CHAPTER XIV

DEVON, GLORIOUS DEVON

Being in Devonshire I sat down on one of the most notoriously beautiful

of all the beauty spots of the county. It was traditional that the old

gentleman of the island who had had several homes, and the means to make

them what he would, never had one in a place that was not beautiful. The

island, as I knew, was beautiful, in its wild solitude of sea and sand

and ti-tree scrub. Otherwise his family home in England was as great a

contrast to the home in which he had chosen to spend his last years as

could possibly be found. As I moved about the large rooms and up and

down the stairs, every wall set thick with the valuable paintings he had

gathered from abroad and from Christie's and from Royal Academy

Exhibitions, it was odd indeed to think of the weather-board cottage and

the few prints from illustrated papers tin-tacked to its pine lining,

which he had deliberately preferred to them. The whole establishment,

with all the dignities of fine family furniture, family crested silver,

full staff of trained servants, and so on and so on--without one

irregularity or eccentricity in its administration--represented the

normal English gentleman's life, that of his kin and class, and by

general use and wont his own. Yet, of his free choice, he left it all to

go and live like Robinson Crusoe in an island hut, with a rough,

wood-chopping Friday, and a domestic equipment of Britannia metal and

stone china that could not stir the envy of a tramp.

After all, one can understand it. An old Australian, at any rate, can

understand it. In his young days he had been a pioneer squatter. What

old man looks back on this experience otherwise than with the feeling

that he has seen the Golden Age? Never one that I ever met and I have

met many. One can realise how the memory of that time of liberty and

sunshine swelled and swelled (in a man with the imagination to love

pictures and a fair outlook from his windows) as the years of fettering

old-world conventions and grey skies went by. The older he grew the

brighter shone the lights of the past--as with you and me, dear

reader--and the craving to return to the scenes of youth, which are the

realms of romance to the aged, must have been in him what the craving to

return to England was to me for so many, many years. He had heaps of

money, along with a singular power to discriminate between its real and

its apparent values. It enabled him to please himself when there

remained no dependent family to consider, and he pleased himself by

removing it as a burden upon a freeborn spirit, while retaining enough

to purchase liberty for the rest of life. I forgot to mention that

before he built his island cottage he bought a caravan and in that

humblest of homes toured the Australian bush and coast at leisure until

he found the spot to suit him in which to make camp permanently.

Never, said his daughters, would he live in any place that was not

beautiful.

Well, in Devonshire, at any rate, he had not done so. My spacious room

had a great bay of three windows, in which I could sit and batten on

beauty to my heart's content. My writing-table stood in one angle, and I

could not get on with my letters of a morning for the enchantment of the

view. Deep down below me lay a small exquisite lawn (every English lawn

is exquisite), shadowed at one side with fine old trees, and all around

with a beflowered wall; the old gardener was always pottering there,

shaving the grass a little every day, sweeping up every dead leaf that

autumn wind brought down. Below the garden again was the sunk road, so

deep and steep that I should not have known there was a road but for

hearing a carriage now and then and getting a glimpse of the top of the

coachman's hat. The farther wall lining the ravine showed just its stone

coping at the top, and beyond that was sea--all sea, with the wall

cutting across it--unless I turned my eyes to the left, where a splendid

red bluff breasted it. Could even Devonshire have composed a lovelier

picture to live with? But I am bound to admit that, three mornings out

of four, when I got up to look at it, it was lost in fog. However, on

the day of my arrival, when the evening light was peculiar, I saw

Portland through a telescope; and Portland, I was told, was full forty

miles off, and not visible from where we saw it above once in as many

years. I _did_ see it, but it was not so clear as the old "Stump" on the

sea-line that I had looked at from the beach in Norfolk.

