do not wish to see the

stars. Call it out of here. You mean that pole. No indeed I don't mean

Inca.

Oh yes certainly.

THEY CAME TOGETHER

I can tell a little story. I cannot describe the character nor the color

in the street nor the kind of a stone. A great many people have silver

purses.

WILD FLOWERS

We collected wild flowers. We enjoyed it very much. In a window we saw

exhibited the things that can be found in the country.

There was a satisfaction that we had the temporary installation which

made it possible for us to ask another servant not to visit our servant.

We did not do so. We were not neglectful of our best interests.

WILL THEY CRUSH GERMANY

They will crush Germany. There is no doubt about it.

FRANCE

Likely and more than evenly, unevenly and not unlikely, very much that

and anyway more, this is the left over method. There is nothing left

because if it were left it would be left over. This does not make music.

The time to state that is in reading. There is a beginning in a lesson

in smiling.

What is up is not down and what is down is not reversing and what is

refused is not a section and what is silenced is not speaking. This does

not make the rude ones murmur, this does not make a penny smaller, this

does not make religion.

All the time there is a melodrama there is monopoly and all the time

there is more there is no excuse.

A luck in breaths is more to be denied than music, much more. The only

long string is that which is not twisted. All the same there is no

excuse.

A sight is not a shadow and a whole rise in a cry is not more piercing

than danger of being mixed into an affair where there are witnesses. If

writing is in little pieces and little places and a little door is open,

many little doors are not open and writing is not surreptitious, it is

not even obliging.

To show the difference between an occasion and merit and a button it is

necessary to recognise that an honor is not forced so that there is no

question of taste. To exchange a single statue for a coat of silk and a

coat of wool is not necessary as there are appliances. A somber day is

one when there is no pleading.

Made in haste, not made in haste, made in darkness, not made in

darkness, made in a place, made in a place. The whole stretched out is

not part of the whole block, the whole stretched out is so arranged

that there is not stumbling but what is just as remarkable, pushing. An

easy expression of being willing, of being hunting, of being so stupid

that there is no question of not selling, all these things cause more

discussion than a resolution and this is so astonishing when there is

nothing to do and an excellent reason for an exchange, and yet the

practice of it makes such an example that any day is a season.

To be sure that the trees have winter and the plants have summer and the

houses painting, to be sure of this engages some attention. The time to

place this in the way is not what is expected from a diner. The whole

thing that shows the result is the little way that the balls and the

pieces that are with them which are not birds as they are older do not

measure the distance between a cover and a calendar. This which is not a

question is not reverse and the question which is a question is at noon.

To question a special date is not mercenary. To answer a single servant

is not obligatory. To be afraid is not nearsighted. An exclamation does

not connect more grass than there is with any more trees than have

branches. The special scenery which makes the blameless see and the

solitary resemble a conversation is not that which resembles that

memory. There is no necessity for furthering the regulation of the

understanding. One special absence does not make any place empty. The

dampness which is not covered by a cloth is not mingled with color. And

it comes. There is no astonishment nor width.

Education, education, apprenticeship, and all the meeting of nephews and

trains and changing papers and remaining when there is no chance to go

there, all this occupied a whole sentence. It is a shame that there is

not such an only use for that, it is a shame and there is no indignation

more indignant. Everything is an indication of the simple remedy that is

applied when there is no refusal and no application. Every thing which

shows that is not tied with a string or any little string. All the same

there is not much of a remedy.

Alarm over the action of the one who when he sees the light rise and the

sun set and the stars shine and the water flow alarm is the same alarm

as any alarm.

In all the same ways that pieces are separated in all these ways there

are those placed things which are not pieces. They are not pieces and

there is reason, there is reason in it because the whole thing shows

such dissociation that all doing it for that purpose and together there

can be no question but that they succeed.

A tobacco habit is one that a leaf does not enlighten and yet

carelessness is so extraordinary. Supposing that the arrangement had

been made and that it was agreed that no separation between any one

being one and being another one could be established, supposing this

were agreed and there was no conversation, would this enlighten any one,

if it would why is the result so ambiguous. It is not ambiguous because

the authority which does not authorise washing does supply soap. This

does not make any change.

It is sensible to be around it is very sensible, it is so sensible that

there is every way of stopping a selection, and then there is selection,

there is a respect for resignation, there is no disturbance in a

disappointment. The question is is there more urging than satisfaction,

is there more distribution than renewal. This is not a question, it is a

relaxing. And then the time comes for more noise. Is there then more

noise. There is then reestablishment. Does that mean return of a price

which is plentiful. Nobody knows. All this shows something it shows that

there can be suspicion.

There is no separation in majesty. Terms, lines, sections, extra

packing, nothing shows that confidence. All the same there is news. The

time to stay away is in vacation. Why is there no place chosen. The

answer is simple it consists in explaining that there has been given

the use of all that will be used. This does not show feeling.

A curtain is not crazy, it has no way of being crazy, it has hardly a

way of enraging a resemblance, it has no resurrection. Indeed the

chances are that when there is seen more astonishment than anything that

is placed it is very likely that the whole system will be not so much

estranged as devastated and yet supposing they do not mean that,

supposing they do say that it will be a success, supposing they do say

does that mean that oration is contradiction, it does not.

Just a word to show a kite that clouds are higher than a thing that is

smaller, just that word and no single silence is closer.

Suggest that the passage is filled with feathers, suggest that there are

all together, suggest that using boxes is heavy, suggest that there is

no feather, suggest all these things and what is result the result is

that everything gets put away.

All the silence is adequate to a rumble and all the silliness is

adequate to a procession and all the recitation is equal to the hammer

and all the paving is equal to summer. All the same the detaining most

is the reason that there is a pillar and mostly what is shocking is a

rooster. This is not so easily said. There is no occasion for a red

result.

Laugh, to laugh, all the same the tittle is inclinable. What a change

from any yesterday.

A period of singular results and no gloom such a period shows such a

rapid approach that there is no search in silence and yet not a sound,

not any sound is searching, no sound is an occasion.

A fine fan and a fine closet and a very fine handkerchief and quite a

fine article all these together shows where there has been plenty of

rebuke and plenty of expectation and plenty, plentifully reduction of

suspension, and so the season is the same and there is every corner.

No chance shows the rapidity of exchange, no chance and this which means

one is the same as any two halves and this is not outrageous, not a bit

outrageous it is simply the sign of splendor.

All the tempting and the chewing and the cloth all of it shows no sign

and no symbol it does not and that is no disgrace.

If standing is an illusion is it necessary to be pressed to bend in that

direction is it necessary and if it is necessary is it polite and if it

is polite is it urgent and if it is not urgent is it an impulse.

No question has so much disturbance as the principal reunion. This is

not so distinguished when there are no ties in the window. This is

completely changed, once there were none and now there are none. There

are no rebukes. A privilege is not painful. A recurrence is not

artificial.

It is not separating that which satisfies no finger, it is not fading.

What was it that was not wished. The reason is that the section is there

and no reflection makes abundance. The only tangle is when there is

abundance and there is abundance when there is pulling and piling. Does

this seem to scream, it does not there is not even clustering and yet

not hampering not singling everything does not make sorrow, it makes no

plant grander, it does make a plant slender, it does not make it so

slender that there is every size. All privilege and all practice, all

suspicion and grandeur, all the timber and a little wood all this makes

silver, paper is chosen and gold is cheap, does this make a little salt,

it does not, it makes copper.

Little frame if it is cheaper than a big one is a different size. There

is no use disputing as memory is a reminder.

Not to pay for a conversation, not to pay anything for any conversation,

not to throw away paying, not to pass paying, not to pay anything this

is not being a victim. What is victory, victory is that which eschewing

liberation and a girdle and gratitude and resignation and a choice

display and more flavor shows a strange reluctance to have a maritime

connection. This is victory.

A license, what is a license, what is a license.

An angry coat, a very angry coat shines.

Butter is not frozen, this does not mean that there is no bravery and no

mistake. This does show a conclusion.

Difference is no excuse, grain is no excuse, even the remains of a pear

is an excuse and yet is there graciousness, there is if there is

generosity. There is so much fruit. This is kindly a mistake. No

misunderstanding is insurmountable.

Cage no lion, not to cage a lion is not dirty, it is not even merciless,

it is not malodorous, it is not virtue.

To surround a giraffe, what does that mean. To surround a mixture, that

means something.

Solid, what is solid, is more solid than everything, it is not doubtful

because there is no necessity.

Haughtiness, there is haughtiness when there is no tape and no billiard

rooms and no need to be secured from wet. There is certainly some

selected obstacles.

The certainty of a change in the parts that speak, this uncertainty does

not show as it does not fashion speech. All union is in the widow and

all menace is in the band.

Any way to bend the hat is the way to encourage vice. Virtue all virtue

is resolved and some and any hat, every hat is identical. A shadow a

white shadow is a mountain.

Kindness what is kindness, kindness is the necessity of preserving of

really preserving all the parts of speech and teaching, not music so

much as trimming and a costume, and sincerely most sincerely shoving

regions together.

Notice a room, in noticing a room what is there to notice, the first

thing to notice is the room and the windows and the door and the table

and the place where there are divisions and the center of the room and

the rest of the people. All this is necessary and then there is finance.

Heavy where heaviness is and no mistake plentifully, heavy where the

breeze is and no darkness plentifully, heavy where there is a voice and

a noise and singling out a company, heavy where there is a sale of

accents and raisins and possibly more ways of not being heavy. Certainly

there is no peril and yet think, think often, is daintiness and a collar

heavy is it and what is the disturbance, is there not more registration.

So there is not coming anything. There certainly is no single space

useful and betrothed and vulgar and not pretty. There is a sign in

placing nothing. This changes from day to day any day. Surely no change

is a blessing. All the search is in violation and yet a single search is

a single search willing. It is cautious. There is riot.

The likelihood of dipping and drawing and digesting and drinking and

dirtying not dirtying smoking, the likelihood of all this makes such an

order that every discussion is simultaneous. A large increase in beer,

any large increase is here, some large increase is clear, no large

increase is dear. A lily a very lily lily is accurate and described and

surrounded and so venturesome that there is risk and writing, there is

even inlaying.

Darkness, there is no darkness in extremity and in mixing and in

originating scattering religion. There is no darkness in designing.

A group a single group proceeding show the necessity of the distribution

of the same organization as there is if there is, assuming that there

is, if there is reorganization.

Flower, flower and water and even more even a gram of grain and a single

little blister, very likely the chance is not perfect and the exquisite

arrangement has lace, very likely there are no stains and more likely

there are ruffles. In all of this there is no use in practicing

medicine. Quinine any quinine is useful and more there is more, there

can be more, there is an apartment.

A sign of saving consists in spending the late morning in the morning

and in urging in certainly not urging a calculation. A sign of saving is

so simple if there is enough handed about, and surely no pains in piling

are more shown than when everything is in dishes. This does not happen

in an asylum, it does not even happen in the hay and in the double

shapes that shelter cooking.

A top a tiny little top that sits and spits and shows the courage

calmly, this this is so soon an exasperation and a piece of lightning,

it is so ordinarily just that occasion, it is so kindly dispiriting, it

is so haughty if there is pushing. There is pushing, this is what makes

it repetition.

A long, what is a log to do when it floats, it is to do nothing as it

floats but certainly it would be best that it should adjust that to

itself certainly. This alone does not make an explanation.

A degree of resorts and a shining wave all this together does not make a

regulation and it does not make that irregular, it sustains mischief and

an order and it even enforces the likelihood of the season and some

color. So sustained is a paragraph that a sentence shows no staring and

some noise. This is so simple in the size that is medium and is medium

sized sentinel. There is no kilometer. That does not make a sample.

Keep the place that is not open, close the place that has one door, shut

the place that has a cellar, suffer where all suffer more, argue, and

shelter the understanding orphan, and silence that is silence is not

sufficient there must even be sleep.

Puzzle is more than a speck and a soiled collar. A pound is more than

oat meal and a new institution. A silence is no more than occasional.

It respects understanding and salt and even a rope. It respects a

news-stand and it also it very also respects desert. All the ice can

descend together.

Was there freedom, was there enchaining, was there even a height rising

from higher. If there was what is a coat worth and by whom was it made

when.

A lining any lining is a trimming. More trimming is extra.

A sort of arranging, a kindling of paying a shilling, does that mean

another extravagance and more candles, no more candles. It does not

show.

A famous single candle has a chance to shine so that glaring meant that

no more would be reversed by lightning. The safe lamp and the bright

lamp and the dirty lamp and the long lamp were all not the lamps that

were attending baptism. Why is the baptism patient, baptism is patient

in the first place because there is no coarse cloth, in the second place

because when there is nothing taken enough is left to give every reason.

A practice which engaged more attention than the rest was that which

shaved a tame stopper and did not even end that. Supposing crossing a

street is necessary, supposing it is, does that show more of such

occasion. It does and it does.

A lime is in labor, a lemon is cooler, a citron is larger, a currant is

redder, a strawberry is more vexed, a banana is straighter.

A little thing is a little thing, a single point is bigger, a bigger

thing is a bigger thing, an older thing is older, an older thing is an

older thing, a station is a station, a station is a station and a

station is a thing and stationary only that is a stationary thing.

A blind being blind and deaf and deaf being deaf and blind and blind and

deaf and a coat with a cape and more use in all than in any shape all

this makes a reason for criticising the use of machinery and paper and

even a pen and even a stamp and even more flags than ever.

In the pin in the picking of a pin, in sewing a little feather and

avoiding deserting a pin, in retaining the feather and arranging to rank

the pin as a pin and to hold it there where if it is seen it is found

and if it is found it is seen, to not mark a pin and select a pin all

this is a reason for using that way of waiting.

A standard blessed is a standard that is blue if it is blue and blue and

white when it is blue and white. Supposing there is no money, supposing

there is no dress and no skirt, supposing there is no window and no bed,

supposing there is no more distribution and not any more violence,

supposing there is not even arithmetic and intelligence, supposing there

is a light and a round hole, does that mean that there is no success

suggested. It does not. A little bit of choice makes a color regular. A

little bit of black makes dinner necessary.

If there is a shape a real shape prettily, if there is and there is no

wonder does it happen all the time, if it does not is there a certainty

that there is collusion. These interesting questions crowd the house,

they crowd, they do not crowd everywhere. They crowd separately.

All there is of more chances is in a book, all there is of any more

chances is in a list, all there is of chances is in an address, all

there is is what is the best place not to remain sitting and suggesting

that there is no title for relieving rising.

An excursion, what is an excursion, an excursion is a picnic if it is

recurrent, it is a picnic if there is no absence, it is a picnic and not

necessarily, it is a picnic.

Black horses, very black horses are not peculiar, very large horses are

not peculiar, very splendid horses are not peculiar, horses are peculiar

regularly and with an awake resemblance to the best the very best

description and regret. The kindness of this is mentioned and very often

quite often the same rebuke is outrageous.

Not allowed, not only allowed to eat, to ache, to resemble, to project,

to make a motion, to study preaching, to stumble on anything, to stretch

audibly.

Not allowed a prize or a couch or even what is not necessary a

searching, not allowed more formerly, not allowed more entirely, not

allowed a dispensary.

It is a custom, it is a custom when it is not undue, when it is not

undue, when it is not. It is a custom. It is a custom when it is more

due, when it is, when it is an angle, it is not a custom, it is a custom

altogether.

In cross and across, in that show and wide there is the sensory

statement that there is night rule and a winter rule and even the

chamber is empty and watches why are watches lighted.

What a day to pay to stay, what a day. When the work is done too soon

and there is a crossing of hands and even of heads entirely when there

is and when the rest is so awake, is there any slept out sleeping, there

is not gradually, there is more chance than there would be in a colored

collection. There is more chance certainly.

What is the resolution between a cutlet and an ingredient. It is

mentioned and made in paper and floating.

What is the example of a miner. A single example is in the best of cups

and also in the rest of the places and also in the show that is there.

After a mixed cloud is there any use in a trimming, there is, there is.

There is a trimming behind in. There in no use. There is the case.

Calm, a calm, that calm, along the calm. This which is in the ell is so

much are so. When and when and when is there. When the rail is the

passage to. Through and so and much orderly.

Beginning to twining and sudden girls what is mended in a street, what

is a rut in finnish. What is it in a market.

A considerable engagement, a considerable engagement.

Excuse the point that makes a division between the right and left that

which is in the middle in between. Surprise an engagement, surprise it

so that an agreement is all the time.

This is a way, this is a trout, this is the succession.

To linger in the pale way and not to show spots to be greener to do

this means that all the references are what they are.

A pedal a pedal is that which when examined is made and this is no

mistake in regularity it is a splendid thing.

Covering in and covering, covering with inside covering. Covering a lion

with the same shape as the bear and yet what is the best measure for a

tiger, what is the measure steadily.

A half safe wife and a whole safe wife and a half safe wife and a half

safe wife.

A bet and sugar and a bet and within, a bet and within and a bet in

within.

Cut a slice to show a pear, cut a slice to show a row, cut a slice and

there is visiting. An angel is in the exchange.

Suppose that there is a cost, suppose that there is a beggar, suppose

that there is a powder and a powder suppose there is a real gold mine.

A curly fate and a household fact and a gloom too soon, and a couple of

necessary pockets.

Explain, explain why there is a shell fish and an oyster.

A pleasant little spot to have gold. The same spot is used for silver.

The gold is the best way to keep it. The silver is the way to keep

silver.

A cloud of white and a chorus of all bright birds and a sweet a very

sweet cherry and a thick miss, a thick and a dark and a clean clerk, a

whole succession of mantle pieces.

Conceal a nose and climb, counsel a name and shudder, believe a glass

and relate, cool a pound and put in that.

Wednesday is a day and a closed begging is reasonable, reasonable, is

reasonable, reasonable is reasonable.

Piston and clothes, consider the wet sack, coal hack, hack a piece of

gum.

AMERICANS

Eating and paper.

A laugh in a loop is not dinner. There is so much to pray.

A slight price is a potatoe. A slimness is in length and even in

strength.

A capable extravagance that is that which shows no provision is that

which when necessity is mild shows a certain distribution of anger. This

is no sign of sin.

Five, five are more wonderful than a million. Five million, five

million, five million, five are more wonderful than two together. Two

together, two together.

A song, if a sad song is in unison and is sung, a sad song is singing. A

sign of singing.

A gap what is a gap when there is not any meaning in a slice with a hole

in it. What is the exchange between the whole and no more witnesses.

Press juice from a button, press it carelessly, press it with care,

press it in a storm. A storm is so waiting and awful and moreover so

much the worse for being where there is a storm that the use the whole

use of more realization comes out of a narrow bridge and water faucets.

This is no plain evidence of disaster. The point of it is that there is

a strange straw being in any strange ice-cream.

A legal pencil a really legal pencil is incredible, it fastens the whole

strong iron wire calender.

An inherent investigation, does that mean murder or does it only mean a

railroad track with plenty of cinders.

Words that cumber nothing and call exceptionally tall people from very

far away are those that have the same center as those used by them

frequently.

Bale, bale is a thing that surrounding largely means hay, no hay has

any more food than it needs to weigh that way henceforward and not more

that most likely.

A soap, a whole soap, any piece of a whole soap, more whole soap and not

mistily, all this is no outrage and no blessing. A precious thing is an

oily thing. In that there is no sugar and silence.

A reason is that a curly house an ordinary curly house is exactly that,

it is exactly more than that, it is so exactly no more than more than

that.

Waiter, when is a waiter passive and expressed, a waiter is so when

there is no more selection and really no more buckets altogether. This

is what remains. It does. It is kindly exacted, it is pleased, it is

anxious, it is even worthy when a material is like it. It is.

What is a hinge. A hinge is a location. What is a hinge necessarily.

When the butter cup is limited and there are radishes, when radishes are

clean and a whole school, a real school is outrageous and more incensed,

really more incensed and inclined, when the single satisfaction is so

perfect and the pearl is so demure when all this is changed then there

is no rattle there is hardly any rattle.

A and B and also nothing of the same direction is the best personal

division there is between any laughing. The climate, the whole thing is

surrounded, it is not pressed, it is not a vessel, it is not all there

is of joining, it is a real anxious needful and it is so seldom

circular, so more so than any article in the wire. The cluster is just

the same ordinarily.

Supposing a movement is segregated and there is a piece of staging,

suppose there is and the present is melted does that mean that any salt

is bitter, would it change an investigation suddenly, when it would

would it mean a long wide and not particular eddy. Would it and if it

did would there be a change. A kind of exercise is hardest and the best

excellence is sweet.

Finding a best hat with a hearty hat pin in midsummer is a reason for

being blindly. A smell is not in earth.

A wonder to chew and to eat and to mind and to set into the very tiny

glass that is tall. This is that when there is a tenement. All weights

are scales.

No put in a closet, no skirt in a closet, no lily, no lily not a lime

lily. A solving and learned, awake and highing and a throat and a throat

and a short set color, a short set color and a collar and a color. A

last degree in the kink in a glove the rest.

A letter to press, a letter to press is not rowdy, it is not sliding, it

is not a measure of the increasing swindling of elastic and breaking.

The thread, the thread, the thread is the language of yesterday, it is

the resolution of today, it is no pain.

What is pain, pain is so changing the climate and the best ever that it

is a time, it is really only a time, it is so winding. It is even.

A warm banana is warm naturally and this makes an ingredient in a

mixture which has banana in it.

Cooling in the chasing void, cooling more than milder.

Hold that ho, that is hold the hold.

Pow word, a pow word is organic and sectional and an old man's company.

Win, win, a little bit chickeny, wet, wet, a long last hollow chucking

jam, gather, a last butter in a cheese, a lasting surrounding action.

White green, a white green. A looking like that is a most connected

piece of example of what it is where there is no choking, no choking in

any sign.

Pin in and pin in and point clear and point where.

Breakfast, breakfast is the arrangement that beggars corn, that shows

the habit of fishes, that powders aches and stumblings, and any useful

thing. The way to say it is to say it.

No counting, no counting in not cousins, no counting for that example

and that number of thirty and thirteen and thirty six and thirty.

A blind hobble which makes distress. A place not to put in a foot, a

place so called and in close color, a place best and more shape and

really a thought.

Cousin why is there no cousin, because it is an article to be

preparatory.

Was it green told, was it a pill, was it chased awake, will it sale per,

peas are fish, chicken, cold ups, nail poppers, nail pack in hers extra.

Look pase per. Look past per. Look past per. Look past fer. Look past

fer. Look past fer.

No end in yours, knock puzzler palers, no beast in papers, no bird.

Icer cream, ice her steam, ice her icer ice sea excellent, excel gone in

front excel sent.

Leaves of wet perfect sharpen setters, leaves of wet purr feet shape for

seal weight for shirters.

Leaves of wet for ear pole ache sold hers, ears for sake heat purse

change to meeters, change to be a sunk leave to see wet hers, but to why

in that peace so not. Knot lot.

Please bell room please bell room fasten a character fasten a care in

apter buttons fasten a care in such, in such. Fasten a care in, in in a

in.

A lovely life in the center makes a mine in found a lovely pond in the

water makes it just a space. A lovely seat in a day lump makes a set to

collapse, a lovely light in a grass field makes it see just the early

day in when there is a sight of please please please.

Due tie due to die due show the never less more way less. Do, weigh the

more do way less.

Let us call a boat, let us call a boat.

Leave little grace to be. Leave little grace to bea, live little grace

to bee.

Leave little grace. Leave little.

Leave little grace to be.

Near red reserve leave lavender acre bat.

Shout us, shout horse curve less.

Least bee, least bay alter, alter the sat pan and left all, rest in,

resafe in article so fur.

A cannon ball a cigar and a dress in suits, a cannon ball a cigar and a

dress suit case, a cannon ball a cigar and a dress suit case, a head a

hand a little above, a shake in my and mines.

Let us leaves, moor itch. Bars touch.

Nap old in town inch chair, nap on in term on chain, do deal sack file

in for, do bale send on and for, reset the pan old in for same and chew

get that all baste for, nice nor call churches, meet by and boot send

for in, last when with and by that which for with all do sign call, meet

with like shall what shirs not by bought lest, not by bought lest in own

see certain, in own so same excellent, excellent hairy, hairy, excellent

not excellent not knot excellent, excellent knot.

B r, brute says. A hole, a hole is a true, a true, a true.

Little paper and dolls, little paper and row why, little paper and a

thin opera extra.

No use to age mother, no whole wide able recent mouth parcel, no relief

farther, no relief in loosens no relief abler, no relief, no relief pie

pepper nights, no relief poor no relief or, no relief, or no relief.

America a merica, a merica the go leading s the go leading s cans, cans

be forgot and nigh nigh is a niecer a niecer to bit, a niecer to bit.

It was a peach, it was a long suit, it was heavy harsh singes.

Leave crack his leave crack his eats, all guest all guest a stove. Like

bit.

Nuts, when and if the bloom is on next and really really really, it is a

team, it is a left and all it cut, it is a so like that between and a

shun a shun with a believer, a believer in the extra, extra not, extra

a rechange for it more. No sir.

No it sir.

It was a tame in, it was a tame in and a a little vent made a whole

simmer simmer a wish.

What is it not to say reach house. Coal mill. Coal mill well. It to

lease house. Coal mill tell. Coal in meal tell.

A pill shape with a round center.

Color Cook color him with ready bbs and neat show pole glass and nearly

be seen every day more see what all a pearly little not shut, no rail

see her.

No peter no rot.

Poles poles are seeds and near the change the change pets are swimming

swimming and a plate all a plate is reed pour for the grammar grammar of

lake.

Lake in a sad old chimney last and needs needs needs needs needs needs

needs, in the mutton and the meat there is a change to pork walk, with a

walk mean clean and butter and does it show the feather bench does it

mean the actual and not or does it light the cylinder. It is in choice

and chosen, it is in choice and knee and knee and knee and just the same

two bay.

To irregulate to irregulate gums.

America key america key.

It is too nestle by the pin grove shirr, all agree to the counting ate

ate pall. Paul is better.

Vest in restraint in repute.

Shown land in constate.

I am sorry I am awfully sorry, I am so sorry, I am so sorry.

No fry shall it see c bough it.

Nibbling bit, nibbling bit, may the land in awe for.

It is not a particular lamp lights which absolutely so far pull sizes

and near by in the change with it not in the behoof.

It was a singe, it was a scene in the in, it was a singe in.

Never sink, never sink sinker, never sink sinker sunk, sink sink sinker

sink.

A cattle sheep.

By the white white white white, by the white white white white white

white, by the white white white white by the white by the white white

white white.

Needless in pins.

In the fence in the for instance, in the fence or how, hold chirp, hold

chirp her, hold your paper, hope hop in hit it.

Extra successive.

Little beats of long saturday tileing.

No neck leg ticking.

Peel more such wake next stir day.

Peel heaps pork seldom.

Coiled or red bench.

A soled in a light is not waver. There is for much ash so.

In the second, in the second second second.

Pour were whose has. Pole sack sirs.

A neat not necklace neglect.

A neat not neglect. A neat.

A neat not neglect.

Put a sun in sunday. Sunday.

ITALIANS

Some of them were where some others of them were. Some of them were

where no others of them were. One of them was where not any other of

them, of that kind of them, had been, and it was a thing that was

important to any one to have seen that one, to have heard that one. It

would have been discouraging to see more of them. It was disillusioning

to go to the place where there were many of them. If there were many of

them then there were more than one. If there were more than one then

there were many of them and if there were many of them one could know

any one of them and if one knew any one of them one knew all of them.

And if one knew all of them then one would be beginning again, one would

be beginning knowing them. One would be beginning knowing that kind of

them.

There are enough of them and most of them are where the others of them

are. There are enough of them but certainly not too many of them,

certainly not, too many of them. There are many of them and most of them

are where the others of them are. They have a way of doing what they are

doing, they have a way of not doing what they are not doing. They have a

way of having some feeling about them that they are ones doing what they

are doing in the way that is a thing satisfying the desire of having

anybody do anything. They are ones that give to some feeling them a

feeling of knowing that they will not do in a way that is satisfying

anything they are doing. They are ones talking, they are ones doing

something, they are ones waiting quickly waiting very quickly waiting

for anything to be happening and easily going on with waiting, with

waiting for anything to happen, to not happen again. They are ones

talking and talking and they are ones quick in talking and waiting for

something to happen and they are ones who are not so quick, not quick

enough not to be slow ones, quite slow ones. They are ones very many are

seeing. There are very many of them. There are quite enough of them.

There are not too many of them. Certainly very many are pleased at their

being completely existing, certainly very many are completely pleased by

their being completely existing.

There are not too many of them. They have something growing on them,

some of them, a good many of them, and certainly very many others would

not be wanting such things to be growing out of them that is to say

growing on them. It makes them, those having such things, makes them

elegant and charming, makes them ugly and disgusting, makes them clean

looking and sleek and rich and dark, makes them dirty looking and fierce

and annoying.

They are not peculiar ones these, they are very many of them, they are a

kind of them, they are natural ones for any one to be knowing, there are

many kinds of this kind of them. They are talking, often talking and

they are doing things with pieces of them while they are talking and

they are then sounding like something, they are then certainly sounding

in a way that is a way that is a natural way for them to be sounding,

they are having noise come out of them in a natural way for them to have

noise come out of them. There are very many of them, not at all too many

of them. Very many hear them, quite enough hear them. There are not too

many of them not at all too many of them, they are talking, they are

moving their fingers and their arms and their hands then and they have

noises coming out of them and some are hearing them, quite a number hear

them and some like them, very many like them, very many tell about

liking them, some do not like them, some tell about not liking them.

Some are smaller than others, some are darker than others, some are

harsher than others, some are sweeter than others, some are queerer than

other, some are older than others, some have more hair on them than

others, some are softer than others, some are quicker than others, some

have longer nails than others, some have one longer nail than others,

some look longer at some than others, some wear more things on them than

others, some wear more kinds of colors than others, some are stronger

than others, some are noisier than others, some are more respectful than

others, some are braver than others, some are quieter than others, some

are not lovelier than others.

There are very many of one kind of them and they are not all the same,

certainly not all the same. They are in a way the same and yet not so

much so that some of them are not altogether like some who are not at

all of that kind of them. When there are very many of them together they

are more like each other, they are and they seem to be and that is

natural. They are, that is natural because they are together. They seem

to be, and that is natural because what is in one is carried over to the

other one by it being in the feeling of the one looking at the one and

then at the other one.

There are a good many of that kind of them and it is a good thing,

certainly it is not a bad thing. Certainly not any one is really

objecting to their being ones being existing. They are ones who are

being living and then they go on being living and some of them are not

then being living, and they like it being living and they can bear it to

be not being living. It is not a sad thing that they are not being

living those who are not being living. It is not a sad thing that they

are being living those who are being living. It is a gentle thing. It is

a lively enough thing. It is a pleasant enough thing. It is an important

enough thing. There are very many of them who are not any longer being

living. It is an accepted thing. It is a quiet thing. It is a pleasant

thing. It is a certain thing. It is a thing not remembered, not

forgotten. It is a thing existing. It is a thing persisting. It is a

thing contenting any one. It is a thing disturbing some. It is a thing

any one can have had happen in knowing any place where some of this kind

of them have been living.

It is a kind of them who are existing who are ones very many are

visiting. Very many always have been visiting them. Very many are going

on visiting them and that is a natural thing.

They will do something and they do do things and they will offer to do

something and they will then not be surprised if they are not

succeeding. They will expect something and they are surprised if they

are not succeeding and some of them are surprised and are quick then and

some of them are surprised and are slow then and they are surprised and

really then being surprised is not existing in them, really not, they

are not surprised that they have not been succeeding. Certainly some of

them are surprised if they are not succeeding but certainly being alike

all of them is in not being surprised that they are not succeeding.

There are very many of them. And they are alike, all of them. Certainly

they are not alike all of them. Certainly not. They are certainly not

alike all of them. They are alike all of them. They are expecting

something, they are doing some things, they are offering some things.

They are not surprised that they are not succeeding.

It is not a melancholy thing being one of them. It is not an interesting

thing being one of them. It is not an exciting thing being one of them,

it is not an important thing being all of them. It is an important

enough thing being all of them. It is a pleasant thing being with them.

It is not a pleasant thing expecting anything from them. It is not a

disconcerting thing expecting anything from them. It is an agreeable

thing knowing about them. It is an exciting thing first hearing about

them. It is a delightful thing coming among them although it is a

frightening thing the first seeing of them. It is a very pleasant thing

living where they are living. It is a completely pleasant thing living

where they are living. It is a troublesome thing waiting for any one of

them. It is a troublesome thing waiting for them to go on finishing

anything. It is not an exasperating, not a disconcerting thing waiting

for any one of them.

They are certainly ones deciding something. They are certainly ones

expecting anything. They are certainly ones not despairing in being ones

being living. They are certainly ones not certain that they will be

expecting anything. They are certainly ones deciding something. They are

not ones deciding that they will be ones expecting something. They are

not ones despairing. They are ones expecting something. They are ones

deciding something. They are ones not deciding that they will be

expecting something. They are ones not certain that they will be

expecting something.

It is a pleasant thing to be living among them. They are not interested

in this thing. They are not at all interested in this thing. They are

smiling. They are not interested in this thing. They are expecting

something. They are interested in this thing. They are not certain they

will be expecting something. They are feeling this thing. They are then

deciding something.

They like being living. They are not interested in this thing. They are

quickly being existing. They are interested in this thing. They have

been existing. They are not interested in this thing. They are going on

being living. They are not interested in this thing. They are deciding

something. They are not interested in that thing. They are doing

something, they are going to be doing something. They are interested in

that thing. They are going to be doing some other thing. They are

interested in that thing. They are quicker than others who are slower.

They are not interested in that thing. They are slower than others who

are quicker. They are not interested in that thing. They are quicker

than others who are slower. That is astonishing but not to them. They

are slower than others who are quicker. That is not astonishing and not

to them. They are quicker and they are slower and certainly this is in

all of them and certainly this is astonishing to some coming to

understand this thing. They certainly are deciding something. They are

not interested in this thing. They are interested in everything. They

are expecting something. They are not certain that they will be

expecting something. They are deciding something then. They are not

interested in this thing in deciding something, in having been deciding

something.

There are a good many of them. They are certainly different one from the

other of them, quite different one from the other one of them and this

is quite a troublesome thing and quite not an interesting thing to some.

There are quite enough of them. They are certainly each one of them

quite different from the others of them. There are some of them like

others of them. This is a pleasant thing to some. There are some who are

like others of them and some of such of them are ones who are completely

being that thing being a kind of one which is a kind of one that is one

giving to some a feeling of being an arranged one that is in the whole

of them a thing not exciting, not disconcerting, that is a thing that is

a thing that is growing in a certain arrangement that is a solid,

unexciting, definite, beautiful enough thing, that is a thing that is

something that each one being that one is in some way knowing, that is a

thing that some are admiring, that is a thing that is not intensely

interesting any one, that is a thing that is a beautiful thing in being

a beautiful kind of existing thing, that is a thing that is a very

agreeable thing and one is liking and one is noticing that thing.

