This eBook was produced by David Widger
THE RIGHT OF WAY
By Gilbert Parker
Volume 4.
XXIX. THE WILD RIDE
XXX. ROSALIE WARNS CHARLEY
XXXI. CHARLEY STANDS AT BAY
XXXII. JO PORTUGAIS TELLS A STORY
XXXIII. THE EDGE OF LIFE
XXXIV. IN AMBUSH
XXXV. THE COMING OF MAXIMILIAN COUR AND ANOTHER
XXXVI. BARRIERS SWEPT AWAY
XXXVII. THE CHALLENGE OF PAULETTE DUBOIS
XXXVIII. THE CURE AND THE SEIGNEUR VISIT THE TAILOR
XXXIX. THE SCARLET WOMAN
XL. AS IT WAS IN THE BEGINNING
CHAPTER XXIX
THE WILD RIDE
There had been a fierce thunder-storm in the valley of the Chaudiere. It
had come suddenly from the east, had shrieked over the village, levelling
fences, carrying away small bridges, and ending in a pelting hail, which
whitened the ground with pebbles of ice. It had swept up to Vadrome
Mountain, and had marched furiously through the forest, carrying down
hundreds of trees, drowning the roars of wild animals and the crying and
fluttering of birds. One hour of ravage and rage, and then, spent and
bodiless, the storm crept down the other side of the mountain and into
the next parish, whither the affrighted quack-doctor had betaken himself.
After, a perfect calm, a shining sun, and a sweet smell over all the
land, which had thirstily drunk the battering showers.
In the house on Vadrome Mountain the tailor of Chaudiere had watched the
storm with sympathetic interest. It was in accord with his own feelings.
He had had a hard fight for months past, and had gone down in the storm
of his emotions one night when a song called Champagne Charlie had had a
weird and thrilling antiphonal. There had been a subsequent debacle for
himself, and then a revelation concerning Jo Portugais. Ensued hours and
days, wherein he had fought a desperate fight with the present--with
himself and the reaction from his dangerous debauch.
The battle for his life had been fought for him by this gloomy woodsman
who henceforth represented his past, was bound to him by a measureless
gratitude, almost a sacrament--of the damned. Of himself he had played
no conscious part in it till the worst was over. On the one side was the
Cure, patient, gentle, friendly, never pushing forward the Faith which
the good man dreamed should give him refuge and peace; on the other side
was the murderer, who typified unrest, secretiveness, an awful isolation,
and a remorse which had never been put into words or acts of restitution.
For six days the tailor-shop and the life at Chaudiere had been things
almost apart from his consciousness. Ever-recurring memories of Rosalie
Evanturel were driven from his mind with a painful persistence. In the
shadows where his nature dwelt now he would not allow her good innocence
and truth to enter. His self-reproach was the more poignant because it
was silent.
Watching the tempest-swept valley, the tortured forest, where wild life
was in panic, there came upon him the old impulse to put his thoughts
into words, "and so be rid of them," as he was wont to say in other days.
Taking from his pocket some slips of paper, he laid them on the table
before him. Three or four times he leaned over the paper to write, but
the noise of the storm again and again drew his look to the window. The
tempest ceased almost as suddenly as it had come, and, as the first
sunlight broke through the flying clouds, he mechanically lifted a sheet
of the paper and held it up to the light. It brought to his eyes the
large water-mark, Kathleen!
A sombre look passed over his face, he shifted in his chair, then bent
over the paper and began to write. Words flowed from his pen. The lines
of his face relaxed, his eyes lightened; he was lost in a dream. He
thought of the present, and he wrote:
"Wave walls to seaward,
Storm-clouds to leeward,
Beaten and blown by the winds of the West;
Sail we encumbered
Past isles unnumbered,
But never to greet the green island of Rest."
He thought of Father Loisel. He had seen the good man's lips tremble at
some materialistic words he had once used in their many talks, and he
wrote:
"Lips that now tremble,
Do you dissemble
When you deny that the human is best?--
Love, the evangel,
Finds the Archangel?
Is that a truth when this may be a jest?
"Star-drifts that glimmer
Dimmer and dimmer,
What do ye know of my weal or my woe?
Was I born under
The sun or the thunder?
What do I come from? and where do I go?
"Rest, shall it ever
Come? Is endeavour
But a vain twining and twisting of cords?
