Visitors, therefore, fall into three general classes, all of whom may

study scenery which quite fully covers the range of Glacier's natural

phenomena and peculiar beauty. The largest of these classes consists of

those who can travel, or think they can travel, only in vehicles, and

can find satisfactory accommodations only in good hotels. The

intermediate class includes those who can, at a pinch, ride ten or

twelve miles on comfortably saddled horses which walk the trails at two

or three miles an hour, and who do not object to the somewhat primitive

but thoroughly comfortable overnight accommodations of the chalets.

Finally comes the small class, which constantly will increase, of those

who have the time and inclination to leave the beaten path with tent and

camping outfit for the splendid wilderness and the places of supreme

magnificence which are only for those who seek.

The man, then, whose tendency to gout, let us say, forbids him ride a

horse or walk more than a couple of easy miles a day may, nevertheless,

miss nothing of Glacier's meaning and magnificence provided he takes the

trouble to understand. But he must take the trouble; he must comprehend

the few examples that he sees; this is his penalty for refusing the rich

experience of the trail, which, out of its very fulness, drives meaning

home with little mental effort. His knowledge must be got from six

places only which may be reached by vehicle, at least three of which,

however, may be included among the world's great scenic places. He can

find at Two Medicine, St. Mary, and McDermott superb examples of

Glacier's principal scenic elements.

Entering at Glacier Park, he will have seen the range from the plains,

an important beginning; already, approaching from the east, he has

watched it grow wonderfully on the horizon. So suddenly do these painted

mountains spring from the grassy plain that it is a relief to recognize

in them the advance guard of the Lewis Overthrust, vast fragments of the

upheavals of the depths pushed eastward by the centuries to their final

resting-places upon the surface of the prairie. From the hotel porches

they glow gray and yellow and purple and rose and pink, according to the

natural coloring of their parts and the will of the sun--a splendid

ever-changing spectacle.

THE TWO MEDICINE COUNTRY

An hour's automobile-ride from Glacier Park Hotel will enable our

traveller to penetrate the range at a point of supreme beauty and stand

beside a chalet at the foot of Two Medicine Lake. He will face what

appears to be a circular lake in a densely forested valley from whose

shore rises a view of mountains which will take his breath. In the near

centre stands a cone of enormous size and magnificence--Mount

Rockwell--faintly blue, mistily golden, richly purple, dull silver, or

red and gray, according to the favor of the hour and the sky. Upon its

left and somewhat back rises a smaller similar cone, flatter but quite

as perfectly proportioned, known as Grizzly Mountain, and upon its right

less regular masses. In the background, connecting all, are more distant

mountains flecked with snow, the continental divide. Towering mountains

close upon him upon both sides, that upon his right a celebrity in red

argillite known as Rising Wolf. He sees all this from a beach of

many-colored pebbles.

Few casual visitors have more than a midday view of Two Medicine Lake,

for the stage returns in the afternoon. The glory of the sunset and the

wonder before sunrise are for the few who stay over at the chalet. The

lover of the exquisite cannot do better, for, though beyond lie scenes

surpassing this in the qualities which bring to the lips the shout of

joy, I am convinced that nothing elsewhere equals the Two Medicine

canvas in the perfection of delicacy. It is the Meissonier of Glacier.

Nor can the student of Nature's processes afford to miss the study of

Two Medicine's marvellously complete and balanced system of cirques and

valleys--though this of course is not for the rheumatic traveller but

for him who fears not horse and tent. Such an explorer will find thrills

with every passing hour. Giant Mount Rockwell will produce one when a

sideview shows that its apparent cone is merely the smaller eastern end

of a ridge two miles long which culminates in a towering summit on the

divide; Pumpelly Piller, with the proportions of a monument when seen

from near the lake, becomes, seen sideways, another long and exceedingly

beautiful ridge; striking examples, these, of the leavings of converging

glaciers of old. Two Medicine Lake proves to be long and narrow, the

chalet view being the long way, and Upper Two Medicine Lake proves to be

an emerald-encircled pearl in a silvery-gray setting. The climax of such

a several days' trip is a night among the coyotes at the head of the

main valley and a morning upon Dawson Pass overlooking the indescribable

tangle of peak, precipice, and canyon lying west of the continental

divide.