There are very many being existing who are ones who are talking quite

often and they are sounding as they are looking, as they are acting, as

they are being. They are certainly sounding very pleasant when they are

not sounding harsh and terrifying and unpleasant. They are certainly

sounding pleasantly and that is sometimes a surprising thing and it is

sometimes a surprising thing that they are not always pleasantly

sounding. It is quite a serious thing deciding if they are pleasing to

one or not pleasing to one. It is quite a serious thing coming to a

decision. If they are pleasing to one that is an important thing. If

they are not pleasing to one that is an important thing.

If some of them were different, not so very different, they would not be

so willing to go on being living. If some of them were different and not

so very different they would be certain to be expecting something. If

some of them were different, quite a little different they would be

winning something. If some of them were different, not really different,

they would be quite certain not to go on being living. If some of them

were different, just a little different they would be doing something

that would be making some other one decide something.

If some of them were certain that they would go on being living, they

would decide something. And really they are certain, in a way completely

certain, all of them, that they are going on living, that not any one is

going on living. They are all of them quite certain that every one who

is not coming to be a dead one is going on being living. They are all of

them quite certain of this thing. They are all of them in a way always

saying such a thing. They are all of them in a way patient with this

thing. They are all of them certain that not any one is going on being

living. They are all of them quite patient with this thing. They are,

very many of them, very lively in this thing. They are, very many of

them quite quick in remembering, quite quick in not living in this

thing. They are then ones, all of them certain that any one not coming

to be a dead one is going on being living. They are all of them quite

certain that not any one is going on being living. They are all of them

quite patient with these things. They are all of them quite quick and

they are not forgetting anything of these things. They are living and

they are quite quick and they are not remembering and they are not

forgetting anything of these things.

When they are young they are quicker than when they are old. When they

are quite young they are very much quicker than when they are old. When

they are young they are quicker than when they are old but not really

quicker, they are not slow when they are old. When they are very young

they are very much quicker than when they are older. They are quicker

when they are young, when they are very young, when they are old than it

is ever natural for them, for any one to think them. And certainly this

is a very natural thing, a very natural thing. They are quick and

certainly they have very much time to be quick in, and they are using

very much time for this thing. And certainly any one can know this thing

that they are using very much time, a great deal of time. They certainly

have been, they certainly are using very much time, any one can know

this thing, any of them can know this thing. Every one knows this thing,

knows they are using very much time, that they are all of them using up

very much time. Every one is naturally certain of this thing, that any

of them, that all of them are using very much time. They are then quick

ones, quicker when they are very young than when they are older, a

little quicker when they are young than when they are old.

There are quite enough of them. They are different enough each one of

them from the others of them. They are different enough each one of them

from the others of them and it is easy enough to know this thing to know

that each of them are different enough from the others of them. It is

certainly easy enough to know this thing to know that each of them are

different enough from the others of them. They are different enough each

one of them from the others of them. In a way it is completely easy to

know this thing to know that each of them are different enough from the

others of them. They certainly can show this thing, any of them can show

this thing that they are different enough from the others of them.

There are enough of them. There are not too many of them. There are

quite enough of them. Each of them is quite different enough from the

others of them. They do each one of them easily enough show this thing,

quite easily show this thing that they are different enough each one of

them from the others of them.

In a way they are completely simply showing this thing that each one of

them is different from the others of them, from any of the others of

them. They can very simply be showing this thing and certainly then it

is a thing to be pleasing to any one to be knowing that each one of them

is different enough from any of the others of them and is simply enough

showing this thing.

Certainly any one can be completely showing this thing, any one of them,

that they are different enough from any others of them and they are, any

one of them, completely simply showing this thing. So then it is a

pleasing thing, this thing, and again and again and again it is a

pleasing thing, and certainly each one of them is showing such a thing,

showing they are different enough from any other one of them, simply

enough showing this thing. So then it is a simple enough thing, being

different enough from any other of them, this then is a simple enough

thing. In a way then it is a pleasing thing, certainly this thing is a

pleasing thing, it is a simple enough thing, it is a pleasing enough

thing. This thing, completely this thing, this thing a completely simple

thing, a completely pleasing thing is a thing existing and certainly

every one is knowing it in all of these of them knowing it so as to be

quite certain.

Being different enough from any other one is a simple enough thing in

all of these of them and certainly very many are being completely

content with this thing, with these being completely expressing this

thing, with these having been completely expressing this thing. Some

then are knowing that certainly this is completely pleasing, this thing,

this being different enough from any other of them, this being simply

enough in all of them and certainly then every one has been certain that

such a thing has been completely pleasing. Certainly all of them and

there certainly are enough of them and not too many of them and very

many of them are each one different enough from any other one of them,

and are simply enough such a thing are simply enough different enough

and certainly such a thing is pleasing and certainly it is completely

enough existing to make them being ones being, having been completely

pleasing, and certainly having been completely expressing such a thing,

being different enough each one of them, being simply enough such a

thing, having been completely enough expressing such a thing, being so

simply that thing different enough each one of them, has made then ones

certainly having been completely pleasing, having been completely

expressing a thing being completely pleasing. Certainly it is not a

complicated thing, being different enough from any other one, being

simply enough different enough and certainly these then are expressing

this thing, and certainly this has been completely expressed by them,

and they are expressing this thing.

Some are needing that not any one is one some are not wondering about

and then again and again finding that they are knowing everything that

that one is ever doing. Very many are needing this thing and these then

are ones being living and these then being ones being living are ones

sometimes singing and sometimes making noises in being ones just then

not wondering and not knowing anything about any one doing anything. So

then all of them all of each of them that are being existing and being

ones being such ones are being ones who are ones being ones of this kind

of them. This kind then are all of them for all of them are of this kind

of them.

Many of them, any of them are ones that are completely not needing going

on being living when they are ones any one is hearing. Many of them, any

of them are almost not at all needing going on being living if any one

has been listening. And certainly very many are listening, mostly all of

them are listening, any of them are listening and so not any of them are

needing to be going on being living.

Certainly any one of them, all of them are different from any other one

of them. Certainly all of them, any one of them, if any one has been

listening to them are not needing then to be ones going on being living.

Very many of them, almost all of them are listening. Very many of them,

all of them are having again and again some hearing them, and so many of

them, all of them are not needing to be ones going on being living, they

are then not at all needing this thing needing being one going on being

living.

There are very many of them, certainly enough of them, certainly not too

many of them. They certainly are not completely needing going on being

living. Certainly they are not needing this thing if any one has been

listening to them and certainly they are, all of them, listening and

certainly then all of them have been having some listening to them and

so then not any of them are needing are ever needing being one going on

being living.

There are certainly very many of them. Any of them are ones having some

listening. Any of them are ones listening. There are very many of them.

They are, each one of them different from any other one of them and that

is a very simple thing and all of them are ones then having some

listening and all of them are ones not needing being ones going on being

living if some have been ones listening and certainly there have been

ones listening and certainly not any of them are really needing being

ones going on being living.

Being different each one from any other one of them and this being a

completely simple thing, being each one of them not needing being one

going on being living if any one has been listening and being all of

them listening, and all of them being living is something that gives any

one of them gives all of them a way of being one doing anything any one

of them are doing so that any one can be quite certain that it is a

thing that is being existing and again and again every one can be

looking and again and again can be certain that that thing is a thing

completely to be existing.

A thing completely to be existing as certainly there is not any reason

that it is not a thing completely existing, a thing completely existing

as certainly every one can be certain again and again that being

completely existing is a thing that thing is certainly being, being

completely existing as any one can be certain to be content that any

such a thing is completely existing, being completely existing as each

one being existing and expecting anything being completely existing is

content to be finding, that is certainly being living in all of them and

in everything any of them are doing and in any way any of them are

living, and in all the place they are all living.

There are then enough of them being living and doing something and

living somewhere and dying and being dead there.

Certainly any of them can be expressing completely feeling anything so

that they are almost doing anything. Certainly any of them are

completely expressing feeling anything strongly enough to be then doing

anything. Certainly all of them, certainly any of them, certainly

completely some of them are expressing feeling anything, feeling

anything strongly enough to be almost doing anything, strongly enough to

be completely doing anything.

They all of them and there are quite a number of them, quite a good many

of them, enough of them, are expressing, can be expressing feeling

everything, feeling everything enough to be ones doing anything, to be

ones almost doing everything.

All of them are ones completely expressing feeling everything. All of

them are ones expressing feeling anything. All of them are ones

completely expressing feeling everything and all of them are ones

completely expressing feeling anything.

They could any kind of them be quite different from any other kind of

them. They could any kind of them be quite like any other kind of them.

They could any kind of them be quite different from any other kind of

them. Any one could know this thing that any kind of them could be

completely different from any other kind of them. Any one did know that

thing, that any kind of them could be like any other kind of them. They

were ones then being quite different some kinds from other kinds of

them. They were ones then being very different in concentrating this

thing in being quite different one kind of them from any other kind of

them. They were then some kinds of them concentrating on being that kind

of them. They were then some completely concentrating on being one kind

of them. Some were completely concentrating upon their being different

kinds of them. Some were completely concentrating on going on having

been a kind of them. Some of them had been concentrating. Some were

going to be concentrating. Any of them had been one concentrating on

their being, all kinds of them, one kind of them. Any of them could be

concentratedly coming to this thing that all of them could be any kind

of them. All of them could be concentratedly coming to this thing that

any of them were one kind of them. Any of them could completely

concentrate on any of them being all of them.

Some kinds of them had been concentrating and other kinds of them had

been concentrating on being that kind of them. They were, they are, all

of them their kind of them. They are all of them different kinds from

other kinds of them. They are, any of them, one kind of them.

They could, any of them, be ones doing something, be ones doing anything

and they were doing it as if they were doing that thing and they were

doing that thing. They are all of them doing something and any of them

are doing that thing, completely doing that thing as if they are

completely doing that thing, and they are completely doing that thing.

That is interesting that they are ones doing something, that any of them

are ones doing something.

Any of them are ones doing something and any of them are completely

doing that thing, they are, any one of them, completely doing that

thing, as if they are completely doing that thing they are completely

doing that thing. This is quite interesting.

They are many of them completely different from any other one of them.

They are, any of them, completely different from any other one of them,

and this is a thing that not any one is finding interesting. It is a

very simple a very easy thing that this is in them that any one of them

is completely different from any other one of them. Any one of them can

easily completely be that thing can easily complete being completely

different from any other one. Any one of them can easily complete that

thing complete being a different one from any other one.

Any of them can easily do anything in being one being completely

different from any other one, any of them can easily do something.

They are each one being one and they are, enough of them, they are each

one of them being one and any one can see by looking can see that they

are different from any other one of them, that it is an easy thing this

thing that they are one each one different from any other one of them.

Any one can see that there are very different sizes among them. Some of

them are taller, are very tall and some of them are smaller, are

exceedingly small. Any one can see this in them, they are, all of them

are where any one can see them. Not all of them are always where any one

can see them. Certainly all among them that are men are always where any

one can see them, and they, all of them, stay where they are long enough

so that any one can see them a very long time, and they are, all of

them, there very often so that any one can see them again and again.

They are, all of them, that is all of them that any one can always be

seeing, that is any of them that are men, they are all of them being

ones doing all their living in being ones being where any one can see

them. Any one can see all of them, all of them that any one can see, any

one can see all of them a long time and again and again and again.

They are all of them ones that any one can be certain are ones that will

not ever be doing anything. They are all of them ones that are ones not

going to be doing anything to make any one certain that they would be

afraid again if they were going on doing that thing. They are all of

them ones not coming to be doing anything to make any one afraid to be

one going to be left alone with all of them, with any of them. They are

all of them ones quite certainly being such a one and any of them might

have been one not being such a different one and certainly not any of

them is one being a different one.

All of them are ones that any one can remember are ones not doing

anything to make any one afraid of them again. Any of them are ones

being such a one, one that any one can remember, are ones not any one

will be afraid of again. Any of them are ones completely interesting,

completely pleasant in this thing. Any one of them are ones, all of them

are ones being entirely interesting, completely pleasing in being this

thing.

Any one of them being one can be completely that one and that is being

completely one being any one. Each one of them is completely that one

and any one of them is completely that one. Any one is completely that

thing that is being that one, is completely then being any one, is

completely interesting is completely pleasing in that thing, in being

that one, in being one being any one of them.

They are all of them then one of them who are ones being completely

pleasing, being completely interesting and this is to them not

completely exciting, it is to them stimulating, it is to others not

completely stimulating, it is to others quite satisfying.

It is completely satisfying to any one that some one is one completing

doing anything again. It is completely satisfying to every one that

there are some who are ones who are completely doing everything again.

These then are such ones are ones doing anything completely doing

anything again and these are then ones satisfying any one. These are not

ones satisfying every one, some are not wanting that these are ones

being those who are ones doing a thing completely again. Any one is

finding it satisfying that there are ones doing anything completely

again. Some are not wanting that these, these who are doing anything

completely again are the ones who are doing everything completely again.

These are ones completely doing anything again. These are ones doing

completely doing anything again.

These were not always doing that thing completely doing everything

again. These were then completely satisfying, these were then ones not

doing everything completely again. These were then more than completely

satisfying, they were then completely being that thing completely being

ones certainly going on being ones completely satisfying, entirely

completely satisfying anything. These were then not ones completely

doing anything again. These are ones completely doing anything again.

Completely doing anything again is something to satisfy any one. These

are ones completely doing anything again. This is satisfying to every

one. Some are not satisfied that these are doing that thing completely

doing anything again.

Some in doing anything are learning to do that thing, Some in doing

anything are doing that thing. Some in doing anything are going on doing

that thing. Some in doing anything are doing that thing again. Some in

doing anything are beginning doing that thing. These being ones doing

anything are ones doing that thing and are ones then not learning doing

that thing, not beginning doing that thing, not going on doing that

thing, not remembering doing that thing, not doing that thing again,

they are ones completely fully doing that thing, they are completely

fully doing that thing at any time that they are doing anything that is

that thing, at any time they are doing anything. These then are ones

completely fully doing something, are completely fully always completely

fully having something being done by them. These then are ones being

ones having anything completely fully being done by them, are ones

always having something being completely fully done by them.

Some are certainly not believing this thing, not believing any such

thing, some certainly never have been believing any such thing, some who

have been who are completely knowing, certainly are not believing that

all of them are ones completely doing, are ones having been ones

completely doing something, anything, everything. Some are certainly not

believing any such thing. Some have been ones completely loving that

these are being existing, some are ones who have been ones almost

completely living in being one completely loving that these are ones who

are being existing. These then those who were almost completely living

in being ones loving that these are ones being existing come then to be

ones not loving that these are ones being existing come to be ones not

regretting that these are ones being existing but are ones being almost

entirely annoyed by such a thing by these being ones being existing and

these then are almost completely living in this thing living in being

entirely annoyed that these are being existing.

Some know very well that these are being existing, some know entirely

that these have been existing. Some of both these kinds of them are

completely living in that thing, in these being existing, in these

having been existing. Very many know that these have been existing. Very

many know that these are existing.

These, these being existing are ones who have been existing are ones who

are existing. These are ones who could be ones completely living in the

thing that they have been existing. These are ones living in having been

existing, these are ones living in being existing. These are ones

completely living in having been existing and they are then completely

living in being existing. They are ones completely liking this thing

completely liking having been existing and completely living in that

thing and are completely living in being existing and completely liking

this thing. These are ones that are completely exciting in having been

ones being living, are completely excited in this thing and are

completely excited, excitement is completely in them in their being one

being existing. These are ones completely existing in having been

existing and are completely existing in being existing. These then can

be ones that any one can be certain are ones that are completely being

having been and being and this is something that certainly can be quite

disgusting to some completely not liking that thing, can be something

completely displeasing to some completely not liking that thing.

These are ones liking being living. These are ones quite liking being

living. These are ones quite needing being living. These are ones quite

needing this thing quite needing being living. These are ones liking

being living. They are ones going on doing this thing going on liking

being living. These are ones quite liking doing this thing again and

again liking being living. They are needing this thing needing being

living. They are quite liking being living. They are liking being

living.

They are liking this thing, liking being living and they are doing this

thing they are being living and they are then not doing anything to be

liking the thing to be liking being living.

They are, all of them, being living, they are doing enough of this thing

so that any other one will be doing that thing, so that there will be

enough of them quite enough of them doing this thing, being living.

There are always enough of them doing this thing, being living. There

are always enough of them doing this thing enough so that there will be

enough of them doing this thing, doing being living. They are liking

this thing liking being living so that they can any of them be ones

being this thing being one liking being living. They are ones liking

being living, they are ones being such ones, all of them being such ones

any of them are being such ones, each of them are being such ones, any

of them are doing that thing are liking being living.

Any one is such a one and is warmly that thing, is completely warmly one

being living, one liking that thing. These are ones warmly being that

thing, quite warmly, entirely warmly being that thing and certainly any

other thing is a thing that can be too exciting, too wearing, too

destroying. These then are ones warmly liking, entirely warmly liking

being living and are being living and doing enough to have it that there

are enough of them certainly enough of them being living.

These then are ones almost needing being ones being living. They

certainly are ones completely doing anything, they certainly are ones

completely bringing any teaching to any needing any teaching to be

themselves doing quite enough living to be always going to be enough of

them to be warmly liking being living.

A SWEET TAIL (GYPSIES)

Curves.

Hold in the coat. Hold back ladders and a creation and nearly sudden

extra coppery ages with colors and a clean voice gyp hoarse. Hold in

that curl with a good man. Hold in cheese. Hold in cheese. Hold in

cheese.

A cool brake, a cool brake not a success not a re-sound a re-sound and a

little pan with a yell oh yes so yet change, famous, a green a green

colored oak, a handsome excursion, a really handsome log, a regulation

to exchange oars, a regulation or more press more precise cold pieces,

more yet in the teeth within the teeth. This is the sun in. This is the

lamb of the lantern with chalk. With chalk a shadow shall be a sneeze in

a tooth in a tin tooth, a turned past, a turned little corset, a little

tuck in a pink look and with a pin in, a pin in.

Win lake, eat splashes dig salt change benches.

Win lake eat splashes dig salt change benches.

Can in.

Come a little cheese. Come a little cheese and same same tall sun with a

little thing to team, team now and a bass a whole some gurgle, little

tin, little tin soak, soak why Sunday, supreme measure.

No nice burst, no nice burst sourly. Suppose a butter glass is clean and

there is a bow suppose it lest the bounding ocean and a medium sized

bloat in the cunning little servant handkerchief is in between.

Cuts when cuts when ten, lie on this, singling wrist tending, singling

the pin.

Lie on this, show sup the boon that nick the basting thread thinly and

night night gown and pit wet kit. Loom down the thorough narrow. It is

not cuddle and molest change. It is not molest principal necessary

argue not that it, not that in life walk collect piece.

Colored tall bills with little no pitch and dark white dark with rubber

splendid select pistons with black powdered cheese and shirts and night

gowns and ready very ready sold glass butts. The simple real ball with a

cold glass and no more seat than yesterday together together with lime,

lime water. This is no sight, no sight suddenly, no supper with a heat

which makes morgan, morgan must be so.

If it is and more that call life with show cared beard with a belt and

no pin when shine see the coat and left and last with all it was to be

there why show could pause with such read mice call it why those old sea

cat with a shining not mouth hole if it is a white call with the inch of

that sort could see that tie west with loaf which is not the copper

lasting with a bright retract lamp call negligence utterly soothing in

the coiling remain collapse of this which by there a called which never

see and hammer by which basket all that glance zest.

Cut in simple cake simple cake, relike a gentle coat, seal it, seal it

blessing and that means gracious not gracious suddenly with spoons and

flavor but all the same active. Neglect a pink white neglect it for

blooming on a thin piece of steady slit poplars and really all the

chance is in deriding cocoanuts real cocoanuts with strawberry tunes and

little ice cakes with feeding feathers and peculiar relations of nothing

which is more blessed than replies. Replies sudden and no lard no lard

at all to show port and colors and please little pears that is to say

six.

It can no sail to key pap change and put has can we see call bet. Show

leave I cup the fanned best same so that if then sad sole is more, more

not, and after shown so papered with that in instep lasting pheasant.

Pheasant enough. Call africa, call african cod liver, loading a bag with

news and little pipes restlessly so that with in between chance white

cases are muddy and show a little tint, all of it.

Please coat.

Way lay to be set in the coat and the bust. The right hold is went hole

piece cageous him. He had his sisters.

Like message copowder and sashes sashes, like pedal sashes and so

sashes, like pedal causes and so sashes, and pedal cause killed surgeon

in six safest six which, pedal sashes.

Peel sashes not what then called and in when the crest no mandarining

clothes brush often. No might of it could sudden best set. Best set

boar.

Rest sing a mean old polly case with boats and a little scissors nicely

sore. All the blands are with a coat and more is coach with commas. A

little arrangement is manufactured by a shoal and little salt sweats are

to grow grow with ice and let it seat seat more than shadows which have

butter.

Suppose, suppose a tremble, a ham, a little mouth told to wheeze more

and a religion a reign of a pea racket that makes a load register and

passes best. Kindness necessarily swims in a bottom with a razor which

needs powder powder that makes a top be in the middle and necessarily

not indicate a kind of collection, a collection of more of more gilt and

mostly blue pipes pipes which are bound bound with old oil and mustard

exact mustard which means that yellow is obtained. Gracious oh my cold

under fur, under no rescued reading.

Able there to ball bawl able to call and seat a tin a tin whip with a

collar. The least license is in the eyes which make strange the less

sighed hole which is nodded and leaves the bent tender. All the class is

sursful. It makes medium and egg light and not really so much.

Catch white color white sober, call white sold sacks, crimp white

colored harness crimp it with ferocious white saffron hides, hurry up

cut clothes with calm calm bright capable engines of pink and choice

and press. Peas nuts are shiny with recent stutter which makes cram and

mast a mast hoe, luck.

A winter sing, take thee to stay, say mountain to me and alabaster.

Curious alright.

Wheel is not on a donkey and never never.

A little piece of fly that makes a ling a shoulder a relief to pages.

Please putter sane show a pronounce, leave sold gats, less it measles. A

little thin a little thin told told not which. Rest stead.

Appeal, a peal, laugh, hurry merry, good in night, rest stole. Rest

stole to bestow candle electricity in surface. The best header is nearly

peek.

Come in to sun with holy pin and have the petticoat to say the day, the

last oh high this that. No so.

Little tree, bold up and shut with strings the piney and little weights

little weights what.

Cold a packet must soak sheer land, leave it a yield so that nuts nuts

are below when when cap bags are nearly believe me it is nice and quiet

I thank you.

Pluck howard in the collided cheese put and not narrow.

Little in the toilet tram.

Seize noes when the behaved ties are narrowed to little finances and

large garden chambers with soled more saddled heels and monkeys and

tacts and little limber shading with real old powder and chest wides and

left clothes and nearly all heights hats which are so whiled and

reactive with moist most leaves it sell to apart.

Sober eat it, a little way to seat. The two whiskers.

All chime. So be eat hit. No case the lines are the twist of a lost last

piece of flannel.

This beam in which bought not a hill than store when stone in the point

way black what slate piece by all stone dust chancely.

This wee did shut, about. A land paul with a lea in and no bell no bell

pose with counters and a strike a strike to poison. Does a prison make a

window net does it show plates and little coats and a dear noise.

This is a cape. A real tall is a bat, the rest is nice west, the rest

in, be hine with a haul a haul not. Knot not knot. A vest a voice vest.

Be able to shave, shave little pills in steady, steady three, coal pied.

This is hum with him, believe hit believe hit page it.

Is it necessary that actuality is tempered and neglect is rolled. A

little piece. The blame which makes a coping out of a cellar and into a

curtain and behind behind a frontyard is that then. Please dust.

It is so thick and thin and thin, it is thick. It is thick, thin.

A spoon, thick ahead and matches, matches wear sacks.

Stew, stew, than.

I MUST TRY TO WRITE THE HISTORY OF BELMONTE

If Maddalena comes I am going to be asleep. You can entertain your enemy

much quicker. If a servant is your friend there is no getting rid of

her.

Belmonte is a bull-fighter. I have not seen him. He is sick. He had

bronchitis and now he's wounded. They put him in a specially prepared

place and they say the wound is serious. He will recover. It is said

that the Queen hit the King. Not here. In Greece. So be it.

This is going to be the story of Cook. Oh yes that will be alright.

The story of Belmonte is that we know he is hurt in the leg. A Mexican

is to take his place. The man at the Cafe Artistos after much experience

likes him better and says that though not good looking has better

technique.

The dog. He thought he wanted it at once. The curtain. They wanted it

and liked to look with a telescope. First he came that way then the same

women had places. They can read.

Cook does and he says and he is kind to all. He has french as a friend

and he speaks Mallorcan. He understands all. He is so kind.

Continually fatten. They continually fatten. She is so. She likes it.

She says she is dreadfully bitten.

This is the way they met. He was abroad and he was used to English. Not

to speak but to be disappointed. He was never disappointed. He spoke it.

He called it. He spoke in a low tone. He said I am sorry I have no

faults I am without fear but I have no money, I am not afraid of that

and I am not reckless. I am very careful. I always pay back.

He does. He never said I said so. I said Mrs. Hardy was right when she

said he had honest eyes. He is fond of swimming.

We saw it. She could not go because it was hot. The one who was

advertised was a failure. The other one the one we had seen had learnt

how to do somethings very nearly and he did it using all his old vigor

and carrying it successfully. A man of talent and plenty. He had blue

eyes. He was carried away. By whom. By many men. They were really there.

The other one is one one is not sorry for. He is too old for yesterday

and we remember him. We remember him at the same time two years ago and

he was not the strongest man or even the good one. I do not understand

why they speak to him.

Belmonte.

We have not seen him.

After all he doesn't talk french very fluently and so perhaps it would

be better if only you came to dinner. Of course you know best.

The moon.

The moon rises more to the left every night considerably more.

I remember how I felt about it, we began on top and slowly came down and

this time we were down but there was no liveliness in it. Even if there

had been anything delicate it would not have been pleasurable. That's

how I felt about it.

Don't listen to her.

In places they go to see their husbands. They wait until he is off the

boat. Then they rush.

It is a sweet story.

Don't come up after ten. If you want to come come alone that's alright

but don't come with Fanny after ten.

I love you Fanny Fanny is your name isn't it.

This is they way they disturb him.

Belmonte Belmonte.

They are going to have an opportunity at night. Not he. Horses. They are

going to do it in the way we have not seen. It is not right to wear

those clothes made by a dressmaker who eats lunch. No.

All men are dark and women white.

We went out and saw six soldiers and a woman.

A little boy Bartholomew goes to school in the hot weather August and

June. Also July. July and August. His father is proud. He says he does

not eat too much. He does not eat enough. He learns English french

spanish and Arabic. Arabic is for the Arabs. He learns it so that he can

speak it. He is not a son of a baker. He is the son of a hotel keeper. A

small hotel. Nobody sleeps there.

Capable of studying. He is capable of studying. We were not sure that

she was french. We thought she spoke it. How do you know how to say we

do not care about lemonade.

We have not yet mentioned that on the twenty-first there will be an

opportunity to see fighting when it is lighted by electric light. We

will certainly go by this means. They say that the effect is not

interesting.

This is not the history of Belmonte because there are so many mounted

men. We said we did not admire them here but we have admired them. We

said this instructedly. Today we were pleased to see our servant. He

said that electricity does not work on Sunday.

Cook works.

He said he asked every one about Guano and they said he worked better

than Belmonte. If so they are both of the school of Gallito, in the

manner of Gallito who does continually what he does a little. He is no

doubt incorrect in what he had heard. He often is. He does not

understand. Nevertheless there are horses and electric light. We will

see.

Today we walked. We walked up and around the hill. One would speak of

this as not having taken a very long time. We were full of discussion.

We were frightened that evening. No we weren't. Certainly we said we

were plain. Dear things. What is it.

This is not like his painting. Talk about Mathilda.

Grief for Belmonte.

He did not hurt his foot. It was Cocherita of Bilbao. who hurt his foot.

He hurt it so badly that he cannot walk.

Tonight it is very different.

Cocherita de Bilbao. He is not an American. Torquito is. He reminds us

of it. He is very successful. He is intelligent and he is strong and he

has blue eyes in the distance. I saw him very near.

Horses. Why are horses blind. They are in one eye.

What does a lizard want to get. He wants to get Polybe. Who will train

him, who will wash him. Who is beside him. Where is he. We do not know.

Cook is such a believer in parent's age. He says it all the time he is

certainly or thirteen or fourteen plus seventeen. I mean it. I think he

is older. We never hear about Belmonte.

When they gave a dinner the other day Belmonte was not there.

Plan this. You meant to walk up to the horse kneeling on one knee throw

your weight on the barrier and relieve the attack relieve it by planting

sharp stars into his shoulder relieve it by stroking the horn, by

hurrying. This was the plan and he did it again. He continued to assure

the attack by not being quick. He was very quick. This is the way to

pursue it. Follow it about and have the understanding with the

uncertainty. Nothing is uncertain to him. He is a wretch. We can be

angry. We were disappointed Belmonte was not there and we had paid as if

he were.

I remember long dashes. Mr. Kitchener said that he was to go and he

would meet him. Mr. Potter he said if you will go later I will be there.

Mr. Potter did not go or he would not have met him. Mr. Kitchener did

not go neither did Mr. Potter. Belmonte had his foot hurt. He is still

in the hospital.

They were here to eat their dinner. They ate their dinner and they

advised us to get sea-weed. They said seaweed. He said seaweed contains

iodine which is very important for medicine. It is very important in

medicine. Belmonte uses it for his foot. He uses it to put on his foot.

Belmonte uses it on his hurt foot. It is put on his foot a great deal.

They use it often. They use it on his foot whenever he is hurt. He has

been hurt.

Belmonte was hurt. His foot was not hurt. It was just above his foot and

there he was seriously hurt.

Necessarily the secret of Belmonte. I do not wish to weep. I forget war

and fear and courage and dancing. I forget standing and refusing. I

believe choices. I choose Gallo. He is a cock. He moves plainly.

IN THE GRASS (ON SPAIN)

Occident all Spain the taste.

Milled cautious and plaster and with the heat her trimmed white. Seat

silver, seat it next. Poor it in gold hot hoods.

Be cool inside with a monkey tied, with a monkey tied. Be cool inside

the mule. Be cool inside with a surrounded tied, a cast, before, behind

again, indeed, many.

What in the cut with any money and so, and so the climate is at stake,

all the circular receipts are pears and linen is the stall to peep,

likely and more the season's chair and little grasses with a pole all

the occasion is the wreath and many houses are baked. Many have the same

in came and all the light is many wet all the burst in in the man and

best to hide is only sweet. All is that and a little haste, a little

pleading with a clouded pup all is chance to be the curl that sets and

all the winding causes. All of it cucumber.

Cup of lather and moan moan stone grown corn and lead white and any way

culture is power, Culture is power. Culture.

Clambering from a little sea, clambering within bathing, clambering with

a necessary rest for eye glasses, clambering beside.

A little green is only seen when they mean to be holder, holder why,

coal pepper is a tissue.

Come up shot come up cousin, come up cold salmon pearly, come up, come

in, nicely, nicely seen, singing, singing with music, sudden leaves

loaves and turtles, taught turtles taught turtles teach hot and cold and

little drinks.

Colored huts, cold to din acres of as real birds as stole when. Stole

when, it is a lie. It is coming to the seal, it is coming how is it.

Language of the hold of the sea sucking dart belt and no gowns in, no

gowns in pelting. This is the cane that is short and gold more.

Cold not coin in the ground be sour and special and settled and soiled

and a little reason. Come then to sort the kinks in how surrounded is a

limb.

Cute numbers, cute to be so bold and so sallow and so in the cream and

furled, furled with chalk and lights and high bees and little legs heady

and little least little cups, least little cups bellow, bellow electric

shadows, real old teachers with a private cake of bean and numbers those

numbers. Do they pack.

Spanish cut that means a squeeze and in place of water oil and water

more. Mine in the pin and see cuttle cuttle fish call that it is that it

is sardine, that it is in pelts and all the same there is paper in poles

paper and scratches and nearly places.

Guess a green. The cloud is too hold, collected necessary pastes in that

shine of old boil and much part much part in thread and land with a

pile. The closeness of a lesson to shirt and the reason for a pale

cullass is what is the revolution and retaliation and serpentine

illustration and little eagle. A long little beagle, a long little

scissor of a kind that has choice all this makes a collation.

All winter is dutiful. All the short stays are digestion. All lines are

cylindrical that means that there is leading.

Any roast is not leading. Enough pale ways are scratched.

Spend a height all up and only pup, spend it with the soon. And this

when. More call. Cane seat in bottom choice makes a melon within. A

melon within then.

A little return bitten with a cake set white with ink and size and

little parlors healthy with a coat. A keen glance wet with accustomed

perspiration. No need to dry, no need to current a sand paper with white

seams and long shoals. No more mail in splendor and shape to set sights

and little steaders in so hat shoot, shut toes, shut toes with a rid of

not that, no that, not that.

A peach a peach pear which means a pear early and looking and near near

there, exactly pass the light hall where there is no cover no cover to

what.

Suppose it is past the mouth which is peculiar and nervous and left and

argued and whiled whiled with a tree.

Less a chain than a loss and pieces of pearly paper that means blue not

all and the best choice is moreover.

Naturally lovey naturally a period which is regulated by a perfect beam

of carpet and more boats does mean something. It is enough.

A handsome beam a handsome beam is quite like the standing of a little

peak shut up and needles all not needles. Rest and zest and powder to

shout and color and ball and sweet word black.

Believe, I believe you restruck my cold wet and the dun hit it back

choose it set.

Come to why, sit in oil save the sos, all the gone sing in a pin save

sit it kit, kit all.

Suppose a little chance to hold a door would leave the door closed would

that mean that the sun was in, would it mean messages and a kite, would

it mean a sold bone and little pies. The necessary shakes makes a

whittle. This is not none.

A little pan, that is to please it, a little which is a point to show

that co-incident to a lively boat there is nearly places. That is nobody

touching. All the plays garden. Little screen. Not collected and

spacious not at all so old. And more places have the behold it. The best

example is mustard. A little thing. A little no old shut.

Lot in that which is a place surrounded by a fence. A fence is small it

is a wall, a wall is tall it is a tunnel, a tunnel is not necessary to a

city. A city is celebrated.

Leave piles steady, show it the moon.

Not cut loud and teasing I bleed you, not quite shadow and niece it

lises. This is mike when the land is shooken and left peel short is most

to sake and not sublime is moist to ramming and leave it whet is most in

chance. Nest bite is way back in the clam of dear gold weights with

necessary williams williams wild williams with lamb laden twitches and

new-casts and love boosts and most nextily.

Reason with toil and a mark upside down and left boils not knealed with

close cracks and moses. A real plume with a no less boiled collander and

share.

This is the sport.

Leave it to shut up the right nasal extra ollofactorising sea lights and

nearly base more shall sees to the place of the best.

We wide lade the tall tack which squeeze load the no sire and leave more

in church maid than rest so to streak.

Mow chases in a spoon and tub, big clam, mow places in a boil a piece.

No gas bests.

Look it to peas, loaf it in both spats mean a glass mean in passes in

passes a poke and a chair and little cries and a bottle.

A veil and a place seater and a peanut which makes throws so grand.

