CHAPTER XI

THE SPINSTER’S EVIDENCE

“That matter can easily be settled,” Cray said, and going to the door he

asked Mrs. Adams to send Miss Bascom to them.

With an important air the spinster entered the room.

Holding herself very erect and even drawing aside her skirts as she

passed Miss Austin, she took a seat on the other side of the room.

“Now, Miss Bascom,” Cray began at once, “what made you think of looking

in this lady’s bureau drawer for that money?”

“I didn’t look for it, Mr. Cray. I merely felt that she had done wrong

and I thought perhaps some evidence would be hidden away in her room. And

a top drawer is the place a woman oftenest hides things.”

Cray gave a short laugh. “Rather clever of you, I admit. But Miss Austin

says she did not put that money there, herself—that it was a plant.”

“A plant?” Miss Bascom looked puzzled at the word.

“Yes; she thinks some in-disposed person put it there to implicate her,

falsely.”

“Oh, I see. Well, Mr. Cray, let her say who did it, and who could have

got that money to do it with.”

The hard old face took on a look that was almost malignant in its

accusation, and little Anita Austin gave a low cry as she saw it, and hid

her face in her hands.

“Take her away,” she moaned, “oh, take that woman away.”

“You hear her,” Miss Bascom went on, unrelentingly. “Now, Mr. Cray, I’m a

bit of a detective myself, and while you’ve been down here talking to

Miss Mystery, I’ve been searching her room more carefully, and I’ve found

a few more things, of which I should like to tell you.”

Cray was nonplused. His sympathies were all with the poor little girl,

who, clinging to the arms of her chair, seemed about to go to pieces,

nervously, but was bravely holding on to herself. Yet, if the Bascom

woman was telling the truth, he must beware of the “poor little girl.”

“I’m not sure you’re within your rights, Miss Bascom,” he began, but he

was interrupted with:

“Rights! Indeed, the rights of this matter are above your jurisdiction!

The blood of John Waring calls from the ground! I am the instrument of

justice that has been chosen by an over-ruling Providence to discover the

criminal. She sits before you! That girl—that mysterious wicked girl is

both thief and murderess!”

“Oh, no!” Anita cried, putting up her arm as if to ward off a physical

blow.

Then she suddenly became quiet—almost rigid in her composure.

“That is a grave accusation, Miss Bascom,” she said, “you must prove it

or retract it.”

Cray stared at the girl in astonishment. Her agonized cry had been human,

feminine, natural—but this sudden change to stony calm, to icy hauteur

was amazing—and, to his mind, incriminating.

Miss Bascom, however, was in no way daunted.

“Prove it I will!” she said, sternly. “In another drawer, Mr. Cray, I

found the rolls of silver coin—exactly one hundred dollars worth—that we

have been told were in the desk with the roll of bills. The ruby pin, you

know about. And so, these thefts are proved. Now, as to the murder—I

admit, it seems impossible that a girl should commit the awful crime—but

I do say that I have found the weapon, with which it was done, hidden in

Miss Austin’s room.”

Again that short, low cry—more like a hurt animal than a human being. And

then, Anita Austin, the girl of mystery fell back into the depths of her

chair, and closed her eyes.

“You needn’t faint—or pretend to,” admonished Miss Bascom, brutally;

“you’re caught red-handed, and you know it, and you may as well give up.”

“I didn’t—I didn’t—” came in low moans, but the girl’s bravery had

deserted her. Limp and despairing, she turned her great eyes toward Cray

for help.

With an effort, he looked away from her pleading face, and said:

“What is the weapon? Where did you find it?”

“It is a stiletto—an embroidery stiletto—and I found it tucked down in

the crevice between the back and seat of a stuffed chair in Miss Austin’s

room. Did you put it there?”

She turned on the girl and fired the question at her with intentional

suddenness, and though Anita uttered a scared, “No,” it was a palpable

untruth.

“She did,” Miss Bascom went on. “You can see for yourself, Mr. Cray, she

is lying.”

“But even if she is, Miss Bascom, I must ask you to cease torturing her!

I can’t stand for such cruelty!”

Cray’s manhood revolted at the methods of the older woman who was causing

such anguish to the poor child she accused.

“You are not a legal inquisitor, Miss Bascom,” he went on; “it is for me

to establish the truth or falsity of your suspicions.”

“Yes, you! You’re like all the other men! If a girl is pretty and

alluring, you would believe her statement that white is black!”

