NOTE ON POEMS OF 1821, BY MRS. SHELLEY.

My task becomes inexpressibly painful as the year draws near that which

sealed our earthly fate, and each poem, and each event it records, has a

real or mysterious connection with the fatal catastrophe. I feel that I

am incapable of putting on paper the history of those times. The heart

of the man, abhorred of the poet, who could

'peep and botanize

Upon his mother's grave,'

does not appear to me more inexplicably framed than that of one who can

dissect and probe past woes, and repeat to the public ear the groans

drawn from them in the throes of their agony.

The year 1821 was spent in Pisa, or at the Baths of San Giuliano. We

were not, as our wont had been, alone; friends had gathered round us.

Nearly all are dead, and, when Memory recurs to the past, she wanders

among tombs. The genius, with all his blighting errors and mighty

powers; the companion of Shelley's ocean-wanderings, and the sharer of

his fate, than whom no man ever existed more gentle, generous, and

fearless; and others, who found in Shelley's society, and in his great

knowledge and warm sympathy, delight, instruction, and solace; have

joined him beyond the grave. A few survive who have felt life a desert

since he left it. What misfortune can equal death? Change can convert

every other into a blessing, or heal its sting--death alone has no cure.

It shakes the foundations of the earth on which we tread; it destroys

its beauty; it casts down our shelter; it exposes us bare to desolation.

When those we love have passed into eternity, 'life is the desert and

the solitude' in which we are forced to linger--but never find comfort

more.

There is much in the "Adonais" which seems now more applicable to

Shelley himself than to the young and gifted poet whom he mourned. The

poetic view he takes of death, and the lofty scorn he displays towards

his calumniators, are as a prophecy on his own destiny when received

among immortal names, and the poisonous breath of critics has vanished

into emptiness before the fame he inherits.

Shelley's favourite taste was boating; when living near the Thames or by

the Lake of Geneva, much of his life was spent on the water. On the

shore of every lake or stream or sea near which he dwelt, he had a boat

moored. He had latterly enjoyed this pleasure again. There are no

pleasure-boats on the Arno; and the shallowness of its waters (except in

winter-time, when the stream is too turbid and impetuous for boating)

rendered it difficult to get any skiff light enough to float. Shelley,

however, overcame the difficulty; he, together with a friend, contrived

a boat such as the huntsmen carry about with them in the Maremma, to

cross the sluggish but deep streams that intersect the forests,--a boat

of laths and pitched canvas. It held three persons; and he was often

seen on the Arno in it, to the horror of the Italians, who remonstrated

on the danger, and could not understand how anyone could take pleasure

in an exercise that risked life. 'Ma va per la vita!' they exclaimed. I

little thought how true their words would prove. He once ventured, with

a friend, on the glassy sea of a calm day, down the Arno and round the

coast to Leghorn, which, by keeping close in shore, was very

practicable. They returned to Pisa by the canal, when, missing the

direct cut, they got entangled among weeds, and the boat upset; a

wetting was all the harm done, except that the intense cold of his

drenched clothes made Shelley faint. Once I went down with him to the

mouth of the Arno, where the stream, then high and swift, met the

tideless sea, and disturbed its sluggish waters. It was a waste and

dreary scene; the desert sand stretched into a point surrounded by waves

that broke idly though perpetually around; it was a scene very similar

to Lido, of which he had said--

'I love all waste

And solitary places; where we taste

The pleasure of believing what we see

Is boundless, as we wish our souls to be:

And such was this wide ocean, and this shore

More barren than its billows.'

Our little boat was of greater use, unaccompanied by any danger, when we

removed to the Baths. Some friends lived at the village of Pugnano, four

miles off, and we went to and fro to see them, in our boat, by the

canal; which, fed by the Serchio, was, though an artificial, a full and

picturesque stream, making its way under verdant banks, sheltered by

trees that dipped their boughs into the murmuring waters. By day,

multitudes of Ephemera darted to and fro on the surface; at night, the

fireflies came out among the shrubs on the banks; the cicale at noon-day

kept up their hum; the aziola cooed in the quiet evening. It was a

pleasant summer, bright in all but Shelley's health and inconstant

spirits; yet he enjoyed himself greatly, and became more and more

attached to the part of the country were chance appeared to cast us.

Sometimes he projected taking a farm situated on the height of one of

the near hills, surrounded by chestnut and pine woods, and overlooking a

wide extent of country: or settling still farther in the maritime

Apennines, at Massa. Several of his slighter and unfinished poems were

inspired by these scenes, and by the companions around us. It is the

nature of that poetry, however, which overflows from the soul oftener to

express sorrow and regret than joy; for it is when oppressed by the

weight of life, and away from those he loves, that the poet has recourse

to the solace of expression in verse.

Still, Shelley's passion was the ocean; and he wished that our summers,

instead of being passed among the hills near Pisa, should be spent on

the shores of the sea. It was very difficult to find a spot. We shrank

from Naples from a fear that the heats would disagree with Percy:

Leghorn had lost its only attraction, since our friends who had resided

there were returned to England; and, Monte Nero being the resort of many

English, we did not wish to find ourselves in the midst of a colony of

chance travellers. No one then thought it possible to reside at Via

Reggio, which latterly has become a summer resort. The low lands and bad

air of Maremma stretch the whole length of the western shores of the

Mediterranean, till broken by the rocks and hills of Spezia. It was a

vague idea, but Shelley suggested an excursion to Spezia, to see whether

it would be feasible to spend a summer there. The beauty of the bay

enchanted him. We saw no house to suit us; but the notion took root, and

many circumstances, enchained as by fatality, occurred to urge him to

execute it.

He looked forward this autumn with great pleasure to the prospect of a

visit from Leigh Hunt. When Shelley visited Lord Byron at Ravenna, the

latter had suggested his coming out, together with the plan of a

periodical work in which they should all join. Shelley saw a prospect of

good for the fortunes of his friend, and pleasure in his society; and

instantly exerted himself to have the plan executed. He did not intend

himself joining in the work: partly from pride, not wishing to have the

air of acquiring readers for his poetry by associating it with the

compositions of more popular writers; and also because he might feel

shackled in the free expression of his opinions, if any friends were to

be compromised. By those opinions, carried even to their outermost

extent, he wished to live and die, as being in his conviction not only

true, but such as alone would conduce to the moral improvement and

happiness of mankind. The sale of the work might meanwhile, either

really or supposedly, be injured by the free expression of his thoughts;

and this evil he resolved to avoid.

Notes to the Complete Poetical Works of Percy Bysshe Shelley · 第 31 / 32 题