CHAPTER III.

CELTS.

The name of Celt, which has long been given to hatchets, adzes,

or chisels of stone, is so well known and has been so universally

employed, that though its use has at times led to considerable

misapprehension, I have thought it best to retain it. It has been

fancied by some that the name bore reference to the Celtic people, by

whom the implements were supposed to have been made; and among those

who have thought fit to adopt the modern fashion of calling the Celts

“Kelts” there have been not a few who have given the instruments the

novel name of “kelts” also. In the same manner, many French antiquaries

have given the plural form of the word as _Celtæ_. Notwithstanding this

misapprehension, there can be no doubt as to the derivation of the

word, it being no other than the English form of the doubtful Latin

word _Celtis_ or _Celtes_, a chisel. This word, however, is curiously

enough almost an ἅπαξλεγόμενον in this sense, being best known

through the Vulgate translation of Job,[189] though it is repeated

in a forged inscription recorded by Gruter and Aldus.[190] The usual

derivation given is à _cælando_, and it is regarded as the equivalent

of _cælum_. The first use of the term that I have met with, as applied

to antiquities, is in Beger’s “Thesaurus Brandenburgicus,”[191] 1696,

where a bronze celt, adapted for insertion in its haft, is described

under the name of _Celtes_.

I have said that the word _celte_, which occurs in the Vulgate, is

|56| of doubtful authenticity. Mr. Knight Watson,[192] in a paper

communicated to the Society of Antiquaries, has shown that the reading

in many MSS. is _certe_, and the question has been fully discussed by

Mr. J. A. Picton,[193] Mr. E. Marshall,[194] Dr. M. Much,[195] and

others. K. v. Becker[196] suggests that the error in writing _celte_

for _certe_ originated between A.D. 800 and 1400, and he points out

that Conrad Pickel, the poet laureate, who died in 1508, latinized

his surname by _Celtes_. Treating the subject as one of probability,

it appears much more unlikely that a scribe should place a newfangled

word _celte_ in the place of such a well-known word as _certe_, than

that _certe_ should have been substituted for a word that had become

obsolete. I am, therefore, unwilling absolutely to condemn the word,

especially having regard to there being a recognized equivalent in

Latin, _Cælum_.

It has been suggested that there may originally have been some

connection between the Latin _celtis_ and the British or Welsh _cellt_,

a flint; but this seems rather an instance of fortuitous resemblance

than of affinity.[197] A Welsh triad says there are three hard things

in the world—_Maen Cellt_ (a flint stone), steel, and a miser’s heart.

The general form of stone celts is well known, being usually that of

blades, approaching an oval in section, with the sides more or less

straight, and one end broader and also sharper than the other. In

length they vary from about two inches to as much as sixteen inches. I

do not, however, propose to enter at once into any description of the

varieties in their form and character, but to pass in review some of

the opinions that have been held concerning their nature and origin.

One of the most universal of these is a belief, which may almost be

described as having been held “_semper_, _ubique et ab omnibus_,” in

their having been thunderbolts.

“The country folks[198] of the West of England still hold that the

‘thunder-axes’ they find, once fell from the sky.” In Cornwall[199]

they still have medical virtues assigned to them; the water in which

“a thunderbolt,” or celt, has been boiled being a specific |57| for

rheumatism. In the North of England, and in parts of Scotland, they are

known as thunderbolts,[200] and, like flint arrow-heads, are supposed

to have preservative virtues, especially against diseases of cattle.

In Ireland the same superstition prevails, and I have myself known an

instance where, on account of its healing powers, a stone celt was lent

among neighbours to place in the troughs from which cattle drank.

In the British Museum is a thin highly polished celt of jadeite,

reputed to be from Scotland, in form like Fig. 52, mounted in a silver

frame, and with a hole bored through it at either end. It is said to

have been attached to a belt and worn round the waist as a cure for

renal affections, against which the material nephrite was a sovereign

remedy.

