CHAPTER XVI

THE MESSAGE ON THE SADDLE

The hours he spent in Yavapai that night were memorable ones for Bruce

Bayard. He rode the distance to town at a slow walk and arrived after

the sun had set. He had no appetite for food but, nevertheless, after

washing in the kitchen, he went into the hotel dining room and talked

absently to Nora.

It did not occur to him to mention what had happened that afternoon to

the girl. That had been a matter too purely personal to permit its

discussion with another. While he talked to her, his mind was wholly

occupied with thoughts other than those of which he spoke and he did not

see that the waitress was studying him carefully, reading what was

written on his face. Nora knew that Ann was gone; she knew that she had

taken with her a new conviction, a new courage, and the fact that Bayard

had left her at his ranch, probably with Ned Lytton, puzzled the girl.

Bruce was not certain that he had acted wisely. Many circumstances might

arise in which his presence at the ranch could be a determining factor.

At times he wondered vaguely if Lytton might not attempt to do his wife

violence, but always he comforted himself by assurance of her strength

of character, of her moral fiber, contrasting it with Ned's vacillating

nature.

"She'd take care of herself anywhere," he thought time after time.

When he had gone through with the formal routine of feeding himself he

went out to stroll about. He watched the train arrive and depart, he

talked absently with an Indian he knew and jested with the red man's

squaw. He bought a Los Angeles paper and could not center his mind on a

line of its printed pages. He walked aimlessly, finally entering the

saloon where a dozen were congregated.

"That piano of yours has got powerful lungs, ain't it?" he asked the

bartender, wincing, as the mechanical instrument banged out its measure.

"This here beer's so hot it tastes like medicine," he complained,

putting down his glass after his first swallow, and picking up the

bottle to look at it with a wry face.

"It's right off th' ice," the other assured.

"You can have th' rest of it for th' deservin' poor," he said and strode

out, while the others laughed after him.

Up and down the street, into the general store to exchange absent-minded

pleasantries with the proprietor's wife, across to the hotel where he

tried to sit quietly in a chair, back to the saloon; up and down, up and

down.

[Illustration: Down the main street of Yavapai]

A hundred yards from the Manzanita House was a corral and in it a score

of young horses were being held to await shipment. In the course of

his ambling, Bruce came to this bunch of animals and leaned against the

bars, poking a hand through and snapping his thumb encouragingly as the

ponies crowded against the far side and eyed him with suspicion. He

talked to them a time, then climbed the fence and perched on the top

pole, snapping his fingers and making coaxing sounds in futile effort to

tempt the horses to come to him; and all the time his mind was back at

the Circle A, wondering what had transpired under his roof, in his room,

that day.

Nora's voice startled him when it sounded so close behind, for he had

not heard her approach.

"Why, you scart me bad!" he said, with a laugh, letting himself down

beside her. "What you doin' out to-night?"

He pinched her cheek with his old familiarity, but under the duress of

his own thinking did not notice that she failed to respond in any way to

his pretended mood.

"I thought I'd like to walk a little an' get th' air," she said.

"An' ... tell you that I'm goin' away."

"Away, Nora?"

"Yes, I'm goin' to Prescott, Bruce."

He lifted his hat and scratched his ear and moved beside her as she

started walking along the road, now a dim tape under the mountain stars.

"Why, Nora, I thought you was a fixture here; what'll we do without

you?"

He did not know how that hurt her, how the thought that he _could_ do

without her hung about her heart like a sodden weight. She covered it

well, holding her voice steady, restraining the discouragement that

wanted to break into words, and the night kept secret with her the

pallor of her face.

"I guess you'll get along, Bruce; you done it before I come an' I guess

th' town'll keep on prosperin' after I leave. I ... I got a chance to go

into business."

"Why, that's fine, Sister."

"A lunch counter that I can get for two hundred; I've saved more 'n that

since ... since I come here. That'll be better than workin' for somebody

else an' I figure I'll make as much and maybe considerable more."

"That's fine!" he repeated. "Fine, Nora!"

In spite of the complexity of his thinking he found an interval of

respite and was truly glad for her.

"I ... I wanted to tell you before anybody else knew, 'cause I ... Well,

you made it possible. If you hadn't done this for me ... this here in

Yavapai ... I'd never been ..."

He laughed at her.

"Oh, yes you would, Nora. You had it in you. If I hadn't happened along

some one else would. What we're goin' to be, we're goin' to be, I

figure. I was only a lucky chance."

"Lucky," she repeated. "Lucky! God, Bruce, lucky for me!"

"Naw, lucky for me, Nora. Why, don't you know that every man likes to

have some woman dependin' on him? It's in us to want some female woman

lookin' to us for protection an' help. It tickled me to death to think I

was helpin' you, when, all the time, I knew down in my heart, I was only

an accident.''