Never pet never pet a gallon because there is a trunk. A trunk has a

bosom. Lead less. Lead prosper pour, poor gold wax and much much tower.

Please place what, place a colored glass. This shows two three eight

three nine. This is not sunday. A trouble home.

If a wake means bounded numbers eighty and lately. This is three, show

shine five, leave it pare. All that. Seven rough state.

No nuisance is in a married widow with a collection of dear ones in one

room nicely. Why is black cooler, black is cooler because spread in

makes a little piece of pillow and a coal black lace. This is so best

shown.

Suppose it is a parcel of oats and no fat, suppose it is a drill,

suppose even that it is a winning centre, this means five and five and

five.

Let let let a chief go.

The reason why a laugh is laughed after is that a shed and a shawl and

little onions and keys and keys are after all a dog and a curtain and a

little less.

Please please please please please.

The more the wet is water the more lilies are tubes and red are rice

rows. A little scene and a tall fanner and a flower a hair flower and a

shoes and a shoes boots and rubbish all this makes raising please tease

and a little likeness noises.

A gain again pounds. Agate in pets, love biscuits, a time.

Again in leaves of potatoes and cuts, cuts with, with in, in him, a

length.

A little belly a little belly cold, speed out stuff, stuff alike, alike

shirts and goats and get ups and laid car cases.

All a bill, a bill boaster. Suppose it happened when, when a little

shadow was a tail and a can a can was gathering. Gathering then.

Suppose a clandestine roof had tires and could neglect a blue spot

suppose it was the end and three places were necessary a like view would

be charming charming, charming weather.

Cries is, coming, a leg, all a leg, two utter, more children, no narrow,

read a little.

If a horse and a bat and a gathering bleed stir and a chin and a cloth

and early ear marks and then such such raiding and little lives and a

multiplied purple, all the spool all of it cloth and gets gets out and a

piece of reasonable white jacket and a hair a long pail and all bone

some binding and a little season silk.

Grand mutter grand mutter shell, real core, real oak plate.

Lara Lara Psyche, Lara Lara three brothers and a mother, sister sister

and a new year a new year not christmas, christmas is off off of it.

Really.

Three brothers and mother. Leave it fit to a string and there is a ball

a ball a hat, a hat a special astracan, a kind of loaf, a real old

seventeen checkers. Come to be in, see the table and the look and the

little day tomorrow, it is Thursday Friday, Friday, Friday in a day to

Sunday, Sunday Sunday, Monday Monday Monday Wednesday and seventy

failing out sights.

A son what is a son, a son is in the sitting room and in a central carry

ball. A son is not a sister diamond, it is so noted.

Whispers, whispers. Whispers not whiskers, whiskers, whiskers and really

hair. Hair. Hair is when two are in and show gum.

Kiss a turn, close.

Suppose close is clothes, clothes is close.

Be less be seen, stain in burr and make pressure. This is bit.

Excel a line, a line is in end purple blue, yes guess show packets and

it it it.

Spain is a tame name with a track a track so particular to shame, a

track a little release in sold out casts a little next to saleable old

cream. Able to pass.

A land steam, a cold cake, a received egg check, an oleander.

Lessen pay a corridor, meal passes.

Necklace, strings.

Necklace, strings, shoulder.

Newly set tea, tea be hold.

Tea behold.

If the soiling carries the head, if the baking measures the pint, if the

rudening leans on a strand then shutters.

No need to say a little deaf way is a goat, a goat has a pin in him.

Leave glasses, glasses are so cactuses.

Able able ever grass her, get up fern case, get up seize.

Noble and no noble and no next burr, net in and bee net in and bee next

to shown miner. Next to beat bean, next to beat bean next to be blender,

next to between, next to between in intend intender. In tender.

A laugh in cat, coal hot in. A remembrance of a direct realteration with

no bust no buster, no bust here.

Suppose it a glaze a glaze of curtain a fetch in pots a news camper,

supper the next old meat oak and kneel kneel with excellent excellent

least sands and neck stop. That is.

What you call them what you call them say butter butter and let us

leaves and a special a realteration lace a realteration lace.

Next all, next all, inks.

It was a strange name that which when a record of a lucine and naughty

bent made it by that that nearly any excellent shade of night glasses

made a pleasing and regular hair.

A wet syllable is we are, a wet syllable is we are we in.

A Spanish water and a coop shape mine and legs and reed ridiculous red,

and little lively hue, little lively hue and copper, little lively hue

and copper up.

ENGLAND

Leave off more time than the hope which assures the rent of a custom,

the sweetness is not only there it is the reason left and monkeys are

not merry. If you do have the eyes blue and the hair the color then it

is easy to see the hands.

All along and the day, the prize is not driven and the selecting of all

the coal is that.

All the while is light and cleaning is not repetition. If you see the

chance then spring again and if not be extreme, be certain that the show

has that line in line and do not, never, see the patent desert the

measles.

So the cloth is alright and the carpet is English. Pink and the moon,

that sweet sugar is brown.

Cane sour asparagus and do not season with reason. Certainly the union

of oxygen with ostriches is not that of the taught tracer. It is not a

window that has an elastic it is planted gutta percha.

The change is not plain seeking, the hills are not dislocated and the

cluster has not the name of the intermediate beginning.

To paste more attention on a bridge is not the path that is taken. All

of it is planted. The blossom is pealing, the tender dew is green, the

presence is in the time in between, the sacrifice is that that the bell

which rings has a clapper. The pleasure in the use is not so dreary but

that there is an exchange.

One sees a custom, one sees a date, one sees a potatoe, one sees a

caterpillar, one sees more particulars than kissing, one sees the blame

distributed, one sees more than any one.

Powder and food, union and despatch, so that there is no pale color, so

that there is black, so that there is much preperation of a return to

the same.

If a little meadow and a tree have that use and a morning and the west

wind have that use and the evening and the continuation have that use

then there is no use when the sing song ends rising.

Yes there is the same. There is all of that which makes it certain that

something is what is there and not misplaced. This means that to be

different there is not any place that is the same and if the whole place

is there then it is not alarming it is confirming. This is so shrewdly

what is proven.

Bailing the center of a spot and not having an embankment is not the

only way to flirt. So soon, so left without a spoon, so august and so

strange and taller than every other, it is not astonishing that some one

is older.

There is not a seed and an orange. An orange is red and yellow. A seed

has only a little way to grow and there is not any palm that grows

larger. It is the same. It is astonishing, it is the same. The sweet

spread of the union with intuition and every anger is so certain that

there is no bloom. There is red feeling and the color is deeper. Blue is

of some use. There is more place for weather.

A pigeon is a bird and flying it is not widening the piece that cooking

makes duller, not at all, it does not taste that way.

The cause and any effect this does not make the smell stronger, this

does not make what is pie.

To change any sigh, then to place all of that hope, to destroy dancing

and to make a lovely turn that is not the season of every day, that is

not the season of Monday, that is not the season of Sunday.

A pleasant taste and plenty of butter, a pleasant drink and plenty of

water, tea and more fruit than in winter, bread and more eaten than ever

this is so sad and every one sees that it is to be cheerful. Any one

sees cheerful weather, every one eats cheerful potatoes, they are large

and there is water and there is butter, a whole city is not subdued it

is iniquitous, it is so soon to see the plant that is not buried showing

more white tail than ever. A little thing is never tender. The size is

there.

In the moan where there is no groan, in the noise where there is no

presence, in the palm where there is the range of the seed and the light

of more, in the room where there is all there the place where there is

every chair, in the hall where there is steam-heat all about there is

union in the height of some. So then there is no prayer where the use is

more strange than none. This does not make for cheese and the rest are

the same every day.

Butter which is every where has a little table, fish is all the time of

day when the silver is away and there is more there. All the daylight

makes for meat and the washing has that price, every price is cheaper.

All the finished way to treat everything there is to place is not the

only way to shape the standing heating. All the day is every day and

exercise is made that way and piling plates where there is grass is

something that is neater. To originate a smash means more tasting than

there is when there is no use in stewing more than has been put in there

to stay. So comes more length and some more weight and the bestowal of

that piece is not astonishing.

The lantern of blinking is not lively and this is distracted by quick

ways of winking. There is so much use. The line of the rise is afternoon

sunrise.

So the main is seen and the green is green. Pleasure the rotten winter

when there is a rotten summer. There are some things a place can not

show.

So there is no end to a name and there is no end of likelihood. A

darling makes no noise and a spoon makes nothing pink.

Return the whole special short sentence and then say that he will be

pleased. To say that in that result is so much more particular. The

cleanliness comes from washing the little pieces at the center and not

making them have the sparkle in black. This is not all of a windy day.

So much more that is green and not gold makes the bottom have that form.

The shapes are there. They are not there when they are the same. A

reason is given. It has a whole name.

Soon the Susan is all past, the land is clean and the green color is not

singled with more yellow than some. This shows in the catalogue and in

the hair.

All the plate is glass and cleaned with white which are hanging, the

whole is spent and there is more than the size.

All the long way to be in that length which makes no more of some cuckoo

is not shown by the intermission of every reply. It is so cheerful and

the breath which is not all of a response is used some more. There is a

sound that came and made the agreeable deplacement of no sign. If it is

to be had there is a way to surround the time of day. The sooner sand is

not the smell of heating and this more ancient than the day does not

mean all the noon.

He can be pleased in the same time as a bright Sunday. He can be dancing

so. He can be and he is somewhat. He is altogether.

He and there are the patience, he and all the whole way is uplifted with

that and surely the simple thing is to neglect that and to do so.

Soon to have an eye, soon to have plenty of them, soon to have a nose,

soon to have plenty of them, soon to have a light soon to have plenty of

them.

The argument is that if there is a way there is no need to say that

separation means more use than all the cake. That is true, that is a

belief. A thorough substance is one that has no particular caterpillar,

a caterpillar has no color, this is no loss, there is no less more than

there is clothing, it shows that much and anybody can say no, anybody

has a hat, a hat has no use, that does not mean that it does shine when

there is a plain sight.

All the heavy weight is that color and nobody is more famous than an

oaken piece of wood, not any body and every one is famous, every one,

when there is no lavender.

Peace to more calm, and rest to more regret that selling is not

burdening buying.

Still so many change, the time to say that the change is not a meadow is

not to all the same and anyway all have nothing bare. They season their

chocolate, they partake tender, the rest is the finish of the street,

the houses are adjusted and adjoining. The conclusion is no veil, the

breeze is taller and surely walking is something, there is any occasion,

there is no pink appurtenance, so much suit, so much harbor, so much

that is described in response.

A land is not more seen than a beefsteak and a beefsteak is wasted. All

the roast has a sale and all sale is varnish. The section that has the

twin set of notwithstanding are all suited with the linen, and more

camps are made to fit than there is hair on a peninsular. The reason is

so just that a question has that right and a belief is universal that is

to say there is no doubt of something.

Drafts are not dark nor is the sea and livelier are the seven months of

warning. All the perils are serene, and laughing is not stranger.

Piling for a witness means the boat and all the floating places are so

searched, tighter and more of the breathing there makes any swelling so

much simpler.

A plain tie makes a connection on Saturday and they are the first. They

have that reason, no one can oppose visiting, there is no use in

obtaining a station. Time to go away is October. That shows more winter

than weather. This does make a written reason.

A bloom on a red thing means that there is a single country. An apple

offered means that there is no disgrace. A single thing that has no

seeds means that there is land. A same joint and no appetite means that

there are no sandwiches.

Like the mantle and the light and the crackling underwear, like the

colors that are dark and the mixtures that are bright, like them all

there is no destruction, there is no analogy, there is a dislocation,

there is no disturbance.

Startling and true the same are few. The presence of many is acute. The

death of more is arduous. The relation of all that is in that language.

So simple a date makes no hard singing. If it is a wild cow it is tame.

The single hair shows the reason in a precise ham. It is a dinner. It is

leaning.

Kindling is wood and coal is tonny. That is the blame and a blower is

funny. The time comes to state that. There is seriousness.

Blame is not forecast it is a sunrise, how soon is there more shade than

light.

A bang is the sound of water, a simple string ties it together. It is so

struck that there is water, moisture has a sample of more. There is no

sympathy. There is no educator. If the width is more the wider is wider.

The width is not a wayside it is the block. There is the color soon.

There is no shade. Shadows are a sampler. There is no sampler. The width

is precious. It is wading in length. The wide angel has no wet winter.

It is not drained wetter.

Bursting no more and being the sample of more of it is not so much

simpler than it was. It was so sudden. It was suddenly so much more

safer. Then there came the same time and there is analysis, there is the

whole time and there is no more simplification than there is. There is

very much more. There is that there. There is there more than that.

There is.

To avoid a shot means that there is no way to jump. Why should an

engagement fit two. There is no cause in despair. The darkness that

makes a mind show dirt is that which is practical. The union of all that

is wetness, the change is underweight and yet the practical use of

length is the same as width. There is that belief.

Ink is black. That is brutal if there are fish.

A church is so enchanted that there is hymning. This makes the question

safer.

All the peals that were ruined were those that were stumbling and if

these were in the way they were a shop. That means that selling is an

obligation.

A clamp is that which when attached has a pin. This keeps it from coming

more to say less. This does not show wagering. If the time is between

then there is no certain wisdom and yet there is no denial. Why should

there be. What is the taste. It is not so painful to see hanging. Hunger

is more perforated. That does not mean that there is a change in weight.

No powder, pink is not a color, any color is an order that is to say if

a window is not the same every one has that resemblance. Saving no soap

and coming in, coming right in means that there is that action. The tone

of surprise is uplifting but there is not that disgrace, there is down,

that is sinking. Coming in, that is coming and rinsing, that which is

used is the room, that which is used is washing, that which is used is

not preventing anything resembling any soaking. So much substance, so

much receipt, so many more cakes of wintry dancing. Is it astonishing.

It is. There is every disturbance. Why is there whether. Why is the

Thames warmer.

Packing and not mentioning being adjoining does not mean eye-sight. It

does not mean a release from an operation. It is not destroying a

button.

So then the price is the same and the size is dependent on the whole

piece. It shows no holes clearly. There is no use in scissors.

A kind of wading is not so poisonous as wiped water. The length of a

street is not disturbed by the use of slippers. Not at all.

Loud and not louder and the time is stouter and the width is wider and

the selection is thicker. No time to be tall and small no time to prick

a finger, no time to surprise a noise in the sides and yet all that is

used by there being more time there every birthday. Every birthday which

is not yesterday has an occupation. An occupation is that which when

there is the time shows the center of that which is the lamentation and

lamenting does not destroy that use, it does not fulfill a judgement, it

does more, it is relined. The same shows more when there is no date. Any

reading is simple. The use is all day. A response uses words. They mean

that full. The length is more than the joining. There is that

reestablishment and no violence. The time is more so than peculiar.

There is nothing to see. Reading is action. There is a swim in a way.

All the time is an accident. There is a reason. There is that experience

of detraction. There there is expression, there is a blame not intending

disturbing unattaching unintelligent attention to extreme intention.

Payment and subjoining sin, the length of death is not between, the

tooth and the age and more than all, the salt, and more than all also

the hard bed and no petition. There is the use in pointing harder than

no wind and no other.

This is not white, there is no cream any kind color, there is the time

to grow longer and all the same if there is no paper it does not show in

the print and pen-wiper. It does not.

It can see more than what, than then. Henry and a doleful danger. There

is a sending of a principle line of unpointed apples, and a target, a

whole thing is no example. And the caneseat joint is so soundless in

quiet cushions. There is no more pen-wiper.

Anything that is everything and everything that is anywhere and

everything that is everywhere has no special singular purpose. If

purpose is intellectual then there is a garden, if there is a garden

there is a fountain, if there is a fountain then there is an

intellectual purpose. No respect is resembling that more than the

mischief.

To choose more is to choose something. That choice which is admonished

is not more dated than that which is remembered and there is a fine

display of zeal there certainly is and nothing is more orderly nothing

and when there is washing there is interlacing. This means so much

cleaning and cleaning which has that sign is the same as the whole time

of being peculiar.

Any one is older. Any one is a sight for a beholder. Any one is saved a

sickness. And any one is a particular substitute for remaining

undetermined and seeing a clean collar. All the same the full service is

in the height of a rich thick sandy sticky silence. There is no dispute

when there is harmony. All the date is in the place. There are such red

ones when they are pretty. A color which shows is one that is not seen

anywhere. This will happen. This does not start a subject.

To be reckless and rejoined, to be sad and not forsaken, to be earnest

and awake, to be sure that there is freedom, all this makes no

difference at all. A sight that disturbed was not that after all there

was restraint and to look differently shows that there is a resemblance

and that the nation has partaken. The nation has partaken and there is

no pleasanter reunion.

To be forced to say that there is no denial, not to be forced but to be

rejoiced that comes from the time when there is no hesitation and much

ease. Very much ease is more ease than much ease, much ease is more ease

than the ease which is not that ease. That comes to be said. That comes

to be so said that there is no individual reunion between the first

second third fourth and fifth.

A cause for disturbance rests in the fact that more time is used in a

long time than in a short time. There is no criticism when the time is

long. The time is so long that an answer comes promptly. This is so much

the more satisfactory as the occasion for an answer is whenever there is

cause for a question. The difference between this and no elaboration is

extreme. No elaboration is not achieved in a question nor in an answer

and this which is so eminently satisfactory is that there is no doubt

that there will be no reason for the occasion. To be faithful is to be

accustomed and the custom which is without that reservation has no

circumstance to replace it. The time to state that is when there is no

reason to doubt a result. There never is a reason to doubt a result if

there is a promise. If there is a promise it means that idleness is only

another name for a thing.

The whole place is so large that there is no dust and so there not being

that there is every occasion for no difference to be noticeable. This

makes reading so necessary.

Nothing is perplexing if there is an island. The special sign of this is

in dusting. It then extends itself and as there is no destruction it

remains a principle. This which makes that reveals that and revelation

is not fortuitous it is combined and ordered and a bargain. All this

shows the condition to be erect. Suppose that there is no question, if

there is no question then certainly the absence of no particular is not

designed. And then when it is astonishing it is not liberty. Liberty is

that which gathered together is not disturbed by distribution and not

given without remark and not disturbed by frugality and an outline. All

this makes the impression that is so disturbed that there is no

question.

There is no use in denying what any one hearing reading is hearing,

there is no use and doing it every day is not tantalising, it is not a

bit more tantalising than exaggeration, not a bit and the whole result

is spoken out in the best time and place and moment. This increases

daily and all the time what if there is meddling, meddling is not

automatic, and if it is automatic why should it not be obligatory.

A candle light does not mean that there are candles, a candle light

means arithmetic and training and ways of stating a question and it

means much more, it means that every night if there is moonlight there

is that light, and light has so much place in a lighted place that every

one is accustomed to it.

It is so wintry and hair is blowing and all the slippery slides have

water on them, it is so summery and wind is water and all that is red is

what is burning, the whole excitement, all the wedding shows the spring

to be the place where water springs, all the horizon, all the dwelling

shows that escaping is not an escapade that is in a suggestion. So to

reason and so to eclipse and so to redden the western sun, so to accept

and so to annoy and so to have no piece of money, so much so is not a

tangible substance, it is intangible and therefore it is sliced.

A toil that has no frozen dish-water, a trembling that has an appetite,

a refusal that has a nervous extremity, an expression that has a

direction of disregarding, all this shows the essential use of a

minority, they show it and they caution it, they do not outrage giving

it credit. The time does not come to any one who is pardoned, it comes

and then when there is patience when there is use, when there is talking

and a table, when there is even a slice of ham, it comes then to be

announced that certainly understanding is what is not partial, it is so

kind and strong and lengthy that certainly there is no disgrace.

A goose girl is no goose girl when there are geese. A church is a

church. A ship is a ship. Thunder is thunder.

Silence which makes silence give that sense to all there is, silence

which has light and water and unison and appetite and result and a

motion and more exaggeration and no recklessness, silence which is there

is not disturbed by expression.

There is no doubt of one thing there is no doubt that the real rate of

establishing frequency is that which is used when there are numbers.

What comes out of silence. What comes out of silence is that which

having that usefulness, that nature, and that fashion is not shown to be

managed by the combination.

Surely silence is sustained and the change is sudden.

Supposing that there was no use for that which there is use for,

supposing there was a bridge there where there is what there is,

supposing all this and suppose that the enlightenment of everybody

consisted in everybody having that condition, supposing all this, this

is then the answer that silence gives in answer. The silence that is not

preserved, the silence is the same as the characteristic which is not

finished.

A pound of paper and no more string, a pound of string and no more

leather, no pounds of anything else, does that make indifference, it

does, it does make authority. All the calamity that shows origin and

design is that which when it is understood is redetermined all this is

entitled readministration. There is no use in a pencil, there is no use

in any direction of succeeding in experience, there is not one single

objection. The wholesale cloth is not handled with a sprinkler, it is so

handled that when there is no obligation there is every inducement it is

so handled that pathways are mended, it is so handled that there is a

single sound. All the same there is no such language, it does not mean

by that that the letters are smaller it does not mean that at all.

The strength of purpose which joins resignation with neglect and action

with reducing and interpretation with resignation, the strength of

purpose which connects distribution with desertion, and pink coloring

with bathing, the strength of purpose which does not deny reddening,

which does not authorize forbidding which does not disturb utilizing,

the strength of purpose which adjusts desertion and exercise and

resolution, the strength of purpose which organizes recognition and the

disturbing of a perfectly satisfactory reception, the strength of

purpose that withdraws no application and registers no reaction and

suggests no opening, such a strength of purpose is resolute and reliant

and reëstablished, such a strength of purpose has the same service as

the expression of recognition, such a strength of purpose has the

borrowing of relaxation and the neglect of retardation, such a strength

of purpose is selected selecting articles for recollecting, such a

strength of purpose has origin and unison, such a strength of purpose

has the surface of differentiation, such a strength of purpose has the

organ of rehabilitation, such a strength of purpose is not pasting, it

is not nailing, it is not swinging, it is not fighting, it is not

saving, it is not utilizing the origin of sewing, all the same the

strength of purpose is something, it is there, it is worried, it is in

the precise situation that nothing shows, it is displaced, it is

practiced, it even has a little place to spread a certain kind of

preparation, it even is the kind of thing that has celebrations and

bursts and specks and a kind of thing that has no particular name but is

useful when it is not used in the end, in every way there is adaptation

and that does not mean the same as the use of no excuse it means

something that any one can see is opposite, it means what is coming to

be realized as the intended metal to make nothing of and not be wasted.

All the same there is that idea and if there are no more pieces why then

there is a difference, there is a kind of way of saying that, there is

no doubt that any one can join in with some member and surely if the

rest makes no matter what is there any use to say there is no

difference. There is none and so the whole thing shows that there is no

pot and no dirty winter, all the same it does sound that way.

The shed and the house and any shelter shows mud in winter, it does and

it shows in summer as well, it shows it in summer and in winter and it

shows so well that anybody says something different, anybody shows

something when something is showing, and something is showing whenever

there is sauce and there always is that to save and put around. There

always is some way to be reconciled to a difference. The whole thing is

just shown in their being no celebrated invalid.

MALLORCAN STORIES

Romanonos no.

Maurer see.

Sun never sets.

Napoleon the third, cathedral.

McKinley's eagle.

Pope's prayers for peace.

Pins and needles ship.

Mallorcan stories.

SCENES. ACTIONS AND DISPOSITION OF RELATIONS AND POSITIONS

Keep away and visit every Saturday. That is the only way to resist

carrying all the attention when there is enough time. Time is not the

thing any evening. Time is not the thing in the afternoon. There is not

such a morning.

Not a time when there is occupation not such a time is the time that is

not used and a knock that has no intention has some hope. It is not open

to stay. There is a way to go away. That is not the use of that way.

There is every return.

That which is not used is not a word it is enough. That which is asked

is not a conversation, it is a piece of typewriting. And so there is no

choice and yet if there were not would there be the exchange of

everything. There is enough of that which is admitted often and

sometimes to make any difference there comes to be of returning

receiving. This is not what is kindly.

To keep on is to use what there is when there is enough of what is in

daily use. That is not the medium that has that renewal.

It was the time of day to fill all day. The steadiness of that and that

which is useful is the thing that is individual and a refusal to sing is

one thing, to go on with a song is not wrong, to say that a use is not

passed away when what is not said is not useful is one way to say that

the quality that is the same has any experience.

Winter in a room and living there and many rooms and some air and all

the same breath when food is not scarce and enough to eat if boiling is

neat, all of that which does not pass away stays to place the work that

has that presentation.

It was not dark and the light was not lost as that which was finishing

the condition was the same if it was wood. It had not the same

description. There are ways of admiring something.

There is a regular way of having that position that entering is not

permission if there is no need of question. All the time that the talk

is done there is a way to stay. To use anything is not the best way to

have the right answer. All of the time is so placed that an awkwardness

does not mean a pleasant entrance and there is the presence of that

which is not necessary which induces a reception.

There is no dreariness in success and selling a picture and arranging an

exhibition. There is no dreariness in four galleries and five cities and

a packer. There is no dreariness in charging a direction and using up a

special expression and seeing that sustain reorganisation. There is no

dreariness in having some reception. There is no dreariness.

The time has come when seeing a different coat reminds some one of the

time of the year and this does not make the same difference as a strong

nature. This makes the particular use of some understanding and loss of

hope and change of face. This does mean that the pleasant time has been

near.

A darker day is not darker and the reason of that is that the impression

being made it is continued until there is that change and the change is

not coming, it has not that complexion.

The whole time is occupied when there is no place where the effect of

that impression is not wearing into some shape and then when the copy is

not perfect it is not prettier and the thing to show is the intention

and the way to spend the whole piece is to move away and explain that in

a letter. If there is a faithful action then belief is certain if there

is no change of reputation. All that is received is answered when any

subject is open and there is no place to sit and talk.

There is a way to say that the thing there is not in the square and when

it is in the square if it is there then seeing it is enough if going

into it is to be put there and there is a way to go in, the way to go

out is if it is the same is the same. The whole of that time is not used

when a little thing that remains has no meaning. Any little thing has

that meaning. There is another way of being a dirty fellow.

If the effect of a defect is to allure and to change the base of any

recognition then it is a wonderful way that makes a vision and that is

what is if no one is the same and the one is only that one and is not

any different. It has not any meaning that which is so plain that a

screen keeps nothing clean. The air is not there. If there is no surface

then the only way to choose is by example and there is not a way to

compliment, there is a way to try any way and to have had no resolution

and to have been received by some. To come into the relation means that

if there is a response something has been said. This is not too exact.

It does not exhaust a preparation.

Not lading the leaning and not exhilerating the creation and the tending

of the flowering is practically all of that thing. Arranging the renewal

of refusing by accepting is the only sweetness succeeding is not

subduing. Succeeding is not staggering when it is not proceeding and the

best plan is the day that has less provision. The whole place is one

place and the place that is that place is the place where the hope is

that which has no time. The only withdrawing of nothing that has longing

is the time that it takes to say that there is joining.

Arrive and wait and say to no other that there is no deception when

there is relaxation. Not to say anything is obliging.

To have that position and to meet that destination and to show the way

which is not changed as a pleasant greeting and that reception is all

there is of all reunion. It does not copy the relation and it does have

that movement.

To see no harm and to see all the charm and to have possession and to

defend permission if there is any way to ask it is to despise one

another if there is the same reason. What can be used if all that is

held is supported by everything. What can be some change. The whole

place is there to see and to go there means that the same thing is

begun. The regard is different.

Leading in hearing, that is to be tired, that is what is the way to hear

more and always then there is that result, there is a change. Leading in

hearing and then that is being tired and being then staying and being

remaining and exchanging that for that thing.

Not feeding eating, that is eating in feeding, eating is what eating is

and feeding is what feeding is and eating and feeding that is the use of

that receptacle which is not empty. Nothing is empty and open and

everything is full when it is opening and closing. Closing is nothing.

The open way the open way and the closing way, the open way is not the

origin of that which is interesting, the parts of speech are not the

same, they have some origin.

The whole place has that which it has when it is found and it is there

where there is more room. Room has not that expression. It has no change

in a place. It is not dirty, there is no cleaner passage and the best

way to have it all express that is to cook a dinner. There is enough to

get a suit that is not had when there is no hope. That is the difference

if there is much and there is much more.

To place one by the side of another and they both have something that is

their color to do that and not languish is to look then and see that

relinquish what it will have when it remains where it is to be. This is

not foolish, it is a part of all distraction. It is the intention of

all dissension. It is the measure of all language.

To see that a piece is used where there is no receipt is one way to

express that things which are different have that resemblance and this

does not mean that there is not a denial, this means that the same room

is different when the furniture is colored. To color furniture is to say

that the furniture is wider and the walls are taller and the light is

clearer. To change often is to say that the use of something is the

same.

To answer when there is no question, to intend to follow when there is

no plunging, to embody that which has that knowledge, all that is the

way to remain with the little button that has a button-hole. This is so

attached.

It is not there to squeeze that which has no meaning, it is not there to

squeeze. The order that has not been begun is the one that sends ten

away. The ten stay some where and the time is longer. The use of it is

that there is more in any long way.

The distaste for cold meat does not lead to eating. It leads to

everything. This is not all of a feeling. It is enough to suggest any

little thing.

The way to thank is to respect the whole opening and the way to despise

one apple is to choose another. This can be done by weighing. It can

also be done by looking.

The way to use a quotation is to hope that it will be heard when it is

spoken. That is the way to make that sound.

It is not the same that which is not sad with that which is repeated. It

is not the same and the sight is so different that there is that hope

and no more excitement. Then the change is there and there is all the

comparison. The rising of the wedding is not the same as one child if

there are no children but one child has that to use and there is enough

to give it a cold. This is not seasonable. This is not the way to

despair.

The heat of hearing is not the silence of answering and nothing is

produced when the question is the same as the name. That is one way to

answer and there might have been more but it was different, it was the

same.

The whole district was not used when a place was borrowed and the

pleasure in that union is the same as giving permission. The hope of

that intention is what keeps the answer from being prepared and if it is

prepared then it is printed. There is enough intermission.

To cause a special heat and to be colder is not the way of having any

custom. There is no irregularity in that. It is too plain. The time for

that grief is not in the head it is in the origin of salvation. So there

has come to be no neglect and there does not waste any order when the

time which is all day is the same time and if not older then not that

difference in spending. It is not all the same if nothing is spent. It

is not all the same because then there are all the things there that

have come to be gotten by searching and finding something. This which

happens often uses the time that is not plain to see. It is not so

discouraging and the whole thing is not so full as it would be if there

was not another. The resemblance is there.

There is no paint when there is nothing to dirty. There is never any

change in that and the silence is not there when it is empty and there

is no intention to show more than enough. All the time there is the

exact way of changing it a little and not mixing more and that is not

the origin of industry, the origin of industry is the evening of

recitation. There is some past playing of singing every past evening.

This is not more than the future.

A pleasing way to use a broom is to lean upon the wall and not do more

than make any one who is the one welcome. This if it is pleasing is

pleasing and working is industry. That does not change everything.

Intending to remove the dirt does not destroy the variegated color. The

color is not a stain. It shows what glass is when there is a reflection.

This peaceable pursuit is so earnest and so steady that there is no

remark made when all the time there is that description and the way is

that way as there is what is said as the way that is that way. The door

is not so open.

It was not dark and the weather was not clear and the sunshine was not

gloomy and the color was not red, it was not dusty and the window was

not open and the stove was not shut and the table was set. There was no

pepper and there was some salt and there was more chicken and there was

more sweet. There was cauliflower and there was cake and there was no

steamer and there was butter and there was potato and there was

cucumber. There was no cream and there was banana and there was cream

later and there was orange mixture. All the potato that was eaten had

been roasted and the pigeons were kept and the fruit was finished and

there was another platter.

All the time is dark and there is a light and the time to think is the

time to paint and the grey blue purple is the red rose color and the

pink white cover is the fine broken china. The object of more is to stay

that way and the use of the present is to mingle that future and the

presence of all is the use of that and the pleasure of that date is to

separate in weight. The time to express is to receive that attention and

the change in tone is not the disgust. The dwindling of more is not to

show that wear, the spring of the change is the loosening of that. The

mingling of this is not the spurt and the winning of the white is not

the soiling of the black. The tin that presses has not a hollow sound

and the color blue is not so pure and true. The best of all is the

presence of the best and the way to stay is to sit long in that way. No

way to stay is a way to go away. No way is a way. No way is way. There

is enough to sound the note and the little flute is there where there is

no air and the blowing is strong and the blowing is long and the air is

there where there is no air. Solemnly to stay is not a sad way. To stay

away is not the glory of that day. To begin the time is not the time to

dim the evening and enough decision has no origin. This is that result.

Labor and not long makes a sad song and that is not true when the name

is short and the preparation is the same. There was a particular time of

day to hope more and this was not all of the morning and the evening and

the beginning of the afternoon. This was after finishing a piece of the

copying that gives splendor to any situation and this was also the time

when having stayed long enough there was no more explanation. All the

best permission lies in correspondence and more permission is not used

when there is no distance. This does not disentangle vice. This makes a

season last longer and the cold weather which is not such very cold

weather has the happiness of expecting to rain. This does not warrant

all that intention.

In the time to wait and tell the truth there is no more dispute than if

there had been more time. This does show the antiquity of acknowledging

that a morning is used for something. To deny that is to deny everything

and to determine that would need no hesitation. This is not what there

is to think. This is more of the presence of witnesses.

This which is assured would make the nervous one not so worried when the

answer is not coming. A great many risks need that advice. A dash of the

following is so distinct and the time to send more is what is not

hopeless. All the time and all the date and all the superfluous wood and

porcelain show the mark and the use and the continuation of retention.

Patience is not plenty and waiting is not abusing the intention. Any

little thing is more than a question. Any attempt is a return of a

permission. To be attentive and intended and make that mistake is not

more deceptive than anything.

Present the detachment and have the words continue to come there and

this will not make a tune slower and destroyed, this will not at all be

that. To put that question does not mean the mention of an author. To

repeat the name is not the same when there is no chair. To draw it in is

one way to approach the place that was not there to intrude. This does

not make the objection clearer it just makes the same tune.

It was thought that as the mountain of something which does not grow

does not grow, it was once thought, it was thought that the change was

not so old and the age was older. It was thought that the same thing

pressed would be put on there where there was no custom. It was thought

that there would be some more age. It was intended and there was that

which was earnest, it was intended that the obligation which was not

climbing would lead to the showing of anything and it was there where

there was hope that the time was. The whole thing was not the same.

To open a door and turn in the direction that the one entering will bow

shows so little quick movement that there is a way to advance. And so to

be timely, to have that hesitation, to bring a chair up and to enter

into standing does not occupy the whole evening if there is some

singing.

That is settled that which needs some introduction. It is not necessary

to refuse it. Any evening there is more hesitation. Any thickening of

the coat shows something and there is a use of that word.

It was all right, there was that hesitation, there was the time of the

afternoon and there was one evening of some which were those which were

evenings. There was that and the best way to show that is to have more

than each little piece not used as a question. This can commence that.

There is no perplexity, there is that abuse, there is more, there is

something. There is no bit of more than was used by any writing. There

can be more printing. There can be intending lending. There can be that

interest.