In most parts of France,[201] and in the Channel Islands, the stone

celt is known by no other name than “_Coin de foudre_,” or “_Pierre de

tonnerre_”; and Mr. F. C. Lukis[202] gives an instance of a flint celt

having been found near the spot where a signal-staff had been struck

by lightning, which was proved to have been the bolt by its peculiar

smell when broken. M. Ed. Jacquard has written an interesting paper on

“Céraunies ou pierres de tonnerre.”[203]

In Brittany[204] a stone celt is frequently thrown into the well for

purifying the water or securing a continued supply; and in Savoy it is

not rare to find one of these instruments rolled up in the wool of the

sheep, or the hair of the goat, for good luck, or for the prevention of

the rot or putrid decay.

In Sweden[205] they are preserved as a protection against lightning,

being regarded as the stone-bolts that have fallen during thunderstorms.

In Norway they are known as Tonderkiler, and in Denmark the old name

for a celt was Torden-steen.[206] The test of their being really

thunderbolts was to tie a thread round them, and place them on hot

coals, when, if genuine, the thread was not burnt, but rather rendered

moist. Such celts promote sleep.

In Germany[207] both celts and perforated stone axes are regarded

|58| as thunderbolts (_Donnerkeile or Thorskeile_); and, on account

of their valuable properties, are sometimes preserved in families

for hundreds of years. I possess a specimen from North Germany, on

which is inscribed the date 1571, being probably the year in which

it was discovered. The curious perforated axe or hammer found early

in the last century, now preserved in the Museum of Antiquities at

Upsala,[208] seems to have been a family treasure of the same kind.

It bears upon it, in early Runes, an inscription thus interpreted by

Professor Stephens—“Owns Oltha this Axe.” Another, with four[209]

Runic characters upon it, was found in Denmark, and it has been

suggested that the letters on it represent the names of Loki, Thor,

Odin, and Belgthor.[210] The appearance of the American inscribed axe

from Pemberton,[211] New Jersey, described by my namesake, Dr. J. C.

Evans, and published by Sir Daniel Wilson, is not calculated to inspire

confidence in its authenticity.

The German belief is much the same as the Irish. Stone celts are held

to preserve from lightning the house in which they are kept. They

perspire when a storm is approaching; they are good for diseases of man

and beast; they increase the milk of cows; they assist the birth of

children; and powder scraped from them may be taken with advantage for

various childish disorders. It is usually nine days after their fall

before they are found on the surface.

In the ruins of a Cistercian nunnery, Martha’s Hof, at Bonn,[212] a

large polished celt of jadeite, like Fig. 52, was found, which had been

presumably brought there as a protection against lightning. It had been

placed in the roof of a granary.

In Bavaria[213] and Moravia[214] stone axes, whether perforated or not,

are regarded as thunderbolts.

In Holland,[215] in like manner, they are known as _donder-beitels_, or

thunder-chisels.

In Spain they are known as _rayos_ or _centellos_, and are regarded

as thunder-stones, while among the Portuguese[216] |59| and in

Brazil[217] the name for a stone axe-blade is _corisco_, or lightning.

In Italy[218] a similar belief that these stone implements are

thunderbolts prevails, and Moscardo[219] has figured two polished celts

as _Saette o Fulmini_; and in Greece[220] the stone celts are known as

_Astropelekia_, and have long been held in veneration.

About the year 1081 we find the Byzantine emperor, Alexius

Comnenus,[221] sending, among other presents, to the Emperor Henry III.

of Germany, ἀστροπέλεκυν δεδεμένον μετὰ χρυσαφίου, an expression which

appears to have puzzled Ducange and Gibbon, but which probably means

a celt of meteoric origin mounted in gold. About 1670[222] a stone

hatchet was brought from Turkey by the French Ambassador, and presented

to Prince François de Lorraine, bishop of Verdun. It still exists in

the Musée Lorrain at Nancy.

Nor is the belief in the meteoric and supernatural origin of celts

confined to Europe. Throughout a great part of Asia the same name of

thunderbolts or lightning-stones is applied to them. Dr. Tylor[223]

cites an interesting passage from a Chinese encyclopædia of the

seventeenth century respecting lightning-stones, some of which have the

shape of a hatchet.

