Ryōseki answered gravely:—

“Never mind how I happen to know them…. I now want to speak to you

about Hagiwara’s funeral. The House of Hagiwara has its own

family-cemetery, of course; but to bury him there would not be proper.

He must be buried beside O-Tsuyu, the Lady Iijima; for his

karma-relation to her was a very deep one. And it is but right that you

should erect a tomb for him at your own cost, because you have been

indebted to him for many favors.”

Thus it came to pass that Shinzaburō was buried beside O-Tsuyu, in the

cemetery of Shin-Banzui-In, in Yanaka-no-Sasaki.

—_Here ends the story of the Ghosts in the Romance of the

Peony-Lantern._—

My friend asked me whether the story had interested me; and I answered

by telling him that I wanted to go to the cemetery of

Shin-Banzui-In,—so as to realize more definitely the local color of the

author’s studies.

“I shall go with you at once,” he said. “But what did you think of the

personages?”

“To Western thinking,” I made answer, “Shinzaburō is a despicable

creature. I have been mentally comparing him with the true lovers of

our old ballad-literature. They were only too glad to follow a dead

sweetheart into the grave; and nevertheless, being Christians, they

believed that they had only one human life to enjoy in this world. But

Shinzaburō was a Buddhist,—with a million lives behind him and a

million lives before him; and he was too selfish to give up even one

miserable existence for the sake of the girl that came back to him from

the dead. Then he was even more cowardly than selfish. Although a

samurai by birth and training, he had to beg a priest to save him from

ghosts. In every way he proved himself contemptible; and O-Tsuyu did

quite right in choking him to death.”

“From the Japanese point of view, likewise,” my friend responded,

“Shinzaburō is rather contemptible. But the use of this weak character

helped the author to develop incidents that could not otherwise,

perhaps, have been so effectively managed. To my thinking, the only

attractive character in the story is that of O-Yoné: type of the

old-time loyal and loving servant,—intelligent, shrewd, full of

resource,—faithful not only unto death, but beyond death…. Well, let us

go to Shin-Banzui-In.”

We found the temple uninteresting, and the cemetery an abomination of

desolation. Spaces once occupied by graves had been turned into

potato-patches. Between were tombs leaning at all angles out of the

perpendicular, tablets made illegible by scurf, empty pedestals,

shattered water-tanks, and statues of Buddhas without heads or hands.

Recent rains had soaked the black soil,—leaving here and there small

pools of slime about which swarms of tiny frogs were hopping.

Everything—excepting the potato-patches—seemed to have been neglected

for years. In a shed just within the gate, we observed a woman cooking;

and my companion presumed to ask her if she knew anything about the

tombs described in the Romance of the Peony-Lantern.

“Ah! the tombs of O-Tsuyu and O-Yoné?” she responded, smiling;—“you

will find them near the end of the first row at the back of the

temple—next to the statue of Jizo.”

Surprises of this kind I had met with elsewhere in Japan.

We picked our way between the rain-pools and between the green ridges

of young potatoes,—whose roots were doubtless feeding on the sub-stance

of many another O-Tsuyu and O-Yoné;—and we reached at last two

lichen-eaten tombs of which the inscriptions seemed almost obliterated.

Beside the larger tomb was a statue of Jizo, with a broken nose.

“The characters are not easy to make out,” said my friend—“but wait!”….

He drew from his sleeve a sheet of soft white paper, laid it over the

inscription, and began to rub the paper with a lump of clay. As he did

so, the characters appeared in white on the blackened surface.

“_Eleventh day, third month—Rat, Elder Brother, Fire—Sixth year of

Horéki_ [A. D. 1756].’… This would seem to be the grave of some

innkeeper of Nedzu, named Kichibei. Let us see what is on the other

monument.”

With a fresh sheet of paper he presently brought out the text of a

kaimyō, and read,—

“_En-myō-In, Hō-yō-I-tei-ken-shi, Hō-ni’:—‘Nun-of-the-Law, Illustrious,

Pure-of-heart-and-will, Famed-in-the-Law,—inhabiting the

Mansion-of-the-Preaching-of-Wonder._’…. The grave of some Buddhist

nun.”

“What utter humbug!” I exclaimed. “That woman was only making fun of

us.”

“Now,” my friend protested, “you are unjust to the, woman! You came

here because you wanted a sensation; and she tried her very best to

please you. You did not suppose that ghost-story was true, did you?”

In Ghostly Japan · 第 37 / 68 题