A peculiarity of the steps and the entrance is that it is not so

peculiar as there are more calling out something. This would change a

beginning if there had not been a setting. This which was was the time

to do that and the result is different.

So the whole thing means this that if there is a continual use of it all

there can be and there is the expression of that emotion.

The pleasantest anticipation is that reaction and more time is then

spent and the whole place is lonely. There are four in it.

If the cleverness of that copy means that a voice is louder then

certainly there is not that connection that there is as there is what

has been lasting. This is not so dirty. Cold water is not cleaner.

Pound the little time-table and then spread it so that reading it is not

any more simple than it was. This has that charm and every little

quality has that intensity. It is not more distinguished to be whiter

than to be redder, to be taller than to be shorter. The meaning has more

necessity.

A beaming expression does not mean that the eye is so clear that there

is no fatigue.

The drag that keeps that important is not spread out. This is a reason

why if that which is left to do is done there is no admission. All the

same there could be more if the direction was necessary and it is so

full that there is always that hope and that room.

Blessed are the patient particulars manifesting that hesitation so that

when there is no hope there is always a guide. In the languages that one

used and sung some words are longer than others and this has so much

seasoning and so strong a fence that certainly the tangle is not made

by more than the three words that come being divided by there being no

more. This does take the time.

All the beginning has that intelligence and certainly a useful time to

make requests is when there are any addresses and there are always

addresses in places. This does mean that need and that use and that

return and that plentiful remorse. There is so much to say.

A timidity that has no use in a boast is not that which tells about

drawing. The continuance of that is not more than promised, it is

continued.

To have the land behind when there is no sea has that to do which is not

settling that which is more than free. It is so natural that the opinion

is there.

To detail more is to ask that question, it is to refuse to answer, it is

to add that to it. That is some excuse and more would not be enough and

certainly that way is that authority. To control the time is where there

is an impression.

About the time when a book is borrowed is the time to return it and

leave it. This makes any one having that light not need to put it where

it is to be put.

Adding any more to a change is to occupy what is offended and the

refusal to go together may mean that. This when there is a song does not

make a choice depend upon meaning.

That rising and falling which singing is doing means that drawing a

chair closer can be repeated. This would be more than that interruption.

There is no place for that time.

To sweeten a lucky star means that a sad way to sweep together the

leavings is the one way to continue favor. And that which is most active

is more active as industry has that meaning. It has. It has that

meaning.

The surplus weight is inside and when it is put into the pockets it is

not heavier, this gives some feeling of not lingering. The authority

that makes that lonesome is not the same as disgust. It is always

different sometime.

This makes an attempt more tedious than it would be if the change were

coming and the presence of that is some little quality. There can be

agreement and the spectacle is the same.

Then this which is not too much is often and so there comes to be that

time and certainly that which was spent was not wasted as waste has not

that meaning.

So there is no empty place. All the time the chairs are there and there

are enough tables. Wood has not that meaning.

This is not a slice and all the juice that is dry is not so dry when the

hair and all is fair. This does not make a greeting any less pleasing

and certainly that which is done is not so discouraging. There is no

hope to use.

Paint the little piece of wood more and there is no way to know that

which is sore. This does not mean more rarity than an exception. This

does not displace waiting for a wedding.

To ponder and not plaster any section is so long to stay in the house

where the meals are given if there is food provision that enough of it

means something. It does not mean a color in a symptom. That is not the

only way to hope.

See Thomas bring the grain, see the grain have the color that grain has

when grain is growing in any winter which is any summer. See Thomas

bring the rain and see that the thunder is not the thunder that any rain

raining longer is having thunder when having thunder. See Thomas bring

what Thomas is bringing and the load is not lighter as Thomas turns the

shadow darker. Thomas has no spring of water, Thomas has the color

brighter. Thomas is the time to stay. Thomas hears what any source can

supply. Thomas not darkly not lightly, Thomas does the chamber over.

The ruling of the pencil and the farm, the ruling of a shadow and the

grain, the ruling of the woman who gave away what was not there to stay,

any ruling is the same and the line is there and has that prospect.

So closely was it passed that there was not more space than there was

and so sweet are the pleasures of the rest that a quarrel with a cousin

has the same result.

Pass it on to the bottle, houses in the corner have shutters, a little

tree is not lonesome because the leaves are not bright.

The presence of the necessary question does not mean that a kiss is to

be given. The sweetening of chicken is not all that is remembered when

the form was such that buttons were plentiful and the surroundings were

there. That was not any way to say that the change was the same.

All the long expression that means a longer state of natural example is

not so pardonable as everything that is in some instant. The back and

the waist and the presence of not any splinter, the sundown and the

kitchen and a table with a window and a napkin ring in winter, all the

presence of the most, all the longing of that summer, a pleasure and a

sign and there is no chance to refuse any chair.

To the rug that has that hole and that color, to the wood that has that

color and that white, to the table that has that carpet and that

erection, to the bed that has that shade and that carving, to the

lantern that has that light and that cover, to the shapes that have that

decoration and that derivation, to the floor that has that surface and

that meaning, to that light that has that look and that garden, to that

wall that has that line and that concentration, to the best that has

that choice and that color to all and there is something sounding, to

that and there is no witness signing, to more and the explanation is not

a mistake, to less and the time is when there is that to pass, to all

the length and there is more of that then, there is not any refusal to

resist a smell.

This is not the compliance of the teeth and there is no more force than

that out loud. A plain paper is often used.

Pasting nothing in a little book is the way to use the paper and nothing

is then lost and that is such a collection. The season that weather is

colder is that when there has been that change. If all that is full has

that liquor then the time to drink is in the beginning and the beginning

has the complete return of the use of handling. That is the kindness of

September and October. All the months that are the same have this in

common.

To desert the red beard and to have no change of color means that the

beard is all the same age. There can be more shaving than illumination.

This does not change every red color.

If the shape is the same and the use of the evening is not much then a

dress has that meaning and closing it is not music. Something is not

quiet then.

All right where the well is shining and the waves are never higher than

the water, cover the slipping ocean and do not mingle more smell. See

the remaining accentuation and explain more and more and not more so.

See the rattle that was not eaten and use a pen-wiper soon too.

The patent that was taken did mean more than all the work that was spent

every day in the morning. No grief means time and no change means

divorce, and no pleasure means all eaten, and no birthday has meaning.

This which has a pain in that nose means the left when the right is

mentioned. All is not darkness when the lights which are out are

burning. The tall cat has so much particular face that the garment is

not more beautiful than a great number. Pain and particular pleasing

pleasure and more than particular plain explaining weather all this is

more than told and a past violin is not remaining. And yet the last

little Monday is not every Sunday and the whole cheese is not frightened

and the question is not all considered and more aid engagements were

not special. All this and no more is so much more and the language and

all the kernel was the time that solitude changed in going to another

dinner. Lunch was often.

To be the article of the wound and to have no purser is not any more of

a delight than is mutton. This was so fully eaten that every day there

was cooking.

Not that startling sage-brush, not that mortal melodrama, not any fluent

symptom, not more simple feather sofa, not more cloud than most of the

members of the breathing place, not a joiner and not a retroactive

syndicate none of all the powder was more blue than a yellow plant.

This was not that memento, this was not that parallel syncope, this was

the half curve of the splinter, this was not every mounting, this was

the perfect parliament, this was no dope.

Show the place where the reproduction has that ease and drowning has a

figure. The lovely lane is not in sight where the hair is yellow. If the

change comes sooner and there is no stroke then the time of day has that

to recommend it quite.

So then the platform which is not raised is occupied and that means that

if there is a meeting a delay is offered and surely the use of that is

not long when there is no question. If there is a little quality and any

quality is that then the whole hope is so arranged that a cloth has that

short length. And so there is no excuse, there is every mistake there is

every position. An earnest protection has some meaning and the same

thing has the charge of the place of no exchange. And still it does

happen, it has happened and there is more of that. There is no such

expression.

A tomb and the time is not Christmas, the time and the way is not a

carpet cover, the leather and it is not water and the window and it is

not a silk mixture, the bright season and there is a composition, all

the moon has not pain in a conglomeration.

There is none, there is no preceeding catastrophe, there is no period

and there is no preparation. There is not much when all is not the same

and the change has not been indicated.

Why is a sour pear-tree in a blossom bee, because it is so pleasant to

remain in the summer detachment. That is not the excuse for the box and

the opening. That is not the way to refuse that gesture. So then the

union has a widow and the mother has a father and littler and there is

no length much longer.

Jumping is not anything if a little way is behind the elbow and the

knee. This is the season of rejoicing and the moment to have a denial of

advice. If it is a pity it is not the same pity as more toast. It can be

so warm that there is sunshine and it can not be what is helped by

appetite.

Telling the last time that a green and mixed repeater was not lost and

bought for more did not pass as it was not told. So the beginning was

made and there was some use. They would not leave the thoughts together.

This did not make enough separation. There was still more to behold and

the time that was so frequent was any afternoon. This came to silence

any day and the single attention was such that any candy was the same as

eaten. This was not the whole school. There was more copying of drawing.

So the tune and the light was not the light of any moon. The rain was

the same and the stairs were cleaner. There was an exchange and this did

not borrow trouble.

Settle and there will be dinner ready, settle and return the cake today,

serve the chicken and have cream all ready, season everything and pour

the oil away, have the salad and the cheese between, see the cream and

love the candy there, pass the day and eat the rest away, stay away and

do not shed the tear.

If a duty is so done that there is a chance let no one who passes any

way engage a room. Let them do so, show them that direction, have the

language and do not distribute more than all of that selection, this

makes knowledge all increasing and makes the return of patient splendor

show the shadow that there is in that intention. This is not a dream.

This has the same thing as the pleasant conversation and request. A song

is not more than necessary.

If the message is sent and received and if the tunes have words then

certainly there will be soon the center piece which has not been

removed. Every little flower has a number. There is that way to

question.

A regret with more comes when the tickets which are not serious were

written and the same time was stated. Then there comes to be not a

surprise but a result. There is no more than any enquiry.

A walk is not where the door shows a light, a walk is where there is a

request to describe a description. A walk is when a place is not to be

exchanged. There is a respect in every walk.

There is a result in every walk and the turn is there, the foot and the

boot have that union that there can be slippers. Talking of the return

of that shows that there will not be an opening. There is no reason to

exchange the joke.

No mending, no mining, no motto, no mine, no pin, no purchase no salad

no oyster, no practice, no more, no thought, no happy day and the best

is there and there is everywhere. Say it all in the morning, put it off

in the day, have it come in the evening, use the tune every day, say it

and please the organ, laugh and remain the same, coughing goes by favor,

and coming has a day to stay any way some way that way.

Full and the tune, a shaking of the ends is not paling in the more and

then if there is no exercise there must be that and anyhow why should

there be an implacable substitute. There is no exaggeration.

All and one and any place to make a gold color show on paper, that is

not the evening, that is what is heard. Any pleasure is the one and

every evening is no matter. All this does not make that weigh more than

again. There is no patient perfume. This is not the sign of release.

Blame no more than the mouth and this makes that regulation. There is

that use and there is no way and there must be that and there shall be a

disposition. That is the sign. Any language cannot be foreign.

Lumber is not brick and brick is redder. The path of a rug is that which

is not returned. Enough has been put that way.

Pile on more potatoes than corn-meal and more sausage than chicken and a

little more tender oil than egg and all the eggs are fresh. So fresh and

fair is no behaviour when the whole thing has disappeared. A taste and a

branch and a sucking of the day and the calm and the man and the noise

so wettingly. This which sees that which mourns that which colors any

moon all the paste is so straight and a scissors has a pleasing line to

measure and there is no hidden treasure.

See that painful delivery of a portion of more that has squares, see it

and emphasize more than any afternoon, emphasize a special rate.

Please all trembling when there is a time to rise, please it all and do

nothing nicely. So serene, so much a moon, so white and always plain, a

sensation is not altered by more being mentioned.

A time to stay is when there is the feeling in it and it has been done.

Why should no hope be more. Why should it. It does show faces and if

there are there one is smaller, there is no reason why a beard should be

there. It is mostly in sight and blindness is satisfying. There is no

blindness where the talk is cheap.

Laugh the basket into a little glass and all the point is painted. So

soon is the jewel and so dirty the splinter that any march is a

distinction. There is that way. If and there is no accusing, if the

sight means that surely the illumination is incandescent then surely

something is expected of the direction which is opposite. There is that

union and the face is there. So soon does a cork mean closing and the

belt open. This is no time to stay. A time for splashing is not ever

with a brick color. No shaking is too great for a head. This does not

mean coming after. It means that that is never over. It means more and

it has no splinter, it does not mean samples.

A pale rose is a smell that has no fountain, that has upside down the

same distinction, elegance is not coloured, the pain is there.

It is so clearly pleased that which is benumbed and articulate and if in

replying there is the indication of a sentence then surely the whole

thing is hurled. The house has that patience. The story is in the

evening. A single recital makes a hat, more makes no more cloth than

pleating.

All the same there is silence, there is uneasiness, there is an

appetite, all the same there is silence, there is the tune, there is the

birthday. All the same any Christmas is nearer. All the same more talk

is solemn. All the same there is a special way. All the same there is

left a pint. All the same the fruit is quince. All there is is that

shape. The return is extinguished.

A life-long dismissal means an admission to each one. This passes more

places and not any more faces. This does show the joint when there is

chicken. The salad has cheese and there is no more added table. It is so

large that there is a window seat.

So much persistance, so much elbow place, so much single authority and

able china, so much more and a cold bigger, that means that there is

thieves. Staining anything is not underwear. So soon there is more

motion.

Plead the use of a magazine and send more card paper, this is so tiring

and reading a letter is the same as writing an answer. Something was

handed to some one.

A dark tunnel has no open shelter and to be dark is to be left lighter.

This does not mean that there was a shadow, it does not mean that a

shadow has a painting or a passage it simply means that it is unique and

that there is an explanation.

Keep a pint which is not fuller, keep it and throw away everything, a

little gain means that wood is not burning, a little gain means that

there is no answer, a little gain is a little gain.

To see a sample of cheese means that the authority which mingles

excellence with scratching is such that a new beginning has no swelling.

All the tunes are played and the voice is louder. There is no repair.

Plunder and an appetite, seasoning and sensitive singing all this makes

that come back. There is a solemn winter. There is that.

To fit a car to the same stand as the pressing of every button means

that there is a decision. So much unity does show friendship. A tangle

is no less. There are no narratives.

A plain pet does know how to draw. Drawing is a sin. There is no

picture. There is a comparison. All round is the collection. There are

parts anyway.

No part and no more, no part and never.

Nicely and the shape and all that section that is the time to use a

weeding. A precise desolation is so distracted. All the curtain of river

is running to be green and yellow, all the lifting is by sitting, all

the time is on the bricks, there is no seat there, there is no church

there, there is no church, there is nowhere there. There is no crying.

There is no next butter. There is. There is more shape to leave lower.

A lame stool is one that has three lengths and a suspender, there is a

collar. There is no disorder.

If the precious sand is rich and there is union then there is something.

If the precious sand is poor then there is poverty. If there is more

then there is anywhere. What is choosing. It is the predicate when there

is illness. There is no sickness there is a package. Are the eyes finer.

They are there yesterday. They enter the weather.

Lightning has no meaning, gleaning has choosing descending, bread has

origin, a taste is spreading. There was once a made ready lifter. There

was once a birthday. There was a saleable afternoon. There was no

deceiver. There was none.

A little thing to send in and have a pain from singing, a little thing

and no person who is willing is signalling, no person needs a shoe,

every one says what they do, this does not mean that hopping is

swinging. It does that in the mean time. It does that there heartily.

Heartiness is the same principle. It is no challenge. It is not more a

church. It is not most a circle. It is not a vestibule. It is a single

place of growing grass. Grass is not deserving. It has all that to show.

It shows a marked meadow. It is not by the baker. Fishing is sudden.

There is a decision. All yesterday is passed.

A page of no addresses does not mean a mistake it means that there are

places where the whole family is glad to eat together. This is not a

sign of anger it is the necessary sunshine of the country and to be

pleasant is so close that there is no change. The last time that there

was an address there was no change. If the ones turned away they ate in

a little place and ate there. If they did not show that they were

enjoying it. They did please that most and they collected that there and

it was a hope and a silent time was not present. There was no

explanation. There was the hope of the remains being recently for that

and best taken nearer and not passed into the same time. This did make

the change stationary and really any authority is in the language and

singing is not a victim, there is no joke, the time is the same and the

place is not let, there is a little square center and no center, there

is a simple dessert, any cheese is darker, any fish is lighter, the same

thing is the place unset, the same time is tomorrow, there is no date to

marry if marrying is replaced by having that having been done. There is

no doubt of the mention of that and there is a taste of the meaning

which is not a waste. There was an exchange in decision. All the way is

plenty if there is the time to choose a pope, there is no choice there

then, there is no sense in a waiter. If the time has that note then

certainly the choice of a seat means that two are not taken. The time is

given and the invitation is not pink when there is water. The little

bunch is not known and more is mentioned. All of it.

A dark net is not a veil and a veil is not long, it is not longer than

following repetition. Granted that there is an hour that is half after

six, granted that does that mean that there is any use in being willing

to have no other meeting, and yet it must mean something and almost

anything is that and it is very likely, it is most likely that there is

the time and the place, it is most likely not often, it is most likely

that there is a longer day-light, it is most likely.

Ham and celery and chicken, a roast is frying, the ham if it is

thickening is squeezing roast beef into a mayonnaise dressing. There is

oil, there is cake, there is chicken. No absence is fonder.

All right to discuss that matter all right and the nature is fonder when

there is no choice of kissing. It is fonder and Saturday evening is

mingling borrowing some one, not borrowing some one, that is to say

there is an offering.

All like a thing, all like winking, all like thinking, all like sinking,

all like that, all like a thing, all like massaging, all like thinking,

all like that, all like a vision, all like that, all like

distinguishing, all like that, all like that thing, all like that, all

like thinking.

No old jerks, no old news, all is wet and there is no time in a day.

Every day is not away. The morning is sooner. If the morning is sooner

then the habit is spread, it is spread and there is a whole row. Every

row has an earthquake, every ring has a color, every piece there is is

as different as it is when there is a comparison by putting them all

together. To be so particular shows that there is a difference in

copying and copying is copying a picture, and copying is copying a piece

of sugar, and copying is copying china. All copying is so arranged that

there is no trembling when joy is filling. All the time that sadness has

is the time that sadness is. All the temper is in place, darkness is not

looking like this. No sorrow is loaned for the succession of friendly

business intervention. A research means more. There is a cause in

extreme recognition. No place is taken. Time for bells is ringing and

breaking nothing is disturbing urging. There is a piece.

A room, a paper, a fig, a chase, a poison cup, a trace of a hat, all

this together is no disappearance. The joy prevails and the season is

Sunday. The end is beyond that.

If there is no question and an answer is not a toilet, if there is no

question is there any strangeness in a garden. Certainly not, the danger

is not any color. It has the bloom and the sign of an early summer.

There is no necessity to deface anything. An escape is not needed.

There is one question. In not asking a question the permission which is

continued is so courteous that there is no moon-light. The time does

keep the rain from startling more than a diary. This shows that there is

no question and an answer is no meeting.

The point then consists in there coming to be so much recent relief that

the advance is simultaneous and surely if the same step is there there

is no treachery. The interchange is worshipped with a boat. There is no

time in the use of money. A little means more of that same

multiplication and in any case there came that time. There is no worry

and this does not mean that there is that absence, it does not even mean

more, it does mean that a change is enveloping. It does not mean that it

exists.

A tune is splendor and a turn is that which a mark on the floor does not

chasten. So much sun is not a sunbeam. So much clarity is not stifling.

Surely the representation of an uncherished filling is not more odious

than mankind. The thought which determines a flight is the firmness of

the plant that is not boiling. All the time which is of use is that

which when the change has the same resemblance as some origin shows no

mixture of more capping. The necessity is not ungainly and gaining that

is what is the obstacle in staging. It is no place when the basket is

there and baskets have no pink ribbon, they have glass. A piece of the

same is cheaper.

All the same there is an exceptional use of the point of a resprinkler.

It does not mean the same as the future. There is that quality.

A pink and that is a flower and smelling, a pink and the name is

different and has some when there is intonation, a pink and the rumor

has not spread, it is ordinary. If so and the opposition is astonishing

then surely there is that destruction and no suspicion is more, there is

a report. All the same there is more nervousness than retraction and

more in sight than outside and in any case a name is there. Two of them

are the same.

Was the explosion that authority, did it succeed more than yesterday,

was there tomorrow before, these are not questions asking, they are not

existing missing, they are so applied that there is no joke, there is no

pleasure. All the same the standard is there and the separation has a

position, it has no repudiation, it has no hurrying centralization, it

has nothing there. If to be there is mentioned then the whole response

is the occasion. It is and there is more. There is no answer. There is

turning. Turning is not a victim, it has no protection, it has no

authority, it has a receipt.

Time to state and to circle the whole thing to be an island and not

water, this is the season of fishing and in and by circling there is no

surface, there is all there is and the time to rain is not the time to

station swimming. This is no disgrace.

All the same there is a splendid piece of special soft sour and silk

lining, there is and there is a mistake. An object is not more used than

a mixture and surely if the time was chosen it was not there beside the

swift selling mother of colored clothing, and yet there is no sale and

there is a reason, there is the reason that anything is the sign of a

use and using nothing is not a pointed selection, it is more than that,

it is collecting.

This does not mean that antiquity is more antiquity, it means that the

origin of eating is eating and the renewal of the wading is not

swimming. It does not mean that, it means that the time and place and

more is so satisfied that there is no place, and any place is no

vacation. And yet that is not so narrow and actual, not at all, if it

were and it is, if it were then certainly they would celebrate the

result, they do not that is to say one does if there is nothing, the

other does if there is nothing. There is that establishment when there

is no land and any land that shows the line is that and is one. Any

extra way is the way of speaking. There is no use in no more.

THE KING OR SOMETHING

(THE PUBLIC IS INVITED TO DANCE)

Letting me see.

Come together when you can.

Have it higher. You mean that lake.

What was that funny thing you said.

I am learning to say a break.

I am learning to say a clutch.

I am learning to say it in french. A house or lions.

A young lion looks like a dog. We laugh. I am not satisfied.

You have to feel what you write.

PAGE II.

I hear a noise.

PAGE III.

Did I say I was a mechanic and a chauffeur but not of the working

classes not of the class of the working classes. I saw a funeral. All

along the street. This is not inauguration. It was Sunday. Cook said he

was sorry he drove us there.

PAGE IV.

Letting me see.

Nellie has a gift.

PAGE V.

Do you mind whose presents.

We didn't bring them up.

PAGE VI.

By hand.

PAGE VII.

Nellie.

PAGE VIII.

Now then yesterday.

Now then for today.

Nellie is poor that is to say she is not spending more money.

Josephine and Genevieve.

A cup.

I am so happy.

In counting gifts.

Yes.

And in mixing ceramics.

You don't mean to make them.

Oh no to give them.

Oh yes.

PAGE IX.

Were you pleased with this.

Are you fond of blue flowers. Yes if you pick them. We will pick them

together.

PAGE X.

Not after you learn to drive.

PAGE XI.

Not that.

Not that today.

PAGE XII.

Next to come.

Next to come to me.

I speak splendidly.

Say it to come Egyptian.

I mean Bohemian.

Birds are not very tired.

Boys are being prepared.

Laugh and see.

Don't try it again.

I wish there was a market for chairs.

Do you mean that by that.

PAGE XIII.

I will not say yes.

PAGE XIV.

Two cooks.

Any two cooks together.

Dismiss all the servants.

She did.

PAGE XV.

We didn't.

Allow me to differ.

PAGE XVI.

Did you say it did.

PAGE XVIII.

Very likely I missed it.

PAGE XIX.

Turn turn.

PAGE XX.

You must never hurry yourself.

No indeed.

Now I understand.

PAGE XXI.

Think a minute think a minute there.

PAGE XXII.

Wait a minute.

When will you remember about me.

Tomorrow.

Yes.

Tomorrow.

Yes.

PAGE XXIII.

A splendid instance of good treatment.

PAGE XXIV.

There was a little apple eat.

By a little baby that is wet.

Wet from kisses.

There was a good big cow came out.

Out of a little baby which is called stout.

Stout with kisses.

There will be a good cow come out.

Out of a little baby I don't doubt.

Neither does she covered with kisses.

She is misses.

That's it.

PAGE XXV.

Seventy figs.

Apples are scarce.

Melons have not a good flavor.

Chickens are very good.

PAGE XXVI.

A little inclination to the hotel Alcazar.

A little inclination did you say I am taking lessons for it.

Indeed you are.

Convocation.

PAGE XXVII.

Did you want me to mention churches.

If you please.

PAGE XXVIII.

Surrounding cities.

Selfish cats.

And birds.

Birds are flying.

So are automobiles.

Listen to me when I speak.

Because I speak.

I dislike even raspberry vinegar.

We used to have it in California.

PAGE XXIX.

Lizzie says yes.

She had a child.

PAGE XXX.

Are you wretched.

PAGE XXXI.

I change the place.

Not at all.

I will sit.

This is the place for me.

You are not insulted.

By any one.

Every one says oh yes.

And I am very well pleased.

PAGE XXXII.

Yes oh yes.

PAGE XXXIII.

Any place to stay.

Today.

I know what I bought.

PAGE XXXIV.

Conduct Mr. Louis.

I say conduct Mr. Louis.

Flat pains.

PAGE XXXV.

Neat kings.

Afternoon watches.

Clouds in summer.

Rain.

Boxing flowers.

I do not mean white flowers.

PAGE XXXVI.

Credit me with wishes.

I do.

I will.

PAGE XXXVII.

Why doesn't he begin.

PAGE XXXVIII.

Lots of pages.

PAGE XXXIX.

Night today.

Tonight today.

I can sit sinking.

Have a reproach.

PAGE XL.

Why do you mean to attack.

PAGE XLI.

The Cow.

Yes Caesars.

The Cow.

Oh you blessed blessed blessed planner and dispenser and joy.

My joy.

The Cow.

PAGE XLII.

Such a successful morning afternoon.

PAGE XLIII.

Just like the prince's.

PAGE XLIV.

Pages of eating.

PAGE XLV.

Pages of heating.

PAGE XLVI.

Not a word of warning to them.

PAGE XLVII.

I make feeble crackers.

Strong in birth.

Willful in argument.

Planned to take me.

Soldier wishes.

We wish an automobile.

We have stalls.

Stables.

In weather stains.

Do you mean it. All of us mean it. Call us horses. We are afraid of

horses.

PAGE XLVIII.

Sing to me resolutely.

Mr. Louis says not.

Joseph.

PAGE XLIX.

I have infinite patience.

PAGE L.

Count in places.

Why do you need perquisites.

Because furniture is heavy.

It is heavy here.

And light in the hurry of needing water.

Why do you satisfy her.

I satisfy her with holes.

We were wicked on slates.

You mean roofs.

Roofs and nations.

PAGE LI.

Can you praise me.

Can you praise me.

PAGE LII.

Nominal general.

PAGE LIII.

This is a shore.

PAGE LIV.

Great civil destinies.

PAGE LV.

Come to me Louisa in a limousine.

We were walking.

We were walking and talking.

PAGE LVI.

Lift brown eggs.

To me.

PAGE LVII.

Have you splendid pearls.

Have we splendid pearls.

PAGE LVIII.

I always think it is the best.

This.

And the name.

PAGE LIX.

Call me for the chance.

Does the moonlight trouble you.

It troubles me here.

PAGE LX.

This is the way to point.

That is the way.

PAGE LXI.

Not a Greek God.

How do you say that.

PAGE LXII.

I have a name.

She has the same.

Expression.

She looks like the soldier.

And we too are dull.

PAGE LXIII.

I can just see them processioning.

I will not write a play.

Thank you kindly for your kind wishes.

PAGE LXIV.

Let me see the sloop.

We used to use that word before.

In the evening and they met with attention.

PAGE LXV.

I read about a star.

I heard a star.

I saw a star.

I hear a star.

I see it.

Do you where.

There.

Don't you see.

It's an aeroplane.

Oh yes I heard it before.

So did I.

I do not care to bother.

We do.

That is quite natural.

Come again.

PAGE LXVI.

Scratching her head.

Marcel.

Oh Marcel.

Spots.

Cleaner.

Nuns.

Wishes.

Does she neglect the subject.

I like what I feel.

Folette.

Hear.

Mrs. Beffa.

What is the name of the girl.

I wish I had such a child.

PAGE LXVII.

Can I speak to you for his sister.

This is what I like to think.

Yes of course.

PAGE LXVIII.

You do not understand our grievances.

We do not understand their subjects.

They are not annoyed by each other.

We have flights in aeroplanes at Buke. Spell it with a t.

Did you hear me wishing.

I wish to go away.

Expect Muriel.

We expect Muriel

Mrs. Tudor expects Muriel. We have no such wishes. We wish to hear that

she has another name, Ethel or Muriel.

PAGE LXIX.

Some people are heated with linen.

PAGE LXX.

Can you pronounce it.

PAGE LXXI.

Can you see why I am inspired.

I can recognise the cause of inspiration.

So can a great many people.

This is laughable.

Come pleasantly.

And sing to me.

PAGE LXXII.

Counts and counting.

War liberty and success.

The window says then and there is a refusal.

Let this be a lesson to millionaires.

PAGE LXXIII.

Ernest says that they will not give money.

They are not charitable.

PAGE LXXIV.

Come Connect Us.

PAGE LXXV.

Lead him to me.

PAGE LXXVI.

Come to me easily.

Come to me there and tell me about speeches.

Speeches and my cousin.

He will not send the van.

Yes he will send the van.

And when he can.

He can send it.

PAGE LXXVII.

When she comes does she leave her kitchen dirty.

When she comes does she wash the silver.

When she comes do they all say how do you do.

This seems very little after it all.

PAGE LXXVIII.

When she comes say yes.

When she comes say she is.

PAGE LXXIX.

When she comes say he is.

PAGE LXXX.

I do not like stories mixed in in a story. This is an instance the

colored regiment. Yes I see. Of course you can be angry about it.

PAGE LXXXI.

A splendid attraction and a visitor. Was she sorry.

PAGE LXXXII.

How much did Harriet pay for her suits.

PAGE LXXXIII.

Can you think about me.

PAGE LXXXIV.

Do you think about the Chinese.

PAGE LXXXV.

Can you eat.

PAGE LXXXVI.

Do you eat.

PAGE LXXXVII.

Leave them alone.

PAGE LXXXVIII.

Can you mean to be sleepy.

PAGE LXXXIX.

Can you not neglect to answer.

Yes I can.

PAGE XC.

An educated mark.

Educated leisurely.

You can not despise him. Can you despise him.

PAGE XCI.

I want to be simple and think.

PAGE XCII.

You are very ready to do it. No I don't think so.

PAGE XCIII.

Can you be wise.

Can you be very welcome.

Can you be very welcome in mentioning a winter. Believe in a winter. Yes

we do.

PAGE XCIV.

Can you establish stations. I can establish stations here.

PAGE XCV.

Can you give advice.

Can you give advice to him.

PAGE XCVI.

Can you give advice to her.

PAGE XCVII.

What does the nigger say today.

FINIS.

PUBLISHERS, THE PORTRAIT GALLERY AND THE MANUSCRIPTS AT THE BRITISH

MUSEUM

The answer in the house is that talking is not the same thing as a lamb.

So that was the way it came to be and the second answer came before the

first.

All the part was distributed and the selection of more was not made

before the sight was so particular that any letter had a signature. This

which is even is not the whole page, there is more that is even, very

much more and any size is larger.

To beam is not to seem to have an eye that is there and a hair that is

colored, to beam is not so disturbed that any afternoon is not sooner

than the next morning. This was so useful and the excuse was not placed

in between the hotels, it was not placed anywhere. This is the date of

some days in every week, and the morning is before noon. So simply and

so strangely, so much the more advanced, so much the more interior and

so much more coughing than learning, so very much more and yet there is

no disappointment, not any disappointment.

The cute way that a certain place is open on Sunday and not on Tuesday

does not mean that an invitation will not be coming. Not at all, there

is more chair than standing exhausts.

So then the whole spring is earlier than February. This was so much the

tail of the previous setting of the sun and the moon and some of the

stars. Electric lighting is so usual and more weddings are celebrated in

the place of thanksgiving.

A target and a round face, a beard that is not whiter, the center of it

all is that resemblance and surely there is that to pass away and have

the same decision. Surely there is that resemblance and surely the ones

standing alone have that copy. Surely there is the safe persuasion.

Surely there is danger.

So to move and to faint and to separate the lists together, so to

lengthen and to shorten and to curve the same direction, so to measure

every daughter and to lessen every sister and to manage every mother and

to sever every brother and to undertake a father and to beam upon a

lover so to sing and so to talk and so to change the line together, all

of this and any show is the way to season nature and to have it all

together means the same in every letter.

This which is not so strange is the more used and in there kindly being

a face there is more resemblance than if it were written and then comes

the time to look and there it is, there is the writing.

So astonishing is it not when there has been preservation. The noise

which comes has not any decisive obligation and yet the whole date is

just the same. So sweet are the singular pleasures of recognition. The

strength of the place does not mean more than all. Some have no

distaste.

Link the hat and the coat and the collar, have the hair and the eyes and

the color, see the time and the tea and altogether and do not be

singular enough, and so there is that to view and the single planter has

the rest as history. He did not tell it in giving it more room than

cloth. So early is it not.

Saddle the simple sore without a touch of lame despair and do not touch

the hair because there is the use of all that pause. So sweetly is it

true that neatness does not mean the curls are true and yet there is

absolutely none, absolutely no powder. So the place is not used for the

tea and the last water is not more boiling than is touchy.

Frown nowhere and do not change that space, that is the way to use the

time to purchase mining pictures. The little darkness and no large lamp,

all the light being together does not make everything strange. Please

the daylight, show the ruins that there is water, do not disturb the

lamp, make more noise than resting and more that is changed is changed

and an agreement shows the pink not to be redder. All that partial

resemblance to a disagreement and a reunion is not more questioned than

no answer. Not any more choice is so determined, and yet, why is the

season so ingrained in the early morning when noon is no later. There is

always a return of any answer.

Peace and the morning and a show of any evening, a reflection and the

pleasant state of nature, this does make so much debt that there is no

name anywhere. So pleasing is disaster, so ancient is being old enough

in the matter.

Bestow a curve in the collapse and there is no withdrawal and that which

is secure has some way of preserving any walking. All the time has a

finished undertrimming and so there has the approach to a lingering

printing.

To place an eye, to set the corner, to make a blessing, and to search a

mansion, to persuade the noon and to establish harmony, the cause that

is the mention is not more pained than anything. So then there is a

memory, there is a stone home, there is no weakness.

Clearly and a gem, singly and all four, the stem, the stone the happy

way, the single blessing of the longing soon, the patent habit of the

leaving of the room, all this and no white light is not more dim than

every candle and many of them make the illumination gentler, they

dwindle in large, they season the sun, they blossom the churn, they

bestow in a plant. This was no sprain, this was the regal pin.