In Japan[224] they are known as thunderbolts, or as the battle-axe of

Tengu,[225] the Guardian of Heaven. They are there of great use[226]

medicinally; in Java[227] they are known as lightning-teeth. The old

naturalist Rumph,[228] towards the end of the seventeenth century,

met with many such in Java and Amboyna, which he says were known as

“Dondersteenen.”

In Burma[229] and Assam[230] stone adzes are called lightning-stones,

and are said to be always to be found on the spot where a thunderbolt

has fallen, provided it is dug for, three years afterwards. When

reduced to powder they are an infallible specific |60| for ophthalmia.

They[231] also render those who carry them invulnerable, and possess

other valuable properties. The same is the case in[232] Cambodia.

Among the Malays[233] the idea of the celestial origin of these stones

generally prevails, though they are also supposed to have been used in

aërial combats between angels and demons[234]; while in China they are

revered as relics of long-deceased ancestors.

I am not aware whether they are regarded as thunderbolts in India,[235]

though a fragment of jade is held to be a preservative against

lightning.[236] Throughout the whole of Hindostan, however, they appear

to be venerated as sacred, and placed against the Mahadeos, or adorned

with red paint as Mahadeo.

It is the same in Western Africa.[237] Sir Richard Burton[238]

has described stone hatchets from the Gold Coast, which are there

regarded as “Thunder-stones.” Mr. Bowen, a missionary, states that

there also the stones, or thunderbolts, which Saugo, the Thunder god,

casts down from heaven, are preserved as sacred relics. Among the

Niam-Niam,[239] in central Africa, they are regarded as thunderbolts.

An instructive article by Richard Andrée on the place of prehistoric

stone weapons in vulgar beliefs will be found in the _Mittheilungen_

of the Anthropological Society of Vienna,[240] and an article[241] by

Dr. A. Bastian on “Stone Worship in Ethnography” in the _Archiv für

Anthropologie_.

[Illustration: Fig. 11.—Celt with Gnostic Inscription. (The upper

figure actual size, the lower enlarged.)]

The very remarkable celt of nephrite (now in the Christy collection),

procured in Egypt many years ago by Colonel Milner, and exhibited to

the Archæological Institute in 1868[242] by the late Sir Henry Lefroy,

F.R.S., affords another instance of the superstitions attaching to

these instruments, and has been the subject of a very interesting

memoir by the late Mr. C. W. King,[243] the well-known authority on

ancient gems. In this case both faces of the celt have been engraved

with gnostic inscriptions in Greek, arranged on one |61| face in the

form of a wreath; and it was doubtless regarded as in itself possessed

of mystic power, by some Greek of Alexandria, where it seems to have

been engraved. It is shown in Fig. 11, here reproduced from the

_Archæological Journal_. Another celt not from Egypt, but from Greece

proper, |62| with three personages and a Greek inscription engraved

upon it, is mentioned by Mortillet.[244] It seems to reproduce a

Mithraic[245] scene. A perforated axe, with a Chaldæan[246] inscription

upon it, is in the Borgia collection, and has been figured and

described by Lenormant.

Curiously enough, the hatchet appears in ancient times to have had

some sacred importance among the Greeks. It was from a hatchet that,

according to Plutarch,[247] Jupiter Labrandeus received that title; and

M. de Longpérier[248] has pointed out a passage, from which it appears

that Bacchus was in one instance, at all events, worshipped under

the form of a hatchet, or πέλεκυς. He has also published a Chaldæan

cylinder on which a priest is represented as making an offering to a

hatchet placed upright on a throne, and has shown that the Egyptian

hieroglyph for _Nouter_, God, is simply the figure of an axe.

In India the hammer was the attribute of the god Indra[249] as

Vágrâkarti. A similar worship appears to have prevailed in the North.

Saxo Grammaticus mentions that the Danish prince Magnus Nilsson, after

a successful expedition against the Goths, brought back among his

trophies some Thor’s hammers, “malleos joviales,” of unusual weight,

which had been objects of veneration in an island in which he had

destroyed a temple. In Brittany the figures of stone celts are in

several instances engraved on the large stones of chambered tumuli and

dolmens.

