CHAPTER IV

Gita felt inclined to dance as she swaggered about the dilapidated old

garden, her hands in her pockets. She felt uncommonly buoyant. Whether

she liked Polly Pleyden or not she hardly knew, but the creature was

certainly stimulating. And the future looked less gray. She would have

felt no desire to go to the wild parties she had read about during those

long days on the desert, even were her grandmother well and amenable,

but if the other girls were as amusing as Polly she would have a lot of

fun with them.

California had helped her, but it was time for another superstructure.

What would it be like? For a moment her feet in their heavy boy’s shoes

danced on the path. Then she saw Topper approaching and tried to look

indifferent and dignified.

“Mrs. Carteret would like to see you, miss,” said the old butler, who

never looked otherwise than dignified.

She ran into the house and up the stair and for the first time showed a

smiling face at the door of the sick-room. The old lady was sitting up

in bed, an antiquated jewel-casket open beside her. She gave her

grandchild a sharp glance.

“So! What you needed was young folks,” she commented dryly. “Polly

Pleyden is a frivolous, fast, pert, painted minx, but I suppose she’s

better than nothing. If she’d been properly brought up she’d have called

a day or two after your arrival. But never mind Polly. Come here. I’ve

something to show you.”

Gita, more interested in the contents of the casket than in her

grandmother’s opinion of Polly Pleyden, came to the side of the bed and

bent over a tray of necklaces, bracelets, rings, and brooches. The

settings were old-fashioned, but the stones: diamonds, rubies, emeralds,

were of fair size and perfect clarity. For the moment she felt acutely

feminine. Her eyes sparkled and she touched them lingeringly with her

finger-tips. She had read stories demonstrating the fascination of

jewels, but had never imagined that her own response would be keen and

ardent. In jewelers’ windows she had not given them more than a casual

glance. But to be as close to them as this! To touch them, to bend low

over their fire. . . . For a moment she was almost angry.

“Lift out that tray,” said Mrs. Carteret.

The next held a rope of pearls, large, evenly matched, very white, and

with a sheen that gave Gita a curious thrill. There was a sense of life,

of mystery . . . strangely remote and desirable.

“I always wore them at night until lately to keep them from dying. They

are to be yours, of course. Put them on.”

Gita lifted the pearls over her head reverently, and ran to a mirror.

“Are they really for me?” she gasped. “How can I thank you, grandmother!

I never knew that pearls were beautiful before. But these! Mine!”

“Oh! You’re not a boy after all! Good.” Then as Gita frowned she added

hastily, “Come back and lift out this tray.”

In the large compartment beneath was a heavy and hideous tiara of

diamonds and emeralds. Mrs. Carteret sighed. “I suppose you’ll never

wear it. I’m told such things are no longer in fashion. But many’s the

time I wore it in the old Academy of Music—and in Covent Garden. Evelyn

wore it in her day and was the most splendid figure in the Metropolitan

Opera House. Her husband sent it back to me when she died. . . . Well,

you can have the stones made into a necklace when you are older.”

“I? Am I to have all these wonderful jewels?”

“Who else? But you are not to sell them.”

“I’d never dream of selling them. When I’m blue I’ll just take them out

and play with them.”

“That is the first sensible thing I’ve heard you say. And many are

heirlooms, remember. . . . There was a magnificent diamond necklace your

grandfather gave me, but it went to pay racing-debts after an

unfortunate season at Saratoga. He was a good man, but insane about

horses. I often feel thankful he died before this era of shrieking

motors. They would have broken his heart. Sit down and play with these

things now. I see they have cast a spell over you and I am beginning to

feel hopeful.”

Gita took a low chair beside the bed and poured the contents of the

upper tray into her lap, letting the chains run through her fingers,

trying on the bracelets and rings. The fine stones seemed to wink at her

knowingly.

“They’ll have to be reset,” said the old lady sadly. “Tout passé. Now,”

she added briskly, “there’s another thing I want you to promise. If you

don’t I’ll leave every one of these jewels to a hospital.”

“Grandmother! Blackmail! What is it?”

“You must wear mourning for me. I’m told it’s more or less out of date,

but I believe in the decencies of life. You say neither you nor your

mother approved of mourning, but that has nothing to do with me. You

will do as I ask, I suppose?”