“I believe no statements that cannot be proved to my satisfaction. Miss

Austin, do you own an embroidery stiletto?”

“Yes,” was the hesitating answer, and the dark eyes swept him a

beseeching glance that made Miss Bascom fairly snort with scorn.

“Where is it?”

“I—I fear I must admit that it is just where Miss Bascom says it

is—unless she has removed it. Tell me, Mr. Cray,” and Miss Mystery

suddenly resumed her most independent air, “must I submit to this? I

thought accused people were entitled to a—oh, you know, counsel—a lawyer,

or somebody to take care of them.”

“Wait, Miss Austin. You’re not accused yet—that is, not by legal

authority.”

“Oh, am I not? Then—” and she gave Miss Bascom a glance of unutterable

scorn, “I have nothing to say.”

“Nothing to say!” the spinster almost shrieked. “Nothing to say! Of

course she hasn’t! She kills a man, takes his valuables, and then

declares she has nothing to say.”

“Now, now, Miss Bascom, be careful! Why did you put your stiletto in such

a place, Miss Austin?”

“I don’t know.”

The dark eyes gave him a gaze of childlike innocence, and Cray couldn’t

decide whether he was looking at a deep-dyed criminal or a helpless

victim of unjust suspicion.

“And where did you get the money and the ruby pin?”

“I don’t know—I mean I don’t know how they got in my room. This lady says

she found them there—that’s all I know about them.”

An indifferent shrug of the slim shoulders seemed to imply that was all

Miss Mystery cared, either, and Cray asked:

“Then, if the valuables—the pin and the money are not yours, you are, of

course, ready to relinquish possession of them.”

“Of course I am not! Since I am accused of stealing them, I propose to

retain possession until that accusation is proved or disproved! Perhaps

Miss Bascom wishes to take them herself.”

“You know, Miss Austin,” Mr. Cray spoke very gravely, “you are making a

mistake in treating this matter flippantly. You are in danger—real

danger, and you must be careful what you say. Do you want a lawyer?”

“I don’t know,” the girl suddenly looked helpless. “Do you think I ought

to have one?”

“Have you funds?”

“Yes. I am not a rich girl—but, neither am I poor. However, I think I

shall ask advice of some one before I decide upon any course.”

“Of whom? Perhaps no one can advise you better than I can.”

“What is your advice, Mr. Cray?”

The sweet face looked at him hopefully, the curved red lips quivered a

little as the speaker added, “I am very alone.”

Again Miss Bascom sniffed. Unattractive, herself, she resented with a

sort of angry jealousy the appealing effect this girl had on men. She

knew intuitively that Cray would sympathize with and pity the lonely

girl.

“My advice is, Miss Austin, first, that you dispel this mystery that

seems to surround you. Tell frankly who you are, what is your errand in

Corinth, how you came into possession of Doctor Waring’s ruby, and why

you hid your stiletto, if it is merely one of your sewing implements.”

Miss Mystery hesitated a moment, and then said, quietly:

“Your advice is good, Mr. Cray. But, unfortunately, I cannot follow it.

However, I am willing to state, upon oath, that I did not kill Doctor

Waring with that stiletto.”

“I’m afraid your oath will be doubted,” Miss Bascom intervened sharply.

“And, too, Mr. Cray, even if this girl did not strike the fatal blow, she

well knows who did! She is in league with the Japanese, Nogi. That I am

sure of!”

“Nogi!” exclaimed Anita.

“Yes, Nogi,” Miss Bascom went on, positively. “You came here only a day

or two after he did. You have a Japanese kimono, and several Japanese

ornaments adorn your room. You went to the Waring house that night, Nogi

let you in and out, and though the Japanese doubtless committed the

murder, you stole the money and the ruby, and then, your partner in crime

departed for parts unknown.”

Miss Bascom sat back in her chair with a look of triumph on her plain,

gaunt face.

Clearly, she was rejoiced at her denunciation of the girl before her, and

pleased at the irrefutable theory she had promulgated.

“And how did Miss Austin or the Jap, either, leave the room locked on the

inside?” propounded Cray, his own opinions already swayed by the

arraignment.

“That,” said Miss Bascom, with an air of finality, “I can’t explain

definitely, but I am sure it was an example of Japanese jugglery. When

you remember the tales of how the Japanese can do seemingly impossible

tricks, can swallow swords and get out of locked handcuffs, it is quite

within the realm of possibility that one could lock a door behind him,

and give it the appearance of having been locked from the inside.”