Dear M. was determined I should lose nothing of the joy of Devonshire

through default of hers; and, with carriage closed, we spent the first

two pouring wet days exploring the lovely neighbourhood. It was lovely

in the most hopeless downpour. Then came fine weather, and she took me

to Exeter. As originally arranged, the plan was not only to "do" Exeter,

but also Ottery St Mary, the last home and grave of my grandmother. But

when we reached the cathedral city, a long journey, there was so much to

see and do that even to me it seemed bad economy to tax time, strength

and pleasurable sensation further. I said, "Oh, this is enough for one

day!" and we agreed to make it so.

I suppose it would be sinking to the deeps of drivel to say "How

beautiful Exeter is," but such is my opinion, all the same. And I walked

about it, as I did about most places that I visited in England, with

invisible companions, whose presence enhanced its charms. Years and

years ago--when I was at B----, between '75 and '78--a dear friend of

mine was an old lady of about eighty, the first English lady on the

goldfields, who was said to be, and must have been, the handsomest and

most delightful woman of that age known to Australian history. She was

Devonshire born, and her old husband--a solicitor, who had returned to

the practice of his profession when goldfields went out of fashion with

his class--told me she had been known as the "Belle of Exeter" in the

long ago when he had married her. She loved to talk to me of the

Australian "old days," but also she loved to go further back, and tell

me of Devonshire and her native city, always winding up with injunctions

to me to go there if I ever returned to my native land again. And here I

was at last, finding all her loving pride in the place justified.

Could anything in city planning be happier in effect than the position

of the cathedral in its quiet oasis amid the streets? And _what_ a

cathedral, inside and out! I have a cathedral that I call my own, and

never thought I should so overcome the power of patriotic prejudice as

to admit it could be surpassed by another. But when I returned to Ely

last time, looking for my shrine of all perfection, I got a shock to my

housewifely sensibilities from its ill-kept condition that wholly

unhinged the long-established point of view. The beautiful brasswork was

black and green, the beautiful oak carving outlined in grey dust, and in

that state I could not take pleasure in looking at them, even for old

time's sake. Perhaps they were waiting for some restorations to be done

with before turning to with the pails and brooms and chamois-leathers.

But all service-time I used to be catching myself absorbed, not in

prayers and sermon, but in anxious inward debate as to whether it was

not already too late _ever_ to make those brass gates bright again.

There was no dirt in Exeter Cathedral to dim its complete and finished

loveliness, and all its surroundings were in character and keeping with

it, "composed" by time and circumstance to make the picture

perfect--especially on a golden autumn day. What should be the cast of

mind of a bishop privileged to live in such a house and grounds as lie,

peaceful and stately and exquisite, under the shadow of the south tower?

I like to remember that one bishop of Exeter had a son who was the

father of my Eden Phillpotts, whose intellectual inheritance is the love

of beauty, uncloistered, unsophisticated; beauty at its primal source in

the breast of Mother Nature. M. and I pottered about these precincts,

still thinking we were going on to Ottery St Mary, until the spirit of

the place so possessed me that I could not tear myself away.

"Oh, this is enough for one day!" I said to M.

She understood, and we stayed, and let Exeter soak in.

She took me to one place and another, and one was the old "Mol's Coffee

House" that flourished as such in the sixteenth century, but had been a

private house at the time of the Armada. It is now in the occupation of

a firm of picture-dealers, who also have the sole right of selling a

certain pottery ware of local manufacture. M. was interested in a

collection of water-colours they had on view--she is herself a charming

water-colourist--but the setting of those pictures was the picture of

them all. We climbed a little, dark, twisty oaken staircase that had

echoed to the tread of Drake and Raleigh--the self-same stairs, just as

when they clattered up and down; and we stood in the self-same

oak-panelled chamber where they met their fellow-defenders of England's

shores, to discuss and arrange plans for circumventing the enemy. I

looked up from the water-colours of to-day to the age-bleached colours

of their shields of arms in the age-blackened oak, and thought of those

bygone committee meetings. Nothing changed since then, except the living

air, and those who breathed it, and their use of the old place. It could

not be put to better use. The firm in possession, who deal in art, are

artistic enough to respect the relic in their care. The spirits of Drake

and Monk and Raleigh, and the rest, might come o' nights to the old

rendezvous, and not feel they had no business to be there. In that room

I bought a packet of picture post cards--views of Exeter--that,

artistically considered, are the best I found in England. Whenever I

took one out to scribble on, I put it back in the envelope again, as too

good to be defaced in the post and thrown away, and the package is still

intact.