Taken as a whole, the Two Medicine drainage-basin is an epitome of

Glacier in miniature. To those entering the park on the east side and

seeing it first it becomes an admirable introduction to the greater

park. To those who have entered on the west side and finish here it is

an admirable farewell review, especially as its final picture sounds the

note of scenic perfection. Were there nothing else of Glacier, this spot

would become in time itself a world celebrity. Incidentally, exceedingly

lively Eastern brook-trout will afford an interesting hour to one who

floats a fly down the short stream into the lakelet at the foot of Two

Medicine Lake not far below the chalet. There are also fish below Trick

Falls.

THE SPECTACLE OF ST. MARY

St. Mary Lake, similarly situated in the outlet valley of a much greater

group of cirques north of Two Medicine, offers a picture as similar in

kind as two canvases are similar which have been painted by the same

hand; but they widely differ in composition and magnificence; Two

Medicine's preciousness yields to St. Mary's elemental grandeur. The

steamer which brings our rheumatic traveller from the motor-stage at the

foot of the lake lands him at the upper chalet group, appropriately

Swiss, which finds vantage on a rocky promontory for the view of the

divide. Gigantic mountains of deep-red argillite, grotesquely carved,

close in the sides, and with lake and sky wonderfully frame the amazing

central picture of pointed pyramids, snow-fields, hanging glaciers, and

silvery ridges merging into sky. Seen on the way into Glacier, St. Mary

is a prophecy which will not be fulfilled elsewhere in charm though

often far exceeded in degree. Seen leaving Glacier, it combines with

surpassing novelty scenic elements whose possibilities of further

gorgeous combination the trip through the park has seemed to exhaust.

The St. Mary picture is impossible to describe. Its colors vary with the

hours and the atmosphere's changing conditions. It is silver, golden,

mauve, blue, lemon, misty white, and red by turn. It is seen clearly in

the morning with the sun behind you. Afternoons and sunsets offer

theatrical effects, often baffling, always lovely and different. Pointed

Fusillade and peaked Reynolds Mountains often lose their tops in

lowering mists. So, often, does Going-to-the-Sun Mountain in the near-by

right foreground. So, not so often, does keel-shaped Citadel Mountain on

the near-by left; also, at times, majestic Little Chief, he of lofty

mien and snow-dashed crown, and stolid Red Eagle, whose gigantic

reflection reddens a mile of waters. It is these close-up monsters even

more than the colorful ghosts of the Western horizon which stamp St.

Mary's personality.

From the porches of the chalets and the deck of the steamer in its

evening tour of the lake-end the traveller will note the enormous size

of those upper valleys which once combined their glaciers as now they do

their streams. He will guess that the glacier which once swept through

the deep gorge in whose bottom now lies St. Mary Lake was several

thousand feet in thickness. He will long to examine those upper valleys

and reproduce in imagination the amazing spectacle of long ago. But they

are not for him. That vision is reserved for those who ride the trails.

THE SCENIC CLIMAX OF THE SWIFTCURRENT

Again passing north, the automobile-stage reaches road's end at

McDermott Lake, the fan-handle of the Swiftcurrent drainage-basin.

Overlooking a magnificent part of each of its contributing valleys, the

lake, itself supremely beautiful, may well deserve its reputation as

Glacier's scenic centre. I have much sympathy with the thousands who

claim supremacy for McDermott Lake. Lake McDonald has its wonderfully

wooded shores, its majestic length and august vista; Helen Lake its

unequalled wildness; Bowman Lake its incomparable view of

glacier-shrouded divide. But McDermott has something of everything; it

is a composite, a mosaic masterpiece with every stone a gem. There is no

background from which one looks forward to "the view." Its horizon

contains three hundred and sixty degrees of view. From the towering

south gable of that rock-temple to God the Creator, which the map calls

Mount Gould, around the circle, it offers an unbroken panorama in

superlative.

In no sense by way of comparison, which is absurd between scenes so

different, but merely to help realization by contrast with what is well

known, let us recall the Yosemite Valley. Yosemite is a valley,

Swiftcurrent an enclosure. Yosemite is gray and shining, Swiftcurrent

richer far in color. Yosemite's walls are rounded, peaked, and polished,

Swiftcurrent's toothed, torn, and crumbling; the setting sun shines

through holes worn by frost and water in the living rock. Yosemite

guards her western entrance with a shaft of gray granite rising

thirty-six hundred feet from the valley floor, and her eastern end by

granite domes of five thousand and six thousand feet; Swiftcurrent's

rocks gather round her central lake--Altyn, thirty-two hundred feet

above the lake's level; Henkel, thirty-eight hundred feet; Wilbur,

forty-five hundred feet; Grinnell, four thousand; Gould, forty-seven

hundred; Allen, forty-five hundred--all of colored strata, green at

base, then red, then gray. Yosemite has its winding river and

waterfalls, Swiftcurrent its lakes and glaciers.