Now, Cray had already concluded that the door had been cleverly locked by

some one, but he hadn’t before thought of the cleverness of the Japanese.

He rose almost abruptly, and said, “I must look into some of these

matters. Miss Austin, you need not attempt to leave town, for you will

not be able to do so.”

“I most certainly shall not attempt to leave—as you express it—if I am

asked not to. But, I may say, that when I am entirely at liberty to do

so, I propose to go away from Corinth.”

Her dignity gave no effect of a person afraid or alarmed for her own

safety, merely a courteous recognition of Cray’s attitude and a frank

statement of her own intentions.

Miss Bascom sniffed and said:

“Don’t worry, Mr. Cray. I’ll see to it, that this young woman does not

succeed in evading justice, if she tries to do so.”

At which Miss Mystery gave her a smile that was so patronizing, even

amused, that the spinster was more irate than ever.

“And, now, Miss Austin,” the attorney said, “I’ll take your finger

prints, please, as they may be useful in proving what you did not do.”

He smiled a little as the girl readily enough gave her consent to the

procedure.

“And,” he went on, more gravely, “I will ask you for one of your

shoes—one that you wore on Sunday.”

Surprised into a glance of dismay, Miss Mystery rose without a word and

went upstairs for the shoe.

She returned with the dainty, pretty thing, and merely observed, “I’d

like to have it back, when you are through with it.”

Putting the shoe in his overcoat pocket, Cray went away.

“Miss Bascom,” Anita said, turning to her enemy, “may you never want a

friend as much as I do now.”

“The nerve of her!” Liza Bascom muttered to herself, as Miss Mystery went

upstairs to her own room.

“There’s a very deep mystery here!” Cray soliloquized, as he returned to

the Waring house. “But I’m getting light on it.”

Cray was far from lacking in ingenuity, and he proceeded at once to

compare the finger prints he had of Anita Austin with the prints on the

small black-framed chair that had been found drawn up to the desk chair

of John Waring.

They were identical and Cray mused over the fact.

“That girl was here that night,” he decided; “there’s no gainsaying

that.” He called the butler to him.

“Ito,” he began, “did you let in any one late Sunday night—after you came

home?”

“No, sir,” the imperturbable Jap declared, thinking the question foolish,

as all the inquirers knew the details of his Sunday evening movements.

“Do you remember seeing this chair, Monday morning?”

“Distinctly. I saw Mr. Lockwood smoothing its back.”

“Smoothing its back! What do you mean?”

“I looked through from the dining-room window, to see if Mr. Lockwood was

coming to breakfast, and I perceived him carefully smoothing the plush of

the little chair, sir.”

Cray meditated. Here was a point of evidence. Lockwood was not the sort

to absent-mindedly paw over a chair back. He was doing it on purpose. For

what reason? What reason could be, save to erase some evidence?

Cray examined the chair. It had a frame of shiny black wood, while seat

and back were covered with a dark plush of a fine soft quality.

Cray drew his fingers across the back. They left a distinct trail of

furrows in the fabric.

Ito, watching, nodded his head, gravely.

“Not finger-prints,” Cray said to himself—“but, maybe finger-marks.

Whose?”

“You surely saw this, Ito?”

“Yes, sir; and Miss Peyton also saw. She was then in the doorway, asking

Mr. Lockwood to come to breakfast.”

Cray went in search of Helen and put the question to her suddenly.

“What was Gordon Lockwood doing, when you went to call him to breakfast,

Monday morning?”

“He was—I don’t remember.”

“Speak the truth—or it may be mean trouble for you and him, too.”

“He was—he seemed to be dusting off a chair.”

“With a duster?”

“No; just passing over it with his hand.”

“That isn’t dusting it.”

“Well, I don’t know what you call it! Perhaps he was merely pushing the

chair into place.”

“It isn’t his custom to push the study furniture into place. He was

erasing indicative marks on that plush chair back—that’s what he was

doing.”

“Absurd!” Helen cried; “what marks could there be?”

“I don’t know. Come and let us see.”

Cray took Helen to the study, and asked her to sit in the chair.

“Lean back,” he directed. “Now, get up.”

The girl obeyed, and there was plainly seen on the plush the faint but

unmistakable imprint of the beaded design that adorned the back of the

frock she wore.