Then we went to a shop and I bought an umbrella. Does that seem an

incongruous association of ideas? Nothing of the sort. The pleasure I

have had, and still have, out of that umbrella, because of the place I

bought it in, you would not believe. My hand fondles it every time I

wrap its folds around its stick; I cannot put the loop over the button,

or take it off, without all the loveliness of Exeter flooding my soul,

the memories of that day.

Between luncheon and tea we attended a missionary festival service in

the cathedral. It was a Pan-Anglican side-show, not to speak

irreverently, with the usual miscellaneous assortment of bishops in

attendance. One met the swarming prelates here and there, in the houses

of their hostesses, and in places remote from the London centre which

had lately been the seething whirlpool of episcopal affairs; and,

without going to one of their great programme meetings, I came to know a

few, one from the other, and to take an interest in some. For instance,

in an American bishop, one of the most vigorous and alert-minded, as he

was one of the youngest, a "live" man, who seemed eloquent in his own

person of the country he came from; in a black bishop from Africa, who

one day waited with me for a long time in the outer shop of a firm of

clerical tailors, while my husband (frightfully particular about the cut

and set of coats) was being attended to within; above all, in a nice man

from India, with whom I spent an evening, mostly on a sofa-for-two, in

a London drawing-room. It has been my good fortune to make friends with

several bishops, never as bishops, always as unprofessional men. They

are bishops who talk shop to me before they are my friends, not

afterwards. And I can say of each one of the few who have honoured me by

meeting me on my own ground, that as men they are (were, in the case of

one long dead and two at the end of life) delightful. You would not

think it, viewing bishops, as one does, altogether from the outside; but

so it is. On this occasion at Exeter, it was one of our own Australasian

prelates who preached the sermon. I did not know him, as bishop or man,

and there was not much in his discourse, and I do not like sermons

anyhow; rather, I feel that they have outstayed their usefulness, which

was doubtless great when the preachers were more learned than those they

preached to; but it was an hour and a half of physical repose and

spiritual contentment, and I much enjoyed it.

Straight from the cathedral we went to our tea, the---- But no, I will

not say it again. After this refreshment we walked about a little more,

and there comes to mind a delicious little shop in an alley leading out

of the cathedral yard; it sold Devonshire junket and cream and butter,

as well as other dairy dainties, some of which were handed to us in card

boxes with ribbon handles that were a pleasure to carry the long way

home. Also I recall a moment of astonishment at finding that prawns in

England were considered cheap at tenpence a dozen. They were exposed on

an Exeter market stall at that figure. "Goodness gracious! Do you mean

to say those we had at lunch yesterday were that price?" I questioned

M., horror-stricken to think how lightheartedly I had ladled them on to

my plate, as mere prawns such as went by the name at home, only bigger.

Then she told me that her domestic fishmonger charged a penny apiece.

And when you think of the importance of pennies in England! I made a

mental calculation that at least seven shillings had been sunk in the

little dishful that I had reckoned as worth sixpence perhaps--because

the prawns were so exceptionally fine.

It was dark when we reached Exeter station, and we had to wait there for

our train. We sat down to dinner, without dressing, at a few minutes to

nine.

On another day M. took me to Plymouth, the special place of memories,

the "take off" for my youthful leap into the unknown world. "Shall I

ever see it again?" I asked myself, as I watched it fade in rain on the

tragical morning of my departure; and how small a chance there was that

I ever should! It was typically spring-time then. Now it was typically

autumn.