A broom and a window, both of them uttered are so plain that there is

more space and very much more hurry and yet there is a change of

address, this is written. So clannily there will not be when the

envelope is larger. The same union is stronger. An afternoon is weaker.

That was the time and then in the evening there is dinner and later, any

time later there is more than one corner, there is a fire, there is

that, there is no pleasant place in more fire. Then came that which

pushed away a piano, then came that and there was a whole collection.

The question was not detained. There was that to do and arranging is

done by separation. This is yellow and brown is a color. Peace is rested

when it is occupied.

If the three are one they do not have voices, that means no more than

that all of them are four. More is not regulated and yet there is an

introduction, there are degrees, there is past pressing, there is the

change of a pudding. All is not any meddling of a mess and the keen lump

is not shadowed by any sun.

Plant the union of a question later, all the time has that change, the

pink length and the satin fixture this does not make any question

uncertain. A question if there is no answer is a question where there is

no answer. To place more is always a way.

Put the partial pleasure in place and do not see more than the town. If

the town escapes and sees a building it will be satisfied. It is.

When the speed is there and there is pink color there is a pale pink,

there is a color.

All the two baskets and the little apples and any that are the same size

in measure have so much hidden that is not paper so very much and they

think out of sight. They do.

So plaintive and so careful and so many little spaces and so largely all

the time, and so pointed and so half and the whole which is there has

the other side of pinning and the time to have the rest is not what

there is to leave. A vacation is not needed, a bundle is not needed, a

precise result of more than an example is not so different when the

division is the same.

Kindle the blame when the refuge is in water, express that excitement

when the paint is there to fade, see no more and love the rest, all the

tender part is running, all the liquid taste is temperate, all the time

and there is that, all the time has only water. This is not the only

haste, there is so much of it lonely, water never has so much that a

little more is water. No kind lady has the time, no sweet trough is

lingering longer.

Any two who see the same time are the ones who do not expectorate and

this does not mean it is habit, it means no more than that sometime is

included when there is no time to place pottery. Certainly there is a

trifle, any one knows what there is when there is all the table, that

does not mean that there is a collection, that does not mean more than

the place pounded. Not any single little piece of the red makes a yellow

color, and yellow is more so than anything. So reasoning are they and

they conclude a bottle.

Not so sweetly as a bottle, not so sweetly anywhere.

To see longingly and sharply indicates a predisposition. If there is a

memory there is no use suggesting offending.

Pleasant and an interval which is empty and there is no empty way to

begin again. This which makes an appetite larger does make travelling

easy.

All the account and most of the account is not kept where there is more

lightness than there is home. It says more and it does mean that. It

certainly does.

So then there is a shade of the pleasure of sensible exclamation. There

is, there is the beaming oak and the spending of more money and then the

answer, the whole answer, does that mean that the occasion is furnished

or does it mean that no auction has any circle. What is it like. It is

like the whole reliable point which has no measure, it is the pressed

leaf and there is not anything that shows what is obliging, nothing at

all and more organs and a little light and so much blending of an

industry all that does not lead to a margin, it does, it has the

practice and the music, it has no more bent wood than any train that is

not burning, it has not, it does make a joy.

Looking in the face of eyes means the strangest elephant. Looking in the

same set teeth means the presence of a seat.

All the talk and all the light means the same result of voice and a

solid substance then means a tear and then a tear. Choose the money when

there is more result and all the plainer staying for the evening. This

means that what is curious has more shortness than speech and more hope

than dangling. Surely the section is mended and the change has not been

made. Surely the name has been mentioned.

He has it, he is the son and the mother, he has it, there is no darker

brother, he has it. He has it and the length is not poisoned, he is the

ample special principal protector. He sells it cheaper.

He does not deny a shorter letter. He does see the revival of unison. He

does decline a match, he does entitle that.

He which is the sense man in the timely story, he and the weaker is

fonder, he is the praised and the praiser, he does not speak the waiting

the weaker. He does speak when there is a specimen rejoinder. He does

play more pastry than the tea-time. He is there for dinner. He does not

steam anyway. He has the state. He has the craning care to endure. He is

not more particular. He is so tender. He is the link and left light.

The same season makes the moon strange, the same sun light is October,

the same piling of the single glass stamp makes no monotony. There is no

rejoinder. The end is in the great division between the counting and the

bloom of passing a glass covering. If it were left and in a way it was

left, if it were left then the meaning would be that there was hope and

hope which is active does direct that there is some one to stay there

and say it and doing so why should it determine a passage, it should.

When it should and there is more there then certainly all of them are

the same that is to say there is a difference. Any difference is

greater.

ROCHE

Was one who certainly was one really being living, was this one a

complete one, did that one completely have it to do very well something

that that one certainly would be doing if that one could be doing

something. Yes that one was in a way a complete one, certainly he was

one completely listening. Was that one one completely listening, was

that one completely listening and certainly it was a pleasant thing if

this one was one completely listening and certainly this one was

completely listening and certainly it was a pleasant thing having this

one listening and certainly if this one were one being one really

completely listening it would then certainly be a completely pleasant

thing.

Was this one a complete one? Certainly this one was one being living.

This one was one certainly going to be quite beautifully doing something

if this one really did this thing and certainly this one would be

sometime doing this completely beautiful thing if this one is really a

complete one.

This one certainly is not one who is weakening, who is not continuing

well in working. This one certainly is not at all a weak one, that is

certain. This one is certainly feeling, in being one being living. This

one is certainly an honest one and it is certainly a pleasant thing to

have this one listening. Certainly this one does not do very much

talking. Certainly this one is liking very well to be knowing what any

one doing anything is doing, in what way any one doing anything is doing

that thing. This one is one certainly loving, doing a good deal of

loving, certainly this one has been completely excited by such a thing,

certainly this one had been completely dreaming about such a thing.

Certainly this one is one who would be very pleasant to very many in

loving.

This one is perhaps one who is perhaps to be sometime a complete one.

This one is perhaps one who is perhaps not to be ever a complete one.

This one certainly was often listening and this was then certainly a

very pleasant thing. This one was perhaps one completely listening,

certainly this one was one who was listening and it was then a very

pleasant thing, certainly if this one were one completely listening it

would be then a completely pleasant thing.

This one certainly would be doing a very beautiful thing if this one did

do that beautiful thing. This one would certainly be steadily working to

be doing that beautiful thing. This one would certainly not be

slackening, not be stopping going on working, not be weakening in

working, in making that beautiful thing. This one would be making that

beautiful thing. If this one were making that beautiful thing it would

be a very satisfying thing. This one would certainly be one completely

making a beautiful thing if this one did make a beautiful thing. This

one was not a weak man, this man was not an unsteady man, this man was

not an aspiring man, this man was one certainly going to be making a

beautiful thing if he did make a beautiful thing. This one certainly was

listening and this was a very pleasant thing, this one was certainly one

going to be doing a beautiful thing if this one is one who is a complete

one.

This one is certainly one to be doing a beautiful thing if this one is

going to be doing that thing. It is not disturbing to be wondering about

this one going to be doing the beautiful thing, not really disturbing to

that one, not really disturbing to any one. This one is steadily

working. This one is listening and that is a pleasant thing. If this one

were complete in listening that would be a completely pleasant thing.

This one certainly is one steadily working to be doing a beautiful

thing, this one certainly will be doing a beautiful thing if this one

does that beautiful thing. This one is very nearly completely needing to

be knowing what any one is doing who is doing something, how any one who

is doing something is doing that thing. Certainly if this one is one

really completely listening and certainly perhaps this one is one

completely listening then that is a completely pleasant thing.

BRAQUE

Cap and corn, auditor, interest and exertion, aim and audience, interest

and earnest and outset, inside in inside. Alarm no sun, alarm is

thinking, alarming is determination an earth wide moth is something.

Price in curving is weeding. There is an undetermined super division.

There is the percolating bread stuff, the window is thickening.

Alarm no alarm is standing and holding something. No alarm has a

perpendicular position. No alarm is in that position. An alarm which is

not a choice shows the necessity of good nature. It shows and the tune

which is on any wind the same, that tune is the organization. It has a

place, it is a circle and this which is not guarded is not soft, it is

softening. It being soft breaking is something and what is round is not

widening. It is particular and so much more than the saving of an

elimination. Practice is particular. It is recognition.

Silence is not hurt by attending to taking more reflection than a whole

sentence. And it is said and the quotation is reasoning. It gives the

whole preceding. If there is time enough then appearances are

considerable. There are in a circle. They are tendering a circle. They

are a tender circle. They are tenderly a circle.

This was not past a future.

If the speck is plain and the tail is there tail is made of hair. That

makes that. Any one is no tailor. The curtain is not made of wood and a

candle is placed in a candlestick and the whole, the very whole, there

is no robbery.

If the pet is whole and the juice is so serene then the salt is pure and

there is pepper in between. The harness which is on the stake is used

to rubbing on a wheel. There is the complete absence of all reason for

an excuse. The time has the wealth of a separation. The season is not

that of baking.

Brack and neuresthenia and lean talk with a marvel and make a spittoon

clear with a mixing in a mustache. The sense is in that.

Pie is not peeling and the date and the poison and the cake when the pan

is a shape is not minus all the practice. The time is not filling.

Brack, Brack is the one who put up the hooks and held the things up and

ate his dinner. He is the one who did more. He used his time and felt

more much more and came before when he came after. He did not resemble

anything more.

The time and place of a corner is no convenience if it has not been

filled, none at all, and if it is filled then there is a resemblance,

there is some resemblance.

Do not celebrate what is hearty and surely there is no danger in

expecting a strong summer. If the place is shown to be damp there is no

use in that excuse. Anyway there is no time to rise together. They

cannot sit in a seat.

The time came when there was no occasion for geography. This did not

mean that there was a change of place, it meant that there was a change

of influence. This change was understood, it was no wonder. In

understanding the whole thing of precomposition there was no more light

than sweetness, there was no more size than bulk, there was no more load

than a caravan, there was no mingling of unison. The time did not come

any more.

And then the simple way was celebrated by causation and the charge was

sweetening, that is to say there was a round mass.

Powder is not brown. The color does not show in the mixture. In curving

and not lengthening the disposition there is no meeker feather. To show

the wave to be cultivated and to show the suspension of a razor the

light does shine directly. It shines and it darkens another, it does not

shine and destroy the connector, it does not shine in a color, it does

not make a brown tender. Brown is tender, that is no trouble and no

appetite.

It follows that when the time is separated that the sacrifice is not the

same as when the conversation is sensible and it is sensible to discuss

carving and oak-trees and the season and to be disturbed by a mountain

and to argue when there is no desertion. It is sensible and to be

present is enough to separate the future. If it comes to happen that

there is no eraser then certainly there is no cause why there should be.

This is the reason. The best shape is that which is pasted without

paper. At any rate the paper is not white and brown, it is brown and it

is black and white and colored.

The time is not replaced by indicating the reason it will there be

resplendent travelling. This is not a question because that is not an

answer.

The time which was put to some place was that is so well placed. The

question is is there travelling. There is no question as to if there is

travelling where which showed solemnity in not turning in turning. This

was so put that certainly not any more reception could be astonishing.

To pass away, to choose some away, to object to abhor that and to be not

triumphant this is not the splendor of a single standard this is the

solemn reverberation of an enlarged and of a small masterpiece.

The way of the man and the way of the lamp and the way of shining and

the way of settling all this is in accord with the devastation and

destruction which resembling is not disturbing motion. This comes so

soon that talking is ennobling. This which is is what comes, that coming

is what is come and can come. Coming it comes and is come and there is

some mingling and there is more willing than there was when the coming

came to suggest and disturb and reassure reason.

A lane is not a hill and a hill is a descent. To explain this it is

necessary to practice mending and disturbing and relating. The time to

go is not more arranged than the roundness which makes for beauty and to

be round is not what there is to height.

The time when selection is vacation is when the perfection is so

replaced that there is a premonition. This does make baking so easy and

at the same time there is no separation and no disgrace not even

desertion. This comes to be so told that any appearance is regal. So

then there is no announcement.

A little seat which is not low is not more elevated than a little seat

which is low and high. There is no space for more than there is room

for. This makes no demand on conscience, this makes no demand on

anything, this does not alter an exhibition. The reason that there is no

alteration is that in separating spaces they come to show that there is

the same space between that there is there where there is the place

which is it in it. This shows that there is nothing so clearly shown by

the whole exposition. It does show it, it shows the extension of the

resemblance and the unification of the differentiation and the extension

of the interval and the inhibition of the retention of acceleration.

This does show no more than is individual. And yet there is no train

that does not go in that direction and to return is not passing that

way. Returning is not vagabonding it is a spacious interception. The use

of the spread of the arrangement between that and that is not so wide

that there are no spaces. There are spaces. They can repose so. They do

call whiteness no wonder. They do not shudder together. There is no

example in a relation. There is none in saving spacing.

A capable curtain is not used and the meaning of this is that

protection on both sides is protection everywhere. The band played

longer.

So much sorrow in winter and so much sadness in summer, so much

nervousness in the country and so much disturbance in the city, so much

counting with a letter and so much writing with no electrician, so much

piano color and so much musical permission, so much steadiness in

circling and so much singleness in searching, so much bloom in labeling

and so much secrecy in enlightening, so much saving in abandoning and so

much steadying in remaining, all this and no more, so much and not

often, all this and no moment when a monument is not mind and

munificent, no time and sweetness and no escape and separation, all this

and no obliging desperation, all this and the same moment in particular

and if it were in not passing, all and no one never to be satisfied in

signalling, no more and the choice is absent, there is a season in the

right, there is a sanction in the left, there is a presence in the

center, there is an upheaval in the distant circumference, there is a

resonance in the special curve, there is a susceptibility in the

unperspiring relation. All this nightly and some daily and weakly and

more yearly and not certainly and not reducingly.

To be raised and to be so respected that there is no doubt that the

lines that are turning are the lines that are turning, to be so

respected that talking is not continuous and the presence of nothing is

more selected, to be so raised is not an expectation, it is capable of

calming.

There has been no doubt. There has not been any doubt. There is not

being any surface and there is not that there then.

The strong hold is the mildness of the salutation of the metropolitan.

This is not obligatory and it is not capable, neither is it casual. The

mint is not where there is no building, it is not any this is never a

surprise, it is never a surprise because when the whole thing is

considered and the whole thing when it is considered has that

beginning, when it is put where there is no selection it is then not

made noticeable. To be noticeable is not declared, in declaring it there

is no speech, in not keeping on talking there is no silence. This is not

heard louder and there is no doubt. There will not be that doubt.

The capacity which makes the size that has that meaning have that

meaning, that is what has the sensitiveness which does not make

anticipation, there is reality. In that there is touching morning and in

touching morning there is no course. There is all there inclines to be.

The freedom which has no ornament is not spilled and this does not mean

anything not lively, it certainly does not mean an extra. The practice

of no pronoun is not audacious. There is no prize in a pocket. There is

none there and the circle having a separation makes all that which is

not the same similar, it does not make it a circle. A circle has no

pleasure, it is not encircled and there is this to say that the white

and black are brown.

PORTRAIT OF PRINCE B. D.

A space is not spent, it is not used, it is similar, it is represented.

This shows no more than a latitude which running through the center

makes the surrounding. The space is not placed, it is presented, that is

the relation of the similar settlement. To settle upon and to settle

under shows more than the similar circle it shows the degree which makes

more similarity than that, it sinks higher and there is no roar. The

section and there is a section, the section means that penetration

resembles distance, it supplies the drop and it selects no sightless

system.

The incident that succumbs is the one that is early. The lateness is not

tending to define a definite darkness, it does not shine and since that

time there is a large light. The western windless is not the same as the

white wind. The white wind has no poise. There is a diamond. A diamond

is a treasure. If a treasure is that color then there is a resemblance.

A trade between the one who has a hat and one who has a hat is such that

there is no hiatus. The one who has had a hat is the one who adds that.

The one who is the one that has that is that one adding that thing. No

neglecting and adding, no single safety silent disturbing, no neglect

and no glass is there to pass away and stay. It sees the solid sight and

that which is not bright is white, that which is single is resembling

and so it comes that when there is a show a way to pass into the recent

glow means more fire. A fine color is red and green and purple and rose

and yellow, a fine color resembles the continuation. Any fine color is

in a glass. A glass to resist must be a glass to pass. This shows no

shadow. This shows no scratch.

A change is measured, a card is unmeasured. There is a return of much

more. Stupor is not in winning a climate. It is lost in the remembrance

of poisoning. The list of a result in stretching a building does not

make any mark. The wheel is there. The trend is not behind a back. It is

in the window of a fenestra. The blending is distinct interspreading.

This is not the measure of wind. The return is not so, it is occupied.

The rest is arisen.

There is no height. If there is there is wind. There is wind. Height

shrinks below and settlement is not soluble. The erection of yellow is

no violence. The five are won. Single, same, purple, blue, circle. The

last which section has the reverse resemblance has no moment and there

is a tendency which in the rising of the setting sun means new arising.

To shine and whine, to shatter and shrink, to collect and settle, to

stir and suck, to lose violence and select simultaneity, to see that the

whole exception is not arrested and to satiate the lines of resemblance,

this and no more is underdone. The public and pilot, all the shining

land and the wind and no neglect, all this does not mean that there is

no denial. It has been there the same result of no intended excavation,

it has been there and that exception planted no resemblance has a

moment, none and the illustration is planted and the time is placed.

So then there is no secret. A secret means that when there is a thing

there is nothing and if there is nothing then there is no addition. A

sum is not sacrificed.

Handing a lizard to any one is a green thing receiving a curtain. The

change is not present and the sensible way to have agony is not

precautious. Then the shirting is extreme and there is a lilac smell and

no ginger. Halt and suggest a leaf which has no circle and no singular

center, this has that show and does judge that there is a need of moving

toward the equal height of a hot sinking center and surface. Then there

is a space, then there is exception, then there is no reason why a

pound should be smaller and all the time there is the courage and the

mint and the repeating result that surely if there has been a change

there has not been a fire. Surely a fire is famous and a famous fire is

in the fire. Surely no more special spending shows anything. And yet if

there is no wind there is no haste and if there is no haste why is

twenty older than thirty and thirty older than twenty-eight, why is it

and why is there no mistake. There is no mistake because there is the

time and the accusation is indented and this makes enough so that

clouding does not make a cemetery. A surprise is not in sight. This is

the sentence present. There is no danger and the silent height is so

high that sound rises higher. This does not make sound infamous, it does

not shatter a conclusion. Nothing is hollow in water, nothing is high in

air, nothing is louder and nothing is perpendicular. The establishment

is thorough. A chance shows a bright blue sound, a chance is the same

wind out of a window.

A Persian kitten is a purring kitten. The safety that comes is so

gathered that there can be news. One oak and more oaks and the training

of water this means that a color attracts a signal it means that the

result of a certain well is seen by there being no extra example of a

kind of closet. In the beginning when there is no rising and resisting

and letting a singular section of the whole rise together, in the

beginning the imparting actual relation to a time of surfaces does show

that there is an origin of originating. In showing this there is no

repair. There is a whole half of a turtle and the presence of more is

not rope, it is not and certainly is so wise that fever is fainting.

This is this. Then there is that and the singular example is not

predicted by resting in more contraction. Not very and what is then to

be extending is the whole place with filling. Filling is not spreading.

The size is not that it is not proportioned to the moon and the

lantern, it is fully proportioned together and aroused and interested.

This made no measure and no misery and no murder. There is no acute

trimming nor trembling. So then there is that thing. This is not that

silent thing. This is not the thing that is anything. This is the thing

that is that thing.

A large moist blue and a paler color, a large dust rose and no water

nearer, a small tall frame and no building finer this makes a prediction

that necessity is work and then why is there no question. There is no

question because investigation is miraculous.

MRS. WHITEHEAD

But you like it.

They can't any of them be quite as bad because they learned french but I

never did.

He doesn't look dead at all.

The wind might have blown him.

He comes from that direction . That's the way.

They are not knotted. Have you smelt it. What would you suggest, your

advice I have come across three or four.

So they are the others.

Separate them.

It does make one come, he is extraordinarily charming and endearing once

of twice only twice I think.

He is not staying out that's hard beside that what does he do.

That's long for his mother.

She travelled from this rest. She crocheted from this nest.

She crocheted from this nest. I thought it wasn't ever.

It's one of my favorite ones this.

And yet not this.

Isn't it funny.

It isn't.

Break or breaking, very fair, break or very wanting.

I tried it this way before.

Very difficult to change extra places and yet I can agree. I can agree

by that. I rest this piece of it and it's nearly the same climate. I

will tell you why they want a real door. They choose it.

They do so and very pure water. They are safe when they take a bath. Oh

it is very. Oh it is.

In a way a vest.

I do think you get what you want.

Corrections.

It is eleven weeks from the middle of September. I glance in a way.

It is eleven weeks from the middle of September.

Total recollect others.

I glance at and I can recollect others. I make a division neatly, I

close.

What is wrong with not blue. That is right with apples. Apples four.

For. Fore.

Before that.

Next stretching.

Next for that leaf stretching.

I do not state leaf.

I like to beg very much stream.

Not exactly in state.

Understate.

All in so.

They expect all the blues to take of all the other families, the whites

are extra they are beside all that, they make a little house and through

and beside that they live in Paris.

Hardly enough for wood.

Not a color even.

By now a change of grass and wedding rings and all but the rest plan. I

don't care I won't look.

I am not sure that yellow is good. I am tall.

Allow that. I don't want any more out in conversation.

I can be careful.

Not within wearing it.

I cannot say to stay.

No please don't get up.

And now that.

Yes I see.

Did you pay him for that whether for a spider and such splendor and

indeed quitting. I meant to gather.

I see it I see it.

Please ocean spoke please Helen land please take it away.

I saw a spoken leave leaf and flowers made vegetables and foliage in

soil. I saw representative mistakes and glass cups, I saw a whole

appearance of respectable refugees, I did not ask actors I asked pearls,

I did not choose to ask trains, I was satisfied with celebrated ransoms.

I cannot deny Bertie Henschel is coming tomorrow. Saturdays are even.

There is a regular principle, if you mention it you mention what

happened.

What do you make of it.

You exceed all hope and all praise.

PORTRAIT OF CONSTANCE FLETCHER

When she was quite a young one she knew she had been in a family living

and that that family living was one that any one could be one not have

been having if they were to be one being one not thinking about being

one having been having family living. She was one then when she was a

young one thinking about having, about having been having family living.

She was one thinking about this thinking, she was one feeling thinking

about this thing, she was one feeling being one who could completely

have feeling in thinking about being one who had had, who was having

family living.

She was one having, she was one who had had family living. When she was

a young one she was one having, she was one having had family living.

She was one thinking about having family living, about having had family

living. When she was a young one she was thinking about having family

living, she was thinking about having had family living.

She was feeling having had family living, she was feeling having family

living. When she was a young one she was feeling having had family

living, she was feeling having family living.

She was knowing, when she was a young one, that she could be completely

feeling in having family living in having had family living. She was

knowing, when she was a young one, she was knowing that she was

thinking, she was knowing that she was feeling in having family living,

in having had family living. She was thinking and feeling having had,

having family living.

She could be completely feeling having, having had family living. She

was thinking in being one who could be completely feeling having had,

having family living. She was feeling in being one who could be

completely feeling having had, who could be completely feeling having

family living.

She was living in feeling, in thinking having had, having family living.

She had had family living. She was having family living. She could be

completely feeling having family living, having had family living.

She was then a young one, she was then quite a young one, she was later

a little an older one. She was then feeling in being one loving, she was

then thinking in being one loving. She was then living in being one

loving. She could be then one being completely loving. She was filled

then, completely filled then, she was then feeling in being loving, she

was then thinking in being loving. She was completely filled then. She

was feeling, she was thinking, she was feeling and thinking then in

being one loving.

She could be then one being completely loving, she was thinking and

feeling in being one who could be completely loving. She was coming then

to be a full one, she was coming then to be thinking and feeling in this

thing in being one being a completely filled one. She was full then, she

was filling in then in being one living in loving, in living in thinking

in being loving, in living in feeling being one being loving.

She was full then and was not then losing anything. She was thinking

then, she was feeling then, she was thinking then and feeling then in

being full then. She was thinking and feeling then in being one not

losing anything of any such thing as being one being full then.

She could be one being completely full. She was thinking in being one

who could be completely full. She was feeling in being one who could be

completely full. She was always living in being one feeling and thinking

in being one who could be completely full.

She was full then and she was thinking and feeling, thinking in this

thing, feeling in this thing. She was thinking and feeling and being

full then. She was thinking and feeling in being one who could be

completely full.

She was filling in in all her living to be a full one, she was thinking

and feeling in all her living in being a full one. She was thinking and

feeling all her living in being one who could be a completely full one.

She was all her living a full one. She was completely filling in to be a

full one and she always was a full one. She was thinking in being a full

one. She was feeling in being a full one. She was thinking in feeling in

being a full one. She was feeling in thinking in being a full one.

If they move in the shoe there is everything to do. They do not move in

the shoe.

The language of education is not replacing the special position that is

the expression of the emanation of evil. There is an expression when

contemplation is not connecting the object that is in position with the

forehead that is returning looking. It is not overpowering. That is a

cruel description. The memory is the same and surely the one who is not

older is not dead yet although if he has been blind he is seeing. This

has not any meaning.

Oh the bells that are the same are not stirring and the languid grace is

not out of place and the older fur is disappearing. There is not such an

end.

If it had happened that the little flower was larger and the white color

was deeper and the silent light was darker and the passsage was rougher

it would have been as it was and the triumph was in the place where the

light was bright and the beauty was not losing having that possession.

That was not what was tenderly. This was the piece of the health that

was strange when there was the disappearance that had not any origin.

The darkness was not the same. There was the writing and the preparation

that was pleasing and succeeding and being enterprising. It was not

subdued when there was discussion, it was done where there was the room

that was not a dream.

This is all to prepare the way that is not the way to like anything that

in speaking is telling what has come that like a swelling is inside when

there is yellowing.

There is that liking. That does not shape the way to say that there is

not anywhere anything that is resembling. Perfection is not

adulteration. There is the substance that has not any defect.

If the program is not despondent and it has that substance then

certainly the beginning is the tender blessing that unfolding is not

subduing. There is that presentment and the quiet is not so sound but

that there can be a change of origin. There can be that elevation. This

is not an argument. There is the work that has that place and there is a

garden. A little taller bending does not haste the erection of the

grotto that has a fountain. That is so soon.

To pardon, that is to have seen that there was a long way to stare when

the heat was the same as there was when the voices were together. This

was the temptation and so solidly was there when there was there that

the whole reception was not filled with more than all every day who had

come anywhere and had heard that there was. This did not mean more than

all. It meant all and the result of the precious and precise way was

that there was that preparation and not the disintegration when there

was that distinct evolution. There could be the same if any one was

certain that there is not any evolution. This does not make the tedium

that is eternal so particular that listening is a blessing. This does

not disguise a flower.

Come in and that expression is not that one of waiting. To use a name is

not the time that seeing has not been. This is discussion. This is

obligation. This is the composition.

Oh sadly has the oak-tree not that sadness. It has not the particular

reason. It has not that digression. It has not that penetration. It has

that piece that is there where there is all that remains when

everything remains. Nothing is all old. That is not the redoubtable

repudiation. That has that precious meaning when the hindrance has not

that little pain which is not the same as the passing out of what is not

about when it is there where there is no care to say that anything is

better. Everything has that description. That is not reorganization. The

way to say that they went away is the way that the passage has come to

be adhered. This is not the token that shows the steering that is not

broken. The plea is not that the arabesque has that meaning when the

whole thing is exposed. The meaning is that the precious picture is the

bargain that has not met the ancient day when there is everything to

say. The light is finer. That is not that discrimination. That is the

way to have that to keep where there is not any interdiction. She had

that name. That was the origin of the penguin. That was not that bird.

And because the strong man is the warder when the little ones are

sounder so the particular ticket is not limited when there is not the

best establishment where all the black and white show that. It is a

blessing when there has been falling the heavy way to stay where the

regard is what is not all that distance. The breaking of the tame show

is not the way to glow because the waste is not there. It is not any

where.

Mark the data that tells the merit of having that time to state that not

to wait is to say that the door has not been entered. If to wait marks

the place where the entrance if it is made comes to be approached then

to do what is not done is to do all that and carefully that which is

solid does not fill the space. That is not a disclosure. That is not the

way for all of them who are looking to refuse to see. That is not at all

any such way. It is not a pleasure to be the one when there is the whole

of it all and when there where there is no separation there is weeping,

quite ostentation, completion, not any compensation, where there is the

softening of the published soap. This is not that decree. There is no

failure. There is no condition of incision.

Particle of all the color is that which is not white and the black which

is open is not older when the time has come back for black to be

younger.

The meaning of this is that why the difference is always louder is that

that which is above that which is all there is and there is much is that

there is all that there has that reason to be which is the reason that

is all certain and this which is not mentioned and which does not make

that which is lost is the same and has the detail which does not make

any escaping remain separate. This does adjoin all and all is enough so

that the whole which is not parted has not the place where sticking

makes anything that is wet dry. This has not that mistake when softness

is union.

The first time.

Winning distinction is discretion and all who are going are the three

who have not that distraction. They have not all the hardihood. They are

not separated. The two who are not older are not remaining to be

interesting. They are not undertaking any beginning. Excellent is the

same union. Breathless is not the shade when the opening is not

limiting. They did not seem in that place. That was any end.

She.

If three are eager and plainer and having a full temper and if all of

them unite in that happy way that makes a garden give the way to be

there where there is a way, if there is the last time and a young time

is a stolen beauty then the way it has been said that the white flower

has not been bled is the way to remember that decision is not the same

as crumpling a parting. She did not animate what was mechanical. She has

not this to do.

They.

They were the three and they were not employed in looking. They had not

every union when they had that education.

To be they and then not be away is not the time and place that makes the

whole expression because after all when there is the time and the place

and when they are they they are not away and that does not make any

more. If they were there they had the time to see which way was older

and when they did not feel that stain they had the time to address what

they did address when they would address one another. They did not all

listen.

No silence.

There was not that hesitation and this was not all there was when the

sounds were not so loud but that they might be hearing. They had the

quiet and surely if they taught that they were each one not all of any

other. This was not the half of all the time. It took a separate ticket.

All the time that there was all the winning of all the wonder that was

not under the weather was not passing as the exchange was not lessening.

The older was not newer. They had the same description. This does not

mean that if there are all three to learn that not any one is there but

they have any way to say that not to go away is to stay. They were equal

to enough so that all the separation made them remain. They had so much

excess.

It was not the only smile the smile that did not come to face the

pleasure of there being three and the three were not there to gather

together.

One.

If the way to learn is to have that presence then certainly the changes

did not balance the description. She had that which was not alarming.

Two.

If the habit of saying all the education is the development of that

expression then certainly if there is being pleasant all can be there to

not expect that measure of all who are together.

Three.

The one who is a sun is the last flower that is not open when all the

petals falling feel the whole of all intention.

So there are then what is not what will not have been when all the

seeing that is and is not seen is had and has been having having and

having had and meaning. That is some intention and all is enough to

complete all the whole.

The delay was not that which separated that separation from the time

when all the ones who said something said every thing. It was not so in

place.

The change.

There was not any time and all there was was reason. There was all that

and if there were all there were there were the ones there were.

That which was pleasing was not all there was if there was all there was

of that consideration. Certainly the time was not the present and past

flavor and the time was not the future and the present presentation.

There was all there and sincerely did the biting that was not bit fill

out the strength and explanation. It did not furnish the intention. It

did not succeed when there was all that care.

This which did not escape was not the narrow connection that can make a

larger blossom and make it take the sea where the ocean is larger and

the ships are quicker. The pleasure is the same.

To face that way.

To face the way that each one does say that they have any day which is

clearly not away is to say that the time is not there when the color is

not lighter and the hair is not redder. This does not make all there is

of any invitation. There is not anything of any such suggestion.

If the practice of the present and the practice of the past and there is

any practice and the practice of the future then latterly there is not

any change. If the way to say the turn is the turn the way that is the

way to turn that way then all of the thing is in that thing. There has

been all of that painstaking.

Awhile while there is no band, awhile while the train is late, awhile

while the town is full, awhile while the sounds have the tone, awhile

there is a settled waste and this is not to say that anything that is

given away is given away, nothing is wasted that is not given away and

anything that is given away is wasted. The appearance is not the only

way to say that what is given away is wasted and nothing is given away.

It is so remained.

That which is not tiring and that which is not aiding any of that which

is not needing tiring, that was the sampler and there was not the sewing

which was using any corner. That did not need the same width as all that

is solid is using which is not wider. That which is solid is all that is

wider and the rest is not that which has that passing odor which is not

passing. It does not pass anything. It is not the only primrose. It has

the sentence that in placing what is not that care has all that is which

is all there where any more care is most care. There where the time is

not cruel is the place where the time is what is filling the half and

the whole and no passage that has that intention can be intended when

that which is solid is not building every house. All houses are open

that is to say a door and a window and a table and the waiter make the

shadow smaller and the shadow which is larger is not flickering.

A POEM ABOUT WALDBERG

What I am afraid of is that they will just attract an awful bombardment

on themselves in which they will have to be supported. Oh no they won't

do that.

I don't think they will do that. What I think is that I will have to

reach the country before I ask myself the way to see the city. I don't

mean this as a joke. I know very well that I know all about nurses. Who

doesn't. And who would like to see children win. I love my boy very

much. His mother feeds him. I can smile and think of it. We both laugh

together. Altogether I have said to them keep still.

Curtains a japanese curtain.

Complete flowers.

I never use a pass.

Of course you wouldn't.

You wouldn't be careful enough. I don't mean that.

How can I hear him speak. You don't mean a victim. Eugene Paul. What is

Walberg's name.

I don't care for him.

I am not sorry for her.

I do not have flowers here.

CALIFORNIA

Let me see. What do you say. They can take care of riches. Kiss my hand.

Why. Because Russians are rich. All Russians are valuable. That is what

I said.

I wish I could be as funny as he is.

Yes thank you I believe in Russia.

JOHNNY GREY

What did he say. I was disagreeing with him. He said he didn't have it

by his side. He said. Hurry.

Eat it.

I am not going to talk about it. I am not going to talk about it.

Another thing.

This is mentioned. He was silly. He said there would have been many more

elevators if it hadn't been for this war.

He was so thirsty.

They asked him.

Please.

If it weren't for them there would be wind.

I said there wasn't.

I said it was balmy.

I said that when I was little I asked for a closet.

This was the way it was written.

I was awed.

It is so injudicious to make plans.

We will not decide about three.

Three is the best way to add.

The bank opens tomorrow.

I was mistaken.

I hope I can continue.

To be a tailor.

The other said nothing.

The other one said he was hindering him and he made that mistake and he

would not prepare further.

It is not deceiving.

I can say so gladly.

It's always better.

It's wonderful how it always comes out.

Conversational.

Plants were said to bring lining together. This is not deceived. This is

not deceived. Plants.

Plants were said to bring meadows springing. Shattering stubbornly in

their teeth.

Plants aid sad and not furniture.

This is it.

Plants are riotous.

Not even.

If you give money.

Plants are said to be left out if you give money.

Join or gray.

Points are spoken. This in one. Picturesque. It is just the same.