Swiftcurrent has the repose but not the softness of Yosemite. Yosemite

is unbelievably beautiful. Swiftcurrent inspires wondering awe.

McDermott Lake, focus point of all this natural glory, is scarcely a

mile long, and narrow. It may be vivid blue and steel-blue and

milky-blue, and half a dozen shades of green and pink all within twice

as many minutes, according to the whim of the breeze, the changing

atmosphere, and the clouding of the sun. Often it suggests nothing so

much as a pool of dull-green paint. Or it may present a reversed image

of mountains, glaciers, and sky in their own coloring. Or at sunset it

may turn lemon or purple or crimson or orange, or a blending of all. Or,

with rushing storm-clouds, it may quite suddenly lose every hint of any

color, and become a study in black, white, and intermediate grays.

[Illustration: _From a photograph by Bailey Willis_

THE GREAT GABLE OF GOULD MOUNTAIN

The water is McDermott Lake, one of the most beautiful in Glacier

National Park]

[Illustration: _From a photograph by A.J. Baker_

THE CIRQUE AT THE HEAD OF CUT BANK CREEK

Fine examples of glacier cirques throughout the park. The peak is Mount

Morgan, Glacier National Park.]

There are times when, from hotel porch, rock, or boat, the towering

peaks and connecting limestone walls become suddenly so fairy-like that

they lose all sense of reality, seeming to merge into their background

of sky, from which, nevertheless, they remain sharply differentiated.

The rapidity and the variety of change in the appearance of the water is

nothing to that in the appearance of these magical walls and mountains.

Now near, now distant; now luring, now forbidding; now gleaming as if

with their own light; now gloomy in threat, they lose not their hold on

the eye for a moment. The unreality of McDermott Lake, the sense it

often imparts of impossibility, is perhaps its most striking feature.

One suspects he dreams, awake.

THE SCENIC CIRCLE

To realize the spot as best we may, let us pause on the bridge among

those casting for trout below the upper fall and glance around. To our

left rises Allen Mountain, rugged, irregular, forest-clothed half-way up

its forty-five hundred feet of elevation above the valley floor. Beyond

it a long gigantic wall sets in at right angles, blue, shining,

serrated, supporting, apparently on the lake edge, an enormous gable end

of gray limestone banded with black diorite, a veritable personality

comparable with Yosemite's most famous rocks. This is Mount Gould. Next

is the Grinnell Glacier, hanging glistening in the air, dripping

waterfalls, backgrounded by the gnawed top of the venerable Garden Wall.

Then comes in turn the majestic mass of Mount Grinnell, four miles long,

culminating at the lakeside in an enormous parti-colored pyramid more

impressive from the hotel than even Rockwell is from Two Medicine

chalets. Then, upon its right, appears a wall which is the unnamed

continuation of the Garden Wall, and, plastered against the side of

Swiftcurrent Mountain, three small hanging glaciers, seeming in the

distance like two long parallel snow-banks. Then Mount Wilbur, another

giant pyramid, gray, towering, massively carved, grandly proportioned,

kingly in bearing! Again upon its right emerges still another

continuation, also unnamed, of the Garden Wall, this section loftiest of

all and bitten deeply by the ages. A part of it is instantly recognized

from the hotel window as part of the sky-line surrounding famous Iceberg

Lake. Its right is lost behind the nearer slopes of red Mount Henkel,

which swings back upon our right, bringing the eye nearly to its

starting-point. A glance out behind between mountains, upon the

limitless lake-dotted plain, completes the scenic circle.

McDermott Lake, by which I here mean the Swiftcurrent enclosure as seen

from the Many Glacier Hotel, is illustrative of all of Glacier. There

are wilder spots, by far, some which frighten; there are places of

nobler beauty, though as I write I know I shall deny it the next time I

stand on McDermott's shores; there are supreme places which at first

glance seem to have no kinship with any other place on earth.