There are two[250] deductions which may readily be drawn from the facts

just stated; first, that in nearly, if not, indeed, all parts of the

globe which are now civilized, there was a period when the use of stone

implements prevailed; and, secondly, that this period is so remote,

that what were then the common implements of every-day life have now

for centuries been regarded with superstitious reverence, or as being

in some sense of celestial origin, and not the work of man’s hands.

Nor was such a belief even in Europe, and in comparatively modern

times, confined to the uneducated. On the contrary, Mercati,[251]

physician to Clement VIII., at the end of the sixteenth |63| century,

appears to have been the first to maintain that what were regarded as

thunderbolts were the arms of a primitive people unacquainted with the

use of bronze or iron. Helwing[252] at Königsberg in 1717 showed the

artificial character of the so-called thunderbolts, and in France, De

Jussieu in 1723, and Mahudel,[253] about 1734, reproduced Mercati’s

view to the Académie des Inscriptions. In our own country, Dr. Plot,

in his “History of Staffordshire”[254] (1686), also recognized the

true character of these relics; and, citing an axe of stone made of

speckled flint ground to an edge, says that either the Britons or

Romans, or both, made use of such axes; and adds that “how they might

be fastened to a helve may be seen in the Museum Ashmoleanum, where

there are several Indian ones of the like kind fitted up in the same

order as when formerly used.” Dr. Plot’s views were not, however,

accepted by all his countrymen, for in the _Philosophical Transactions

of the Royal Society_,[255] we find Dr. Lister regarding unmistakeable

stone weapons as having been fashioned naturally and without any

artifice. Some of the old German[256] authors have written long

dissertations about these stone hatchets and axes under the name of

Cerauniæ, and given representations of various forms, which were known

as _Malleus fulmineus_, _Cuneus fulminis_, Donnerstein, Strahlhammer,

&c. Aldrovandus says that these stones are usually about five inches

long and three wide, of a substance like flint, some so hard that a

file will not touch them. About the centre of gravity of the stone is

usually a hole an inch in diameter, quite round. They all imitate in

form a hammer, a wedge, or an axe, or some such instrument, with a hole

to receive a haft, so that some think them not to be thunderbolts, but

iron implements petrified by time. But many explode such an opinion,

and relate how such stones have been found under trees and houses

struck by lightning; and assert that trustworthy persons were present,

and saw them dug out, after the lightning had struck.[257] Kentmann

informs us how, in the month of May, 1561, there was dug out at Torgau

such a bolt projected by |64| thunder. It was five inches long, and

of a stone harder than basalt, which in some parts of Germany was

used instead of anvils. He also relates how near Jülich another stone

was driven by thunder through an enormous oak, and was then dug up.

Aldrovandus gives a highly philosophical view as to the formation of

these stones. He regards them as due to an admixture of a certain

exhalation of thunder and lightning with metallic matter, chiefly

in dark clouds, which is coagulated by the circumfused moisture and

conglutinated into a mass (like flour with water), and subsequently

indurated by heat, like a brick.

Georgius[258] Agricola draws a distinction between the _Brontia_ and

the _Ceraunia_. The former, he says, is like the head of a tortoise,

but has stripes upon it, the latter is smooth and without stripes. The

_Brontia_ seems to be a fossil echinus, and the _Ceraunia_ a stone

celt, but both are thunderbolts. Going a little further back, we find

Marbodæus,[259] Bishop of Rennes, who died in the year 1123, and who

wrote a metrical work concerning gems, ascribing the following origin

and virtues to the _Ceraunius_:——

“Ventorum rabie cum turbidus æstuat äer,

Cum tonat horrendum, cum fulgurat igneus æther,

Nubibus elisus cœlo cadit ille lapillus.

Cujus apud Græcos extat de fulmine nomen:

Illis quippe locis, quos constat fulmine tactos,

Iste lapis tantum reperiri posse putatur,

Unde κεράυνιος est Græco sermone vocatus:

Nam quod nos fulmen, Græci dixere κεραυνὸν.

Qui caste gerit hune à fulmine non ferietur,

Nec domus aut villæ, quibus affuerit lapis ille:

Sed neque navigio per flumina vel mare vectus,

Turbine mergetur, nec fulmine percutietur:

Ad causas etiam, vincendaque prælia prodest,

Et dulces somnos, et dulcia somnia præstat.”