I cannot freeze.

I understand a picture. It is to have stop it who does. It is to have

asked about it the sneezing bell. Bell or better.

A simple extenuation.

I mean to be fine with it.

A picture with all of it bitten by that supper. Call it. I shall please.

Nowadays.

I find this a very pleasant pencil. Do I. I find this a very pleasant

pencil. Do I find this a pleasant pencil.

How to give soldiers fresh water.

How do you.

You use the echoes.

Dear Jenny.

I am your brother. Nestling.

Nestling noses.

My gay.

Baby.

Little.

Lobster.

Chatter.

Sweet.

Joy.

My.

Baby.

Example.

Be good.

Always.

Six.

Seven.

Eight.

Nine.

All.

The.

Time.

Me.

Extra.

My.

Baby.

Scenes where there is no piece of a let it go.

No I am not pleased with their descriptions.

This is not their year.

Two of them.

Johnny Grey and Eddy.

Why not however.

It was not polite.

A long way.

I understand and I say, I understand him to say that, I see him I say I

see him or I say, I say that I understand. What is it. He doesn't

realise. I don't say that he isn't there I don't solidly favor him. I

said I was prepared. I was prepared to relieve him. I was prepared to

relieve him then or then and I was holding, I was holding anything. I am

often for them. They gave it. They were pleased. So pleased and side

with it. So pleased and have it. So have it and say it. Say it then. If

he was promised, it, he had been left by the belief. He had the action.

All old. In it. He was wretched. I do not believe or for it. I do not

arouse rubbers. When we went away were we then told to be left with

them. Do they or do they do it. Do they believe the truth.

I am beginning. Go on Saturday. I believe for Sunday. We deceived

everbody.

I forgot to drink water.

No I haven't seen it.

He said it.

It's wonderful.

Target.

They don't believe it either.

Call it.

That.

Fat.

Cheeks.

By.

That.

Time.

Drenched.

By.

That.

Time.

Obligation.

To sign.

That

Today

When

By

That

Field.

He said he was a Spanish family.

It will make.

A

Terrible

Not terrible.

It will not make that one believe me it is not for my pleasure that I

promise it.

No

Neither.

That

Or

Another

Neither

One

Lightly

Widened.

Widened by what.

Not this.

Not left.

Buy

Their

Hedges.

It's not a country.

I told him so.

I wish to begin.

Lining.

Of that thing.

By that time.

It.

Or.

It.

Was.

How.

We don't know whom to invite for lunch. You told me you'd tell me. I

don't know.

Either.

I do get wonderful action into them don't I.

Blame.

Worthy.

Out.

Standing.

Eraser.

That was a seat.

Leave it out.

Seat.

Stretch.

Sober.

Left.

Over.

Curling.

Irresistible.

I come to it at last.

I know what I want.

Call.

Tried.

To be.

Just.

Seated.

Beside.

The.

Meaning.

Please come.

I met.

A steady house which was neither blocking nor behaving as if it would

for the road.

He looks like it.

A ladder insults.

Me.

I do stem when in.

I don't look at them any more.

Johnny Grey.

What did I say.

I said I would leave it.

He was so kind.

That was lasting.

I am so certain.

Please.

It's remarkable that I can make good sentences.

It reminds me of a play that I remember which is better.

It is better.

Everything.

In.

I am coming.

To it.

I know it.

Please.

Pleased.

Pleased with me.

Pleased with me.

Canvas covers.

I wished to go away.

I asked for an astonishing green I asked for more Bertie.

I asked only once.

Pack it.

Package.

A little leaving.

We went to eat.

I have plenty of food.

Always.

Nearly.

Always.

Certainly.

By an example.

I was never afraid.

He doesn't say anything.

In that way.

Not after.

He was.

Sure.

Of it.

Then.

By then.

We were.

In Munich.

And sat.

Today.

By way

Of

Staring.

And nearly all of it.

In.

That.

Shining.

Firm.

Spread.

Paul.

Slices.

If I copy nature.

If I copy nature.

If I copy nature.

If I copy nature.

For it.

Open.

Seen

Piling.

Left.

In.

Left in.

Not in.

Border

Sew.

Why.

Spaces.

I.

Mean.

To.

Laugh.

Do be.

Do be all.

Do be all out.

If you can.

Come.

To stay.

And.

After.

All.

Have.

A.

Night.

Which.

Means.

That.

There

Is.

Not

This

Essential.

By that way.

It was all out in it.

By this time.

Which was reasonable and an explanation.

We never expected he would tell a lie.

Not this.

For.

More.

To be.

Indians are disappointing.

Not to me.

I was never disappointed in an Indian.

I was never disappointed in an Indian in any way.

How old are you.

Careless.

Heavy all the time.

I know she is.

I am.

Politely.

Finished.

A PORTRAIT OF F. B.

A peal is that mountain which makes a ring and is ringing. There is no

squeak, there is no touch there is no lump, a light bed is left when it

is carried away, it has no temper, it has when it has, it has the bent

bedspread, it lies like that left not limply and next to lightly and no

mixed more. It is so christened when it is there. It has that space to

identify. It is the mending of the beam and it is not clear and shows

the courage more of the plentiful timber which is not scattered and put

together. It is so lightly clad and furs show it. It is so planter.

There is no occasion and the copy is not reversed to so little, there is

nothing tiny.

Leave the package will the book use the warmer there, sight the sound

that has no platter, season all the simple ginger, make a bucket

simpler.

Praise the lion and the rat, see the morsels fairly, show the swimming

of the rat show the rabbit winning. Bestow the light and chase it there,

see the hall is dimmer, see the lightening everywhere see the lightening

dimmer. Make no dinner in the morning, make it in the evening, see the

same and see it there, see it in the morning. See the time when there is

that, see it in the morning, see it all and say the hat, say it every

morning, say no more and undertake what is so ridiculous that there is

no time to say that and any how what is the abuse of an intention, why

should there be etiquette, why is there every lightening, why if the

season is the same is there summer, when is there more night than in

winter.

Return after the garden, remain after the tea, single out a timepiece,

so hatly and so true there is neither more to do. All the time is the

past and piece meal is that meal and a little chicken is a liver, and

solitude is enough. A little jerk is no occasion, so supremely is there

a category.

Very good the place is rough, the bed is silver and the sheets are

there, the little slipper is not organized, the pleasure is obtained and

actually there is a garden. In union there is withering. In sunlight

there is breakfast.

A turn of the table does not mean that cups are there, it means that

there is no loneliness and it means that the copy is not extreme when

there is a frame. It does not mean any little thing.

A clatter registered has a calming center. That is the outlasting of a

sight of all. If it is possible that there is the result then certainly

no one would think so. Every one does. There is no sense in such a

history. There is no sense at all. Not a bit of broom has the window

open, not a bit.

No borrowing or lending and pearls are sweet. They are the same as a

little chain, they have the color early, they see the time and they need

no wine and they secure the distaste of pink pepper.

Choose running anyway, that is to say that rolling has more distinction,

choose a feather boa and range all the plumes and a yellow one is

sweeter.

Bake a table, the rest is empty, see the plate first, the first is

distributed, see the arrangement the arrangement is in the curling

Christmas.

Bet more than sugar, copy no more principally, restrict more decoration,

repeat the needle. There is made.

So to see and so to go and so to turn the list around, so to go and so

there is the practice of Nileing. Plainer sheets have simple stripes.

A target is by way of marks. The youngest is shaken. The pleasure is

rested.

The length is the laughing dater, there is no challenge in mingling

later. There is none, the rate is facing a lender.

All along and in the mind there is a plate and there is meal. There is

the rate that makes no more. The stairs are not stumbling.

SACRED EMILY

Compose compose beds.

Wives of great men rest tranquil.

Come go stay philip philip.

Egg be takers.

Parts of place nuts.

Suppose twenty for cent.

It is rose in hen.

Come one day.

A firm terrible a firm terrible hindering, a firm hindering have a ray

nor pin nor.

Egg in places.

Egg in few insists.

In set a place.

I am not missing.

Who is a permit.

I love honor and obey I do love honor and obey I do.

Melancholy do lip sing.

How old is he.

Murmur pet murmur pet murmur.

Push sea push sea push sea push sea push sea push sea push sea push sea.

Sweet and good and kind to all.

Wearing head.

Cousin tip nicely.

Cousin tip.

Nicely.

Wearing head.

Leave us sit.

I do believe it will finish, I do believe it will finish.

Pat ten patent, Pat ten patent.

Eleven and eighteen.

Foolish is foolish is.

Birds measure birds measure stores birds measure stores measure birds

measure.

Exceptional firm bites.

How do you do I forgive you everything and there is nothing to forgive.

Never the less.

Leave it to me.

Weeds without papers.

Weeds without papers are necessary.

Left again left again.

Exceptional considerations.

Never the less tenderness.

Resting cow curtain.

Resting bull pin.

Resting cow curtain.

Resting bull pin.

Next to a frame.

The only hat hair.

Leave us mass leave us. Leave us pass. Leave us. Leave us pass leave us.

Humming is.

No climate.

What is a size.

Ease all I can do.

Colored frame.

Couple of canning.

Ease all I can do.

Humming does as

Humming does as humming is.

What is a size.

No climate.

Ease all I can do.

Shall give it, please to give it.

Like to give it, please to give it.

What a surprise.

Not sooner whether.

Cordially yours.

Pause.

Cordially yours.

Not sooner together.

Cordially yours.

In strewing, in strewing.

That is the way we are one and indivisible.

Pay nuts renounce.

Now without turning around.

I will give them to you tonight.

Cunning is and does cunning is and does the most beautiful notes.

I would like a thousand most most.

Center pricking petunia.

Electrics are tight electrics are white electrics are a button.

Singular pressing.

Recent thimble.

Noisy pearls noisy pearl coat.

Arrange.

Arrange wide opposite.

Opposite it.

Lily ice-cream.

Nevertheless.

A hand is Willie.

Henry Henry Henry.

A hand is Henry.

Henry Henry Henry.

A hand is Willie.

Henry Henry Henry.

All the time.

A wading chest.

Do you mind.

Lizzie do you mind.

Ethel.

Ethel.

Ethel.

Next to barber.

Next to barber bury.

Next to barber bury china.

Next to barber bury china glass.

Next to barber china and glass.

Next to barber and china.

Next to barber and hurry.

Next to hurry.

Next to hurry and glass and china.

Next to hurry and glass and hurry.

Next to hurry and hurry.

Next to hurry and hurry.

Plain cases for see.

Tickle tickle tickle you for education.

A very reasonable berry.

Suppose a selection were reverse.

Cousin to sadden.

A coral neck and a little song so very extra so very Susie.

Cow come out cow come out and out and smell a little.

Draw prettily.

Next to a bloom.

Neat stretch.

Place plenty.

Cauliflower.

Cauliflower.

Curtain cousin.

Apron.

Neither best set.

Do I make faces like that at you.

Pinkie.

Not writing not writing another.

Another one.

Think.

Jack Rose Jack Rose.

Yard.

Practically all of them.

Does believe it.

Measure a measure a measure or.

Which is pretty which is pretty which is pretty.

To be top.

Neglect Waldberg.

Sudden say separate.

So great so great Emily.

Sew grate sew grate Emily.

Not a spell nicely.

Ring.

Weigh pieces of pound.

Aged steps.

Stops.

Not a plan bow.

Why is lacings.

Little slam up.

Cold seam peaches.

Begging to state begging to state begging to state alright.

Begging to state begging to state begging to state alright.

Wheels stows wheels stows.

Wickedness.

Cotton could mere less.

Nevertheless.

Anne.

Analysis.

From the standpoint of all white a week is none too much.

Pink coral white coral, coral coral.

Happy happy happy.

All the, chose.

Is a necessity.

Necessity.

Happy happy happy all the.

Happy happy happy all the.

Necessity.

Remain seated.

Come on come on come on on.

All the close.

Remain seated.

Happy.

All the.

Necessity.

Remain seated.

All the, close.

Websters and mines, websters and mines.

Websters and mines.

Trimming.

Gold space gold space of toes.

Twos, twos.

Pinned to the letter.

In accompany.

In a company in.

Received.

Must.

Natural lace.

Spend up.

Spend up length.

Spend up length.

Length thoroughly.

Neatness.

Neatness Neatness.

Excellent cording.

Excellent cording short close.

Close to.

When.

Pin black.

Cough or up.

Shouting.

Shouting.

Neater pin.

Pinned to the letter.

Was it a space was it a space was it a space to see.

Neither things.

Persons.

Transition.

Say say say.

North of the calender.

Window.

Peoples rest.

Preserve pulls.

Cunning piler.

Next to a chance.

Apples.

Apples.

Apples went.

It was a chance to preach Saturday.

Please come to Susan.

Purpose purpose black.

Extra plain silver.

Furious slippers.

Have a reason.

Have a reason candy.

Points of places.

Neat Nezars.

Which is a cream, can cream.

Ink of paper slightly mine breathes a shoulder able shine.

Necessity.

Near glass.

Put a stove put a stove hoarser.

If I was surely if I was surely.

See girl says.

All the same bright.

Brightness.

When a churn say suddenly when a churn say suddenly.

Poor pour percent.

Little branches.

Pale.

Pale.

Pale.

Pale.

Pale.

Pale.

Pale.

Near sights.

Please sorts.

Example.

Example.

Put something down.

Put something down some day.

Put something down some day in.

Put something down some day in my.

In my hand.

In my hand right.

In my hand writing.

Put something down some day in my hand writing.

Needles less.

Never the less.

Never the less.

Pepperness.

Never the less extra stress.

Never the less.

Tenderness.

Old sight.

Pearls.

Real line.

Shoulders.

Upper states.

Mere colors.

Recent resign.

Search needles.

All a plain all a plain show.

White papers.

Slippers.

Slippers underneath.

Little tell.

I chance.

I chance to.

I chance to to.

I chance to.

What is a winter wedding a winter wedding.

Furnish seats.

Furnish seats nicely.

Please repeat.

Please repeat for.

Please repeat.

This is a name to Anna.

Cushions and pears.

Reason purses.

Reason purses to relay to relay carpets.

Marble is thorough fare.

Nuts are spittoons.

That is a word.

That is a word careless.

Paper peaches.

Paper peaches are tears.

Rest in grapes.

Thoroughly needed.

Thoroughly needed signs.

All but.

Relieving relieving.

Argonauts.

That is plenty.

Cunning saxon symbol.

Symbol of beauty.

Thimble of everything.

Cunning clover thimble.

Cunning of everything.

Cunning of thimble.

Cunning cunning.

Place in pets.

Night town.

Night town a glass.

Color mahogany.

Color mahogany center.

Rose is a rose is a rose is a rose.

Loveliness extreme.

Extra gaiters.

Loveliness extreme.

Sweetest ice-cream.

Page ages page ages page ages.

Wiped Wiped wire wire.

Sweeter than peaches and pears and cream.

Wiped wire wiped wire.

Extra extreme.

Put measure treasure.

Measure treasure.

Tables track.

Nursed.

Dough.

That will do.

Cup or cup or.

Excessively illigitimate.

Pussy pussy pussy what what.

Current secret sneezers.

Ever.

Mercy for a dog.

Medal make medal.

Able able able.

A go to green and a letter spoke a go to green or praise or

Worships worships worships.

Door.

Do or.

Table linen.

Wet spoil.

Wet spoil gaiters and knees and little spools little spools or ready

silk lining.

Suppose misses misses.

Curls to butter.

Curls.

Curls.

Settle stretches.

See at till.

Louise.

Sunny.

Sail or.

Sail or rustle.

Mourn in morning.

The way to say.

Patter.

Deal own a.

Robber.

A high b and a perfect sight.

Little things singer.

Jane.

Aiming.

Not in description.

Day way.

A blow is delighted.

IIIIIIIIII.

INCLINE.

Clinch, melody, hurry, spoon, special, dumb, cake, forrester. Fine,

cane, carpet, incline, spread, gate, light, labor.

BANKING.

Coffee, cough, glass, spoon, white, singing. Choose, selection, visible,

lightning, garden, conversation, ink, spending, light space, morning,

celebration, invisible, reception, hour, glass, curving, summons,

sparkle, suffering the minisection, sanctioning the widening, less than

the wireless, more certain. All the change. Any counselling non

consuming and split splendor.

Forward and a rapidity and no resemblance no more utterly. Safe light,

more safes no more safe for the separation.

M--N H--.

A cook. A cook can see. Pointedly in uniform, exertion in a medium. A

cook can see.

Clark which is awful, clark which is shameful, clark and order.

A pin is a plump point and pecking and combined and more much more is in

fine.

Rats is, rats is oaken. Robber. Height, age, miles, plaster, pedal, more

order.

Bake, a barn has cause and more late oat-cake specially.

Spend rubber, holder and coal, high, careful, in a pointed collar. A

hideous south west is always a climb in aged seldom succeeded flavoring

untimely, necessity white, hour in a glaze.

Break, sky blue light, obliquely, in a cut carpet, in the pack. A sound.

COO--GE.

Press in the ink and stare and cheese. Pick in the faint and feather and

white. White in the plume.

M--N H--.

No noon back. No noon settler, no sun in the slant and carpet utterly

surrounded.

No pressed plaster. None.

No pressing pan and pan cake. Not related exactly. Not related.

Matter in the center of single sand and slide in the hut.

No account of gibberish. No sky lark utterly.

Perfect lemon and cutting a central black. Not such clouding. A sugar, a

lame sugar, certainly. No sobriety no silver ash tray.

M--N H--.

A co existence with hard suckling and spoons, and spoons. A co-existence

with orange supper. A last mending. A begging. Should the assault be

exterminated, should it.

M--N H--.

A sound is in the best society. It hums and moves, it throws the hat in

no way away and in no way particularly at paving. The meanness is a

selection of parts and all of that is no more a handkerchief merely and

large.

POINTS.

The exchange which is fanciful and righteous and mingled is in the

author mostly in the piece.

CH--N.

A unity is the meantime in a union. A branch case is exactly so anxious

and avoided and even then is it in place of blunders, is it in the piece

that makes hesitation clear.

The youth and the check board and the all color minutely, this and the

chance of the bright flours inward is not in a glance. A check is an

instance and more more is indwelling.

PECKED PLACES.

In the unconcise word that is ministered and in the blame

extraordinarily the center the whole center is coupled. This is choice.

M--N H--.

Hunger is not hurry and a silence and no more than ever, it is not so

exactly and the word used is there.

T--S WH--.

A cut in trusts and in black colors which are not carpets not at all

likely carpets and no sucking in substance of the sacking placed only in

air outside. This makes a change precious and not odd not odd in place

of more use. Not odd in the meaning rapidly.

M--N H--.

The soon estate and established alternately has bright soldiers and

peaceable in the rest of the stretch.

J--S B--E.

A regular walking ground is that which shows peeping and soft places

between mush and this is most moist in the settled summer. So much wet

does gleam and the shutters all the shutters are sober. A piece of cut

grass is dangerous dangerous to smelling and to all most.

S--NS.

A dark ground is not colored black mostly and dirtily securely and much

exchange is much with a sight and so much to sponge in with speeches to

whittle.

J--E B--E.

A tight laundry that is piece meal is in the best astounding. Between,

in, on the beside, and no more origin, more in the weed blessed.

M--N H--.

Point, face, canvas, toy, struck off, sense or, weigh coach, soon beak

on, so suck in, and an iron.

W--IE C--N.

Point a rose, see a soil, see a saddle, see a monk tree, see a sand

tree, trust a cold bit of pickle usefully in an oration.

See the meadow in a meadow light.

The blame is necessarily an interruption perpendicularly.

L--E.

The seam in between is fenceless.

E--E.

The seam in most tight legs are looser and not secure politely.

K--Y.

The separation is a sight.

R--CK.

Chocolate is alarming in old places, chocolate is thunder.

Joining jerked sour green grass is yesterday and tomorrow and

alternately.

CH--N.

Kindness is necessary and a spilled iron loan. The best choice is a

sucked place readily and much any within the cut spilling.

ALF--.

Jacket in buds and in glasses, jackets entirely in collision.

A triangle is worried with recollected socks and examples.

Peace is in.

No spilling and an argument, no spilling and no spilling is beckoned. A

shout is particular.

CH--N.

An heroic countenance justly named and special, special and contained

and in eagle.

A mark and a window glass and a splendid chew, altogether a singer.

R--CK.

Secret in a season makes the pining wetter. So much hooding, so best to

saw into right pieces the clang and the hush. The held up ocean, the

eaten pan that has no cut cake, the same only different clover is the

best, is the best.

K--Y.

Caution, caution all, caution the cloud and the oats and the beagle and

the clearing and the happy dent and the widow soaking and the climb and

the correction.

M--N. H--.

Shut the chamber in the door, so well and so weak and so buttered. Shut

the chest out, do not shut it in.

ALF--.

Crime, crime is that way to charge safely, crime is a tooth-pick. It is.

It has a credit. Any old stick that has a choking in the way that there

is leather shows a mean spirit.

An eye glass, a yellow and neck lace person, a special way to date

something, any pleasing register means no readily replaced mice.

L--E.

A set cold egg, a set in together is lively.

ALF--.

A barked out sunshine, a better way to arrange Monday, a cloud of

neglected Thursdays, all these are together somehow.

E--E.

A white wedding cake means a white thing and so no more left in the

bottle, no more water grows.

A very likely told place is that which is not best mentioned, not the

very best.

The incline is in classes in coats in whole classes puzzling peculiarly.

The best way to put it all in is a bite, it is so in every way

especially.

S--NS.

Cunning, very cunning. Cute, very cute, critical, not only very

critical, critical, critical.

ALF--.

Climbing into the most high piece of prepared furniture is no

collection. It is part of the winding old glass.

M--N H--.

A sun in shine, and a so and a so helped angle is the same as the whole

right.

THE WEDDING

It is not for nothing that the row placed quantity without grinding.

Furnishing is something, individual is pointed. Beetles, only aged

sounds are hot, a can in ease and a sponge full, a can in case and a wax

well come, a can, a single hole, a wild suggesting wood, a half carpet

and a pillow, a pillow increasing, a shirt in a cloud, a dirty distress,

a thing grey, a thing thin, a long shout, a wonder, an over piece of

cool oil, a sugar can, a shut open accident, a result in a feat, a

copper, any copper. A cape coat, in bold shutters, in bold shutters

shutting and not changing shutters not changing climaxes and feelings

and hold over the switch, the binding of a pet and a revolver, the

chosen loan, the owned cake in pieces, the way to swim.

B--B--B.

A language in a bath and in a dressing gown to a precision and a likely

union and a single persian and a pressing quite not colored and a gloom

not a gloom, and a pin all the same, and a pin not to share and a pin

with a stone.

W--IE C--N.

A sudden plunge into a forest and a sudden reserve in a cup of water

coldly and a dark sunshine and a squeeze, a length in all.

T--S WH--.

A kind of cataract is a hopeless stroke.

CURLS

A choked part of a loud sound in an old piece of glass is happening, it

is solid and all that and not by any means noisy. The best way is just

to stay any way and to think. The best way is always lively by a kind of

a hoarse whisper. A shutter is only light when there is a joke. This is

no use.

ALF--.

A birthday cake is in the morning when there is no use in sleeping.

Supposing there is time at nine, the less often there is seven the more

use there is in lending a joke. Any nice way to remain is longer than

was necessary and the temptation the real temptation never happens,

there is a cut away and there is a kind of a mellow cheese that has just

begun.

Climbing in and climbing are the ways to change and the only hope is

what is there, when it is not a difference between all of it every time.

J--S B--E.

A countenance and order and a bite, really a bit and care and receiving

and a vacation and a long half mounted hat box and more silver and more

in silver in some and the buttons in a hat and a mild market and goats

and not coats Thursday and all health and heels in front grasses and

light corn cropping, all this is a toiler and much breading and a kind

of a cover is the kind unoccurringly.

KEYS

A wild waist and a simple jerk and bloom and best to come in a way, hut,

heart, hide, have, within, a study, hard in, all which, black busts,

coal car, gold nose, white wood, curly seize, half in, all which, best

plant, cold carpet, in the glass.

KEYS

Why are stains silky and old pieces ruddy and colored angels way built.

Why are knuckles calmer and pins chunks and bold in heats frightened.

Why are the savage stern and old age coming. Why are the best old seem

culpable and a decision, decisive.

CH--N.

Enthusiasm, prudence, cold heart and elegant example, a winding alley

and a stair case center, a complete poison slip.

CH--N AND R--CK.

A clatter of curious pin cushions softly gathered by the pan that comes.

Wide in the street makes the double engagement stutter, a lean in the

roll, a lean in it.

A lean in when and all came but when it was for and the hindrance and

it.

A residence.

CH--N R--CK AND M--N H--.

Be advised that really no insolence is in the bicycle shop. Be advised

by it.

Be advised that no belgian is strong, be wonderful.

Bet use that come in.

M--N H-- AND ALF--.

An occasion to sell all cables all towels and all that is what is met,

is not met.

A cold hash that means saw dust and hot enough, hot enough heating.

Not cutting furiously.

A single speech is in it, a soil. A single speech. A ham. A cold. A

collusion. A count. A cowslip. A tune ditch. A well king. A house to

let. A cut out.

B--B--B.

A shudder makes a shake. A bit of green breeze makes a whole green

breeze and a breeze is in between. A breeze is canvassed by a week wet

and all sold, anything dwelling, in the mist. All the whole steer, all

of it.

SHOUT

Best to shut in broken cows with mud and splinters and little pieces of

gain and more steel doors a better aches and a spine and a cool school

and shouting, early mounting and a best passion and a bliss and a bliss

and a bliss. No wide coal gas.

ONE

CARL VAN VECHTEN

One.

In the ample checked fur in the back and in the house, in the by next

cloth and inner, in the chest, in mean wind.

One.

In the best most silk and water much, in the best most silk.

One.

In the best might last and wind that. In the best might last and wind in

the best might last.

Ages, ages, all what sat.

One.

In the gold presently, in the gold presently unsuddenly and decapsized

and dewalking.

In the gold coming in.

ONE.

One.

None in stable, none at ghosts, none in the latter spot.

ONE.

One.

An oil in a can, an oil and a vial with a thousand stems. An oil in a

cup and a steel sofa.

One.

An oil in a cup and a woolen coin, a woolen card and a best satin.

A water house and a hut to speak, a water house and entirely water,

water and water.

TWO.

Two.

A touching white shining sash and a touching white green undercoat and a

touching white colored orange and a touching piece of elastic. A

touching piece of elastic suddenly.

A touching white inlined ruddy hurry, a touching research in all may

day. A touching research is an over show.

A touching expartition is in an example of work, a touching beat is in

the best way.

A touching box is in a coach seat so that a touching box is on a coach

seat so a touching box is on a coach seat, a touching box is on a coat

seat, a touching box is on a coach seat.

A touching box is on the touching so helping held.

Two.

Any left in the touch is a scene, a scene. Any left in is left somehow.

Four.

Four.

Four between, four between and hacking. Four between and hacking.

Five.

Four between and a saddle, a kind of dim judge and a great big so

colored dog.

A PORTRAIT OF ONE

HARRY PHELAN GIBB

Some one in knowing everything is knowing that some one is something.

Some one is something and is succeeding is succeeding in hoping that

thing. He is suffering.

He is succeeding in hoping and he is succeeding in saying that that is

something. He is suffering, he is suffering and succeeding in hoping

that in succeeding in saying that he is succeeding in hoping is

something.

He is suffering, he is hoping, he is succeeding in saying that anything

is something. He is suffering, he is hoping, he is succeeding in saying

that something is something. He is hoping that he is succeeding in

hoping that something is something. He is hoping that he is succeeding

in saying that he is succeeding in hoping that something is something.

He is hoping that he is succeeding in saying that something is

something.

A CURTAIN RAISER

Six.

Twenty.

Outrageous.

Late,

Weak.

Forty.

More in any wetness.

Sixty three certainly.

Five.

Sixteen.

Seven.

Three.

More in orderly. Seventy-five.

LADIES' VOICES

CURTAIN RAISER

Ladies' voices give pleasure.

The acting two is easily lead. Leading is not in winter. Here the winter

is sunny.

Does that surprise you.

Ladies voices together and then she came in.

Very well good night.

Very well good night.

(Mrs. Cardillac.)

That's silver.

You mean the sound.

Yes the sound.

ACT II.

Honest to God Miss Williams I don't mean to say that I was older.

But you were.

Yes I was. I do not excuse myself. I feel that there is no reason for

passing an archduke.

You like the word.

You know very well that they all call it their house.

As Christ was to Lazarus so was the founder of the hill to Mahon.

You really mean it.

I do.

ACT III.

Yes Genevieve does not know it. What. That we are seeing Caesar.

Caesar kisses.

Kisses today.

Caesar kisses every day.

Genevieve does not know that it is only in this country that she could

speak as she does.

She does speak very well doesn't she. She told them that there was not

the slightest intention on the part of her countrymen to eat the fish

that was not caught in their country.

In this she was mistaken.

ACT IV.

What are ladies voices.

Do you mean to believe me.

Have you caught the sun.

Dear me have you caught the sun.

Scene II.

Did you say they were different. I said it made no difference.

Where does it. Yes.

Mr. Richard Sutherland. This is a name I know.

Yes.

The Hotel Victoria.

Many words spoken to me have seemed English.

Yes we do hear one another and yet what are called voices the best

decision in telling of balls.

Masked balls.

Yes masked balls.

Poor Augustine.

WHAT HAPPENED

A FIVE ACT PLAY

ACT ONE

(One.)

Loud and no cataract. Not any nuisance is depressing.

(Five.)

A single sum four and five together and one, not any sun a clear signal

and an exchange.

Silence is in blessing and chasing and coincidences being ripe. A simple

melancholy clearly precious and on the surface and surrounded and mixed

strangely. A vegetable window and clearly most clearly an exchange in

parts and complete.

A tiger a rapt and surrounded overcoat securely arranged with spots old

enough to be thought useful and witty quite witty in a secret and in a

blinding flurry.

Length what is length when silence is so windowful. What is the use of a

sore if there is no joint and no toady and no tag and not even an

eraser. What is the commonest exchange between more laughing and most.

Carelessness is carelessness and a cake well a cake is a powder, it is

very likely to be powder, it is very likely to be much worse.

A shutter and only shutter and Christmas, quite Christmas, an only

shutter and a target a whole color in every center and shooting real

shooting and what can hear, that can hear that which makes such an

establishment provided with what is provisionary.

(Two.)

Urgent action is not in graciousness it is not in clocks it is not in

water wheels. It is the same so essentially, it is a worry a real worry.

A silence a whole waste of a desert spoon, a whole waste of any little

shaving, a whole waste altogether open.

(Two.)

Paralysis why is paralysis a syllable why is it not more lively.

A special sense a very special sense is ludicrous.

(Three.)

Suggesting a sage brush with a turkey and also something abominable is

not the only pain there is in so much provoking. There is even more. To

begin a lecture is a strange way of taking dirty apple blossoms and is

there more use in water, certainly there is if there is going to be

fishing, enough water would make desert and even prunes, it would make

nothing throw any shade because after all is there not more practical

humor in a series of photographs and also in a treacherous scupture.

Any hurry any little hurry has so much subsistence, it has and choosing,

it has.

ACT TWO

(Three.)

Four and nobody wounded, five and nobody flourishing, six and nobody

talkative, eight and nobody sensible.

One and a left hand lift that is so heavy that there is no way of

pronouncing perfectly.

A point of accuracy, a point of a strange stove, a point that is so

sober that the reason left is all the chance of swelling.

(The same three.)

A wide oak a wide enough oak, a very wide cake, a lightning cooky, a

single wide open and exchanged box filled with the same little sac that

shines.

The best the only better and more left footed stranger.

The very kindness there is in all lemons oranges apples pears and

potatoes.

(The same three.)

A same frame a sadder portal, a singular gate and a bracketed mischance.

A rich market where there is no memory of more moon than there is

everywhere and yet where strangely there is apparel and a whole set.

A connection, a clam cup connection, a survey, a ticket and a return to

laying over.

ACT THREE

(Two.)

A cut, a cut is not a slice, what is the occasion for representing a cut

and a slice. What is the occasion for all that.

A cut is a slice, a cut is the same slice. The reason that a cut is a

slice is that if there is no hurry any time is just as useful.

(Four.)

A cut and a slice is there any question when a cut and a slice are just

the same.

A cut and a slice has no particular exchange it has such a strange

exception to all that which is different.

A cut and only slice, only a cut and only a slice, the remains of a

taste may remain and tasting is accurate.

A cut and an occasion, a slice and a substitute a single hurry and a

circumstance that shows that, all this is so reasonable when every thing

is clear.

(One.)

All alone with the best reception, all alone with more than the best

reception, all alone with a paragraph and something that is worth

something, worth almost anything, worth the best example there is of a

little occasional archbishop. This which is so clean is precious little

when there is no bath water. A long time a very long time there is no

use in an obstacle that is original and has a source.

ACT FOUR

(Four and four more.)

A birthday, what is a birthday, a birthday is a speech, it is a second

time when there is tobacco, it is only one time when there is poison. It

is more than one time when the occasion which shows an occasional sharp

separation is unanimous.

A blanket, what is a blanket, a blanket is so speedy that heat much heat

is hotter and cooler, very much cooler almost more nearly cooler than at

any other time often.

A blame what is a blame, a blame is what arises and cautions each one to

be calm and an ocean and a masterpiece.

A clever saucer, what is a clever saucer, a clever saucer is very likely

practiced and even has toes, it has tiny things to shake and really if

it were not for a delicate blue color would there be any reason for

every one to differ.

The objection and the perfect central table, the sorrow in borrowing and

the hurry in a nervous feeling, the question is it really a plague, is

it really an oleander, is it really saffron in color, the surmountable

appetite which shows inclination to be warmer, the safety in a match and

the safety in a little piece of splinter, the real reason why cocoa is

cheaper, the same use for bread as for any breathing that is softer, the

lecture and the surrounding large white soft unequal and spread out sale

of more and still less is no better, all this makes one regard in a

season, one hat in a curtain that in rising higher, one landing and many

many more, and many more many more many many more.

ACT FIVE

(Two.)

A regret a single regret makes a door way. What is a door way, a door

way is a photograph.

What is a photograph a photograph is a sight and a sight is always a

sight of something. Very likely there is a photograph that gives color

if there is then there is that color that does not change any more than

it did when there was much more use for photography.

WHITE WINES

THREE ACTS

1. All together.

2. Witnesses.

3. House to house.

(5 women)

_All together._

Cunning very cunning and cheap, at that rate a sale is a place to use

type writing. Shall we go home.

Cunning, cunning, quite cunning, a block a strange block is filled with

choking.

Not too cunning, not cunning enough for wit and a stroke and careless

laughter, not cunning enough.

A pet, a winter pet and a summer pet and any kind of a pet, a whole

waste of pets and no more hardly more than ever.

A touching spoon a real touching spoon is golden and show in that color.

A really touching spoon is splendid, is splendid, and dark and is so

nearly just right that there is no excuse.

The best way is to wave an arm, the best way is to show more used to it

than could be expected.

Comfort a sudden way to go home, comfort that and the best way is known.

