A.D. 1819.

“Broad based upon her people’s will,

And compassed by the inviolate sea.”

TENNYSON, _To the Queen_.

FIFTY years a queen! and still seated upon her ancestral throne. This

is the remarkable record of England’s present sovereign. This fact

alone would make the reign of Queen Victoria illustrious. But more than

this, she has reigned during one half of this marvellous nineteenth

century—a period phenomenal among the centuries of history.

Although the Victorian Era has not produced a Shakespeare, a Homer, a

Dante, or a Milton, it will be remembered as an epoch of astounding

progress, not only in England and Europe, but throughout the civilized

world.

The unprecedented onrush of the mighty waves of enlightened

civilization, bearing to all lands the blessings of Christian liberty;

the flashing and dazzling lights of wonderful inventions and results

of scientific researches, which have belted the world with gleaming

bands of iron, chained the lightning at man’s bidding, caught and

imprisoned the waves of sound, unlocked the secrets of the earth, and

almost annihilated space and time,—these are some of the marvellous

achievements of the nineteenth century which make the history of

the past one hundred years read like the story of the most amazing

transformations ever invented by the imagination in Oriental fairy

tales or attributed to the weird magicians of the Arabian Nights.

Telegraphs, railroads, telephones, electric lights, phonographs,

photography, the discovery of petroleum, the improved use of steam,

the invention of Bessemer steel, and the practical use of gaslight for

the illumination of cities, are all numbered among the inventions and

discoveries of the nineteenth century.

But more wonderful still, perhaps, is the rise of the mighty Republic

of the United States, which, though beginning in the eighteenth century

as an independent power, has, in the short space of a little more than

one hundred years, taken the foremost place in the rank of nations, and

stands to-day _the miracle of the nineteenth century_.

To have reigned for fifty years, the sovereign of one of the greatest

powers of the world, during such a time of human progress and religious

liberty, will make the Victorian Age shine forth in the pages of

history as one of the most resplendent epochs in the annals of the

world.

Alexandrina Victoria, called by her German relations “the little

Mayflower,” was born on the 24th of May, 1819. She was the

granddaughter of George III. of England; her father being Edward, Duke

of Kent, fourth son of that monarch.

Her mother was Victoria, the sister of the Duke of Saxe-Coburg, and

widow of the Prince of Leiningen. The baby Princess Victoria was left

fatherless at the age of eight months, and an establishment was formed

for the future queen at Kensington Palace, under the superintendence

of her mother, the Duchess of Kent. The education of Victoria was

carefully watched, although she was not allowed to know that she was

heir to the throne, until she was twelve years old. At this time

it was thought best to make known to the little princess her future

prospects; and her tutor, Dr. Davys, gave her a lesson in tracing

out the genealogy of English royalty. At length the young princess

exclaimed, with some astonishment, “Mamma, I cannot see who is to come

after Uncle William, unless it is myself.”

Upon being told that this was the fact, she said in an unusually

thoughtful manner for one so young:—

“It is a very solemn thing. Many a child would boast, but they don’t

know the difficulty. There is splendor, but there is responsibility;”

then, with an expressive gesture, she earnestly continued, “_I will be

good._” And the verdict of fifty years of sovereignty has been, “Good

mother, queen, and wife.”

