Walpole and a party of friends, (Dick Edgecumbe, George Selwyn, and

Williams,) in 1756, composed a piece of heraldic satire--a

coat-of-arms for the two gaming-clubs at White's,--which was "actually

engraving from a very pretty painting of Edgecumbe, whom Mr. Chute, as

Strawberry King at arms," appointed their chief herald-painter. The

blazon is vert (for a card-table); three parolis proper on a chevron

sable (for a hazard-table); two rouleaux in saltire between two dice

proper, on a canton sable; a white ball (for election) argent. The

supporters are an old and young knave of clubs; the crest, an arm out

of an earl's coronet shaking a dice-box; and the motto, "Cogit amor

nummi." Round the arms is a claret-bottle ticket by way of order. The

painting above mentioned by Walpole of "the Old and Young Club at

Arthur's" was bought at the sale of Strawberry Hill by Arthur's

Club-house for twenty-two shillings.

At White's, the least difference of opinion invariably ended in a bet,

and a book for entering the particulars of all bets was always laid

upon the table; one of these, with entries of a date as early as 1744,

Mr. Cunningham tells us, had been preserved. A book for entering bets

is still laid on the table.

In these betting books are to be found bets on births, deaths, and

marriages; the length of a life, or the duration of a ministry; a

placeman's prospect of a coronet; on the shock of an earthquake; or

the last scandal at Ranelagh, or Madame Cornelys's. A man dropped down

at the door of White's; he was carried into the house. Was he dead or

not? The odds were immediately given and taken for and against. It was

proposed to bleed him. Those who had taken the odds the man was dead,

protested that the use of a lancet would affect the fairness of the

bet.

Walpole gives some of these narratives as good stories "made on

White's." A parson coming into the Club on the morning of the

earthquake of 1750, and hearing bets laid whether the shock was caused

by an earthquake or the blowing-up of powder-mills, went away in

horror, protesting they were such an impious set, that he believed if

the last trump were to sound, they would bet "puppet-show against

Judgment." Gilly Williams writes to Selwyn, 1764, "Lord Digby is very

soon to be married to Miss Fielding." Thousands might have been won in

this house (White's), on his Lordship not knowing that such a being

existed.

Mr. Cunningham tells us that "the marriage of a young lady of rank

would occasion a bet of a hundred guineas, that she would give birth

to a live child before the Countess of ----, who had been married

three or even more months before her. Heavy bets were pending, that

Arthur, who was then a widower, would be married before a member of

the Club of about the same age, and also a widower; and that Sarah,

Duchess of Marlborough, would outlive the old Duchess of Cleveland."

"One of the youth at White's," writes Walpole to Mann, July 10, 1744,

"has committed a murder, and intends to repeat it. He betted £1500

that a man could live twelve hours under water; hired a desperate

fellow, sunk him in a ship, by way of experiment, and both ship and

man have not appeared since. Another man and ship are to be tried for

their lives, instead of Mr. Blake, the assassin."

Walpole found at White's, a very remarkable entry in their very--very

remarkable wager-book, which is still preserved. "Lord Mountford bets

Sir John Bland twenty guineas that Nash outlives Cibber." "How odd,"

says Walpole, "that these two old creatures, selected for their

antiquities, should live to see both their wagerers put an end to

their own lives! Cibber is within a few days of eighty-four, still

hearty, and clear, and well. I told him I was glad to see him look so

well. 'Faith,' said he, 'it is very well that I look at all.'" Lord

Mountford would have been the winner: Cibber died in 1757; Nash in

1761.

Here is a nice piece of Selwyn's ready wit. He and Charles Townshend

had a kind of wit combat together. Selwyn, it is said, prevailed; and

Charles Townshend took the wit home in his carriage, and dropped him

at White's. "Remember," said Selwyn, as they parted, "this is the

first set-down you have given me to-day."

"St. Leger," says Walpole, "was at the head of these luxurious

heroes--he is the hero of all fashion. I never saw more dashing

vivacity and absurdity with some flashes of parts. He had a cause the

other day for ducking a sharper, and was going to swear; the judge

said to him, 'I see, Sir, you are very ready to take an oath.' 'Yes,

my Lord,' replied St. Leger, 'my father was a judge,'" St. Leger was a

lively club member. "Rigby," writes the Duke of Bedford, July 2, 1751,

"the town is grown extremely thin within this week, though White's

continues numerous enough, with young people only, for Mr. St. Leger's

vivacity, and the idea the old ones have of it, prevent the great

chairs at the Old Club from being filled with their proper drowsy

proprietors."