Is faith but treason;
Reason, unreason,
But a mechanical weaving of words?"
He thought of Louis Trudel, in his grave, and his own questioning: "Show
me a sign from Heaven, tailorman!" and he wrote:
"What is the token,
Ever unbroken,
Swept down the spaces of querulous years,
Weeping or singing
That the Beginning
Of all things is with us, and sees us, and hears?"
He made an involuntary motion of his hand to his breast, where old Louis
Trudel had set a sign. So long as he lived, it must be there to read:
a shining smooth scar of excoriation, a sacred sign of the faith he had
never been able to accept; of which he had never, indeed, been able to
think, so distant had been his soul, until, against his will, his heart
had answered to the revealing call in a woman's eyes. He felt her
fingers touch his breast as they did that night the iron seared him; and
out of this first intimacy of his soul he wrote:
"What is the token?
Bruised and broken,
Bend I my life to a blossoming rod?
Shall then the worst things
Come to the first things,
Finding the best of all, last of all, God?"
Like the cry of his "Aphrodite," written that last afternoon of the old
life, this plaint ended with the same restless, unceasing question. But
there was a difference. There was no longer the material, distant note
of a pagan mind; there was the intimate, spiritual note of a mind finding
a foothold on the submerged causeway of life and time.
As he folded up the paper to put it into his pocket, Jo Portugais entered
the room. He threw in a corner the wet bag which had protected his
shoulders from the rain, hung his hat on a peg of the chimney-piece,
nodded to Charley, and put a kettle on the little fire.
"A big storm, M'sieu'," Jo said presently as he put some tea into a pot.
"I have never seen a great storm in a forest before," answered Charley,
and came nearer to the window through which the bright sun streamed.
"It always does me good," said Jo. "Every bird and beast is awake and
afraid and trying to hide, and the trees fall, and the roar of it like
the roar of the chasse-galerie on the Kimash River."
"The Kimash River--where is it?"
Jo shrugged his shoulders. "Who knows!"
"Is it a legend, then?"
"It is a river."
"And the chasse-galerie?"
"That is true, M'sieu', no matter what any one thinks. I know; I have
seen--I have seen with my own eyes." Jo was excited now.
"I am listening." He took a cup of tea from Portugais and drank eagerly.
"The Kimash River, M'sieu', that is the river in the air. On it is the
chasse-galerie. You sell your soul to the devil; you ask him to help
you; you deny God. You get into a canoe and call on the devil. You are
lifted up, canoe and all, and you rush on down rapids, over falls, on the
Kimash River in the air. The devil stands behind you and shouts, and you
sing, 'V'la! l'bon vent! V'la l'joli vent!' On and on you go, faster and
faster, and you forget the world, and you forget yourself, and the devil
is with you in the air--in the chasse-galerie on the Kimash River."
"Jo," said Charley Steele, "do you honestly think there's a river like
that?"
'M'sieu', I know it. I saw Ignace Latoile, who robbed a priest and got
drunk on the communion wine--I saw him with the devil in the Black Canoe
at the Saguenay. I could see Ignace; I could see the devil; I could see
the Kimash River. I shall ride myself some day.
"Ride where?"
"What does it matter where?"
"Why should you ride?"
"Because you ride fast with the devil."
"What is the good of riding fast?"
"In the rush a man forget."
"What does he forget, my friend?"
There was a pause, in which a man with a load of crime upon his soul
dwelt upon the words my friend, coming from the lips of one who knew the
fulness of his iniquity. Then he answered:
"In the noise he forget that a voice is calling in his ear, 'You did It!'
He forget what he see in his dreams. He forget the hand that touch him
on the arm when he walk in the woods alone, or lie down to sleep at
night, no one near. He forget that some one wait--wait--wait, till he
has suffer long enough, or till, one day, he think he is happy again, and
the Thing he did is far off like a dream--to drag him out to the death he
did not die. He forget that he is alone--all alone in the world, for
ever and ever and ever."