At five o’clock, on the morning of the 21st of June, 1837, the Princess

Victoria, then a young girl of eighteen, was awakened from her slumbers

and saluted as queen. Hastily throwing over her night-robes a loose

wrapper, and with slippers on her bare feet, and hair in unregarded

disorder, she was ushered into an apartment where stood the Archbishop

of Canterbury and Lord Conyngham, who had just arrived at Kensington,

and demanded to see the “Queen” immediately. State business will not

wait for ladies’ toilets, and the _déshabillé_ of the young princess

was rather impressive than unbecoming, as the grave elderly men bent

the knee before her and addressed her as “Your Majesty.” The king was

dead, and Victoria was queen. Even as the royal salutation fell upon

her youthful ears, the fair young girl seemed in a moment to don a new

garment of dignity and self-possession. She had been always retiring,

and obedient to others, to a marked degree, but as the words “Your

Majesty” were addressed to her for the first time, she instantly

put out her hand to receive the customary kiss of allegiance, and

even attired as she was, looked a very sovereign. From that moment

Victoria assumed all the dignity and prerogatives of a queen. She had

been the most docile of daughters; but as queen, the Duchess of Kent,

her mother, received only her filial affection, and was allowed no

privilege of dictating the affairs of state, or even advising her royal

daughter regarding her actions or duties as sovereign.

The young queen took as her residence Buckingham Palace, making Windsor

Castle her country home. Mr. Charles Greville says of her at this time:

“The queen’s manner and bearing are perfect. It is the remarkable

union of _naïveté_, kindness, nature,—good nature, with propriety and

dignity, which make her so admirable and so endearing to those about

her, as she certainly is. I have been repeatedly told that they are all

warmly attached to her, but albeit all feel the impossibility of for a

moment losing sight of the respect which they owe her. She never ceases

to be a queen, and is always the most charming, cheerful and obliging,

unaffected queen in the world.”

On the 28th of June, 1838, occurred the coronation of Queen Victoria.

The famous musical composer, Felix Mendelssohn, who was then in London,

thus writes concerning the imposing pageant: “At a quarter-past twelve

the procession began to arrive at Westminster Abbey, and by an hour

later the whole had been absorbed in the cathedral. Nothing more

brilliant could be seen than all the beautiful horses, with their rich

harness, the carriages and grooms covered with gold embroideries, and

the splendidly dressed people inside. All this, too, was encircled by

the venerable gray buildings, and the crowds of common people under

the dull sky, which was only now and then pierced by sunbeams; at

first, indeed, it rained. But when the golden, fairy-like carriage,

supported by Tritons with their tridents and surmounted by the great

crown of England, drove up, and the graceful girl was seen bowing

right and left—when at that instant the mass of people was completely

hidden by their waving handkerchiefs and raised hats, while one roar

of cheering almost drowned the pealing of the bells, the blare of the

trumpets, and thundering of the guns, one had to pinch one’s self to

make sure it was not all a dream out of the Arabian Nights. Then fell

a sudden silence, the silence of a church, after the queen had entered

the cathedral. I mixed among the crowd, walked up to the door of the

abbey, and peered into the solemn obscurity; but my involuntary emotion

was dispelled by a sense of the ludicrous as I looked closely at their

dressed-up, modern _cinque-centi halberdiers_ (the beef-eaters), whose

cheeks suggest beef, and whose noses tell tales of whiskey and claret.”

Victoria wore a royal robe of crimson velvet, furred with ermine and

bordered with gold. A small circlet of gold banded her head, and the

collar of the Order of the Garter adorned her neck. Three swords were

borne before her, emblems of justice, defence, and mercy. Her train

was carried by eight young maidens of high rank, dressed in cloth of

silver, with roses in their hair. After the queen entered the cathedral

and advanced to the foot of the throne, she knelt there for a moment in

devotion. As she rose, the Archbishop of Canterbury turned her round to

each of the four corners of the abbey, saying to the assembled people:

“Sirs, I here present unto you the undoubted queen of this realm. Will

ye all swear to do her homage?” Each time he asked the question the air

rang with shouts of “Long live Queen Victoria!”