“Of course.” Gita was in a mood to promise anything.

“Well, that’s one point gained! And six months will be enough. I’m only

your grandmother. But after that you are to dress not only like a girl,

but a fashionable girl; you’ll give those ridiculous suits to the

servants.”

“But all the girls wear tailored suits—and as for sport——”

“Like yours? No furbishing up?”

“Oh, they wear scarves and bright hats—other things, I suppose. I’ve

hardly noticed.”

“But you have noticed they indulge in every feminine vanity, even if

they’ve cut off the hair that Nature meant to be woman’s chief adornment

and have neither the full busts nor the swelling hips that once made a

beautiful woman’s ‘figger,’ as we called it. And the tiny waists!”

“They must have looked horrid,” said Gita sincerely.

“Not at all. Quite the contrary. I wonder men are ever attracted to

women these days. Nature intended women to have figures entirely

different from men. Else why didn’t she make them on the same plan and

save them the trouble of starving themselves? Answer me that!” said the

old lady triumphantly. “A girl in my day, my daughters’ day, had no

chance if she looked like a lath. She padded. And these young ninnies of

today may have a certain style but not a particle of elegance. No wonder

they wear little straight frocks. It takes a figger to show off elegant

gowns. What in the world started such a fashion?” she asked querulously.

“Do you mean to tell me men admire girls that look like boys?”

“They seem to. Probably that’s the reason the girls have sacrificed

woman’s chief adornment.”

“But men used to rave over woman’s tresses.”

“Well, the men nowadays don’t rave much except over bootleggers and

motors. Perhaps that’s the reason they want the girls to look as much

like themselves as possible. Or maybe they’re more in love with

themselves than ever since the war and the girls imitate them without

realizing it is a sort of subtle flattery.” Gita was unconsciously

groping. She had never given the matter a thought.

Mrs. Carteret cackled, her frail body shaking. “I suppose that’s the

reason you shaved your head, didn’t even leave a few locks in front to

cover your ears and soften your forehead!”

“I?” Gita forgot the jewels. “I should think not. It’s about the last

reason!”

“Well, jewels and hairless heads don’t go together. It will be a good

time to let your hair grow, while you’re in mourning, and some clever

hair-dresser will find a way to tuck it up. I suppose it is naturally

straight but it could be waved. And that reminds me. I am making you

promise a good many things but this is one of the most important. When

the proper time comes Mary Pleyden will introduce you to Society, and

you are to go to the best dressmaker you can afford and wear the most

elaborate clothes that fashion permits.”

“Nothing is very elaborate these days.”

“So I understand. But you are to dress like other girls—the most

sensible and feminine. That’s all I have to ask. Is it understood?”

“Yes, grandmother, but I don’t care for clothes, really——”

“Never had ’em. That’s the reason. You’re a stoic, I imagine, and

wouldn’t permit yourself to want what you couldn’t have. Wait until you

have a wardrobe full of pretty things.”

Gita shrugged her thin shoulders. “Perhaps. But I don’t care for society

either, grandmother. I—I—don’t know how to dance.”

“I never heard of such a thing! But you can learn, I suppose. You’re

naturally graceful. You wouldn’t be a Carteret if you weren’t.”

Gita hastily changed the subject. “And I never know what to talk to men

about. I’d really rather live quietly here and go over to New York

occasionally—to the theater and concerts and lectures. And the opera! I

haven’t been to an opera since I was fourteen.”

“Shocking! Well, go to the opera and show yourself. And as for men

they’ll soon teach you what to talk about, or you’re not a Carteret. We

were all great gabblers. Now, put those jewels back in the casket and

put that in the wall-safe over there behind the open panel, before that

nurse comes back. She may be as good as she looks, but I never trust

outsiders. I told her to send up Topper and he got it out for me. You

may keep the pearls. Wear them as often as you can.”

After Gita had hidden the casket she returned to the bedside and brushed

her lips against the old lady’s tabid cheek. “You are very kind and

generous, grandmother,” she said gratefully.

“Thanks!” Mrs. Carteret’s voice was as dry as usual but her eyes

gleamed. “And your lips are very soft, my dear. Here comes that woman.

It is time for your dinner. And when you have replenished your wardrobe

I hope you will dress for dinner every night, even when you are alone.”

The Crystal Cup · 第 4 / 26 章