The heavy fog in which the September day was born yielded to the sun

before we started on our expedition, and we had again the sweet English

weather that was peculiar to that year. We drove to Cockington before

leaving the carriage at Torquay, and Cockington was another place of

beauty that I had kept thought of through all my adult life. A friend of

mine had wintered at Torquay in the long ago, and in daily letters at

the time had word-painted all the neighbourhood for me, supplementing

his descriptions with photographs, which adorn a girlish album to this

day; and so I knew Cockington well at second hand. But that was not

like seeing it on a lovely morning such as this. We left the carriage to

walk up the lane of the Forge and through the Park to the little

artist's dream of a church, and we poked about inside it, while the lady

of the keys jubilated in subdued tones over the recent birth of an heir

to the lands it stood on. "These woods,", said M., as we drove away

along the narrow, deep-sunk roads, "are thick with snowdrops in the

spring." Heavens! What must Cockington be in spring?

Then we took train at Torquay for Plymouth, and there I was again on the

old _via dolorosa_, which was that no more. Ivy Bridge, in the shining

morning, welcomed me back, all smiles; and the country, which I really

saw for the first time, filled me with delight. So richly green, where

it was not so richly red! And why have I never seen such cows as those

splendid, big, red Devon cows elsewhere? If this is the type of creature

bred from Devon soil, the heroic history of the county is

explicable--not to mention the quality of its cream.

Shades of heroes were all about us as we perambulated Plymouth town, but

all the time I was thinking of a pair of poor young things putting in a

last morning (after a bedless and sleepless night) roaming the same old

streets, close on forty years ago. I could recognise little beyond the

general features of the place, however. The town must have greatly

altered since 1870, and the fact is evidenced by the complexion of its

more prominent buildings. The great Guildhall was not, nor the second

Eddystone lamp-post in the sea; even the Armada Memorial was not, nor

the statue of Sir Francis Drake, though one would have expected to

recall them, weather-worn and venerable, as having dominated the Hoe for

centuries before that. But we have fine modern halls and monuments of

our own, and it is the Historic Past in which I live when I have the

opportunity; so I turned from the great Guildhall to the grey church

alongside, which enshrined the story of seven centuries within its still

stout walls. And when I stood on the Hoe, it was not to look at new

statues and lighthouses, but across the unchanging Sound, where once lay

a "fine new clipper" (as the papers described her); waiting for a wind

to waft her on her maiden voyage round the world. She was a vessel of

little more than a thousand tons, and hardly visible to the naked eye

from that point of view--then. But I saw her ghost in September last, as

plain as plain could be.

Then we had a long afternoon at Kingswear and Dartmouth--a still more

satisfying experience, if that could be. They are both so old, so

beautifully unmodernised and unimproved, cherishing the Historic Past so

faithfully! The Naval College, above and apart, does not interfere with

it in the least. We "did" Dartmouth first--cradle of the British

seafarer from time immemorial--and it was an æsthetic luxury indeed to

potter about that old, old church in its old, old graveyard, between

which and the houses snuggled up to it a narrow, deep-sunken, paved

passage gave right of way to living neighbours, case-hardened against

the toxic microbe in all its forms, one must suppose. The rood-screen

still bore what I had never seen on rood-screen yet; the figures of the

two thieves as well as that of the Saviour--the Calvary complete. The

pulpit was the gift of King Charles the First, and apparently in its

original state, less the colour and sharp outlines that time had worn

away. It is of carved stone, gilded and coloured, shaped like a

wineglass, and one wondered that even a small man should dare to trust

his weight in it. I could not realise a modern preacher there, or a

modern congregation. I should expect to see Richard the Lion Heart and

his knights stride in, to be blessed before starting out of harbour for

the Crusades; at the least--or, rather, the latest--the Pilgrim Fathers

kneeling together, seeking strength to set forth on their equally

gallant enterprise.