_All together._

Hold hard in a decision about eyes. Hold the tongue in a sober value as

to bunches. See the indication in all kinds of rigorous landscapes.

Spell out what is to be expected.

Show much blame in order and all in there, show much blame when there is

a breath in a flannel. Show the tongue strongly in eating. Puzzle

anybody.

Violet and the ink and the old ulster, shut in trembling and a whole

departure, flood the sunshine, terrorize the grown didy, mingle

sweetness with communion.

_All together._

Change the sucking with a little sucking.

Modify the brave gallant pin wheel. Show the shout, worry with wounds,

love out what is a pendant and a choke and a dress in together.

Punish the grasshopper with needles and pins are plenty. Show the old

chink.

_All together._

Put the putty in before the door put the oil glass in with what is

green. Put the mellow choice with all the test, rust with night and

language in the waist. Praise the cat and show the twine the door,

mention every scrap of linen carpet, see the eagle and behold the west,

win the day light with the hat unpressed, show it in a shudder and a

limp, make a best container with no speed, and a jacket and a choice and

beets, beets are what there are when bets are less. Bets are less in

summer.

Single Witnesses

(I). A spread out case is so personal it is a mountain of change and any

little piece is personal, any one of them is an exchange. No forethought

is removed. Nothing, hindrances, butter, a safe smooth, a safe why is a

tongue a season, why is a loin large by way of spoiling. There is no

cake in front. A choking is an example.

_More witnesses._

It is true, it certainly is true and a coat any coat, any dress, all

dress, a hat, many hats, all colors, every kind of coloring, all this

makes shadows longer and birds, makes birds, just makes birds.

Not much limping is in the back, not much limping is in the front, not

much limping is circular, a bosom, a candle, an elegant foot fall, all

this makes daylight.

_Single Witnesses._

(2). A blunder in a charger is blue. A high pocket not higher than the

wrist and the elbow, the pocket is not added.

A clutch, a real clutch is merry and a joke and a baby, a real clutch is

such a happy way. A real clutch is so soon worried so easily made the

same, so soon made so.

A real white and blue, blue and blue, blue is raised by being so and

more much more is ready. At last a person is safe.

_More witnesses._

Pile in the windows, freeze with the doors, paint with the ceiling, shut

in the floors, paint with the ceiling, paint with the doors, shut in the

ceiling, shut out the doors, shut in the doors, shut in the floors, shut

in the floors, shut in the doors.

_More Witnesses._

Put the patient goat away, put the patient boat away, put away the boat

and put it, the boat, put it, put away that boat. Put away the boat.

_Single Witnesses._

(3). An army of invincible and ever ready mustaches and all the same

mind and a way of winding and no more repertoire, not any more noise,

this did increase every day.

A moon, a moon, a darkness and the stars and little bits of eels and a

special sauce, not a very special sauce, not only that.

A wide pair that are not slippers, not a wide pair of slippers, not

pressed to be any of that in that particular but surely, surely, surely

a loan, surely every kind of a capital.

_More Witnesses._

A splendid little charles louis philip, a splendid spout of little cups

and colds, a splendid big stir, a splendid glass, a splendid little

splinter, a splendid cluster.

_Single Witnesses._

(4). Why should wet be that and cut, cut with the grass, why should wet

be that and clut with the purse, why should wet be wet and the wet that

wet. Why should wet be the time to class. Why should there be solemn

cuppings.

The lean bark, that is the round and intense and common stop and in

shouting, the left bark and the right bark and a belt, in that belt, in

no belt and a corset, in a belt and chores, in a belt and single

stitches, in more boys than enough, in all thin beer and in all such

eggs, in all the pile and in all the bread, in the bread, in the bread,

in the condition of pretty nearly saying that yesterday is today, and

tomorrow, tomorrow is yesterday. The whole swindle is in short cake and

choice cake is white cake and white cake is sponge cake and sponge cake

is butter.

_House to house._

(1). A habit that is not left by always screaming, a habit that is

similar to the one that made quiet quite quiet and made the whole plain

show dust and white birds and little plaintive drops of water, a habit

which brightened the returning butter fly and the yellow weed and even

tumbling, the habit which made a well choose the bottom and refuses all

chances to change, the habit that cut in two whatever was for the use of

the same number, the habit which credited a long touch with raising the

table and the hour glass and even eye glasses and plenty of milk, the

habit which made a little piece of cheese wholesome and darkness bitter

and clanging a simple way to be solemn, a habit which has the best

situation and nearly all the day break and the darkness a habit that is

cautious and serious and strange and violent and even a little

disturbed, a habit which is better than almost anything, a habit that is

so little irritating, so wondering and so unlikely is not more difficult

than every other.

(2). A change a real change is made by a piece, by any piece by a whole

mixture of words and likenesses and whole outlines and ranges, a change

is a butt and a wagon and an institution, a change is a sweetness and a

leaning and a bundle, a change is no touch and buzzing and cruelty, a

change is no darkness and swinging and highness, a change is no season

and winter and leaving, a change is no stage and blister and column, a

change is no black and silver and copper, a change is no jelly and

anything proper, a change is not place, a change is not church, a change

is not more clad, a change is not more in between when there is that and

the change is the kind and the king is the king and the king is the king

and the king is the king.

(3). Could there be the best almost could there be almost the most,

could there be almost almost, could there be the most almost. Could

there be the most almost, could there be the most almost, could there be

almost almost. Could there be almost, almost.

Can the stretch have any choice, can the choice have every chunk, can

the choice have all the choice, can the stretch have in the choice. Can

there be water, can there be water and water. Can there be water. Can

there be.

(4). A cousin to cooning, a cousin to that and mixed labor and a strange

orange and a height and a piece of holy phone and a catching hat glass

and a bit of undertaking. All this makes willows and even then there is

no use in dusting not in really redusting, not in really taking

everything away. The best excuse for shadows is in the time when white

is starched and hair is released and all the old clothes are in the best

bag.

_House to house._

A wet hurt and a yellow stain and a high wind and a color stone, a place

in and the whole real set all this and each one has a chin. This is not

a claim it is a reorganization and a balance and a return.

DO LET US GO AWAY

A PLAY

(Theodore.) I don't think it's my fault I don't think I could do it so

unconsciously. I think she brings it in every morning.

(Nicholas.) I used to be hurried, now I imagine I will not be.

(Theodore.) It is not necessary to dance or sing. Let us sing that song.

Let us call them their names Nicholas. Theodore we will. We are

dishonored. We visit one another and say good-bye.

(Nicholas.) I do not like to be teased. It is so easy to kill mosquitoes

but what is the use when we are discouraged by the war. We are so are

the Japanese. We will never mention them.

(Theodore.) My principle idea is to eat my meals in peace.

They withdraw. Several people come in. With one of them there is a dog.

His name is Polybe. They speak to each other.

100 dollars good-bye good-bye good-bye.

(Jane and Nicholas and Theodore and the lawyer and the children.)

(Jane.) I speak slowly. I do it intentionally.

(Henry.) We have fragments. We call out sometimes. When two bands are

playing they play in the distance. Some play in people's houses. We say

hush.

(Arthur.) Dishonored. Never believe in September. Never believe in

September in the sense of visions.

(Henry.) I do know the chorus. Individual cases do not bring the war

home to me. I suddenly remember and I rest in it. I am ashamed. I have

patience and earnest feeling. I am liking the new boat. It is still

painted white and is enormously disappointing. Some one has been

willing. Oh I am disgusted. This is not the conversation.

(Helen.) The same. I am a settled character. I have visions of welcoming

them. They do behave so well and eat so regularly and very well too.

They grow almonds in their grounds and I like to eat them green or

later. I like to eat them. They are willing. Do not disappoint me.

(Nicholas.) Don't cry.

(Nicholas.) I am looking for a candle. I have it. I am putting it in a

Venetian box. Please leave it alone. Don't tease me. I have it. I can

place it.

(Theodore.) We are altogether.

Silence and the lights are out. Everybody is laughing. They say (Leave

it alone. We like to hear it.) They are very patient. (I cannot spare

another handkerchief.)

Anybody can come in. We were surprised to see musicians. There were

servants.

(Albert.) Do not repeat it. I tell you I won't have it. I will have a

justice of the peace.

(He did.)

Jenny is sick.

(Jenny.) I am sick.

(The lawyer.) I went often to see you and every day I said I love you

better I do love you better. That's it.

They were together and they said John are you going. He said something.

They were altogether.

I often think about it.

Genevieve was patient. She was angry because the water was another

color.

She said. He is very good now.

A scene where there are two houses. One on either side and we are in the

middle there is a great deal of talking in one of them. In the other

they eat a late dinner.

(Nicholas.) Anthony. Henriette open the other door and tell mamma. I'll

tell mamma.

Mamma coockcoo.

(Pirate.) What is a pirate not a man who kills and pursues boats but the

one who has a family, he is the one who comes home today, he expects to

be hated. We don't have that feeling.

A scene.

They all laugh.

Please rent a garden for chickens and a turkey.

I wonder if I like dancing.

I can mention a subject which is agreeable so agreeable and exciting and

there are three names two of them are almost alike.

We are there.

The Scene

Conversation. I asked him did he like to hear the dog bark. He said he

would shoot at him. I said did he like to hear it. We were ashamed of

his servants. They talked together loudly. We hoped he would control

them. He wrote it. So did they together. Please have peace. Say the

date. Please have the Fangturm. Please have peace. Please don't fish so

near the shore. Please do not be asked to buy it when it is living. It

is not disgusting. All of us are not so pleased.

(Nicholas and Jane.)

They are old. They have taken the house for the month of September and

we do hope that they will go away. We do hope that they will go away.

The proprietor came and took the almonds. We said do not take the

grapes, we will not give you the key.

Have we gotten as far as that.

Mallorcan singing.

They are all singing they sing the song about the chicken. Jenny Chicken

does not sing a song about the chicken. She says she does not like them

small.

I am so bothered.

I am angry.

I am angry at these sounds. They say.

This is Spain and I say. It is not.

(Nicholas.) I have a governess. She tells me to pray. I am not

religious.

Servants can speak to each other. Two of them have long hair. They all

wear it down their back.

Come in. We are not coming tonight. We hope to see the fire-works. There

will also be a procession. Do you believe you will see the procession.

We will see the fire-works from here.

(Paul.) Thunder. It will not rain yet. It usually does not at this

season. I hope that a war will come. I would like to be interpreter.

(Antonio.) I believe in merrymaking. It has been possible for me to

catch fish. I avoided cooking the lunch by leaving two young boys in

charge. Their names were Clarence and Emanuel.

(Clarence.) I will see to everything.

(Emanuel.) I will help you.

(Pablo.) I will be of some assistance.

(Antonio.) I will come when called.

(Maggie.) I do not like hot weather.

The part of the house which has windows back and front is cooler.

Coming together.

We move.

I will tell you about Eugenia. She moved the table and hopes to be

married. I do not think so because I do not think she is attractive.

There is not a family in which some do not embroider. It is a great

industry.

The wind.

There is wind every day.

I am so disappointed.

It is difficult to stop now because of annoyances. Now we will tell of

the things that were sent together.

We were surprised they had not moved in. Open homes.

Go on. Go on.

Making people better.

The servants. They did say that they were Spanish. I said they weren't.

I said Spaniards were polite.

(Nicholas.) I have seen the consul he is going to get me my passport.

(William.) But he can't he is only consular agent. He has to send to

Barcelona.

(Nicholas.) I was not speaking of him. I was speaking of the ambassador.

(William.) Oh that's another matter.

Mr. and Mrs. Clement came in they said that they had lost a friend.

Music.

When they ask for money for the sailors who were drowned they make gay

music.

When they say here is some one who refuses to give them something they

are impertinent.

(Brothers.) How did we know they were brothers. We knew it because they

have the same perplexity. He has lost money in boats and he has in steel

cars.

(Officials.) Come together you can fly a kite if you like. We do not

like. We like to see others do it. It is not much trouble. It depends

entirely on the height of the house.

Nicholas Jane and Anthony and the evening rain. It comes every morning

about two and we have the habit of closing up.

Please me. I will.

Three months yes three months.

Piles of initials he made piles of initials. Would any one think that

they embroidered the name in Mallorca.

(Stephen.) How much is it.

(Stephen.) Forty-five.

(Stephen.) We will change it to forty.

Older ones have gotten to see that it's dangerous to go to Marseilles.

(The colonel.) He owns this house and he wants the almond crop.

We said we did not know that.

He said it was in the lease. Mr. Clement said he had never heard of such

a thing being done.

We met an old frenchman.

We met the people who are going around together and asking for money.

(Genevieve.) Widows should have it.

(Bobbie.) Do as you like.

We asked them not to come in.

The dealer his wife and the servant. Hush don't wake anybody. You must

not call out to one another. Everybody does it. We do not ask you to

control the others. We have decided not to say anything to you about

them.

(The owner of the house.) I am assisting and I am further obliged to

come tomorrow. Will you kindly give me the key.

(The servant.) Will you kindly give me some water. Will you show me the

way to go.

(The wife.) I will not believe that they are settled. It is a great

disappointment to me.

Plenty of time.

Beginning tomorrow can we count a month before they return to the city.

Counting tomorrow can we count a month before they leave the country.

It is a disappointment to me that we have not been able to be rid of

that which is bothering us. It is a great disappointment to me.

Two count, we count two.

The one came first.

He eats sweetbreads by preference and he has a wife and a child. I did

not mean him.

The one came later and is really not very well pleased.

He does not care for the vegetables which are for sale here.

We know an old man that we like better. We like to see that he is met.

When did the owner of the house decide to write to us. He did not write.

He came.

(The owner.) It was agreed that you take it by three months. It will

disturb me to come up once a month for the money.

It was agreed that we take it by the month and we will send you your

money by mail.

(The owner.) If it is lost it will be at your risk.

It will not be lost.

(The owner.) I am very anxious to have you pleased with the house.

We like the view.

(The owner.) Did the storm do much injury.

A little rain came in.

(The owner.) I meant to the trees.

I do not think so.

What is it.

We went together.

We did not feel too warm.

There is much talk of obligation.

We never have butter.

We are not going to.

The rest of the day was there. He said that he would be pleased if we

came again and asked for that which we were to get.

(The older woman.) Do not for one moment think of not receiving back

that which is owing to you.

We said that we have made a mistake.

Excuse me. Come in some time tomorrow.

Tomorrow in a week.

A week is over on Sunday.

Come tomorrow.

This evening at four.

Tomorrow too.

Come tomorrow or early not before six.

We will have them to-morrow.

Yes tomorrow.

They had them. They were the kind that lit themselves. We were so

careful. We said yes we like the kind that we have had.

By believing in everything we happen to be careful to ask what was paid.

It is necessary to know how the time is arranged.

(William.) Teeth, do not mention teeth. My front teeth are longer.

Is it surprising that every one is fond of mutton.

Is it.

I think it is.

(Monica.) I am careful about turns. I walk up hill.

She is enthusiastic she has gone in whenever there was kite flying.

(Anthony.) Whatever you do don't make a noise.

Please be careful of me.

Let us talk about fowls.

When we went hunting we had eleven dogs. They ran after rabbits. We went

there. Ours is certainly not petted. He likes to be able to be told that

it is true.

Jenny, sister, Nicholas and Hermann.

Who did he call to.

He did not call me away.

He was hoping for other results. We bowed politely.

To be seventy five.

To be seventy five together.

To be able to see stitches.

To have decided not to stay here.

We will not see to count.

The End of May

The weather in June is like the weather in September. The end of May is

cooler.

The bathman is disgusted that the Mallorcans don't bathe in September.

The water is warm in September. It is warmer in July and August.

(The War.) Are there German submarines in Spanish waters.

(Signor Dato.) There are no german submarines in Spanish waters.

(Marquis of Ibyza.) I hate the English.

(The King.) Have you any daughters.

(Marquis of Ibyza.) I have.

(The King.) Then leave them all alone.

(The Cuban Boat.) It has sunk.

(The sailors.) They all came from Saint Katherine square.

The sailors were all drowned. A great deal of money was collected for

their families.

In speaking of Mallorca we must remember that there is making

acquaintance. They make acquaintance with each other.

(Jane.) I will not be old. I have four children. The two servants are

man and wife.

(Iphegenia.) To work hard is commendable if one earns money. I do not

wish to be married. I wish to be sure of marriage. I have selected my

sisters. They do embroidery. I will not copy them. I am not so old. I

have a younger brother and sister. I do not pay attention. We do not

pay attention to one another. I am in a way disappointed. I do believe

in fish. Everybody does in Mallorca.

(Minorca answering in french.) I know the name of Mary Rose.

What is a saint.

Stamp on a flag.

Believe in your country.

Singing at night.

(Paul.) I am going to see John.

(John.) Come when you like. How is your wife.

(Paul.) My wife is tired. We walked too far yesterday. It was beautiful

moonlight.

(John.) Remember me to her.

(Paul.) How is your wife today.

(John.) Oh she is all right now.

(Paul.) And Bartholomew.

(John.) Bartholomew is not here just now. He has gone down stairs.

(Paul.) Yes I saw Bartholomew when I came in.

We do not know whether it has anything to do with the weather whether

they will go away. It is said by every one that almost every one goes

away by the middle of October. They came in July. We hear something.

Yes it's german. They give French music too and one English and one

American. They are all there but they do not say it.

I dance.

Keep still.

Do keep still.

They keep our dog still.

We kept our dog still.

We can see signs that they are going away. I do not wish to say this in

the manner of Monica.

When do car conductors work.

They work in the evening.

Miss Alice Toklas wishes Roberts to kindly send her by registered

mail--under separate cover--1 Ivory soap--and a good face soap that

Roberts can recommend.

(Genevieve.) The melon is always warmer in the center when it has been

in the sun.

Well then we will have the green.

That's the way our melons are cooled.

They are not going today.

We have decided that we will tell the consul that we were very glad to

see him.

(Genevieve.) I am angry. I will not go to the workingman.

(Monica.) I am not angry I am going to lie down.

(Nicholas.) I believe in loud furnaces.

(William.) I am married.

Are you.

To whom.

If they go away they leave suddenly. This is not the way they came. They

came unexpectedly. They will not go away suddenly.

Always sincerely yours.

Mabel Weeks.

He can do as he pleases with Mary Rose.

He can do as he pleases with Mary Rose.

Not finished yet. When can we come in and bring Mary Rose.

(Monica.) I like Polly. He is so handsome.

(Monica.) And we were right.

(Genevieve.) Why were we not right.

(Nicholas.) Because we felt that it was not true.

(Paul.) Why does the german boat give out oil.

(William.) Because it wishes to feed german submarines.

(The Marquis.) I will express my wishes.

(The landlord.) That is as you wish sir.

(Monica.) I like to feel that if any one falls I fall.

(Paul.) I am going to fix the string with a wire.

Thanks so much when will it be done.

(Paul.) I will do it tomorrow.

(Nicholas.) Saturday does not include Sunday.

Doesn't it.

(Nicholas.) Not in Palma in Mallorca.

You mean that they will all go away.

(Nicholas.) Not right away but they won't stay.

Very well. Good-bye.

(May Mary.) Yes I hear.

When the girl went away we said they had umbrellas. When the rest went

away they said good-bye.

Let us wait and see.

We waited for them and they passed. They were all of them old. They had

loud voices. We want to know in a neutral country have they servants.

Please be able to finish.

(Nicholas.) Mamma Coockcoo.

(Joseph.) Dolores Dolores.

(Jane.) Jenny give me the keys. Oh yes. I am waiting.

(Nicholas.) Follow me.

(The lawyer.) Stay to play.

The End.

Yes I have a brother.

Sitting at a cafe.

FOR THE COUNTRY ENTIRELY

A PLAY IN LETTERS

Almond trees in the hill. We saw them to-day.

Dear Mrs. Steele.

I like to ask you questions. Do you believe that it is necessary to

worship individuality. We do.

Mrs. Henry Watterson.

Of course I have heard.

Dear Sir. Of course I have heard.

They didn't leave the book.

Dear Sir.

They didn't leave the book.

Yes Yes.

I know what I hear. Yes sir.

Dear Sir.

I heard her hurrying.

We all did.

Good night.

Isabel Furness.

I like their names.

Anthony Rosello.

It's easy to name a street like that.

It is.

With a view

Of trees and a hill.

Yes sir.

Herbert.

Dear Herbert.

Come again.

William.

William Cook.

Chapter 2.

Dear Sir. A play.

A great many people ask me in misery.

Have they come.

Dear friends. Say what you have to say.

Dear Whitehead and Paul and Woolston and Thorne.

Why can't you accomodate yourselves and leave me alone. I don't mean to

day or yesterday or by counting. Everybody cannot count. An avenue goes

through a city and a street crosses it crosses the city. There is no use

in pointing out associations. A great many people can read. Not women.

Not in some countries. Not in some countries. Oh yes not in some

countries.

Caesar.

Caesar isn't a name that is not used. I have known that a great many

people have it.

Henry Caesar. A class is full and teaching is difficult. They do not

understand. Who does not understand. The Barcelonese.

Color. A country and a cup where they sell water.

Everybody sells water. In this country. Everybody sells water in this

country. Is it a hot country. It is not and water is plentiful. Then I

do not understand you. You need not question me.

Dear girl.

Grandfathers can not make sacrifices for their children.

It is not expected of them and they are not sacrificed. A great many

people are sacrificed.

Oh dear yes.

Helen.

CHAPTER 3.

Why do you play in letters.

Because we are English.

Is it an English custom.

It is not an American.

Oh yes I remember you did mention.

Dear Mr. and Mrs. Eaton.

Can you recollect can you remember what day it was that we promised to

go into the wind and not take shelter.

I cannot remember that we ever undertook to do that.

We are going in another direction.

To day.

And day after to morrow.

We often spell together.

We like latin.

How goes it.

Frederick and Harriet Beef.

Do be anxious about me.

We are not anxious about me.

No you were told to be so were you not.

We were not advised.

No indeed you were not.

Dear Mr. Colin Bell.

Do be gracious and come again.

Soon.

As soon as you like.

I do not know how to reply.

No you don't and I am so uneasy.

Not today.

No not at all.

Dear Sir.

Good night.

_Act 2._

Here we come to act two.

Australian papers.

Canadian papers.

American papers.

Dear Miss Millicant.

Do not be insulting.

You know very well that we have not conscription.

Were you surprised.

In states.

Or in territories.

My dear Milly. I wish you would come and tell me about Rigoletto.

Oh yes handkerchiefs

From Bonnets.

Good evening Mrs.

That is not well said.

Dear Gilbert. Remember me to your mother.

All the time.

Dear Mr. Lindo Webb.

I understand why you are not better liked. A great many people expect

you to teach them English. You do so and very well. You might be married

and have a wife and son. With these helping you to teach you could teach

many more people English.

Then we can expect that you will change your place of residence.

We do not expect you to change your coat. No Englishman does. We

understand that.

Young Bonnet.

We have been very much annoyed by the impertinence of Mr. Alfred Bonnet.

Little pieces of paper are suddenly burnt.

In believing a shoe maker you believe his father.

I do not believe his father.

Why because he does not dress well.

Dress well dress well.

Dear Mrs. Cook.

Have you any special wishes. Do you want to know about almond leaves and

almond roots. Or do you refer to olive roots. Olive trees have large

roots. I do not know about almond trees.

The rest of the time was spent in deploring the tempest.

Dear Mrs. Carlock.

I do not know the name. I have often been told that the easiest way to

be believed is to examine every one. I have endeavored to do so but

without success. Some people believe that they will be killed. By this I

mean that they delight in teaching.

Some teach very well. Some teach in the north. Do not stay away.

Sincerely yours and not carelessly.

Walter Winter.

How do you know my name. I speak three languages spanish french and

english.

Dear Mr. Cook.

How do you do. Do you mean that you are able to stay.

The rest of the afternoon.

I do understand a red nose.

Not today.

No not to-day. You see the explanation is this.

We will not be pleased altogether.

Mrs. Cook I ask of you do not come again.

Do you mean it.

I cannot understand Mary Rose Palmer.

I can understand explaining things to one another.

We were there and the almond flowers turned to almond leaves.

Dear Mr. Cook.

Come again.

Sincerely yours

Daisy Clement.

_Act 3._

In the country and for the country.

Dear Master. Do not say so.

You mean there is no such address.

I do not mean that I criticize. I do mean that the method used does not

agree with me.

Certainly not.

Sincerely yours.

Harmon.

Why do you need a name.

I don't know. I like the point of Inca.

Do not see it everywhere.

I will not.

Dear land.

When I call away I do not mean that I wish the coal to burn. It is not

necessary to tell me that the peas will suffer. They certainly will not

neither will the pinks.

Thank you for using that word.

Dear me it is windy.

SCENE 2.

Dear Sir. Mr. Cousins told me that they were away when it happened. They

recollected being asked if they were well if they had recovered from

their emotion. They were also asked if their wives and children were

well. They certainly did not know how to say excuse me I do not know who

you are. They might have said I would wish to know your name because it

would not be right not to be able to give your message and if we do not

know your name we cannot say from whom the message came.

This was not done.

Dear Sir. Do not be angry with your government.

Sincerely yours.

William Hague.

SCENE 3.

This was the way to reason. Did he leave after the other came. Was he a

sea captain. Was the other one of the same profession although a citizen

of another nation. Now as to the word citizen. The use of it differs.

Some are inclined to ratify the use of it others prefer to ask what is a

citizen. A citizen is one who employing all the uses of his nature

cleans the world of adjoining relations. In this way we cannot conquer.

We do conquer and I ask how, how do you do.

Dear Sir. When it is necessary to come you will come.

Yes sir.

Dear sir. When it is necessary to be hurried you are not nervous.

Not at all.

Very well.

Dear Sir. Why have you special places for your handkerchiefs.

Because they have been so charmingly embroidered.

You are pleased then.

Yes very pleased indeed.

_Scene 3._

Dear Sir.

Extra dresses.

Oh yes.

See here. Extra gloves.

I do not like the word gloves it has a combination of letters in it that

displeases me.

Since when.

Since this evening.

I do not understand your objection.

It is easy to understand if I explain.

Dear Genevieve. Do say where you heard them speak of the decision they

had come to not to have masked balls.

I didn't say. They always have masked balls.

Oh so they do.

Yes indeed they do.

There are many of them.

A great many.

Looks.

Looks to me.

Dear Sir. Why have you such splendid olive trees.

Dear Mr. Wilson.

Why have you such plain entrances.

What do you mean.

I mean in Mallorca they do it in such a way that every house has an

interesting entrance.

You mean chairs.

Yes I mean chairs.

_Act 4._

_Scene 1._

Dear Sir. Please do not persist.

The one in the house said it.

Dear Lady Cryst what do you say to that again.

I say nothing.

Indeed you are discreet and timid.

Mrs. Seeman has been disappointed. In Saint Katherine.

Yes because of the children.

How do you mean.

One of them was not bewildering and he blasphemed the saints.

Oh no.

No one could be older.

You mean today.

I mean anyday.

Dear Sir. Come to another conclusion.

Yes I will.

Receive me and Cuba. You mean the name. Yes the name. You always liked

hearing noises. Not in France. No indeed not in France.

Not in France.

No indeed.

Really you prepare me. I do. Not today. Today. You prepare me today.

_Scene 2._

This is so pleasing.

Dear Sir. How do you pronounce Crowtell.

The land is very near and is seen and nuns fix it.

And the tramway.

Shall I say street car.

Not necessarily here it is more a country road and the electricity is

easily had.

Everywhere.

Yes everywhere.

That is such a comfort.

Dear sir. You mean dear Mr. Rossilo do you know my older brother.

_Scene 3._

Charles King. Lindo Webb Lindo Webb.

Dear Charles King. You do not mind that I am in distress. I have no

means of satisfying myself whether I am obliged to be careful or not.

Careful of what.

Of what I say in public.

Certainly not.

No.

Certainly not.

Dear Mr. Lindo Webb.

Come again will you.

A great many mountains are higher than any on the island.

Do you believe in lessons.

Of course I do.

So does Mrs. Gilbert.

_Scene 4._

I am enjoying it.

Dear Mr. Lindo Webb. Why do you wish to win.

In the more readily seen places there is no muttering. You mean no

quarreling. I mean neither one or the other.

Oh I understand you.

By that I mean that I am poor.

I see what you mean.

Dear Woodrow. This is a name.

What does anybody mean by interesting.

That is not a word that has that position.

You mean not nicely.

I mean that I am English.

Dear Mr. Henry. What have you been meaning to do.

_Scene 5._

Dear Sir. Why do you speak.

Dear Sir. Please me.

How can I be called.

Do you wish to go to market.

Dear Sir. Do you wish me to go to market.

Dear Sir. Do you wish me to have that made.

How do you mean.

_Scene 6._

Dear Sir. Remember that when you have no further requests to make you

must not blame me.

Dear Sir. I know you do not object to smoke.

Dear Mrs. Lindo Webb How can you break your teeth.

By falling down in the street.

You mean now when the pavement is so dark.

Naturally.

It would not have happened otherwise.

This is because of the necessary condition of lighting.

We all suffer from that.

SCENE 7.

Do you remember Charles Mark. Figs. Especially mentioned figs.

Dear Sir. Will you come today and wear three diamond rings and an

officers suit. You have a perfect right to wear an officer's suit. You

are a major.

Dear Mrs. English. Do you like a different country.

Do you mean higher up in the hills.

Not so very much higher.

_Act 5._

_Scene 1._

This is the last time we will use seasoning.

You mean you like it better cold.

No don't be foolish.

Dear Sir. Is there much wisdom in searching for asphodels.

Not if you already know what they are.

We do know now.

Then there is no use in trying to accustom yourself to their beauty. But

we don't find it beautiful. I too have failed to find beauty in them.

This is not surprising as they do not grow prettily.

They were a great disappointment to us.

_Scene 2._

We all are able to see I don't care a bit about Lena. We are all able to

say I don't care a bit about Lena.

Dear Mrs. Landor. How can you cease to be troubled about the rest of the

winter. How can you cease to be troubled about the rest of the summer

and the beginning of the winter.

Dear Sir. Every evening the snow falls. Red. Yes and so do the

asphodels. Asphodel isn't red. I know it it looks so.

Dear friend. Can you give me any pleasure.

Yesterday afternoon was a holiday. You mean a festival. I mean a day of

the country.

Do you mean that you understand the country.

No indeed.

_Scene 3._

Dear friends. Have patience.

_Scene 4._

This has ended very well.

You mean meeting one another.

Yes and asking us to remain here.

You mean that a great many people were troubled.

Not a great many people.

Some are very happy.

So are others.

We all have wishes.

Expressed wishes.

Dear Sir. Will you come again and eat ham.

Not in this country.

Fish.

Not in this country.

TURKEY AND BONES AND EATING AND WE LIKED IT

A PLAY

He was very restless. He does not like to stand while he picks flowers.

He does not smell flowers. He has a reasonable liking for herbs. He

likes their smell. He is not able to see storms. He can see anything

running. He has been able to be praised.

SCENE I.

Polybe and seats.

Straw seats which are so well made that they resemble stools. They are

all of straw and thick. They are made with two handles.

Genevieve and cotton.

I do not like cotton drawers. I prefer wool or linen. I admit that linen

is damp. Wool is warm. I believe I prefer wool.

Minorca and dogs.

I like a dog which is easily understood as I have never had the habit of

going out except on Sunday. Now I go out every day.

Anthony and coal.

I believe that coal is better than wood. If coal is good it burns

longer. In any case it is very difficult to get here.

Felix and a letter.

I do not wish to reply to a telegram, not because I find it difficult to

explain in it that I wished to see you. I did wish to see you.

Mr. Clement.

It gives me great pleasure to meet you. I am feeling well today and I

see that you are enjoying the mild weather. It will continue so. I hope

you will be pleased. I will present myself to you in saying that I am

certain that you are deriving pleasure from your winter. I am certainly

eager.

William.

He is too difficult. I mean he is too difficult. I don't believe you

understand me yet. He is too difficult.

SCENE II.

She would not insist. We were to have a saddle of mutton. We were served

first with a not distasteful supply of vegetables. There was ham in it

and pork. These had boiling and they were a sauce. Let me tell you about

the german.

A little girl.

I can tell blue when I see it.

A German.

Look.

Italians.

We expect to go home.

When

When the cigarettes come. I know these were stale. If I go to the war I

will be readily excused because I am lame. You have every reason to be

lame. You are a waiter but the out of door life may do you good.

Genevieve.

I could not leave the house as I was expecting the reparation of a

mattress.

You did not find it necessary to leave the house.

Not in the morning.

William and Mary.

William is William and he does not use any precaution. He is not very

adroit.

She. Will you drink wine.

I do.

I know that but will you take any now.

I don't mind the taste of it.

This is really not wine. It is a concoction of brown sugar and water and

fermented juice. I call it wine it is a drink. I did not know it was not

wine.

The count.

Why does the count wish for this house. He wishes for it because it has

all conveniences. It really hasn't but it is better situated than the

one he has now.

Raymond and Jenny.

I do like a Spanish name a Spanish name always begins with a V.

We went together.

We went together and we did not go to the Opera. The opera that was

being given was Boris Goudonoff.

SCENE III.

A whole collection of stamps. A family meeting.

Where did you get it.

I got it when I saw the envelope.

Where did you see it.

Don't hold it.

Don't spoil it.

Let me see it.

Thanks.

Thanks so much.

I thank you.

I thank you for your kindness.

Please make a collection of flowers.

Collecting flowers is not a misery. You have to carry something a

handkerchief will do and more than that is perfectly selfish.

We are not perfectly selfish.

William. Do be persevering.

Mrs. Clement. I am. I do not leave my house.

Genevieve. Don't you leave your house.

Mr. and Mrs. Clement. We do.

Maud. The hills would be better than water. We like water.

Mrs. Clement. Everybody likes water.

Maud. And fish.

Genevieve. I do not care for the fish here.

William. Radishes.

Maud. Radishes are strong.

Mrs. Clement. I am glad to have seen you.

SCENE IV.

An interlude.

If you were a Breton and read a book and understood Spanish would you be

richer than a frenchman who talked in a field. If a man talked in a

field and told about papers and contraband and laughed would you see a

resemblance in him to a Swiss. I would. This is what happened. He says

it is very necesssary to be young to be young and unmarried and then you

can not do as you please. You can not go where you please. He believed

that it was alright. I am certain that he understood talking. He also

laughed. I am not convinced that ploughing is safe. Ploughing is done

with a plough and under a tree. Dogs bark, little dogs bark the horse

and sometimes a mule and sometimes a donkey. The people say leave it to

me. I will not.

SCENE V.

Farmer.

Listen to me.

I will not.

Then do not listen to me.

I heard you when you said it. I like to see goats feed.

And so do I like to see them lay the tracks.

They are laying them for the electrical railroad.

Sarah. I don't like him. I don't like his ways. I don't like it and I

will not say it. I will do as you do and you do it so nicely. I will do

as you do and then we were right. We were right to ask him to come in.

He will not come in. I will not go out. We will not stay there. We will

say yes certainly, we are not very busy. Yes please see that you have

the things you want. You have not been given them. Don't fail to come

again when you need them.

A Farmer.

A fisherman.

We don't like to look at a wall.

A Fisherman and a farmer.