"You can say that, Bruce, but you can't make me believe it."

They walked far, talking of the past, of her future, but not once did

the conversation touch on Ann Lytton. Bayard kept away from it because

of that privacy with which he had come to look on the affair, and the

girl knew that his presence there in town after Ann's departure for the

ranch could mean only that a crisis had been reached. With her woman's

heart, her intuition, she was confident of what the outcome would be.

And though she had given her all to help bring it about, she knew that

the sound of it in speech would precipitate that self-revelation which

she had avoided so long, at such cost.

"I'll see you again," she said, when they stood before the hotel and she

was ready to enter for the night. "I'll see you again before I go,

Bruce. And--I ... thank you ... thank you...."

She gripped his hand convulsively and lowered her head; then turned and

ran quickly up the steps, for she would not let him see the emotion, nor

let him hear uncertain words form on her lips.

In her last speech with him, Nora had lied; she had lied because she

knew that to tell him she had packed her trunk and would leave on the

morning train would bring thanks from him for what she had done for Ann

Lytton; and Nora could not have stood this. From the man downstairs she

had learned kindness, had learned that not all mistakes are sins, had

learned that there is a judgment above that which denounces or commends

by rule of thumb. He had set in her heart a desire to be possessed by

him, had fed it unconsciously, had led her on and on to dream and plan;

then, had unwittingly wrecked it. But he had made her too big, too fine,

too gentle, to let jealousy control her for long. She had weakened just

once, and that had served to set in Nora's heart a new resolve, a finer

purpose than had ever found a place there before. And, as she stumbled

up the narrow stairway, the tears scalding her cheeks, her soul was

glad, was light, was happy, for she knew true greatness.

Bayard roamed until after midnight; then went to his room in the hotel

and slept brokenly until dawn. In those hours he chilled with fear and

experienced flushes of temper, but behind it all he was resigned,

willing to wait. He had done his all, he had held himself strictly

within the bounds of justice as he conceived it, and beyond that he

could do no more.

The east had only commenced to silver when he rode out of town at a

brisk gallop. He did not realize what going back to his ranch meant

until he was actually on his way and then with every length of the road

traveled, his apprehensions rose. It was no business of his he argued,

what had transpired the day before; it was Ann's affair ... and her

husband's. Yet, if he had left her alone, unprotected, and Lytton had

done her harm, he knew that he could never escape reproaching himself,

and his suffering would be in proportion to hers. Then, of the many,

there was another disturbing possibility. Perhaps a complete

reconciliation had followed. Perhaps he would ride into his dooryard to

find Ann Lytton cooking breakfast for her husband, smiling and happy,

refusing to meet his gaze, ashamed of what had been between them.

He prodded his pony to greater speed with that thought.

The sun was not yet up when he pulled his swift-breathing horse to a

stop. The outer gate stood open, and, as he rode through, his face

clouded slightly with annoyance over the unusual occurrence, but when he

looked to the horse corral and saw that it, too, was open, and empty,

that Abe was gone, his annoyance became fear. He spurred the tired pony

across the yard and flung off before the house with eyes on that portion

of the kitchen which was visible through the door. Then, stopped, stood

still, and listened.

Not a sound except the breathing of his horse. The breeze had not yet

come up, no animal life was moving. An uncanny sense of desertion was

upon the place and for a moment Bayard knew real panic. What if some

violence....

"Lytton!" he called, cutting his half-formed, horrible thought short,

and stepped into the room.

No answer greeted him and, after listening a moment, he again shouted.

Then walked swiftly to the room where Ned Lytton had lived through those

weeks. He knocked, waited, flung open the door and grunted at the

emptiness which he found. One more room remained to be inspected--his

room--and he turned to the door which was almost closed. He rapped

lightly on the casing; louder, called for Lytton, grasped the knob and

entered.

The overturned table, broken lamp, the spreading stain of its oil, the

rumpled rugs yielded their mute suggestion, and he moved slowly about,

eyeing them, searching for other evidence, searching for something more

than the fact that a struggle had taken place, hoping to find it,

fearing to know.

He stopped suddenly, holding his head to one side as though listening to

catch a distant sound.

"Both saddle horses gone ... they're gone," he muttered to himself and

started from the room on a run.

He inspected the saddle rack under his wagonshed and saw that the third

saddle was missing, and then, with expert eyes, studied the ground for

evidence.

A trail, barely discernible in the multitude of hoof-marks, led through

to the outer gate, crossed the road and struck straight east across the

valley.

"That's Abe," he said excitedly to himself. "That was made late

yesterday."

He stood erect and looked into the far reaches of the lower valley

where the wreaths of mists in the hollows were turning to silver and

those without shelter becoming dispelled as the sun spread its first

warmth over the country.