In Hogarth's gambling scene at White's, we see the highwayman, with

the pistols peeping out of his pocket, waiting by the fireside till

the heaviest winner takes his departure, in order to "recoup" himself

of his losings. And in the _Beaux' Stratagem_, Aimwell asks of Gibbet,

"Ha'n't I seen your face at White's?"--"Ay, and at Will's too," is the

highwayman's answer.

M'Clean, the fashionable highwayman, had a lodging in St.

James's-street, over-against White's; and he was as well known about

St. James's as any gentleman who lived in that quarter, and who,

perhaps, went upon the road too. When M'Clean was taken, in 1750,

Walpole tells us that Lord Mountford, at the head of half White's,

went the first day; his aunt was crying over him; as soon as they were

withdrawn, she said to him, knowing they were of White's, "My dear,

what did the Lords say to you? Have you ever been concerned with any

of them? Was it not admirable? What a favourable idea people must have

of White's!--and what if White's should not deserve a much better?"

A waitership at a club sometimes led to fortune. Thomas Rumbold,

originally a waiter at White's, got an appointment in India, and

suddenly rose to be Sir Thomas, and Governor of Madras. On his return,

with immense wealth, a bill of pains and penalties was brought into

the House by Dundas, with the view of stripping Sir Robert of his

ill-gotten gains. This bill was briskly pushed through the earlier

stages; suddenly the proceedings were arrested by adjournment, and the

measure fell to the ground. The rumour of the day attributed Rumbold's

escape to the corrupt assistance of Rigby; who, in 1782, found

himself, by Lord North's retirement, deprived of his place in the Pay

Office, and called upon to refund a large amount of public moneys

unaccounted for. In this strait, Rigby was believed to have had

recourse to Rumbold. Their acquaintance had commenced in earlier days,

when Rigby was one of the boldest "punters" at White's, and Rumbold

bowed to him for half-crowns. Rumbold is said to have given Rigby a

large sum of money, on condition of the former being released from the

impending pains and penalties. The truth of this report has been

vehemently denied; but the circumstances are suspicious. The bill was

dropped: Dundas, its introducer, was Rigby's intimate associate.

Rigby's nephew and heir soon after married Rumbold's daughter. Sir

Thomas himself had married a daughter of Dr. Law, Bishop of Carlisle.

The worthy Bishop stood godfather to one of Rumbold's children; the

other godfather was the Nabob of Arcot, and the child was christened

"Mahomet." So, at least, Walpole informs Mann.[10]

Rigby was a man of pleasure at White's. Wilkes, in the _North

Briton_, describes Rigby as "an excellent _bon-vivant_, amiable and

engaging; having all the gibes and gambols, and flashes of merriment,

which set the table in a roar." In a letter to Selwyn, Rigby writes:

"I am just got home from a cock-match, where I have won forty pounds

in ready money; and not having dined, am waiting till I hear the

rattle of the coaches from the House of Commons, in order to dine at

White's.... The next morning I heard there had been extreme deep play,

and that Harry Furnese went drunk from White's at six o'clock, and

with the ever memorable sum of 1000 guineas. He won the chief part of

Doneraile and Bob Bertie."

The Club has had freaks of epicurism. In 1751, seven young men of

fashion, headed by St. Leger, gave a dinner at White's: one dish was a

tart of choice cherries from a hot-house; only one glass was tasted

out of each bottle of champagne. "The bill of fare is got into print,"

writes Walpole, to Mann; "and with good people has produced the

apprehension of another earthquake."

From Mackreth the property passed in 1784, to John Martindale, and in

1812, to Mr. Raggett, the father of the present proprietor. The

original form of the house was designed by James Wyatt. From time to

time, White's underwent various alterations and additions. In the

autumn of 1850, certain improvements being thought necessary, it came

to be considered that the front was of too plain a character, when

contrasted with the many elegant buildings which had risen up around

it. Mr. Lockyer was consulted by Mr. Raggett as to the possibility of

improving the façade; and under his direction, four bas-reliefs,

representing the four seasons, which occupy the place of four sashes,

were designed by Mr. George Scharf, jun. The interior was redecorated

by Mr. Morant. The Club, which is at this time limited to 500 members,

was formerly composed of the high Tory party, but though Conservative

principles may probably prevail, it has now ceased to be a political

club, and may rather be termed "Aristocratic." Several of the present

members have belonged to the Club upwards of half a century, and the

ancestors of most of the noblemen and men of fashion of the present

day who belong to the club were formerly members of it.