The anointing followed, whereupon the archbishop gave her his

benediction. The primate then placed her on the throne, or rather

in St. Edward’s chair, used by the sovereigns in this ceremony

since Edward the Confessor. The young queen then received the ring,

betrothing her to her people, and the orb of empire—a small globe

surmounted by a cross—was placed in her hand, and the sceptre of

rule was given to her. The crown of England was then laid upon her

head by the archbishop, and at the same moment peers and peeresses

donned their coronets; bishops, their mitres; heralds, their caps; the

trumpets sounded, the drums beat, the cannon boomed, and the Tower guns

answered, and the shouts of the people broke forth in loud and joyous

acclamations. The archbishop then presented the Bible to her Majesty,

and bent in homage. He was followed by bishops and lords, according to

their rank, who each in turn, lifting their coronets, touched the crown

on the queen’s head, and repeated the oath of allegiance.

The Communion Service followed; and the queen, in homage to the _King_

of kings, removed her crown while she received the sacrament. Then,

resuming her royal diadem, with the sceptre in one hand, and the orb

of empire in the other, the crowned queen of England left the abbey,

followed by her imposing retinue.

Mr. Charles Greville gives us this little bit of human nature enacted

between these pompous scenes of solemn ceremony:—

“Lord John Thynne, who officiated for the Dean of Westminster, told

me that nobody knew what was to be done, except the archbishop and

himself (who had rehearsed), Lord Willoughby (who is experienced in

these matters), and the Duke of Wellington; and consequently there

was a continual difficulty and embarrassment, and the queen never knew

what she was to do next. They made her leave her chair and enter into

St. Edward’s chapel before the prayers were concluded, much to the

discomfiture of the archbishop. She said to John Thynne, ‘Pray tell me

what I am to do, for they don’t know.’ And at the end, when the orb was

put in her hand, she said, ‘What am I to do with it?’ ‘Your Majesty

is to carry it, if you please, in your hand.’ ‘Am I?’ she said; ‘it

is very heavy.’ The ruby ring was made for her little finger instead

of the fourth, on which the Rubric prescribes that it should be put.

When the archbishop was to put it on, she extended the former, but he

said it must be put on the latter. She said it was too small, and she

could not get it on. He said it was right to put it there, and as he

insisted, she yielded, but had first to take off her other rings, and

then this was forced on; but it hurt her very much, and as soon as the

ceremony was over she was obliged to bathe her finger in iced water in

order to get it off.”

Most royal marriages have little to do with love and sentiment, but

that of Queen Victoria was a delightful exception.

It is a pretty scene, and one full of fascinating charm, which presents

the young queen making her offer of marriage to the handsome young

Prince Albert, son of the Duke of Saxe-Coburg-Saalfeld.

As she was a sovereign, the prince could not with propriety make the

offer to her, and so the blushing girl, now the _woman_ rather than the

_queen_, in the presence of the youth who had already gained her love,

forgot the sovereign, as she timidly took this momentous step.

Their married life was beautiful and happy, and within the sacred

circle of such a love-life none have right to enter, even though royal

lives are considered public property. No shadow seems to have come

between their perfect confidence; and the sweetest tribute to the

character of Queen Victoria fell from the lips of her dying husband,

when twenty years after, she bent over his death-bed, and he lifted his

trembling hand and stroked her cheek, murmuring, “_Liebes Frauchen_”

(dear little wife), “_Gutes Weibchen_” (good little wife), and resting

his aching head upon her shoulder, saying, “It is very comfortable so,

dear child,” and having kissed her, fell asleep in her arms, to waken

no more on this side the river of death.

We can only enumerate the most important political events of Queen

Victoria’s reign, without detailed description. The Victorian Era will

only rightly take its place in the annals of history when the entire

epoch shall have become the past. While the present is weaving the

history for the future upon the loom of time, it is impossible clearly

to discern the intricacies of the pattern, or rightly to estimate the

importance of the various-colored threads which are being employed

to work out the finished design. Only when the epoch has become past

history, can we truly measure its importance in the annals of the world.

Although during the past fifty years there has been no change in the

sovereign of England, there have been vast and momentous changes in the

parties which control the government of that nation. Prominent men in

the ministry have arisen and declined, and the position of the _English

people_ to-day, as regards their influence in political affairs, is

much changed from the comparatively insignificant part they played in

past epochs. No longer does a despotic Elizabeth hold the lives of

her people subject to the caprices of her individual will; and more

and more clearly is the voice of that people, not only _heard_, but

_heeded_, even in the House of Lords.

