NO. III.--THE PORTER.

I had intended to have written, this week about "Loggosh"--including

that mysterious canvass hand-box which contains all that a foreigner

cares to carry about with him by day, and often pillows him when

travelling by night; but the very mention of luggage brings me back

to the Porter. I abominate him. I am "one who has suffered." So here

goes!

"Imposing," best describes the Hôtel porter; a very Grand Hôtel has

at least two of these impositions--the House Porter and the Omnibus

Porter. The latter you only see twice in your Hôtel existence, but he

is the most futile and the deadliest fraud of the two.

This Porter is part and parcel of that horrible deep-red-plush

nuisance, the Hôtel-omnibus. He and it are inseparables, and make up

a sort of Centaur between them. Once outside the Railway-station, I

am besieged by a babel of these Porter-omnibuses--"Bear Hôtel, Sor;"

"Grand Hôtel, Sor!"--This, from a very dilapidated specimen, which,

on inspection, turns out to be "Grand Hôtel Du Lac;" a pirate

porter-omnibus in fact; at last I find _The_ Grand Hôtel vehicle, and

functionary. The latter is of gigantic stature; quite a "chucker-out;"

in a uniform between that of a German bandsman and a Salvation

Captain--"Certinly, Sar. Dis Grand Hôtel; I see your Loggosh, Sar; gif

me se empfangschein." "Do you speak English?" I retort.--"Certinly;

spik Ingleese--empfangschein!"--"Empfangschein" baffles me, and I

am about to hand my keys to the monster, when a good-natured Courier

explains that it signifies the luggage-receipt.

Away ambles the Porter, leaving me with that orphaned sort of feeling

which a luggageless Englishman experiences; it is pouring cats and

dogs; I am dead beat; I creep into the dark omnibus. I find myself

quite alone. I wait impatiently--a quarter of an hour--twenty-five

minutes--still no Porter; I am famished; to distract myself, I

peer through the door, whence I can discern the messy vista of the

railway-station in the rain; it's lucky I do so; for there I behold my

own portmanteau, with its huge purple stripe, being hauled away on the

back of a railway-man, followed by an alien Hôtel Porter, _not mine_,

doing nothing: they are always doing nothing. To rush out indignantly,

seize my box, defy the brigands, and carry it back myself, seemed

the work of an instant. Drenched and gasping, I find myself once

more outside; the Porter of the Grand Hôtel Du Lac is at my heels,

furious and impertinent. "Dis, _not_ your loggosh: other shentleman's

loggosh." He seized the portmanteau, and a struggle would certainly

have ensued, when my own Hôtel Porter appeared on the scene

triumphant, with a regiment of station-men carrying one small tin box.

"What you do, Sar; see _here_, your loggosh!" The tin box belonged to

a commercial-traveller, who was bound for the Hôtel Du Lac.

I am too exhausted to curse, and leave the rival Porters to fight it

out themselves, after paying off the ragged regiment of Station-men.

On the drive to the Hôtel, the Porter tries to propitiate me.

"Pity shentlemans like you, Sar, fetch de loggosh. I tell you, better

leave it to me, Sar. You see, _I_ get your loggosh. Dat bizley Porter

of De Hôtel Du Lac, he change de empfangschein; but I sweep it from

him, and bring to de 'Bus"--"'Bus" was good--and then he laughed!

[Illustration: "Pity shentlemans like you, Sar, retchistar de

loggosh."]

I never saw the brute again until the time of my departure; I had

taken a carriage to the Station this time, thinking thereby to avoid

the Porter-omnibus. I had registered my traps myself, and was looking

out for some one to carry them to the den in which you are penned till

the train arrives, when, lo! the chucker-out! smiling and bowing as if

he had never seen me before--"Is better I retchistar de loggosh, Sar;

pity shentlemans like you, Sar, retchistar de loggosh."

I turn on my heel with an imprecation which "Ingleese-spikers"

understand. But he still waits there, smiling, and expecting to be

tipped, Let him wait. So much for the Omnibus-Porter--at once the Gamp

and Undertaker of my Grand Hôtel existence.

The House-Porter is of equal size, and equal uselessness. He sits

in the hall, and always rises and salutes when you pass. If you want

anything, he waits till you have got it, and then offers to procure

it for you. If you ask to be called early, he chalks something on a

slate, and you are safe not to be disturbed until you rise in your

wrath and ring violently. Should you be in a town, and wish to secure

theatre-tickets, he becomes more active; he implores you not to resort

to "De Boxing Office, vare you pay premiums, you see;" but he has one

or two left for sale. Should you be weak enough to yield, you will

find that the worst seats at the highest prices are yours; and, if you

remonstrate next day, he will sigh wearily, and remark,--"Is acheslant

places, Sar; but was Gala Night, you see,"--an enigma, which those who

run may read. He is always offering to do something, and doing _you_

instead. He is absolutely unnecessary, for there is seldom anyone in a

Grand Hôtel to "chuck out," and this would be his only justification.

* * * * *

Punch, or the London Charivari, Volume 103, September 17, 1892 · 第 6 / 28 题