And those quaint, steep, curly streets, and those old timbered houses,

with their projecting upper storeys, all carved and crinkled--they are

the same the Pilgrim Fathers said good-bye to, and in which their kin

may have lived for centuries before that. The harbour itself has not

been altered since King Richard sailed out of it in 1190--so they say,

and nothing appears to the contrary. Imagine the seafaring history it

has made, the sailor life it has seen! Those very stones that you see

and touch and walk about on to-day, those very waters where the

_Britannia_ and _Hindostan_ now lie! M. and I had luncheon in a long

room, by a window overlooking the quay, and a dozen imaginary pageants

of the past entertained my fancy as I ate, looking out upon the now

quiet place. There was another wide window at the other end of the long

room, and that one gave immediately upon the churchyard. Below it ran

the sunk passage which did duty for a street--two people could just

about pass each other and nearly on a level with its sill the ancient

gravestones presented themselves to view, almost within touch, against

the background of that church which seemed to have been there for ever.

I think I remember that gravestones of great antiquity lined the passage

walls and made a pediment to the window of the restaurant. Could

anything be more appropriate to the character of the town?

When we had explored Dartmouth, as far as time allowed, the ferry-boat

took us back to Kingswear, where we proposed to have tea with a lady

living up on the hill. Here the modern came in, but not until we wanted

it--with the soft sofa and the recreative cup. Kingswear keeps its mate

over the way in countenance. The new homes tuck themselves unobtrusively

into sylvan nooks that soften or hide them--or so it seemed; I must

confess that it was tea-time, and I did not take much notice. Besides,

the way to the house of M.'s friend was so steep and so striking that I

was bound to confine my attention to it. Tier above tier, up shadowed

shrubbery pathways and mossed stone stairways, the various footholds of

the garden were laboriously gained. The approach reminded me of some I

had heard or read or seen pictures of, leading to villas on Italian

heights. It was very pretty, and the house when we reached it was more

than that. We had but half-an-hour there before we had to seek our

train, but it was a pleasant bit of the day. I envied our hostess her

house as much as I did anyone in England. From one side of it she looked

down upon the harbour--the _Britannia_ and the Naval College and the

green shores; from the other she looked away to the river

mouth--Kingswear Castle and the open sea. While immediately around her,

and adown her steep garden, she had all the privacy of Sandringham

before the avenue was blown down.

Another "day out" enriched my collection of impressions of Devonshire

with a set of charming memories. It was the day we went to the wedding.

"Now," said M., when she had explained to me that I was a potential

guest, "I am going to show you, one of the finest views in England."

Thereupon she described the situation of the country house which was to

be the scene of festivity. It stood very high, in beautiful gardens,

which dropped down and down in a succession of terraces, ending in a

deep coombe and the sea. It was quite a famous beauty spot, apparently,

and when I had seen it I should have seen Devonshire at its best. I did

not need to be told what that meant.

At daybreak the fog was very thick and so remained till noon. We dressed

before luncheon, having a long drive before us, and the fate of feathers

and furbelows still hung doubtful. The carriage came round closed, and

we slipped into wraps and set forth--my two sister-hostesses and

myself--and there was no sign of the weather clearing. We were all

fresh-air persons who could not stand being cooped up, and we opened the

carriage windows, and the fog visibly flowed in. To me it was an

agreeable circumstance--more so, for once, than the brilliant sunshine

to which I was almost too well accustomed. It did not rain, nor feel

like it; in fact there was not a drop all day, and we could see our way

before us, and on both sides as far as the hedges of the deep-sunk,

narrow lane-like roads. Those rich autumnal hedges tapestried the

impalpable wall behind them with lovely forms that were a joy to

study--wreathing ivy, intertwined with pink valerian, cascades of

traveller's joy like the foam of our wild clematis at home. What the

views beyond must have been I could guess, for we were driving for an

hour or more and it seemed to be stiff climbing all the way.

We arrived at the decorated village--a village for a picture-book, if

ever there was one. The road where the carriages of the assembling

wedding guests were left had the effect of a ravine in its relation to

the church above it. We looked up and before us rose an irregular

footpath, like a worn-away and dislocated staircase, curving round and

about the beflagged and beflowered churchyard hill; and its whole

length, which straightened out would have been considerable, was covered

with red baize which had evidently taken a good deal of fitting to make

it lie so that it would not trip up the bridal company. At the top we

could just see the outline of the church and the dim colour and flutter

of the most distant flags. Sunshine could not have created a more

charming effect.