At the time of Victoria’s coronation, a Whig ministry was in power, led

by Viscount Melbourne.

Queen Victoria was much attached to her first premier, Lord Melbourne.

But soon changes took place in the ministry. The Conservatives, led

by Sir Robert Peel, came into power. Sir Robert Peel, remembering the

pernicious influence of _women-intriguers_ in the time of Queen Anne,

insisted that the ladies of Victoria’s household should be changed with

the change of the ministry. But Victoria was a very different woman and

sovereign from the weak-minded Anne. With indignation, she wrote:—

“They wanted to deprive me of my ladies, and I suppose they would

deprive me next of my dressers and my housemaids; but I will show

them that I am queen of England.” And show them she did, and the

Conservatives were obliged to yield and retire, and Lord Melbourne was

recalled to office.

But in 1841, the Whigs were again succeeded by the Conservatives; and

Sir Robert Peel became prime minister. He was succeeded in 1846 by Lord

John Russell, who was placed in power by the combined efforts of the

Protectionists and Whigs.

The Revolution in France, which resulted in the overthrow of Louis

Philippe and the ascension to the French throne of Prince Louis

Napoleon, as Napoleon III., occasioned outbursts of the people in

various parts of Europe. There were wild threats of an insurrection in

London, but the scare passed over, and the preservation of order was

secured without bloodshed.

The renowned Duke of Wellington was the chief military authority in

England, and the leader in the House of Lords up to the time of his

death, in 1852, in his eighty-fourth year. The queen greatly mourned

his loss. She had given him the distinguished honor of standing

godfather to one of her own children, Prince Arthur, and when she heard

the news of his death she wrote:—

“What a loss! One cannot think of this country without the duke, our

immortal hero. In him centred almost every earthly honor a subject

could possess. Above party, looked up to by all, revered by the whole

nation, the friend of the sovereign.”

In this same year the Conservatives again came into power, with the

Earl of Derby as premier. We cannot give the various changes in the

English ministry during Victoria’s reign. Suffice it to say, the

Derby ministry retired in 1858, and were succeeded by the Palmerston

ministry. Again, Lord Palmerston was obliged by circumstances to

resign, and Lord Derby again came into office. But he was soon deposed,

and Lord Palmerston returned to office as prime minister. On the death

of Viscount Palmerston in 1865, Lord John Russell again became premier,

but was soon defeated by the Conservatives, who came into power with

the Earl of Derby, and Mr. Benjamin Disraeli. Lord Derby afterwards

resigned, and Disraeli became prime minister, and subsequently received

the title of Lord Beaconsfield. In 1880 Lord Beaconsfield’s party was

defeated, and a Liberal ministry came in with Mr. Gladstone. Later

changes it is not necessary to note here.

The English wars during the last fifty years have been wars in

Afghanistan, the quelling of various revolts in India, England’s

alliance with France in the Crimean War, the Abyssinian War in 1867,

and the recent war with Egypt, which resulted in the loss of several

Englishmen of note, especially the renowned and brave Chinese Gordon,

whose imprisonment and inhuman murder by the savage followers of Mahdi,

at Khartoum, called forth loud denunciations against the military

measures of the English government.

The Franco-German War in 1870, resulting in the downfall of Napoleon

III., although not entered into by England, was watched with intense

anxiety by Queen Victoria. Two of her daughters, the Princesses

Victoria and Alice, were obliged to see their husbands depart for

the seat of war, and the beloved Princess Alice devoted herself with

untiring energy to the care of the sick and wounded soldiers. For the

second time Queen Victoria welcomed the fallen French monarchs to her

realm. She had received the family of Louis Philippe with kindness; and

the Empress Eugénie, together with the dethroned emperor and the young

Prince Imperial, were equally the recipients of her pity and sympathy.