The Club has given magnificent entertainments in our time. On June 20,

1814, they gave a ball at Burlington House to the Emperor of Russia,

the King of Prussia, and the allied sovereigns then in England; the

cost was 9849_l._ 2_s._ 6_d._ Three weeks after this, the Club gave to

the Duke of Wellington a dinner, which cost 2480_l._ 10_s._ 9_d._

FOOTNOTES:

[10] National Review, No. 8.

BOODLE'S CLUB.

This Club, originally the "Savoir vivre," which with Brookes's and

White's, forms a trio of nearly coeval date, and each of which takes

the present name of its founder, is No. 28, St. James's-street. In its

early records it was noted for its costly gaieties, and the _Heroic

Epistle to Sir William Chambers_, 1773, commemorates its epicurism:

"For what is Nature? Ring her changes round,

Her three flat notes are water, plants, and ground;

Prolong the peal, yet, spite of all your clatter,

The tedious chime is still ground, plants, and water;

So, when some John his dull invention racks,

To rival Boodle's dinners or Almack's,

Three uncouth legs of mutton shock our eyes,

Three roasted geese, three buttered apple-pies."

In the following year, when the Clubs vied with each other in giving

the town the most expensive masquerades and ridottos, Gibbon speaks of

one given by the members of Boodle's, that cost 2000 guineas. Gibbon

was early of the Club; and, "it must be remembered, waddled as well as

warbled here when he exhibited that extraordinary person which is said

to have convulsed Lady Sheffield with laughter; and poured forth

accents mellifluous like Plato's from that still more extraordinary

mouth which has been described as 'a round hole' in the centre of his

face."[11]

Boodle's Club-house, designed by Holland, has long been eclipsed by

the more pretentious architecture of the Club edifices of our time;

but the interior arrangements are well planned. Boodle's is chiefly

frequented by country gentlemen, whose status has been thus

satirically insinuated by a contemporary: "Every Sir John belongs to

Boodle's--as you may see, for, when a waiter comes into the room and

says to some aged student of the _Morning Herald_, 'Sir John, your

servant is come,' every head is mechanically thrown up in answer to

the address.'"

Among the Club pictures are portraits of C. J. Fox, and the Duke of

Devonshire. Next door, at No. 29, resided Gillray, the caricaturist,

who, in 1815, threw himself from an upstairs window into the street,

and died in consequence.

FOOTNOTES:

[11] London Clubs, 1853, p. 51.

THE BEEF-STEAK SOCIETY.

In the _Spectator_, No. 9, March 10, 1710-11, we read: "The Beef-steak

and October Clubs are neither of them averse to eating or drinking, if

we may form a judgment of them from their respective titles." This

passage refers to the Beef-steak Club, founded in the reign of Queen

Anne; and, it is believed, the earliest Club with that name. Dr. King,

in his _Art of Cookery_, humbly _inscribed to the Beef-steak Club_,

1709, has these lines:

"He that of honour, wit, and mirth partakes,

May be a fit companion o'er Beef-steaks:

His name may be to future times enrolled

In Estcourt's book, whose gridiron's framed with gold."

Estcourt, the actor, was made Providore of the Club; and for a mark of

distinction wore their badge, which was a small gridiron of gold, hung

about his neck with a green silk ribbon. Such is the account given by

Chetwood, in his _History of the Stage_, 1749; to which he adds: "this

Club was composed of the chief wits and great men of the nation." The

gridiron, it will be seen hereafter, was assumed as its badge, by the

"Society of Beef-steaks, established a few years later: they call

themselves 'the Steaks,' and abhor the notion of being thought a

Club." Though the _National Review_, heretical as it may appear,

cannot consent to dissever the Society from the earlier Beef-steak

Club; which, however, would imply that Rich and Lambert were not the

founders of the Society, although so circumstantially shown to be.

Still, the stubbornness of facts must prevail.

Dick Estcourt was beloved by Steele, who thus introduces him in the

_Spectator_, No. 358: "The best man that I know of for heightening

the real gaiety of a company is Estcourt, whose jovial humour diffuses

itself from the highest person at an entertainment to the meanest

waiter. Merry tales, accompanied with apt gestures and lively

representations of circumstances and persons, beguile the gravest mind

into a consent to be as humorous as himself. Add to this, that when a

man is in his good graces, he has a mimicry that does not debase the

person he represents, but which, taken from the gravity of the

character, adds to the agreeableness of it."