The church is the crowning glory of that typical Devonshire village. It

dates from the fourteenth century and its registers go back to the year

1538, but old age is not all its claim to distinction. It has a precious

cradle roof inside and a not less precious rood-screen (time of Richard

the Second), and a lovely harmony of every stick and stone with every

other, that was a luxury to contemplate what time I sat among the

wedding guests awaiting the coming of the bride. To-day the slender

shafts of the screen had bridal flowers tied to them and nestling

beneath--pink predominating (Japanese lilies, I think), a colour which

"went" with the blackened oak as cold white blossoms would not have

done. I had but such glimpses of the chancel as the interstices of the

screen afforded; understanding that the chancel was a "restoration" I

was content with that. I heard afterwards that it had a "squint" and

rood-stairs, fourteenth-century brasses and other interesting things,

such as I made a reverent study of in my young days.

The bride arrived. She was a young Norwegian lady, and a bright-faced,

wholesome, happy-looking creature--as attractive a bride as one could

wish to wait on. The English bridegroom looked a good fellow, and I

trust he has made her a good husband.

They stood outside the screen and close to us for the first part of the

marriage service, which the officiating clergyman declaimed with

remarkable enthusiasm; then they passed into the sanctuary for the

completion of the rite. As a mere wedding it was like other weddings.

The coloured flowers in the decorations (I believe they were all white

in the chancel) was the only unusual note.

But when the bride and bridegroom came out of church man and wife

together, there were a couple of minutes when the bridal spectacle

surpassed anything of the sort that I ever saw. I want to paint the

scene, but I know I cannot do it--cannot convey to another who was not

there the impression it made on me. The subject may be "genre," but of

all the pictures in my gallery I can find none more poetically composed.

Let me try to sketch it somehow.

You must first imagine rural Devonshire and one of its sweetest

villages; the deep road, the hedges and the trees and the churchyard

slopes, the flowers, the flags, the scarlet carpet, the still rainless

mist. The red stairway twisting and dropping through the green from

porch to gate is now lined with the village children, all in bewreathed

new hats (provided by the bride's family), and they hold in their hands

baskets of flower petals, with which they bestrew the way of the bridal

procession. Down they come--we had preceded them to the road, or I

should have lost one of the sights of my life--down they come, winding

with the winding path, the bride with her veil up, smiling and bowing,

her white train and her young maids behind her; every figure, every

feature of the scene, refined and idealised by the (to me) extraordinary

atmosphere. Bright sunlight would have made a picture which I should

have thought perfect had I not seen it through this pure poetic haze. As

a study of fog effects--well, it is no use trying to elucidate the thing

further. But I carried it away with the delight of a collector in a work

of art that is unmatchable, and now it is safe in my gallery of Blessed

Memories, and I would not take any money for it.

When we drove to the house which commanded "one of the finest views in

England"--home of the bride's sister--a rather less density of fog would

have answered the purpose, instead of which we had rather more. The

house, with its platform and all the lawns and flower-beds and marquees

thereon, was quite plain to view; the first terrace was visible; some

trees between that and the second tier of garden loomed a shade more

substantial than their shadows would have been; below and beyond

them--nothing. Nothing, nothing but cotton-wool, a white blanket, a wall

impenetrable. Not a glimpse, not a hint of the coombe and sea that M.

had promised me. So that to this day I do not really know how lovely

Devonshire can be, although I can imagine that I know.

The visible house had the more attention paid to it, and within it there

was much to charm the eye of a wedding guest, apart from the show of

wedding presents. Our Norwegian hostess had brought to her English home

treasure of furniture and curios that I had to apologise for staring at

as if they were things in a museum; masses of black wood carved all

over, and strange pottery and metal ware, drinking-cups and the like;

they brought the Norse country, ere while distant and practically

unknown, to sight and touch, and set my unsated traveller's soul

a-dreaming of snows and sagas, mountains and fjords.