Strange vicissitudes of fortune! During the Crimean War, the emperor

and empress of the French had visited Queen Victoria, their royal ally.

“How strange,” says the queen’s journal, “that I, the granddaughter of

George III., should dance with Emperor Napoleon, nephew of England’s

greatest enemy, now my most intimate and nearest ally, only six years

ago, living in this country an exile, poor and unthought of!”

This visit was afterwards returned by Queen Victoria and the Prince

Consort, when they were received by Napoleon III. with great

magnificence in Paris, and attended there the _Grande Exposition;_ as

the French were the first to follow the example of the English in the

great World’s Exhibition, which had been originally conceived of by

Prince Albert, when he devised the famous Crystal Palace.

This great International Exhibition, inaugurated and carried out by

Prince Albert, this first Crystal Palace of the world, of which the

Paris Exposition, and others of the kind, have been copies, some on

a larger scale, but none of equal beauty, is best described in Queen

Victoria’s own words:—

“The glimpse of the transept through the iron gates, the waving

palms, flowers, statues, myriads of people filling the galleries and

seats around, with the flourish of trumpets as we entered, gave us

a sensation I can never forget, and I felt much moved. We went for

a moment to a little side-room, where we left our shawls, and where

we found mamma and Mary, and outside which were standing the other

princes. In a few seconds we proceeded, Albert leading me, having

Vicky at his hand and Bertie holding mine. The sight, as we came to

the middle, where the steps and chair (which I did _not_ sit on) were

placed, with the beautiful crystal fountain just in front of it, was

magical—so vast, so glorious, so touching. One felt, as so many did

whom I have since spoken to, filled with devotion, more so than by any

service I have ever heard,—the tremendous cheers; the joy expressed

in every face; the immensity of the building; the mixture of palms,

flowers, trees, statues, fountains; the organ (with two hundred

instruments, and six hundred voices, which sounded like nothing); and

my beloved husband, the author of this Peace Festival, which united

the industry of all nations of the earth. All this was moving indeed,

and it was and is a day to live forever. God bless my dearest Albert!

God bless my dearest country, which has shown itself so great to-day!

One felt grateful to the great God, who seemed to pervade all and to

bless all! The only event it in the slightest degree reminded me of was

the Coronation, but this day’s festival was a thousand times superior.

In fact, it is unique, and can bear no comparison, from its peculiar

beauty and combination of such striking and different objects. I mean

the slight resemblance only as to its solemnity; the enthusiasm and

cheering, too, were much more touching, for in a church naturally all

is silent.... That we felt happy, thankful, I need not say; proud

of all that had passed, of my darling husband’s success, and of the

behavior of my good people.”

Thus did the queen gracefully acknowledge her indebtedness to the

devoted husband, who, refusing all titles but that of Prince Consort,

spent his life in ministering to her greatness, and consecrated his

superior talents of mind in unostentatiously smoothing the difficulties

in her royal path. Prince Albert would, without doubt, have made one

of the best and most beneficent rulers that England ever had, if he

had been the sovereign; it was to his wise head and clear judgment

that Victoria was indebted for many of the popular measures of her

government during his life; and his loss was indeed irreparable. And

her constant devotion to his memory is a more noble tribute to him than

the magnificent memorial erected by her in his honor, even though the

inscription reads:—

To The Beloved Memory

OF

ALBERT, THE GREAT AND GOOD PRINCE CONSORT.

Raised by his Broken-Hearted Widow

VICTORIA R.