Then, in the _Spectator_, No. 264, we find a letter from Sir Roger de

Coverley, from Coverley, "To Mr. Estcourt, at his House in Covent

Garden," addressing him as "Old Comical One," and acknowledging "the

hogsheads of neat port came safe," and hoping next term to help fill

Estcourt's Bumper "with our people of the Club." The Bumper was the

tavern in Covent Garden, which Estcourt opened about a year before his

death. In this quality Parnell speaks of him in the beginning of one

of his poems:--

"Gay Bacchus liking Estcourt's wine

A noble meal bespoke us,

And for the guests that were to dine

Brought Comus, Love, and Jocus."

The _Spectator_ delivers this merited eulogy of the player, just prior

to his benefit at the theatre: "This pleasant fellow gives one some

idea of the ancient Pantomime, who is said to have given the audience

in dumb-show, an exact idea of any character or passion, or an

intelligible relation of any public occurrence, with no other

expression than that of his looks and gestures. If all who have been

obliged to these talents in Estcourt will be at _Love for Love_

to-morrow night, they will but pay him what they owe him, at so easy

a rate as being present at a play which nobody would omit seeing, that

had, or had not, ever seen it before."

Then, in the _Spectator_, No. 468, August 27, 1712, with what touching

pathos does Steele record the last exit of this choice spirit: "I am

very sorry that I have at present a circumstance before me which is of

very great importance to all who have a relish for gaiety, wit, mirth,

or humour: I mean the death of poor Dick Estcourt. I have been obliged

to him for so many hours of jollity, that it is but a small

recompense, though all I can give him, to pass a moment or two in

sadness for the loss of so agreeable a man.... Poor Estcourt! Let the

vain and proud be at rest, thou wilt no more disturb their admiration

of their dear selves; and thou art no longer to drudge in raising the

mirth of stupids, who know nothing of thy merit, for thy maintenance."

Having spoken of him "as a companion and a man qualified for

conversation,"--his fortune exposing him to an obsequiousness towards

the worst sort of company, but his excellent qualities rendering him

capable of making the best figure in the most refined, and then having

told of his maintaining "his good humour with a countenance or a

language so delightful, without offence to any person or thing upon

earth, still preserving the distance his circumstances obliged him

to,"--Steele concludes with, "I say, I have seen him do all this in

such a charming manner, that I am sure none of those I hint at will

read this, without giving him some sorrow for their abundant mirth,

and one gush of tears for so many bursts of laughter. I wish it were

any honour to the pleasant creature's memory, that my eyes are too

much suffused to let me go on----" We agree with Leigh Hunt that

Steele's "overfineness of nature was never more beautifully evinced in

any part of his writings than in this testimony to the merits of poor

Dick Estcourt."

Ned Ward, in his _Secret History of Clubs_, first edition, 1709,

describes the Beef-steaks, which he coarsely contrasts with "the

refined wits of the Kit-Cat." This new Society griliado'd beef eaters

first settled their meeting at the sign of the Imperial Phiz, just

opposite to a famous conventicle in the Old Jury, a publick-house that

has been long eminent for the true British quintessence of malt and

hops, and a broiled sliver off the juicy rump of a fat, well-fed

bullock.... This noted boozing ken, above all others in the City, was

chosen out by the Rump-steak admirers, as the fittest mansion to

entertain the Society, and to gratify their appetites with that

particular dainty they desired to be distinguished by. [The Club met

at the place appointed, and chose for a Prolocutor, an Irish

comedian.] No sooner had they confirmed their Hibernian mimic in his

honourable post, but to distinguish him from the rest, they made him a

Knight of St. Lawrence, and hung a silver (?) gridiron about his neck,

as a badge of the dignity they had conferred upon him, that when he

sung _Pretty Parrot_, he might thrum upon the bars of his new

instrument, and mimic a haughty Spaniard serenading his Donna with

guitar and madrigal. The Zany, as proud of his new fangle as a German

mountebank of a prince's medal, when he was thus dignified and

distinguished with his culinary symbol hanging before his breast, took

the highest post of honour, as his place at the board, where, as soon

as seated, there was not a bar in the silver kitchen-stuff that the

Society had presented him with, but was presently handled with a

theatrical pun, or an Irish witticism.... Orders were dispatched to

the superintendent of the kitchen to provide several nice specimens of

their Beef-steak cookery, some with the flavour of a shalot or onion;