But the Norwegian wedding-cake was the pride of its nation, amongst them

all.

In the large marquee where the dinner-destroying marriage feast was

spread, there were two of these nuptial trophies, an English cake

crowning one long table, a Norwegian the other. The first was the white,

three-tiered, much decorated affair that we are familiar with, and I did

not go near it. The bride cut it ceremonially, and it was distributed in

the usual way. Then, escorted by her bridegroom, she came across the

carpeted tent through the smart crowd to where I stood at the other

table. "I must 'break' this cake," she remarked, with her pretty foreign

accent, and proceeded to do it with her two hands in what one perceived

to be the correct Norwegian bridal fashion. In case the reader is as

ignorant of the constitution of Norwegian bridescakes as I was until

that afternoon, I will try to describe it.

It may have stood two feet high, but obviously the size would depend on

circumstances, the same as with our own. In shape it resembled the tall

bottles, with their horizontal fluting, in which the ready-made

salad-dressing of commerce is, or used to be, purveyed, being a shell

formed of graduated rings of cake (much like the wooden rings for

stretching drawn-thread-work), laid one upon another from bottom to top.

They were as perfectly round and evenly graduated as if the paste had

been wound round a cone like cotton on a reel, but that is not how it

was done, because each ring was complete in itself and came off whole

when the cake was "broken," although previously it had adhered to the

rings next to it strongly enough to make the finished erection safe to

move and carry. This means, of course, that the stuff is not brittle,

but neither is it tough; it bites like a particularly nice macaroon.

When the bride had pulled off the two or three top rings, which were

broken into pieces of convenient size before being handed round, the

hollow within revealed itself filled up with sweetmeats; and here again

the purse or fancy would determine the kind and quality of sweetmeats

used. A cake of any size, filled with the best "lollies," as we

Australians call them, must be at least as costly as the corresponding

English cake, although it may not look so. As it goes down, ring by

ring, the miscellaneous internal goodies are distributed to keep the

surface even, which certainly makes it the more interesting of the two

to partake of; and it can assuredly boast the more cunning cookery. I

love a new experience, of whatever sort or kind, and I consider the

Norwegian wedding-cake an item of value to my store.

Altogether, I had a good time that afternoon--as usual. Family guests

allowed me not a moment to remember that I was a stranger, and I was

thrown for a while with a lady--introduced to me with special intention

as one who knew Australia--with whom I felt at once like an old friend,

although she had known Australia only as a tourist, not as an old-timer

like myself. We talked Australia and nothing else, but not quite as

another lady, who knew Australia as I knew it, had discussed the subject

with me at a Norfolk garden-party. We did not largely comment upon the

funniness of these stay-at-home English people, the unconsciousness of

the poor dears of how way back behind the times they were, and their

extraordinarily mistaken notions about us and what we were accustomed

to.

The fog had settled down for the remainder of the day, never having

lifted since day broke. It took the bride and bridegroom and their

carriage, swallowing them up before our eyes as we clustered about the

porch to bid them godspeed. Soon afterwards we drove away ourselves. The

hedgerow ivy and the foamy traveller's joy and the pink valerian were

still to be seen on the roadside banks, so close to us as we pounded

down the hills. The carriage windows were down, and the white veil

floated about us. I watched the gradual wilting of the already

discouraged feathers on the hat in front of me, until at last they hung

down lank and shiny, little beads of moisture fringing their tips. I had

tucked my own feather boa within my wraps, to save it, but when,

reaching home, I drew it off in the hall, it was like drawing a wet

sponge along my neck and cheek.

"Take them all to the drying-closet," said M. to her maid. And there our

wedding garments spent the night, coming forth dry and fuzzy in the

morning.

In Australia the drying-closet is not amongst our domestic appliances,

although its principles are applied to laundries. We do not need it. But

it is the "long-felt want" of every British home. Unfortunately it is

the privilege of the well-to-do. Since I am not likely to be able to

afford one, I intend not to wear feather boas when I go to live in

England.

The Retrospect · 第 14 / 15 章