NOTE ON POEMS OF 1818, BY MRS. SHELLEY.

We often hear of persons disappointed by a first visit to Italy. This

was not Shelley's case. The aspect of its nature, its sunny sky, its

majestic storms, of the luxuriant vegetation of the country, and the

noble marble-built cities, enchanted him. The sight of the works of art

was full enjoyment and wonder. He had not studied pictures or statues

before; he now did so with the eye of taste, that referred not to the

rules of schools, but to those of Nature and truth. The first entrance

to Rome opened to him a scene of remains of antique grandeur that far

surpassed his expectations; and the unspeakable beauty of Naples and its

environs added to the impression he received of the transcendent and

glorious beauty of Italy.

Our winter was spent at Naples. Here he wrote the fragments of

"Marenghi" and "The Woodman and the Nightingale", which he afterwards

threw aside. At this time, Shelley suffered greatly in health. He put

himself under the care of a medical man, who promised great things, and

made him endure severe bodily pain, without any good results. Constant

and poignant physical suffering exhausted him; and though he preserved

the appearance of cheerfulness, and often greatly enjoyed our wanderings

in the environs of Naples, and our excursions on its sunny sea, yet many

hours were passed when his thoughts, shadowed by illness, became

gloomy,--and then he escaped to solitude, and in verses, which he hid

from fear of wounding me, poured forth morbid but too natural bursts of

discontent and sadness. One looks back with unspeakable regret and

gnawing remorse to such periods; fancying that, had one been more alive

to the nature of his feelings, and more attentive to soothe them, such

would not have existed. And yet, enjoying as he appeared to do every

sight or influence of earth or sky, it was difficult to imagine that any

melancholy he showed was aught but the effect of the constant pain to

which he was a martyr.

We lived in utter solitude. And such is often not the nurse of

cheerfulness; for then, at least with those who have been exposed to

adversity, the mind broods over its sorrows too intently; while the

society of the enlightened, the witty, and the wise, enables us to

forget ourselves by making us the sharers of the thoughts of others,

which is a portion of the philosophy of happiness. Shelley never liked

society in numbers,--it harassed and wearied him; but neither did he

like loneliness, and usually, when alone, sheltered himself against

memory and reflection in a book. But, with one or two whom he loved, he

gave way to wild and joyous spirits, or in more serious conversation

expounded his opinions with vivacity and eloquence. If an argument

arose, no man ever argued better. He was clear, logical, and earnest, in

supporting his own views; attentive, patient, and impartial, while

listening to those on the adverse side. Had not a wall of prejudice been

raised at this time between him and his countrymen, how many would have

sought the acquaintance of one whom to know was to love and to revere!

How many of the more enlightened of his contemporaries have since

regretted that they did not seek him! how very few knew his worth while

he lived! and, of those few, several were withheld by timidity or envy

from declaring their sense of it. But no man was ever more

enthusiastically loved--more looked up to, as one superior to his

fellows in intellectual endowments and moral worth, by the few who knew

him well, and had sufficient nobleness of soul to appreciate his

superiority. His excellence is now acknowledged; but, even while

admitted, not duly appreciated. For who, except those who were

acquainted with him, can imagine his unwearied benevolence, his

generosity, his systematic forbearance? And still less is his vast

superiority in intellectual attainments sufficiently understood--his

sagacity, his clear understanding, his learning, his prodigious memory.

All these as displayed in conversation, were known to few while he

lived, and are now silent in the tomb:

'Ahi orbo mondo ingrato!

Gran cagion hai di dever pianger meco;

Che quel ben ch' era in te, perdut' hai seco.'

Notes to the Complete Poetical Works of Percy Bysshe Shelley · 第 28 / 32 题