some broil'd, some fry'd, some stew'd, some toasted, and others

roasted, that every judicious member of the new erected Club might

appeal to his palate, and from thence determine whether the house they

had chosen for their rendezvous truly deserved that public fame for

their inimitable management of a bovinary sliver, which the world had

given them.... When they had moderately supplied their beef stomachs,

they were all highly satisfy'd with the choice they had made, and from

that time resolved to repeat their meeting once a week in the same

place." At the next meeting the constitution and bye-laws of the new

little commonwealth were settled; and for the further encouragement of

wit and pleasantry throughout the whole Society, there was provided a

very voluminous paper book, "about as thick as a bale of Dutch linen,

into which were to be entered every witty saying that should be spoke

in the Society:" this nearly proved a failure; but Ward gives a taste

of the performances by reciting some that had been stolen out of their

Journal by a false Brother; here is one:--

ON AN OX.

"Most noble creature of the horned race,

Who labours at the plough to earn thy grass,

And yielding to the yoke, shows man the way

To bear his servile chains, and to obey

More haughty tyrants, who usurp the sway.

Thy sturdy sinews till the farmer's grounds,

To thee the grazier owes his hoarded pounds:

'Tis by thy labour, we abound in malt,

Whose powerful juice the meaner slaves exalt;

And when grown fat, and fit to be devour'd,

The pole-ax frees thee from the teazing goard:

Thus cruel man, to recompense thy pains,

First works thee hard, and then beats out thy brains."

Ward is very hard upon the Kit-Cat community, and tells us that the

Beef-steaks, "like true Britons, to show their resentment in contempt

of Kit-Cat pies, very justly gave the preference to a rump-steak, most

wisely agreeing that the venerable word, beef, gave a more masculine

grace, and sounded better in the title of a true English Club, than

either Pies or Kit-Cat; and that a gridiron, which has the honour to

be made the badge of a Saint's martyrdom, was a nobler symbol of their

Christian integrity, than two or three stars or garters; who learnedly

recollecting how great an affinity the word bull has to beef, they

thought it very consistent with the constitution of their Society,

instead of a Welsh to have a Hibernian secretary. Being thus fixed to

the great honour of a little alehouse, next door to the Church, and

opposite to the Meeting, they continued to meet for some time; till

their fame spreading over all the town, and reaching the ears of the

great boys and little boys, as they came in the evening from Merchant

Taylors' School, they could not forbear hollowing as they passed the

door; and being acquainted with their nights of meeting, they seldom

failed, when the divan was sitting, of complimenting their ears with

'Huzza! Beef-steak!'--that they might know from thence, how much they

were reverenced for men of learning by the very school-boys."

"But the modest Club," says Ward, "not affecting popularity, and

choosing rather to be deaf to all public flatteries, thought it an act

of prudence to adjourn from thence into a place of obscurity, where

they might feast knuckle-deep in luscious gravy, and enjoy themselves

free from the noisy addresses of the young scholastic rabble; so that

now, whether they have healed the breach, and are again returned into

the Kit-Cat community, from whence it is believed, upon some disgust,

they at first separated, or whether, like the Calves' Head Club they

remove from place to place, to prevent discovery, I sha'n't presume to

determine; but at the present, like Oates's army of pilgrims, in the

time of the plot, though they are much talk'd of they are difficult to

be found." The "Secret history" concludes with an address to the Club,

from which these are specimen lines:

"Such strenuous lines, so cheering, soft, and sweet,

That daily flow from your conjunctive wit,

Proclaim the power of Beef, that noble meat.

Your tuneful songs such deep impression make,

And of such awful, beauteous strength partake,

Each stanza seems an ox, each line a steak.

As if the rump in slices, broil'd or stew'd

In its own gravy, till divinely good,

Turned all to powerful wit, as soon as chew'd.

* * * * *

To grind thy gravy out their jaws employ,

O'er heaps of reeking steaks express their joy,

And sing of Beef as Homer did of Troy."

We shall now more closely examine the origin and history of the

Sublime Society of the Steaks, which has its pedigree, its ancestry,

and its title-deeds. The gridiron of 1735 is the real gridiron on

which its first steak was broiled. Henry Rich (Lun, the first

Harlequin) was the founder, to whom Garrick thus alludes in a prologue

to the Irish experiment of a speaking pantomime:

"When Lun appeared, with matchless art and whim,

He gave the power of speech to every limb.

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