It was not, however, purely from the belief of his own day that

Marbodæus derived this catalogue of the virtues of the Cerauniæ,

but from the pages of writers of a much earlier date. Pliny,[260]

giving an account of the precious stones known as Cerauniæ, quotes

an earlier author still, Sotacus, who, to use the words of Philemon

Holland’s translation, “hath set downe two kinds more of Ceraunia, to

wit, the blacke and the red, saying that they do resemble halberds

or axeheads. And by his saying, the blacke, |65| such especially as

bee round withall, are endued with this vertue, that by the meanes

of them, cities may be forced, and whole navies at sea discomfited;

and these (forsooth) be called[261] Betuli, whereas the long ones be

named properly Cerauniæ.” Pliny goes on to say, “that there is one

more Ceraunia yet, but very geason[262] it is, and hard to be found,

which the Parthian magicians set much store by, and they only can find

it, for that it is no where to bee had than in a place which hath

been shot with a thunderbolt.” There is a very remarkable passage in

Suetonius[263] illustrative of this belief among the Romans. After

relating one prodigy, which was interpreted as significant of the

accession of Galba to the purple, he records that, “shortly afterwards

lightning fell in a lake in Cantabria and twelve axes were found, a

by no means ambiguous omen of Empire.” The twelve axes were regarded

as referring to those of the twelve lictors, and were therefore

portentous; but their being found where the lightning fell would seem

to have been considered a natural occurrence, except so far as related

to the number. It appears by no means improbable that if the lake could

be now identified, some ancient pile settlement might be found to have

existed on its shores.

The exact period when Sotacus, the most ancient of these authorities,

wrote is not known, but he was among the earliest of Greek authors who

treated of stones, and is cited by Apollonius Dyscolus, and Solinus,

as well as by Pliny. We cannot be far wrong in assigning him to an age

at least two thousand years before our time, and yet at that remote

period the use of these stone “halberds or axeheads” had so long ceased

in Greece, that when found they were regarded as of superhuman origin

and invested with magical virtues. We have already seen that flint

arrow-heads were mounted, probably as charms, in Etruscan necklaces,

and we shall subsequently see that superstitions, almost similar to

those relating to celts, have been attached to stone arrow-heads in

various countries.

To return from the superstitious veneration attaching to them, to

the objects themselves. The materials[264] of which celts in Great

Britain are usually formed are flint, chert, clay-slate, porphyry, |66|

quartzite, felstone, serpentine, and various kinds of greenstone,

and of metamorphic rocks. M. A. Damour,[265] in his “Essays on the

Composition of Stone Hatchets, Ancient and Modern,” gives the following

list of materials: quartz, agate, flint, jasper, obsidian, fibrolite,

jade, jadeite, chloromelanite, amphibolite, aphanite, diorite,

saussurite, and staurotide; but even to these many other varieties of

rock might be added.

The material most commonly in use in the southern and eastern parts of

Britain was flint derived from the chalk; in the north and west, on the

contrary, owing to the scarcity of flint, different hard metamorphic

and eruptive rocks were more frequently employed, not on account of any

superior qualities, but simply from being more accessible. So far as

general character is concerned, stone celts or hatchets may be divided

into three classes, which I propose to treat separately, as follows:—

1. Those merely chipped out in a more or less careful manner, and not

ground or polished;

2. Those which, after being fashioned by chipping, have been ground or

polished at the edge only; and

3. Those which are more or less ground or polished, not only at the

edge, but over the whole surface.

In describing them I propose to term the end opposite to the cutting

edge, the butt-end; the two principal surfaces, which are usually

convex, I shall speak of as the faces. These are either bounded by, or

merge in, what I shall call the sides, according as these sides are

sharp, rounded, or flat. In the figures the celts are all engraved on

the scale of half an inch to the inch, or half linear measure, and are

presented in front and side-view, with a section beneath.

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The Ancient Stone Implements, Weapons and Ornaments, of Great Britain Second Edition, Revised · 第 3 / 30 章