Charlotte M. Yonge, in her recent “Jubilee Book,” “The Victorian

Half-Century,” gives the following incident:—

“We have a charming picture of domestic life in the letters of the

great musical composer Mendelssohn, who was in England in the summer

of 1842. ‘Prince Albert had asked me to go to him on Saturday, at two

o’clock, that I might try his organ before I left England. I found him

alone, and as we were talking away, the queen came in, also alone, in a

simple morning dress. She said she was obliged to leave for Claremont

in an hour, and then suddenly interrupting herself, exclaimed, “But,

goodness! what a confusion!” For the wind had littered the whole room,

and even the pedals of the organ (which, by the way, made a very pretty

feature of the room), with leaves of music from a large portfolio that

lay open. As she spoke she knelt down and began picking up the music;

Prince Albert helped, and I, too, was not idle. Then Prince Albert

proceeded to explain the stops to me, and she said that she would

meanwhile put things straight. I begged that the prince would first

play me something, that I might boast about it in Germany, and he

played a chorale, by heart, with the pedals, so charmingly and clearly

and correctly that it would have done credit to any professional; and

the queen, having finished her work, came and sat by him and listened,

and looked pleased. Then it was my turn, and I began my chorus from

“St. Paul,” “How lovely are the messengers.” Before I got to the end

of the first verse they had both joined in the chorus, and all the

time Prince Albert managed the stops so cleverly for me,... and all

by heart, that I was really quite enchanted. Then the young Prince of

Gotha came in, and there was more chatting, and the queen asked if I

had written any new songs, and said she was very fond of singing my

published ones. “You should sing one to him,” said Prince Albert, and

after a little begging, she said she would try the “_Frühlingslied_”

in B flat, “if it is still here,” she added, “for all my music is

packed for Claremont.” Prince Albert went to look for it, but came

back, saying it was already packed. “But one might, perhaps, unpack

it,” said I. “We must send for Lady ——,” she said (I did not catch the

name). So the bell was rung, and the servants were sent after it; but

without success, and at last the queen went herself, and whilst she was

gone, Prince Albert said to me, “She begs you will accept this present

as a remembrance,” and gave me a case with a beautiful ring, on which

is engraved “V. R., 1842.” Then the queen came back, and said, “Lady

—— is gone, and has taken all my things with her. It is really most

annoying.”’

“However, Mendelssohn begged that he might not be the sufferer, and

after some consultation, Prince Albert said, ‘She will sing you

something of Gluck’s.’ Then they proceeded to the queen’s sitting-room,

where there stood by the piano a mighty rocking-horse and two great

bird-cages. The walls were decorated with pictures; beautifully bound

books lay on the tables, and music on the piano. Mendelssohn found

among the music a set of songs of his own, and, first sending away

the parrot, ‘for he will scream louder than I can sing,’ the queen

sang ‘_Schöner und Schöner schmückt sie_’ quite charmingly, in strict

time and tune, but with one slight error. Mendelssohn confessed that

the song was not his, but his sister Fanny’s, and she then, with

some doubt, undertook to try to sing his ‘_Pilger Spruch, Lass dich

nur_,’ which she did quite faultlessly, and with charming feeling and

expression.

“Mendelssohn says: ‘I thought to myself, one must not pay too many

compliments on such an occasion, so I merely thanked her a great many

times; on which she said, “Oh! if only I had not been so frightened;

generally I have such a long breath.” Then I praised her heartily

and with the best conscience in the world, for just that part, with

the long C at the close, she had done so well, and taking the three

notes next to it all in the same breath, as one seldom hears it done,

and therefore it amused me doubly that she herself should have begun

about it.’ Afterwards the prince sang ‘_Es ist ein Schnitter_,’ and

Mendelssohn improvised till it was time for her Majesty to start for

Claremont.”

Madame de Bunsen, the English wife of the Prussian ambassador, thus

described Queen Victoria:—

“She is the only piece of female royalty I ever saw who was also a

creature such as God Almighty has created. Her smile is a real smile,

her grace is natural; although it has received a high polish from

cultivation, there is nothing artificial about her.”