"You've stolen my horse!" he said aloud, and evenly, as though he were

dispassionately charging some one before him with the misdeed. "You

stole my horse, but she ... was your woman!"

He straightened and lifted his head, moving it quickly from side to side

as he strove to identify a moving object far below him that had risen

suddenly into sight on one of the valley swells and disappeared again in

a wash. It was a horse, he knew, but whether it was a roamer of the

range or a beast bearing a rider, he could not tell. He waited anxiously

for its reappearance, again hoping and fearing.

"Huh! You're carryin' nobody," he muttered aloud as the speck again came

into view. "An' you sure are goin' some particular place!"

The animal was too far distant to be readily identified but about its

swing was a familiar something and, inspired by an idea, Bayard returned

to the house, emerged with a field glass and focused it on the

approaching horse. The animal was his sorrel stallion.

"Come on, Abe," he said aloud, putting down the binoculars with a hand

that trembled. "They've sent you on home, or you've got away.... But how

about th' party you carried off?"

He walked to the gate and stood uneasily awaiting the arrival of the

animal. As the sorrel came into sight from the nearest wash into which

he had disappeared he was moving at a deliberate trot, but when he made

out the figure of his waiting master he strode swifter, finally breaking

into a gallop and approaching at great speed, whinnering from time to

time.

The bridle reins were knotted securely about the horn. He had not

escaped; Abe had been sent home. He stopped before Bruce and nuzzled the

man's hands as they caressed his hot, soft nose.

"It looks as if they had trouble before they left, from th' way my room

is," the man said to the horse as he stroked his nose, "but I know right

well he'd never got you out of that corral alone an' never got you off

in that direction unless somebody'd helped him; she might make you mind

'cause she rode you once. If it wasn't for that ... I'd think she'd been

forced ... 'cause they must have had a racket...."

He led the horse through the gate and into the corral. There, he slipped

the bridle off, uncinched and dragged the saddle toward him. As the

polished, darkened seat turned to the bright sunlight, he saw that the

leather had been defaced and, indignation mounting, he leaned over to

inspect it. The resentment departed, a mingling of fear and triumph and

rage rose within him, for on the saddle had been scratched in hasty,

crude characters:

BOUND FOR MI

NE

HELP

No need to speculate as to the author of that message on the saddle.

That Ann had been forced by circumstances to do the work furtively was

as evident. And the combination of facts which rode uppermost in his

confused mentality was this. Ann Lytton was being taken to the Sunset

mine against her will; she had appealed to him for aid and, because of

that, he knew that she had chosen between the two, between her husband

and her honorable lover!

For a moment, mad, hot triumph filled him. He had done his best with the

ruin of a man he had set out to reconstruct; he had groomed him well,

conscientiously, giving him thorough care, great consideration, just to

satisfy his own moral sense; he had given him back to Ann at the cost of

intense suffering ... and it had not been enough for her; she was not

satisfied. Beside her husband, bound for her husband's mountain home,

she had found herself in her hour of need and had cried out to him for

help!

Bruce calculated swiftly as he stood there. Lytton's trail from the

ranch led straight eastward, toward the Sunset group. They had not

ridden the whole forty-five miles at one stretch. He was satisfied of

that. Obviously, they had stopped for the night and out in that country

toward which they had started was only one ranch that would not take

them miles out of their course. That was the home of Hi Boyd, a dozen

miles straight east, six miles south and east from Yavapai, thirty-three

miles from the Sunset group. By now they were making on, they could

finish their journey before night....

And then recurred a thought that Bruce had overlooked in those moments

of speculation, of quick thinking:

"Good God, Benny Lynch's waitin' for him ... with murder in his heart!"

he cried aloud, the horror at the remembrance so sharp, the meaning of

this new factor in the situation so portentous, that the words came from

his lips unconsciously. He stood beside the horse, staring down at the

message on the saddle again, bewildered, a feeling of helplessness

coming over him.

"I can't let that happen, Abe, I can't!" he said. "I drove him there....

He must have gone because ... He's found out she was here all along ...

he's blamed it on me.... He's crazy mad an' he's ridin' straight to his

end!... It would free her, but I can't let it happen ... not that

way ...

"It's up to you to get me to town," he cried as he reached for the

bridle. "Just to Yavapai ... that's all.... You're th' best horse in th'

southwest, but they've got too much of a start on you. We'll try

automobiles this once, Pardner!"

In an incredibly short time the saddle was on, cinch tight. He gathered

the reins, called to the sorrel and Abe, infected with his excitement,

wheeled for the gate, the man running by his side. As the animal rounded

into the road, Bruce vaulted into the saddle, pawed with his right foot

for the flopping stirrup and leaning low on Abe's neck, shouted into his

ears for speed.