Nevertheless, McDermott contains all of Glacier's elements, all her

charm, and practically all her combinations. It is the place of places

to study Glacier. It is also a place to dream away idle weeks.

So he who cannot ride or walk the trails may still see and understand

Glacier in her majesty. Besides the places I have mentioned he may see,

from the Cut Bank Chalet, a characteristic forested valley of great

beauty, and at Lewis's hotel on Lake McDonald the finest spot accessible

upon the broad west side, the playground, as the east side is the

show-place, of hundreds of future thousands.

So many are the short horseback trips from Many Glacier Hotel to places

of significance and beauty that it is hard for the timid to withstand

the temptation of the trail. Four miles will reach Grinnell Lake at the

foot of its glacier, six miles will penetrate the Cracker Lake Gorge at

the perpendicular base of Mount Siyeh, eight miles will disclose the

astonishing spectacle of Iceberg Lake, and nine miles will cross the

Swiftcurrent Pass to the Granite Park Chalet.

ICEBERG LAKE TYPICAL OF ALL

In some respects Iceberg Lake is Glacier's supreme spectacle. There are

few spots so wild. There may be no easily accessible spot in the world

half so wild. Imagine a horseshoe of perpendicular rock wall,

twenty-seven hundred to thirty-five hundred feet high, a glacier in its

inmost curve, a lake of icebergs in its centre. The back of the

tower-peak of Mount Wilbur is the southern end of this horseshoe. This

enclosure was not built up from below, as it looks, but bitten down

within and without; it was left. On the edge of the lake in early July

the sun sets at four o'clock.

Stupendous as Iceberg Lake is as a spectacle, its highest purpose is

illustrative. It explains Glacier. Here by this lakeside, fronting the

glacier's floating edge and staring up at the jagged top in front and on

either side, one comprehends at last. The appalling story of the past

seems real.

THE CLIMAX AT GRANITE PARK

It is at Granite Park that one realizes the geography of Glacier. You

have crossed the continental divide and emerged upon a lofty abutment

just west of it. You are very nearly in the park's centre, and on the

margin of a forested canyon of impressive breadth and depth, lined on

either side by mountain monsters, and reaching from Mount Cannon at the

head of Lake McDonald northward to the Alberta plain. The western wall

of this vast avenue is the Livingston Range. Its eastern wall is the

Lewis Range. Both in turn carry the continental divide, which crosses

the avenue from Livingston to Lewis by way of low-crowned Flattop

Mountain, a few miles north of where you stand, and back to Livingston

by way of Clements Mountain, a few miles south. Opposite you, across the

chasm, rises snowy Heavens Peak. Southwest lies Lake McDonald, hidden by

Heavens' shoulder. South is Logan Pass, carrying another trail across

the divide, and disclosing hanging gardens beyond on Reynolds' eastern

slope. Still south of that, unseen from here, is famous Gunsight Pass.

[Illustration: _From a photograph by Haynes_

PTARMIGAN LAKE AND MOUNT WILBUR, GLACIER NATIONAL PARK]

[Illustration: _From a photograph by A.J. Thiri_

SCOOPED BOTH SIDES BY GIANT GLACIERS

Wall on the left encloses Iceberg Lake; on the right is the Belly River

abyss; Glacier National Park]

It is a stirring spectacle. But wait. A half-hour's climb to the summit

of Swiftcurrent Mountain close at hand (the chalet is most of the way

up, to start with) and all of Glacier lies before you like a model in

relief. Here you see the Iceberg Cirque from without and above. The

Belly River chasm yawns enormously. Mount Cleveland, monarch of the

region, flaunts his crown of snow among his near-by court of only lesser

monsters. The Avenue of the Giants deeply splits the northern half of

the park, that land of extravagant accent, mysterious because so little

known; the Glacier of tourists lying south. A marvellous spectacle,

this, indeed, and one which clears up many misconceptions. The Canadian

Rockies hang on the misty northern horizon, the Montana plains float

eastward, the American Rockies roll south and west.

OVER GUNSIGHT PASS

To me one of the most stirring sights in all Glacier is the view of

Gunsight Pass from the foot of Gunsight Lake. The immense glaciered

uplift of Mount Jackson on the south of the pass, the wild whitened

sides of Gunsight Mountain opposite dropping to the upturned strata of

red shale at the water's edge, the pass itself--so well named--perched

above the dark precipice at the lake's head, the corkscrew which the

trail makes up Jackson's perpendicular flank and its passage across a

mammoth snow-bank high in air--these in contrast with the silent black

water of the sunken lake produce ever the same thrill however often

seen. The look back, too, once the pass is gained, down St. Mary's

gracious valley to Going-to-the-Sun Mountain and its horizon companions!