Her present appearance is thus given: “Queen Victoria possesses a

short, stout figure; a face with the long upper lip, and cold, blue

eyes of the Georges; straight bandeaus of gray hair; a rather flushed

complexion; a most graceful walk; and a sort of sweet, venerable,

natural dignity and power about her.”

On the first of January, 1876, Queen Victoria was proclaimed Empress of

India.

The first wedding among her children was the marriage of her eldest

daughter, the Princess Victoria, to Frederick William, now the Crown

Prince of Germany. The queen herself thus writes in her diary: “Went

to look at the rooms prepared for Vicky’s honeymoon. Very pretty! It

quite agitated me to look at them.” And again, regarding the ceremony,

she writes: “My last fear of being overcome vanished on seeing Vicky’s

quiet, calm, and composed manner. It was beautiful to see her kneeling

with Fritz, their hands joined, and the train borne by the eight young

ladies, who looked like a cloud of maidens hovering round her.”

So royal mothers are akin to other mothers when they witness the

wedding ceremonies of their children. The Princess Alice was the next

to marry; but as her marriage occurred soon after her father’s death,

the wedding was very quiet. This lovely princess was the favorite of

the family. She seemed to inherit a large portion of her lamented

father’s tastes and traits; and as the wife of Prince Louis of Hesse,

won all hearts. Her sad death, from malignant diphtheria, which dread

disease had just snatched away a darling little daughter, is remembered

by all. Since her death, the queen has lost another child, her youngest

son, Leopold, Duke of Albany.

The heir to the throne, the Prince of Wales, married the beautiful and

charming Princess Alexandra of Denmark. Many have seen her fascinating

face, and English people love to greet her and receive her gracious

smiles. Of the sweet Princess of Wales, all speak in lavish terms of

praise. The other children of Queen Victoria are: the Princess Helena,

married to Prince Christian of Schleswig-Holstein; Princess Louise, now

Marquise of Lorne; Princess Beatrice, lately married to Prince Henry of

Battenberg; Prince Alfred, Duke of Edinburgh, married to the daughter

of the Czar Alexander II. of Russia, she being sister to the present

czar; and Prince Arthur, Duke of Connaught, who married the Princess

Marguerite of Prussia, daughter of Prince Frederick Charles of Prussia,

called the Red Prince.

[Illustration: ALEXANDRA, QUEEN OF ENGLAND.]

The 21st of June, 1887, was the fiftieth anniversary of Queen

Victoria’s ascension to the throne of England. The occasion was

celebrated by an imposing Jubilee. But this gorgeous celebration was

surpassed ten years later by her Diamond Jubilee, when the whole nation

seemed given up to rejoicing and pageantry.

Only one event was more impressive than that great occasion; it was

the funeral of the good Queen, on February 3, 1901. She passed away

on January 22, after a reign of sixty-three years, the longest of any

English sovereign. At her own request, the funeral was a military one.

The royal catafalque was placed on board the _Alberta_, which passed

between long lines of warships whose flags were half-masted, and whose

crews lined the decks with their arms at “attention.” Upon land, the

coffin was placed on a khaki-colored gun carriage, and was followed

through the streets of London by a solemn procession headed by the

Queen’s son, the new monarch, Edward VII, and her grandson, Emperor

William of Germany. Minute guns and the tolling of bells announced the

progress of the funeral train.

Within the grounds of Frogmore House, adjoining Windsor Castle, the

Queen had erected a mausoleum for the Prince Consort; and there by his

side she was laid to rest. The epitaph written by the Queen herself

reads:—

“Victoria—Albert.

Here at last I shall

Rest with thee:

With thee in Christ

Shall rise again.”

* * * * *

Transcriber’s Notes:

Obvious punctuation errors repaired. Some letters did not print in the

original and have been added such as “wh ch” that became “which” and

“pr tend” that became “pretend.”

“Champs Elysées” made consistantly “Champs Élysées” where it was

spelled half with the first accent and half without. All instances of

“chateau” were changed to “château” for consistency.

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