Merely minutes transpired in that eight-mile race to Yavapai. Bayard's

idea was to hire the one automobile of which the town boasted, start

down the valley road that Lytton and Ann must follow to reach the mine,

overtake and turn them back, somehow, on some pretext. He could arrange

the device later; he could think of the significance of Ann's appeal to

him when the man between them was free from the danger of which Bayard

was aware; his whole thought now was to beat time, to reach town with

the least possible waste of seconds. The steel sinews, the leather

lungs, the great heart of the beast under him responded nobly to this

need. They stormed along the wagon tracks when they held straight,

thundered through the unmarked grass and over rocks when the highway

turned and twisted. Once, when they ran through a shallow wash and Abe

climbed the far side with a scramble, fire shot from his shoes and Bruce

cried,

"You're th' stallion shod with fire, boy!"

It was a splendid, unfaltering run, and, when the rider swung down

before the little corrugated iron building that housed Yavapai's motor

car, the stallion was black with water and his breath came and went with

the gasps of fatigue and nervous tension.

Bruce turned from his horse and stepped toward the open door of the

garage. A man was there, behind the car, looking dolefully down at an

array of grease covered parts that littered the floor.

"Jimmy, I want you to take me out on th' Valley road this mornin'. How

soon can we get away?"

"It won't be this mornin' or this afternoon, Bruce," the man said, with

a shake of his head. "I've got a busted differential."

"Can't it be fixed?"--misgiving in his voice.

"Not here. I have to send to Prescott for a new one. I'll be laid up a

couple of days anyhow."

Bayard did not answer. Just stood trying to face the situation calmly,

trying to figure his handicap.

"Is it awful important, Bruce?" the man asked, struck by the cowman's

attitude.

"I guess th' end of th' world's more important,"--as he turned away,

"but to me, an' compared to this, it's a small sized accident."

He walked slowly out into the street and paused to look calculatingly at

Abe. Then, turning abruptly, struck by a new possibility, he ran across

to the Manzanita House, entered the door, strode into the office, took

down the telephone receiver and rattled the hook impatiently.

"I want Hi Boyd's ranch," he said to the operator. Then, after a wait in

which he shifted from foot to foot and swore under his breath: "Hello

... Boyd's? Is this Hi Boyd? It is? ... Well Hi, this is Bruce Bayard

an' I've got to have a horse from you this mornin'...."

"A horse!" came the thin, distant exclamation over the wire. "Everybody

wants horses off me today...."

"But I've _got_ to have one, Hi! It's mighty important. Yours is th'

only ranch that's on my way--"

"... an' we let one get away this mornin'," the voice went on, not

pausing for Bruce's insistence, "'fore daylight an' left a lady who

spent th' night with us a foot. We had to go catch up another for 'em

an' Lytton--Ned Lytton, was th' man--only got on two hours ago ... three

hours late! No, they ain't a horse on th' place that'll ride."

"Can't you catch one for me?" Bruce persisted.

"How? Run him down on foot? If I was a young man like you, I might, but

now...."

Bayard slammed up the receiver and turned away, staring at the floor. He

walked into the street again, looking about almost wildly. One by one

the agencies that might prevent the impending catastrophe out yonder had

been rendered helpless. The automobile, the chance of getting a change

horse, his haste in riding to Yavapai and its consequent inroads made

upon Abe's strength.

"I'm playin' with a stacked deck!" he muttered, as he approached the

stallion. "There ain't another horse in this country equal to you even

after your mornin's work," he said, looking at the breathing, sweat

darkened creature. "I wouldn't ask you to do it for anybody else, Boy.

But ... won't you do it for her? She sent for me. Will you take me back?

It'll mean a lot to her, let alone what it means to me ... if I don't

stop him.

"It's thirty-five miles for us to make while they're doin' little more

'n twenty, for they've been traveling since dawn. Maybe it'll be your

last run ... It may break your heart.... How about it?"

In his desperation, something boyish came into his tone, his manner, and

he appealed to his horse as he would have pleaded with another human

being. The sorrel looked at him inquiringly, great intelligent eyes

unblinking, ears forward with attentiveness and, after a moment, the

white patch on his nose twitched and he moved closer against his master

as he gave a low little nicker.

"Is that your answer, Abe? Are you sayin' yes?" Bayard asked, and

unbuckled his chap belt. "Is it, old timer? You're ... it's all up to

you!" He kicked out of his chaps, flung them to the hotel porch,

mounted, reined the stallion about and high in the stirrups, a live,

flexible weight, rode out of town at a slow trot, holding the horse to

the gait that the wind which blew in from the big expanse of country

might cool him.

Bruce of the Circle A · 第 16 / 19 章