He suddenly sank upon the floor beside Charley, and a groan burst from
his lips. "To have no friend--ah, it is so awful!" he said. "Never to
see a face that look into yours, and know how bad are you, and doesn't
mind. For five years I have live like that. I cannot let any one be my
friend because I was that! They seem to know--everything, everybody--
what I am. The little children when I pass them run away to hide. I
have wake in the night and cry out in fear, it is so lonely. I have hear
voices round me in the woods, and I run and run and run from them, and
not leave them behind. Three times I go to the jails in Quebec to see
the prisoners behind the bars, and watch the pains on their faces, to
understand what I escape. Five times have I go to the courts to listen
to murderers tried, and watch them when the Jury say Guilty! and the
Judge send them to death--that I might know. Twice have I go to see
murderers hung. Once I was helper to the hangman, that I might hear and
know what the man said, what he felt. When the arms were bound, I felt
the straps on my own; when the cap come down, I gasp for breath; when the
bolt is shot, I feel the wrench and the choke, and shudder go through
myself--feel the world jerk out in the dark. When the body is bundled in
the pit, I see myself lie still under the quick-lime with the red mark
round my throat."
Charley touched him on the shoulder. "Jo--poor Jo, my friend!" he said.
Jo raised his eyes, red with an unnatural fire, deep with gratitude.
"As I sit at my dinner, with the sun shining and the woods green and
glad, and all the world gay, I have see what happened all over again.
I have see his strong hands; his bad face laugh at my words; I have see
him raise his riding-whip and cut me across the head. I have see him
stagger and fall from the blows I give him with the knife--the knife
which never was found--why, I not know, for I throw it on the ground
beside him! There, as I sit in the open day, a thousand times I have see
him shiver and fall, staring, staring at me as if he see a dreadful
thing. Then I stand up again and strike at him--at his ghost!--as I did
that day in the woods. Again I see him lie in his blood, straight and
white--so large, so handsome, so still! I have shed tears--but what are
tears! Blind with tears I have call out for the devils of hell to take
me with them. I have call on God to give me death. I have prayed, and I
have cursed. Twice I have travelled to the grave where he lies. I have
knelt there and have beg him to tell the truth to God, and say that he
torture me till I kill him. I have beg him to forgive me and to haunt me
no more with his bad face. But never--never--never--have I one quiet
hour until you come, M'sieu'; nor any joy in my heart till I tell you the
black truth--M'sieu'! M'sieu!"
He buried his face between Charley's feet, and held them with his hands.
Charley laid a hand on the shaggy head as though it were that of a child.
"Be still--be still, Jo," he said gently.
Since that night of St. Jean Baptiste's festival, no word of the past,
of the time when Charley turned aside the revanche of justice from a man
called Joseph Nadeau, had been spoken between them. Out of the delirium
of his drunken trance had come Charley's recognition of the man he knew
now as Jo Portugais. But the recognition had been sent again into the
obscurity whence it came, and had not been mentioned since. To outward
seeming they had gone on as before. As Charley saw the knotted brows,
the staring eyes, the clinched hands, the figure of the woodsman rigid in
its agony of remorse, he said to himself: "What right had I to save this
man's life? To have paid for his crime would have been easier for him.
I knew he was guilty. Perhaps it was my duty to see that every
condition, to the last shade of the law, was satisfied, but was it
justice to the poor devil himself? There he sits with a load on him that
weighs him down every hour of his life. I called him back; I gave him
life; but I gave him memory and remorse, and the ghosts that haunt him:
the voice in his ear, the touch on his arm, the some one that is
'waiting--waiting--waiting!' That is what I did, and that is what the
brother of the Cure did for me. He drew me back. He knew I was a
drunkard, but he drew me back. I might have been a murderer like
Portugais. The world says I was a thief, and a thief I am until I prove
to the world I am innocent--and wreck three lives! How much of Jo's
guilt is guilt? How much remorse should a man suffer to pay the debt of
a life? If the law is an eye for an eye and a tooth for a tooth, how
much hourly remorse and torture, such as Jo's, should balance the eye or
the tooth or the life? I wonder, now!"
He leaned over, and, helping Jo to his feet, gently forced him down upon
a bench near. "All right, Jo, my friend," he said. "I understand.
We'll drink the gall together."
They sat and looked at each other in silence.
At length Charley leaned over and touched Jo on the shoulder.
"Why did you want to save yourself?" he said.
At that instant there was a knock at the door, and a voice said:
"Monsieur!--Monsieur!"
Jo sprang to his feet with a sharp exclamation, then went heavily to the
door and threw it open.