Y.M. Well, never mind Adam: but certainly Shakespeare’s creations—

O.M. No, you mean Shakespeare’s _imitations_. Shakespeare created

nothing. He correctly observed, and he marvelously painted. He exactly

portrayed people whom _God_ had created; but he created none himself.

Let us spare him the slander of charging him with trying. Shakespeare

could not create. _He was a machine, and machines do not create_.

Y.M. Where _was_ his excellence, then?

O.M. In this. He was not a sewing-machine, like you and me; he was a

Gobelin loom. The threads and the colors came into him _from the

outside_; outside influences, suggestions, _experiences_ (reading,

seeing plays, playing plays, borrowing ideas, and so on), framed the

patterns in his mind and started up his complex and admirable

machinery, and _it automatically_ turned out that pictured and gorgeous

fabric which still compels the astonishment of the world. If

Shakespeare had been born and bred on a barren and unvisited rock in

the ocean his mighty intellect would have had no _outside material_ to

work with, and could have invented none; and _no outside influences_,

teachings, moldings, persuasions, inspirations, of a valuable sort, and

could have invented none; and so Shakespeare would have produced

nothing. In Turkey he would have produced something—something up to the

highest limit of Turkish influences, associations, and training. In

France he would have produced something better—something up to the

highest limit of the French influences and training. In England he rose

to the highest limit attainable through the _outside helps afforded by

that land’s ideals, influences, and training_. You and I are but

sewing-machines. We must turn out what we can; we must do our endeavor

and care nothing at all when the unthinking reproach us for not turning

out Gobelins.

Y.M. And so we are mere machines! And machines may not boast, nor feel

proud of their performance, nor claim personal merit for it, nor

applause and praise. It is an infamous doctrine.

O.M. It isn’t a doctrine, it is merely a fact.

Y.M. I suppose, then, there is no more merit in being brave than in

being a coward?

O.M. _Personal_ merit? No. A brave man does not _create_ his bravery.

He is entitled to no personal credit for possessing it. It is born to

him. A baby born with a billion dollars—where is the personal merit in

that? A baby born with nothing—where is the personal demerit in that?

The one is fawned upon, admired, worshiped, by sycophants, the other is

neglected and despised—where is the sense in it?

Y.M. Sometimes a timid man sets himself the task of conquering his

cowardice and becoming brave—and succeeds. What do you say to that?

O.M. That it shows the value of _training in right directions over

training in wrong ones_. Inestimably valuable is training, influence,

education, in right directions—_training one’s self-approbation to

elevate its ideals_.

Y.M. But as to merit—the personal merit of the victorious coward’s

project and achievement?

O.M. There isn’t any. In the world’s view he is a worthier man than he

was before, but _he_ didn’t achieve the change—the merit of it is not

his.

Y.M. Whose, then?

O.M. His _make_, and the influences which wrought upon it from the

outside.

Y.M. His make?

O.M. To start with, he was _not_ utterly and completely a coward, or

the influences would have had nothing to work upon. He was not afraid

of a cow, though perhaps of a bull: not afraid of a woman, but afraid

of a man. There was something to build upon. There was a _seed_. No

seed, no plant. Did he make that seed himself, or was it born in him?

It was no merit of _his_ that the seed was there.

Y.M. Well, anyway, the idea of _cultivating_ it, the resolution to

cultivate it, was meritorious, and he originated that.

O.M. He did nothing of the kind. It came whence _all_ impulses, good or

bad, come—from _outside_. If that timid man had lived all his life in a

community of human rabbits, had never read of brave deeds, had never

heard speak of them, had never heard any one praise them nor express

envy of the heroes that had done them, he would have had no more idea

of bravery than Adam had of modesty, and it could never by any

possibility have occurred to him to _resolve_ to become brave. He

_could not originate the idea_—it had to come to him from the

_outside_. And so, when he heard bravery extolled and cowardice

derided, it woke him up. He was ashamed. Perhaps his sweetheart turned

up her nose and said, “I am told that you are a coward!” It was not

_he_ that turned over the new leaf—she did it for him. _He_ must not

strut around in the merit of it —it is not his.

Y.M. But, anyway, he reared the plant after she watered the seed.

O.M. No. _Outside influences_ reared it. At the command—and

trembling—he marched out into the field—with other soldiers and in the

daytime, not alone and in the dark. He had the _influence of example_,

he drew courage from his comrades’ courage; he was afraid, and wanted

to run, but he did not dare; he was _afraid_ to run, with all those

soldiers looking on. He was progressing, you see—the moral fear of

shame had risen superior to the physical fear of harm. By the end of

the campaign experience will have taught him that not _all_ who go into

battle get hurt—an outside influence which will be helpful to him; and

he will also have learned how sweet it is to be praised for courage and

be huzza’d at with tear-choked voices as the war-worn regiment marches

past the worshiping multitude with flags flying and the drums beating.

After that he will be as securely brave as any veteran in the army—and

there will not be a shade nor suggestion of _personal merit_ in it

anywhere; it will all have come from the _outside_. The Victoria Cross

breeds more heroes than—

Y.M. Hang it, where is the sense in his becoming brave if he is to get

no credit for it?

O.M. Your question will answer itself presently. It involves an

important detail of man’s make which we have not yet touched upon.

Y.M. What detail is that?

O.M. The impulse which moves a person to do things—the only impulse

that ever moves a person to do a thing.

Y.M. The _only_ one! Is there but one?

O.M. That is all. There is only one.

Y.M. Well, certainly that is a strange enough doctrine. What is the

sole impulse that ever moves a person to do a thing?

O.M. The impulse to _content his own spirit_—the _necessity_ of

contenting his own spirit and _winning its approval_.

Y.M. Oh, come, that won’t do!

O.M. Why won’t it?

Y.M. Because it puts him in the attitude of always looking out for his

own comfort and advantage; whereas an unselfish man often does a thing

solely for another person’s good when it is a positive disadvantage to

himself.

O.M. It is a mistake. The act must do _him_ good, _first_; otherwise he

will not do it. He may _think_ he is doing it solely for the other

person’s sake, but it is not so; he is contenting his own spirit

first—the other’s person’s benefit has to always take _second_ place.

Y.M. What a fantastic idea! What becomes of self—sacrifice? Please

answer me that.

O.M. What is self-sacrifice?

Y.M. The doing good to another person where no shadow nor suggestion of

benefit to one’s self can result from it.

What Is Man? and Other Essays · 第 4 / 84 题