They both believe in fish. Fish is a fertilizer. It cannot be found in

the bay. You do not have to go out far. You have to have a great many

boats.

An English mother.

You make me quite afraid of dogs.

SCENE VI.

A water faucet.

We were very likely to meet one another. None of us have running water.

The count Rangle had.

We were all fond of winter. We said we liked summer. The trouble with

the summer is that it is too hot. You see I am convinced.

Harold.

Harold is your name. I thought it was Martin.

It is Martin or Mark.

Thank you.

You speak English.

Yes certainly.

And french.

Very nicely.

And Hindustani.

My mother does.

I supposed she did.

We had never thought about it.

SCENE VII.

ACT II.

We are deserted. We are left alone. They are going to Paris. We stay

here.

Minorca. And there is such a nice view.

A dinner.

Tomorrow.

Every day.

Yes every day.

In the morning.

We will ride. We will come home. Yes we will. Don't bother. Yes you need

to we understand. We will meet you at half past one old time. You need

never be drunk. It is an older word.

Do be clear.

Golly Moses it is damp out here.

Any little piece of paper makes a wind.

Yes yes.

Anthony and Cleopatra.

Do you like him. I must go and see the workingmen.

Do you like them they are giving our son a knife.

Whom does he resemble. The son resembles his mother. Don't say it.

Why not.

Because the father does not prefer to hear it. He prefers to hear that

the son resembles him.

The son resembles him but he looks like his mother.

They wish him to have every advantage.

Change of scene.

In walking home we did not go that way. I had my reason for not going

that way. I did not care about losing a button. As a matter of fact I

didn't lose it.

Winnie and William.

How are they today.

They are going away.

We are going away.

I am sorry.

We are not sorry.

No I cannot say whether we are not sorry.

We are not sorry.

Another climate.

The ponds are frozen. We did not read that today.

Mike wrote it.

We were very careful to look at the water.

It was not cold here.

There are a great many times when there is rain.

Oh yes.

All right.

He.

He came in.

What is the name of it.

I cannot say it.

Do not say it.

I do not care to look at any one.

I do.

Then please yourself.

I do not understand electricity.

I do.

I do not understand hail.

I can explain it.

I do not care for history.

I can read it.

I do not care about individual wishes.

I understand it.

Plenty of people do love another.

She.

Loud voices are attractive. When two people talk together they have to

talk louder.

I wish you would not talk about summer. Say anything you please but

don't say that you are not to stay here altogether. I do not want it

known.

Alright. We will stay here altogether.

That is not my wish. We will stay here for the winter. The summer

climate is not possible.

I quite agree with you.

Do you.

Yes I do.

No I can't say that.

What.

You know it is the words of a song.

I know what you mean.

Of course you do.

This is the end of this month.

Next month will be shorter.

Why.

Because it is December.

I understand that.

Of course you do.

They have gone away.

William. I am drinking.

Maria. I am so sorry to go.

Henrietta. I cannot understand departure because if you are french you

attend mass.

Sarah. I quite agree with you I think it unforgiveable.

Mrs. Clement. And they are.

Mr. Penfield. We are very often forgetful.

Many of us think of things.

How many times have you been defeated.

Sleeping.

Turning.

Turning and sleeping.

What did you say. I said I am closing the door. Very well.

Henrietta. John and I are bewildered.

So are William and Monica.

Henrietta. The difference between us is that we know what we want.

Oh do you.

Henrietta knows.

Henrietta. Why are you shutting the door.

Because it is the habit. It really isn't necessary.

Then why do you do it.

Henrietta. Every one knows William and Monica.

Yes and every one knows how they started.

How did they start.

By quarreling with their landlord.

Indeed yes.

It was not a comfortable house in summer.

They knew this.

No they didn't.

You are quite right they didn't.

SCENE IX.

Go on.

Go on and on.

The day I was settled down to making a fire I found that it came very

easily. All I had to do was to be here when the wood came. We had not

ordered any water.

Tonight.

Mrs. Chambers. When did you leave him.

I didn't leave you.

I know you didn't then and I am vainly wishing for a postman.

What did you wish of him.

I wish to tell him that I don't want my packages open.

How do you know where they are open.

I know that they are not opened here I mean in this house.

I understand what you mean.

SCENE X.

A mother. Do not listen to a mass.

Another mother. I have left my children at home.

A son. I have no engagement on Wednesday.

A niece. I go out frequently.

Do you.

Oh yes.

Do you go out with your aunt.

We go out together.

Mrs. Hitchcock. I do not understand wishes.

A large time is not a sentence we use.

That I understood.

Two Englishmen have searched for a Polish flag. They found it not the

flag of the nation the flag of war and commerce.

Thank you so much.

SCENE XI.

The life of the turkey.

Who is cruel.

Not the little boy he lifts it in his arms.

No the other one. He is a guardian. They are all placing their

confidence in them.

The life of the turkies here exist after Christmas. We were surprised

to see that. So many of them were eaten that we supposed there were no

more.

The life of the turkey.

In church.

Here in church.

Nonsense I will not say I prefer suckling pig.

I don't know but that I do.

I like grouse.

To eat.

And also.

Chicken liver.

Arthur Llynn. Come and rest.

Helen Lewis. We are waiting for the letter carrier.

Is he coming today.

I don't know.

SCENE XII.

Come in Come in

Mary and Susan. Shall we come again.

Andrew. Yes that's the name.

What I want you to know is the origin of it all.

The one is a soldier, the other an admiral the third a gypsy.

We were not pleased.

Captain Rose. You must pronounce after me. A fire in the kitchen not

against the outer wall.

Yes we know that.

I have been convinced.

Don't you like it's appearance.

Very much.

I am not satisfied.

With what with it's appearance.

I expected it to be white.

Oh that can be arranged afterward.

Yes I see.

You are going.

May we stay a little while.

SCENE XIII.

It was rarely neglected. Come in Herbert.

I recognise the name Herbert.

Come in.

We are going out.

Do you like walking.

Very much.

Do you like the sound of the waves.

Yes certainly.

Do you like them near or at distance.

The effect is different far and near.

Yes so it is.

Which do you prefer.

I have no choice.

This evening we will have to be cold.

But not at all.

Yes indeed and I mean to speak to my landlord about it.

Good-night.

SCENE XIV.

Clarence for a change.

If you have as vacation one day a month and you take it every six months

you have six days vacation. In those six days you can visit your family

in the country or you can work in your garden or you can make changes in

the position of the wall you can do all this and then there will be six

days in six months. If you are not able to be about this will be counted

off of the days.

The french language.

Who is it.

What was I saying.

You were saying that you were able to be at home.

Yes I am able to be at home.

Then this is what troubles you.

No it does not trouble me. It makes me realize that I do not wish to

leave.

Of course you do not wish to leave.

Yes that was understood.

Did you say that you listened.

Were you speaking what did you wish.

I wish not to be disturbed.

Oh yes we will leave in the spring.

I am not satisfied with what is right.

SCENE XV.

Come again.

Mr. Picard. He was dedicated to him.

Was he.

Do you feel happy.

All the time.

Do not be

Neglected.

I was.

And I saw

That

There are mountains.

And the water.

We are really not interested in the country if there is no water.

You mean salt water.

Yes.

Do not dispute about it.

It is unlucky to wish any one happy new year before the new year.

SCENE XVI.

Do you want me to go on.

Yes I want you to go on.

Where shall we walk tomorrow.

Tonight you mean.

Not not this evening.

Yes I understand.

Where shall we walk tomorrow.

To Fernville.

No not to Fernville.

To Arbuthnot.

No not to Arbuthnot.

In the park.

No not the park.

Well then let's walk along by the water.

No let's not go that way.

Then let us walk to Wintersdale.

Yes let's walk to Wintersdale.

Very well then.

Where are you going this afternoon.

We are going down town.

Oh yes you have a good deal to do.

Yes we have a good deal to do.

Will you go in the morning.

As you like.

SCENE XVII.

Come happily.

Yes we come very happily.

There is very good reason for suspecting Mr. Bournville.

Is there.

Yes very good reason.

What is the reason.

The real reason is that he has been incorrect.

How has he been incorrect.

He has been altogether incorrect as to the necessity of having water.

Do you mean to say that he said it would be difficult to have water.

He said so.

But it hasn't been

No indeed.

That may be because the season is different.

That may be the reason. In any case he is pardonable.

In any case he is pardonable.

You agree with me.

Yes I agree with you.

Do you always agree with me.

You know I always agree with you.

Then that is satisfactory.

To me.

And to me too.

FINIS.

EVERY AFTERNOON

A DIALOGUE

I get up.

So do you get up.

We are pleased with each other.

Why are you.

Because we are hopeful.

Have you any reason to be.

We have reason to be.

What is it.

I am not prepared to say.

Is there any change.

Naturally.

I know what you mean.

I consider that it is not necessary for me to teach languages.

It would be foolish of you to.

It would here.

It would anywhere.

I do not care about Peru.

I hope you do.

Do I begin this.

Yes you began this.

Of course we did.

Yes indeed we did.

When will we speak of another.

Not today I assure you.

Yes certainly you mentioned it.

We mentioned everything.

To another.

I do not wish reasons.

You mean you are taught early.

That is exactly what I mean.

And I feel the same.

You feel it to be the same.

Don't tempt him.

Do not tempt him.

This evening there was no question of temptation he was not the least

interested.

Neither was she.

Of course she wasn't.

It's really not necessary to ask her.

I found it necessary.

You did

Certainly.

And when have you leisure.

Reading and knitting.

Reading or knitting.

Reading or knitting.

Yes reading or knitting.

In the evening.

Actively first.

He was very settled.

Where was he settled.

In Marseilles.

I cannot understand words.

Cannot you.

You are so easily deceived you don't ask what do they decide what are

they to decide.

There is no reason.

No there is no reason.

Between meals.

Do you really sew.

He was so necessary to me.

We are equally pleased.

Come and stay.

Do so.

Do you mean to be rude.

Did he.

I ask you why.

Tomorrow.

Yes tomorrow.

Every afternoon.

A dialogue.

What did you do with your dog.

We sent him into the country.

Was he a trouble.

Not at all but we thought he would be better off there.

Yes it isn't right to keep a large dog in the city.

Yes I agree with you.

Yes

Coming.

Yes certainly.

Do be quick.

Not in breathing.

No you know you don't mind.

We said yes.

Come ahead.

That sounded like an animal.

Were you expecting something.

I don't know.

Don't you know about it at all.

You know I don't believe it.

She did.

Well they are different

I am not very careful.

Mention that again.

Here.

Not here.

Don't receive wood.

Don't receive wood.

Well we went and found it.

Tomorrow.

Come tomorrow.

Come tomorrow.

Yes we said yes. Come tomorrow.

Coming very well. Don't be irritable. Don't say you haven't been told.

You know I want a telegram. Why. Because emperors didn't.

I don't remember that.

I don't care for a long time.

For a long time to pass away.

Why not.

Because I like him.

That's what she said.

We said.

We will gladly come Saturday.

She will go.

Oh yes she will.

What is a conversation.

We can all sing.

A great many people come in.

A great many people come in.

Why do the days pass so quickly.

Because we are very happy.

Yes that's so.

That's it.

That is it.

Who cares for daisies.

Do you hear me.

Yes I can hear you.

Very well then explain.

That I care for daisies.

That we care for daisies.

Come in come in.

Yes and I will not cry.

No indeed.

We will picnic.

Oh yes.

We are very happy.

Very happy.

And content.

And content.

We will go and hear Tito Ruffo.

Here.

Yes here.

Oh yes I remember about that. He is to be here.

To begin with what did we buy.

Scolding.

If you remember you will remember other things that frighten you.

Will I.

Yes and there is no necessity the explanation is not in your walking

first of walking last of walking beside me the only reason that there is

plenty of room is that I choose it.

Then we will say that it will rain.

The other day there was bright moonlight.

Not here.

No not here but on the whole there is more moonlight than in Brittany.

Come again.

Come in again.

Coming again.

Coming in again.

Come again.

I say I do understand calling.

Calling him.

Yes Polybe.

Come.

Come.

Come again and bring a book.

We meet him so often.

We meant to see about it. You mean the light.

I am proud of her. You have every reason to be and she takes it so

naturally.

It is better that it is her hands.

Yes of course.

Nothing can pay for that.

Republics are so ungrateful.

Do you desire to appear here.

Why of course in that sense.

I do not know those words.

It is really wretched.

You do see it.

I don't see it that way.

No you wouldn't you would prefer the words well and tall.

Say it to me.

You know I never wished to be blamed.

An effort to eat quickly.

Did you promise him.

Did I promise him the woods.

The woods.

Not now.

You mean not now.

CAPTAIN WALTER ARNOLD

A PLAY

Do you mean to please me.

I do.

Do you have any doubt of the value of food and water.

I have not.

Can you recollect any example of easy repetition.

I can and I can mention it. I can explain how by twice repeating you

change the meaning you actually change the meaning. This makes it more

interesting. If we attach it to a person we make for realization.

Do you really mean you have no preferences.

I can not visualise the condition.

By that time I am free to say that we have made offers of finding the

right name for everything.

Do you know that you are careful.

Do you see the state of your purse.

Have you been told that I will give you more if you ask for it.

Or do you not care to receive a favor.

Certainly you wish to be helped.

Let me help you.

Do not refuse me.

You can regulate your expenditure.

It is unreasonable.

Not because you do it.

Not because you do not do it.

Standard pieces.

Eating and drinking.

Can you forget Minerva.

I make the mistake.

I mean Monica.

Can you forget Monica.

Or Polybe.

ACT II.

A dazzling dress. We dazzle altogether.

PLEASE DO NOT SUFFER

A PLAY

Genevieve, Mrs. Marchand and Count Daisy Wrangel.

(Mrs. Marchand.) Where was she born and with whom did she go to school.

Did she know the Marquise of Bowers then or did she not. Did she come to

know her in Italy. Did she learn English in Morocco. She has never been

to England nor did she go to school in Florence. She lived in the house

with the friends of the count Berny and as such she knew them and she

knew him. She went to eat an Arab dinner.

How did she come to know the people she has known. I do not understand

it.

With whom did she go to school. We are not sure. When did she first know

about Morocco. Where did she hear English.

She heard English spoken to children.

(Count Daisy Wrangel.) He speaks English very well. He has an impediment

in his speech. He likes cauliflower and green peas. He does not find an

old woman satisfactory as a cook. He wishes for his Italian. It is too

expensive to bring her down. He does like dogs. He once had eight. They

were black poodles. They were living in a garden on a duchess' estate.

He trained them to be very willing and he has pictures of them all. He

has often written a book. He writes about art sometimes. He also paints

a little. He has a friend who paints a picture every morning and paints

a picture every afternoon. He is not disagreeable. He did not come with

him. He asked to see the dog he thought he had grown.

(Genevieve.) She believes in Fraconville. What is a thunder storm. This

is my history. I worked at a cafe in Rennes. Before that I was

instructed by a woman who knew knitting and everything. My mother and

father worked at gardening. I was ruined by a butcher. I am not

particularly fond of children. My child is a girl and is still a little

one. She is living in an invaded district but is now in Avignon. I had a

coat made for her but it did not fit her very well and now I am sending

the money so that it will be made at Verdun. I am not necessarily a very

happy woman. Every one is willing. I like knitting and I like to buy

provision. Yes I enjoy the capital. There is plenty of meat here. I do

not care for the variety. I prefer veal to chicken. I prefer mutton. I

understand that it is difficult to have anything.

(Mrs. Marchand.) I do not write often. I say I will mention it if a man

pays attention to a woman and so I can and I can say that I have not

written. I will do as I like. I find that my baby is very healthy. I

hope he will not talk the language spoken here but I can not say this to

him. He is too young. He is not walking. If the Dardenelles are not

taken perhaps they will open. I hear myself speaking. I have an orange

tree that is open. The sun comes in. For ten days during ten days it

rains and then until December we will have good weather. There is no

fire in the house. I do not like to look at that map. Will you excuse me

while I give my baby his luncheon.

(Count Daisy Wrangel.) It is the same name as an island. We were from

Courland and some are Russians and some are Prussians and some are

Swedes. None are Lithuanians. Mr. Berenson is a Lithuanian. I have a

Danish friend who has been married four times. His last wife is a

singer. She is a married woman. His first wife has been married to four

different men. She has been a good friend to each one of them. They do

say this. I have no pleasure in my stay on the Island because I do not

eat anything. I would like to have something.

(Genevieve.) The count was here. He wanted to see the dog and he said he

would like to see him. He was not very well. He had been suffering. He

did not say that his friend would come with him. He said he thought not.

I am often told that the french are everything. I ask do you believe

that the french are winning. I believe that the french are winning. Do

you need butter for cooking.

(Mrs. Marchand.) Let me give you a peach that is softer. Do you like

this one. We will come again for an evening. This is the shortest way.

Yes I like walking. We say very little when we are worrying. Let us go

away. We cannot because my husband cannot go away.

Nellie Mildred and Carrie.

(Nellie.) Handwriting is not curving. It is not a disappointment or a

service it is frequently prepossessing.

(Mildred.) It is copied. Six handkerchiefs. Two of one kind four of

another.

(Carrie.) She backhands that means she takes good care of herself.

(Mrs. Marchand.) She does not know any of them. She knows Mr.

Rothschild.

(Genevieve.) What is the use of being tranquil when this house is built

for the winter. The winter here is warm.

(Count Daisy Wrangel.) He will not stay longer than November.

William and Mary.

(William.) He is fond of reading and drinking. He drinks wine. He also

drinks siphon. This is water with sterilised water in it. He drinks it

with and also without lemon. He is very fond of walking. He does not

prefer resting. He is a painter by profession.

(Mary.) Mary is winning. She has a brother who is fighting. He has made

a ring for her. She has a mother and another brother. We were asked does

she like swimming. She has not a knowledge of swimming.

(Mrs Marchand.) She is a large woman and rather walking. She walks

along. We met her and Mr. Marchand who were walking. We said it was too

cold for walking.

(The English consul.) All right. The dog is too closely muzzled. He

can't breathe properly.

(Count Daisy Wrangel.) Why do you all speak to me. Let me tell about it.

In coming into the first office I first saw one young lady. I told her

she was looking very well. I then went out and came back and went up to

the other lady. I said how do you do I was sorry not to see you the

other day. You were out when I called. My friend is a bear. I thought he

would have come with me to call. I will come soon again.

(Mrs. Marchand.) I don't know him very well that is to say my husband

has pointed him out to me and I knew he was here. It will not be a

disappointment to us.

(Genevieve.) I prefer a basket to a mesh. It is the one souvenir that I

will have. I do not wish to say that I am not pleased. I do not like to

spend 35 dollars over again all over again. It is exact enough.

(Count Daisy Wrangel.) There is a great deal to write in a newspaper.

(Michael.) Michael was the son of Daniel. He moved into a house. He had

been living at a hotel a whole winter. He has steam heat and light. We

have not seen photographs of the place.

(Jane.) I have five children the youngest is three years old. Many of

them died.

(Felix.) What kind of wool do you prefer black or in color, heavy or

thin and for what use do you desire it. Do you also wish knitting

needles and what thickness.

(Alice.) What did we have to eat today. We had very young pork. It is

very delicious. I have never eaten it better.

(Genevieve.) I like to choose my meat.

(Mrs. Marchand.) I understand everything better. I like to have to

think and look at maps. I hate to see so much black. I do not mean by

that that I am sullen. I am not that. I am delighted with surroundings.

(Genevieve.) I wish to spend a little money on some things. I am waiting

for the boat. I have nothing to do except sleep. Really not.

(Mrs. Marchand.) I understand Spanish.

(Count Daisy Wrangel.) To please him and to please me I do not dine at

home.

(Harry Francis.) It hangs out in the rain and it is not dry what shall I

put on underneath.

Anything you like.

(Roger Henry.) Why do you prefer a picture of a boat.

Because it is useful.

(Mrs. Marchand.) I am so disappointed in the morning.

We are all of us disappointed.

(Mrs. Marchand.) I did not meet you to-day.

Yes you did.

Every man swallowing. What.

(Mrs. Marchand.) I told you that you had every reason to expect warm

weather and now it's cold.

It won't be cold long I hope. These are equinoxial storms. They last

from seven to ten days.

(The English Consul.) He has had some trying experiences but he has a

pleasant home. He has a view of the sea and also of the woods. It is

natural that he has chosen that house.

(Mrs. Marchand.) I have met her. She is very pleasant. I did not think

she was his wife. I thought she was his daughter.

So did we all.

HE SAID IT

MONOLOGUE

Spoken.

In English.

Always spoken.

Between them.

Why do you say yesterday especially.

Why do you say by special appointment is it a mistake is it a great

mistake. This I know. What are and beside all there is a desire for

white handkerchiefs.

You shall have it.

This is what we give. We give it with a hat. Dear me. A great many

people are precious. Are they. I do not ask the question.

This is my fright.

Oh dear Oh dear I thought the fire was out.

I consider it very healthy to eat sugared figs not pressed figs I do not

care for pressed figs.

I consider it necessary to eat sugared prunes and an apple. I have felt

it to be the only advice I could give. It has been successful. I really

feel great satisfaction in the results. No one can say that short hair

is unbecoming.

What are the obligations of maternity. Reading and sleeping. Also

copying. Yes thank you.

Are you pleased.

I am not pleased.

I am delighted.

It has been a very fruitful evening.

It is not very likely she was pleased.

Pleasures of the chase. Do you like flags. I believe in painting them. I

also inquire as to their origin. Are they simple in color or have they

various designs. Nobody can be as pleased as I am can be more pleased

than I am. I am further delighted with the social relation I have

established with a great many acquaintances. I began by intending to

change to change the method of branching. I do not find it

distinguished. Then I found that by choosing and asking other people to

supply I could be satisfied. This is history.

Did he see he would kill a rabbit. Many rabbits are troublesome. I do

not care to eat the one he was to give us.

You do not care to eat rabbit.

Who is our well-wisher. I see clearly that you have made a mistake. You

have answered me defiantly. I have not.

Large spaces of time are filled by my telling how to sing.

How do you sing.

Some sing so well they laugh.

Others sing so well that they are roses.

I was very pleased with embroidery very very pleased with embroidery.

Indeed.

Indeed I think alone.

And make lists.

And make lists.

I do not make lists.

It is no trouble to make lists.

I feel an infinite satisfaction in the thought that I have stopped

worrying.

Indeed you never worry.

Who can be willing to leave an American boat.

No one.

This is what I said.

I said it to an Englishman.

Governed. Do be governed.

I speak of this very kindly. I do not tell him about darkness.

Or anybody.

Many people fear distraction and divert themselves with discussion. Not

I.

I am singularly adaptable. I have no opinion. When I am asked I say it

is distressing not to be right. It is not distressing to me. I

accomodate myself to it. I am inclined to be talkative.

Are you.

Yes sir.

This is the way I say it. I ask any one to say a bowl of water. This is

not difficult. Then roses in it. I prefer pansies. Do you. Or daisies.

No we do not consider wild flowers. This is not the reason. The real

reason is the odor. Some people like a strong odor like china lilies or

almond flowers or even tube-roses. I like them very much. I like them

all very much. Do you.

Yes I do.

The other day we saw a woman knitting she was doing it not so very

quickly and then we understood the reason. She was knitting with cotton.

That is quite the custom of the country.

Why do you wish to hear it.

I was very pleased with this and now I want to tell you how to do it.

This is what to ask. Do you make decorations. Do you please yourself.

Are you fanciful. Have you any use for color. Do you ask for strange

resemblances. Have you all always been merry. Do you believe in history.

Have you authority.

Do you expect to seem selfish. Do you. I wonder about that.

Why do you talk about stretches.

You mean a series.

Yes I mean that. Do you remember that I said that.

What do I feel today. I feel that I do know how to air a woman.

You mean that I make it too cold. Well to be sure I am selfish I sit

before the fire. I really ought to give you the best place only I don't

like to change.

You dear you are so sweet to me.

A carpet on the floor makes it a great difference.

Indeed there is a granite which is called marble and rightly called

marble because it is found here. Do you know where it is made. Yes I

have seen it.

Yes so they say.

Go to sleep.

This is my way.

In speaking I have a belief in saying that I said it last.

Some people differ from me.

This is a sentence.

What was it she reminded me of.

It is satisfactory.

There are a great many plans. Will there be a good crises. I don't know.

In our affairs. No the nations. Don't speak to her of it.

I am not certain I like liberty.

Don't you.

Of course not.

We go on saying what he said.

I can't understand why you contradict me.

There we are I have a coat over my knees.

There is no way of speaking english. I say there is no way of speaking

English. What do you mean. I mean that anybody can begin and go on. And

finish. It's easy enough and especially hard when there is a use. Why do

you say exchange. I do not know what they say exchange. They say they

believe in exchange. I often talk about nothing.

What have I to say.

I wish to speak to you what shall we do about water. The water is

everywhere. Imagine me in bed. We were very careful to ask about it.

Not for teeth.

Why do you talk about it not for the girl.

He was of course not able to pay for the concert. He was of course not

able to pay for the concert.

I am not talking about myself.

I can supply furs.

In summer.

Today.

It is not very cold.

But it will be.

What did he say. He said it was explanatory. I said it was explanatory.

I said I was careful of climbing. Not into bed. Yes into bed. Why.

Because you can never tell about the slats. I remember that word.

What did he say today.

A great many mountains have seas near them.

And the moon. The moon has no tide.

When do you say that.

Every night.

Why.

Because I have never seen so much moonlight.

I feel it very much.

A great many people were listening. To your getting angry

Talking about feeling.

This afternoon we went to New York and we spent the day together. We

said which way shall we walk.

In reading the papers I am often struck with the different way I am

impressed with the news. Should I be cheerful. I should not. Mr.

Sandling says that I am. Indeed I am.

We do not expect it today. Let us go to Soller.

All of you hear me.

I like to see the rocks I mean stones.

I didn't mean it about the clock.

Here we are.

Mrs. misses kisses.

Misses kisses most.

I do like to say that.

Do you wish you had said it first. Not exactly. I repeat more often. A

great many people hear you. Not now.

All about the swing. Swing where. In a lamp. You mean electricity. Yes I

mean electricity. Wax.

Do read to me.

We went down to the town and we met Mr. and Mrs. Somaillard. We drank

something there and we said if they would wait we would call for them in

a carriage. We had several things to attend to first.

I nearly said it together.

Do I think that they will.

Do little walks tire you.

Dear Sir. This is the end of the day and I am able to explain that a

great deal of trouble has been taken.

I feel that there must be a regular time for the oranges.

Oh yes indeed.

Never have I seen so many trees.

It was a surprise to you.

I say that I am certain that a great many things can be said.

Call it a fan love.

I don't care to see pieces.

Don't you.

Indeed you don't.

Leaving stones aside what do you think of the weather and the country.

I think them both delightful.

So do I.

And we enjoy ourselves.

Oh very much.

Yes and what time do you wake up.

At half past seven.

I don't wake up till nine.

What is the date today.

Wishes

He wishes to think.

Do not distress them.

What we do is this we give it to them.

What did he say.

He said he expected to be ill. He said he said he expected not to be

very well. Yes Mr. Lindo Webb.

Yes Mrs.

You should always speak the name.

I don't feel that I can mention it.

Do you believe in me.

Are you surprised that you have gone so far.

To me not to me.

Insulting yes she is insulting she asks have we ever heard of a poet

named Willis.

Alice has. I have not. She says he belonged to a group. Like Thoreau.

I am not displeased with the remark.

Did we see the festivity. Water is amusing.

Do I want to go away.

No indeed I do not want to go away.

Two months.

In two months.

Politely miss me.

Call what.

Call Milly.

Don't you understand the difference.

He wanted fifty dollars for six days.

We did not refuse a visit.

No one refuses a visit.

I do.

I see.

A little finish. What was that noise.

I am very pleased to have a good fire.

Here are my stars and stripes.

Yes it's the flag.

What time is it.

Day time.

Of course and the morning.

I always go well prepared.

Of course you would.

What do I think.

Is not this certain.

What.

That there are a great many places where one would not be as

comfortable.

Where we would not be so comfortable.

Certainly I don't deny that.

We have been so happy here. Yes but that has nothing to do with the

people. No it hasn't. But I like to see what I see here. You know

perfectly well you will be just as well pleased with something else.

Why do mules go together. Because those people are religious. They are

very religious. Were you invited.

Then I will finish it here.

This is very easy to please. Cups and saucers altogether.

We are going to have a picnic. With chicken not today today we are going

to have eggs and salad and vegetables and brown bread and what else.

False smuggled contraband tobacco. You mean by that that it isn't

tobacco. No it's only leaves. I laugh.

COUNTING HER DRESSES

A PLAY

PART I.

ACT I.

When they did not see me.

I saw them again.

I did not like it.

ACT II.

I count her dresses again.

ACT III.

Can you draw a dress.

ACT IV.

In a minute.

PART II.

ACT I.

Believe in your mistake.

ACT II.

Act quickly.

ACT III.

Do not mind the tooth.

ACT IV.

Do not be careless.

PART III.

ACT I.

I am careful.

ACT II.

Yes you are.

ACT III.

And obedient.

ACT IV.

Yes you are.

ACT V.

And industrious.

ACT VI.

Certainly.

PART IV.

ACT I.

Come to sing and sit.

ACT II.

Repeat it.

ACT III.

I repeat it.

PART V.

ACT I.

Can you speak quickly.

ACT II.

Can you cough.

ACT III.

Remember me to him.

ACT IV.

Remember that I want a cloak.

PART VI.

ACT I.

I know what I want to say. How do you do I forgive you everything and

there is nothing to forgive.

PART VII.

ACT I.

The dog. You mean pale.

ACT II.

No we want dark brown.

ACT III.

I am tired of blue.

PART VIII.

ACT I.

Shall I wear my blue.

ACT II.

Do.

PART IX.

ACT I.

Thank you for the cow.

Thank you for the cow.

ACT II.

Thank you very much.

PART X.

ACT I.

Collecting her dresses.

ACT II.

Shall you be annoyed.

ACT III.

Not at all.

PART XI.

ACT I.

Can you be thankful.

ACT II.

For what.

ACT III.

For me.

PART XII.

ACT I.

I do not like this table.

ACT II.

I can understand that.

ACT III.

A feather.

ACT IV.

It weighs more than a feather.

PART XIII.

ACT I.

It is not tiring to count dresses.

PART XIV.

ACT I.

What is your belief.

PART XV.

ACT I.

In exchange for a table.

ACT II.

In exchange for or on a table.

ACT III.

We were satisfied.

PART XVI.

ACT I.

Can you say you like negro sculpture.

PART XVII.

ACT I.

The meaning of windows is air.

ACT II.

And a door.

ACT III.

A door should be closed.

PART XVIII.

ACT I.

Can you manage it.

ACT II.

You mean dresses.

ACT III.

Do I mean dresses.

PART XIX.

ACT I.

I mean one two three.

PART XX.

ACT I.

Can you spell quickly.

ACT II.

I can spell very quickly.

ACT III.

So can my sister-in-law.

ACT IV.

Can she.

PART XXI.

ACT I.

Have you any way of sitting.

ACT II.

You mean comfortably.

ACT III.

Naturally.

ACT IV.

I understand you.

PART XXII.

ACT I.

Are you afraid.

ACT II.

I am not any more afraid of water than they are.

ACT III.

Do not be insolent.

PART XXIII.

ACT I.

We need clothes.

ACT II.

And wool.

ACT III.

And gloves.

ACT IV.

And waterproofs.

PART XXIV.

ACT I.

Can you laugh at me.

ACT II.

And then say.

ACT III.

Married.

ACT IV.

Yes.

PART XXV.

ACT I.

Do you remember how he looked at clothes.

ACT II.

Do you remember what he said about wishing.

ACT III.

Do you remember all about it.

PART XXVI.

ACT I.

Oh yes.

ACT II.

You are stimulated.

ACT III.

And amused.

ACT IV.

We are.

PART XXVII.

ACT I.

What can I say that I am fond of.

ACT II.

I can see plenty of instances.

ACT III.

Can you.

PART XXVIII.

ACT I.

For that we will make an arrangement.

ACT II.

You mean some drawings.

ACT III.

Do I talk of art.

ACT IV.

All numbers are beautiful to me.

PART XXIX.

ACT I.

Of course they are.

ACT II.

Thursday.

ACT III.

We hope for Thursday.

ACT IV.

So do we.

PART XXX.

ACT I.

Was she angry.

ACT II.

Whom do you mean was she angry.

ACT III.

Was she angry with you.

PART XXXI.

ACT I.

Reflect more.

ACT II.

I do want a garden.

ACT III.

Do you.

ACT IV.

And clothes.

ACT V.

I do not mention clothes.

ACT VI.

No you didn't but I do.

ACT VII.

Yes I know that.

PART XXXII.

ACT I.

He is tiring.

ACT II.

He is not tiring.

ACT III.

No indeed.

ACT IV.

I can count them.

ACT V.

You do not misunderstand me.

ACT VI.

I misunderstand no one.

PART XXXIII.

ACT I.

Can you explain my wishes.

ACT II.

In the morning.

ACT III.

To me.

ACT IV.

Yes in there.

ACT V.

Then you do not explain.

ACT VI.

I do not press for an answer.

PART XXXIV.

ACT I.

Can you expect her today.

ACT II.

We saw a dress.

ACT III.

We saw a man.

ACT IV.

Sarcasm.

PART XXXV.

ACT I.

We can be proud of tomorrow.

ACT II.

And the vests.

ACT III.

And the doors.

ACT IV.

I always remember the roads.

PART XXXVI.

ACT I.

Can you speak English.

ACT II.

In London.

ACT III.

And here.

ACT IV.

With me.

PART XXXVII.

ACT I.

Count her dresses.

ACT II.

Collect her dresses.

ACT III.

Clean her dresses.

ACT IV.

Have the system.

PART XXXVIII.

ACT I.

She polished the table.

ACT II.

Count her dresses again.

ACT III.

When can you come.

ACT IV.

When can you come.

PART XXXIX.

ACT I.

Breathe for me.

ACT II.

I can say that.

ACT III.

It isn't funny.

ACT IV.

In the meantime.

PART XL.

ACT I.

Can you say.

ACT II.

What.

ACT III.

We have been told.

ACT IV.

Oh read that.

PART XLI.

ACT I.

I do not understand this home-coming.

ACT II.

In the evening.

ACT III.

Naturally.

ACT IV.

We have decided.

ACT V.

Indeed.

ACT VI.

If you wish.

I LIKE IT TO BE A PLAY

A PLAY

I liked it to be a play and so cleverly spoken.

Americans are very clever.

So are others.

Yes indeed.

And all men are brave.

Scene I.

Satisfy.

I like to satisfy them.

He likes purses.

You mean silver purses.

Yes gold purses.

Here they have other purses.

All of them are carried in a procession.

Every day.

Not all day.

The martyrs and red carnations.

You mean red geraniums.

No I mean red pinks.

Purses have that word.

Please me.

To please me.

Called me.

She expected a distress.

Daughters.

Or daughters.

The youngest as children

One's said.

Verdun.

We close.

Here.

Stables or motors.

Stables altogether.

Did we know anything about houses in Mallorca.

Geography and Plays · 第 1 / 12 章