“I told you so!” Cray said, in triumph. “That plush registers every

impress, and when Lockwood rubbed it smooth it was to erase a damaging

bit of testimony.”

“Rather far-fetched, Mr. Cray,” said Gordon Lockwood himself, who had

come in and had heard and seen the latter part of the detective’s

investigation.

“Not so very, Mr. Lockwood, when you learn that the finger prints on the

chair frame are your own and those of a certain young person who is

already under suspicion.”

Gordon Lockwood, as always under a sudden stress, became even more

impassive, and his eyes glittered as he faced the attorney.

“Don’t be too absurd, Mr. Cray,” he advised, coldly. “I suppose you mean

Miss Austin—I prefer to have no veiled allusions. But the finding of her

finger prints on a chair in this room, and mine also, does not seem to me

to be in any way evidence of crime.”

“No?” Cray gave him scorn for scorn. “Perhaps then, you can explain Miss

Austin’s presence here that night.”

“I don’t know that she was here—and I most certainly could not explain

any of her movements. But I do deny your right to assume her guilty from

her presence.”

“Ah, you tacitly admit her presence, then. Indeed, one can scarcely doubt

it, when it is shown that this little shoe of hers,” he took it from his

pocket, “exactly fits the prints that cross the field of snow between

here and the Adams house.”

“To measure footprints—after all this time!” and Lockwood’s lip curled.

“The prints are exactly as they were made, Mr. Lockwood. The unchanging

cold weather has kept them intact. I tried this shoe, and the prints are

unmistakable. Moreover, the short stride is just the measure of the

natural steps of Miss Austin. The footprints lead from the Adams house

over here and back again. The returning prints occasionally overlap the

ones that came this way, showing that the trip away from this house was

made latest. Miss Austin was seen to come over in this direction—well,

none but a half-wit would be blind to the inevitable conclusions!”

“None but a half-wit would read into this evidence what you pretend to

see,” retorted Lockwood, almost losing his calm.

“That’s my business,” Cray said, sharply: “now, Mr. Lockwood, why did you

smooth off that chair back? Careful, now, two witnesses saw you do it.”

“I’m not denying it”—Lockwood smiled in a bored, superior way, “but if I

did it, I was—and am unconscious of it. One often touches a piece of

furniture in passing with no thought of doing so.”

“That won’t go down. Both the butler and Miss Peyton saw you definitely

and deliberately rub over the back of that chair. Why did you do it?”

Cray was inexorable.

But the impassive secretary merely shrugged his shoulders.

“I can’t answer you, Mr. Cray. I can only repeat it must have been an

unconscious act on my part, and it has no sinister significance. I may

have been merely pushing the chair out of my way, you know.”

“Look here, Mr. Lockwood, you are a man of honor. Do you, upon oath,

declare that you did not purposely smooth that chairback, for the reason

that it showed some incriminating impress?”

“I am not under oath. I have stated that I did not do what you accuse me

of, and I have nothing further to say on the subject.”

Lockwood drew himself up and leaned with folded arms against the

mantelpiece.

Cray dropped the subject, but his snapping eyes and compressed lips

seemed to show he had not finally dismissed it.

“At what time,” he said, abruptly, “did Doctor Waring lock his study

door?”

“About ten o’clock,” the secretary replied.

“And you heard nothing from the room after that? No sound of voices?

Nobody coming in at the French window?”

“No,” replied Lockwood.

“Then we are forced to the conclusion that whoever entered did so very

quietly, that it was with the knowledge and permission of Doctor Waring

himself, that the visitor was the person whose footprints lead straight

to the door, and whose finger prints are on the chair that stood near the

Doctor’s own chair. We are borne out in this view by the fact that the

same person now possesses the money and the ruby pin which we know Doctor

Waring had in his room with him, and we know that the person is here in

Corinth for unexplained reasons, and is, in fact, so peculiar that she is

known as—Miss Mystery. Just why, Mr. Lockwood, are you arguing against

these obvious inferences, and why do you undertake to free from suspicion

one against whom everything is so definitely black?”

“Because,” Lockwood spoke very quietly, but his jaw was set in a stubborn

way, “the lady you call Miss Mystery, is a young and defenseless girl,

without, so far as I know, a friend in this town. It is unfair to accuse

her on the strength of this fantastic story and it is unfair to condemn

her unheard.”

“Not unheard,” said the attorney, “but what she says only incriminates

her more deeply.”

The Mystery Girl · 第 11 / 18 章