Sun Mountain (for short), always a personality, is never from any other

point of view so undeniably the crowned majesty as from Gunsight Pass.

And finally, looking forward, which in this speaking means westward, the

first revelation of Lake Ellen Wilson gives a shock of awed astonishment

whose memory can never pass.

Truly, Gunsight is a pass of many sensations, for, leaving Lake Ellen

Wilson and its eighteen hundred feet of vertical frothing outlet, the

westward trail crosses the shoulder of Lincoln Peak to the Sperry

Glacier and its inviting chalet (where the biggest hoary marmot I ever

saw sat upon my dormitory porch), and, eight miles farther down the

mountain, beautiful Lake McDonald.

DESTINY OF THE WEST SIDE

Although it was settled earlier, Glacier's west side is less developed

than its east side; this because, for the most part, its scenery is less

sensational though no less gorgeously beautiful. Its five long lakes, of

which McDonald is much the longest and largest, head up toward the snowy

monsters of the divide; their thin bodies wind leisurely westward among

superbly forested slopes. Its day is still to come. It is the land of

the bear, the moose, the deer, the trout, and summer leisure. Its

destiny is to become Glacier's vacation playground.

THE COMING SPLENDORS OF THE NORTH

The wild north side of Glacier, its larger, bigger-featured, and

occasionally greater part, is not yet for the usual tourist; for many

years from this writing, doubtless, none will know it but the traveller

with tent and pack-train. He alone, and may his tribe increase, will

enjoy the gorgeous cirques and canyons of the Belly River, the wild

quietude of the Waterton Valley, the regal splendors of Brown Pass, and

the headwater spectacles of the Logging, Quartz, Bowman, and Kintla

valleys. He alone will realize that here is a land of greater power,

larger measures, and bigger horizons.

And yet with Kintla comes climax. Crossing the border the mountains

subside, the glaciers disappear. Canada's Waterton Lakes Park begins at

our climax and merges in half a dozen miles into the great prairies of

Alberta. It is many miles northwest before the Canadian Rockies assume

proportions of superlative scenic grandeur.

THE BELLY RIVER VALLEYS

To realize the growing bigness of the land northward one has only to

cross the wall from Iceberg Lake into the Belly River canyon. "Only,"

indeed! In 1917 it took us forty miles of detour outside the park, even

under the shadow of Chief Mountain, to cross the wall from Iceberg Lake,

the west-side precipice of which is steeper even than the east. The

Belly River drainage-basin is itself bigger, and its mountains bulk in

proportion. Eighteen glaciers contribute to the making of perhaps as

many lakes. The yellow mountains of its northern slopes invade Canada.

The borders of its principal valley are two monster mountains,

Cleveland, the greatest in the park for mass and height and intricate

outline; the other, Merritt, in some respects the most interesting of

Glacier's abundant collection of majestic peaks.

There are three valleys. The North Fork finds its way quickly into

Canada. The Middle Fork rises in a group of glaciers high under the

continental divide and descends four giant steps, a lake upon each step,

to two greater lakes of noble aspect in the valley bottom. The South

Fork emerges from Helen Lake deep in the gulf below the Ahern Glacier

across the Garden Wall from Iceberg Lake. Between the Middle and South

Forks Mount Merritt rises 9,944 feet in altitude, minareted like a

mediaeval fort and hollow as a bowl, its gaping chasm hung with glaciers.

This is the valley of abundance. The waters are large, their trout many

and vigorous; the bottoms are extravagantly rich in grasses and flowers;

the forests are heavy and full-bodied; there is no open place, even

miles beyond its boundaries, which does not offer views of extraordinary

nobility. Every man who enters it becomes enthusiastically prophetic of

its future. After all, the Belly River country is easily visited. A

leisurely horseback journey from McDermott, that is all; three days

among the strange yellow mountains of the over thrust's eastern edge,

including two afternoons among the fighting trout of Kennedy Creek and

Slide Lake, and two nights in camp among the wild bare arroyos of the

Algonkian invasion of the prairie--an interesting prelude to the fulness

of wilderness life to come.

The Book of the National Parks · 第 16 / 25 段