WHAT THE HILLS HID.

"Life is not a speculation. It is a sacrament. Its ideal is love.

Its purification is sacrifice."

"Death is a great price to pay for a red rose. But love is better

than life."

Brown cotton stockings from Salzar's General Stores fell into holes

before one had worn them twice: yet they cost four and sixpence a pair!

Almost as much as spun silk ones at home, I reflected, as I sat mending

mine under the thorn tree. But was it possible that I had ever worn

silk ones? Could it be true that I had once worn diamonds on my

garters, and done many other absurd things! Had I really ever been

Deirdre Saurin, the petted and pampered and bejewelled heiress who had

announced to her mother, showering laughter:

"Life shall never make a tragedy of me!"

I smiled a little idle smile, that at least was free of regret, for the

petted and bejewelled part of the story; but I could find it in my heart

to sigh for the girl who came to Fort George and was scratched by all

the cats, and scratched them cheerfully back. I should like to have

been that girl again, for half an hour, just to see how it felt to be

care-free and _insouciant_, with the whole beautiful world made

expressly for one!

"Give me again all that was there,

Give me the sun that shone--"

Ah, that hurt! Better leave that--think of something else quickly. How

far off those days were! And the people in them all passed away or

passed on! Judy in Australia, happy with her cad. Mrs Rookwood

settled in Johannesburg--George had got rich in the mining world and was

now a king of finance, and she a leader of society. Elizabeth Marriott

was still in England with her boy; gold had been discovered on her

property in Matabeleland, and a brother had come out to look after it

for her until the boy was old enough to come into his own. Other Fort

Georgites were scattered far and wide. I heard sometimes from Colonel

Blow, in Buluwayo, and Gerry Deshon at Umtali; but people in Africa are

always too busy with the interesting people round them to have much time

for remembering those who have passed on elsewhere. Annabel Cleeve's

husband had died in England a few months after their marriage, and left

her a rich widow. Mrs Valetta was still living in Mgatweli.

I had never been to call on her, for I made few calls except the

official ones required of me. Even if I had not heard that she was too

ill to receive visitors, I could not suppose her anxious to renew so

painful an acquaintance as ours had been. She had never been well since

the Fort George days, they said. Fever! Malarial fever covers a

multitude of ills in Rhodesia. Would she get better when--Ah! that

hurt--think of something else quick!

But I could not think of _anything else_ for long. Back, back, my

thoughts came always to _that_ as my eyes went always back to the hills.

Maurice had been gone a week. No news yet. But sometimes when all was

still I seemed to hear the beating of horse's feet over the soft veldt

grass.

I missed Makupi's red blanket against the blaze of the zinias, where he

was wont to sit, expelling the melancholy of his soul with the throb of

his weird _tom-tom_, and hiding in his heart through all these months a

secret that changed the face of life for three people!

Down in the camp a trooper, sitting outside his hut, was at the same

business as myself--darning his foot-wear--and save for his idle song

there was no other sound to break the hot, tranquil silence of the

afternoon. Along the town road a boy with a letter held aloft in a

cleft stick was approaching, with the peculiar rhythmical motion

affected by letter-carriers. Everything was very still. The world had

a pregnant, brooding look to me.

The boy with the letter had reached the camp and given his letter to the

trooper, and the trooper had given it back, pointing to me. Carefully

the boy replaced it in his stick, as though he had still many miles to

go, and resuming his rhythmical step came up the winding path to me.

I did not know the straggly writing upon the envelope, nor at first the

signature at the foot of the brief note--_Annunciata Valetta_.

"_Will you come and see me. I am too ill to come to you. I have

something to tell you_."

At last I realised that Nonie was short for so beautiful a name as

Annunciata, and that it was the woman I had been thinking about who had

written to me. It is strange how often these coincidences occur! While

the boy sat patiently on his heels at the door I scribbled a note to say

I would come.

------------------------------------------------------------------------

I cannot tell what instinct made me beautifully arrange my hair, and put

on my loveliest gown that night. I am very sure it was not vanity.

Many waters cannot drown love, but there are fires in life that can burn

out of a woman the last root of vanity; and I had been through those

flames. Some vague idea possessed me, perhaps, of hiding from the

cynical eyes of Nonie Valetta the scars the furnace had left on me. I

had always felt it to be due to Maurice, as well as myself, to cover up

the hollowness of our life from curious eyes, and I think no one had

ever suspected what we hid under our pleasant manner to each other in

public. In the last few months, especially, I believe ours had been

cited as a very happy marriage. But I feared the probing glance of

Nonie Valetta.

I wore a white silk gown, and threw about my bare shoulders, for the

night air was dewy, a long theatre-coat of black satin that was lovelier

within than without, for it was lined with white satin, upon which had

been embroidered, by subtle, Parisian fingers, great sprays of crimson

roses. So skilfully had the work of lining been done that every time I

took a step a big red rose would peep out somewhere, and if I put out my

arms I seemed to shower roses. I had designed it myself in the blithe

long ago. Betty used to call it my passionate cloak.

After my marriage she had gone to our various homes and gathered up all

my belongings--stacks of gowns, cloaks, kimonos, embroideries, and laces

that I had forgotten I ever possessed; together with pictures, china,

music, draperies, and curios; all the things I had collected in

happy-go-careless days and thought little of, but which were now

something in the nature of treasure trove. She had despatched them in

case upon case, and they had arrived within the last few months. The

huts were crammed with odd and lovely things, and I boasted a wardrobe

the like of which no other woman in Rhodesia, perhaps in Africa,

possessed. I had reason to be thankful that my taste had always run to

the picturesque rather than to the _chic_. Most of my gowns and all of

my wraps could never go out of fashion, for they had never been in it.

They would be useful and picturesque until they fell into shreds.

I went down through the zinias, which now I did not hate any longer.

Like the hills, they had become part of my life. I should take the

memory of them to Australia with me, and wherever I went they would go

too. In the moonlight their garishness was dulled to a uniformity of

pallor. They looked like armies and armies of little dreary ghosts.

I did not have to ask the way to the big thatched house the Valettas had

taken possession of. In a small town like Mgatweli one knows where

every one lives even though one does not visit them.

As I came to the deep, chair-lined verandah a man with the air of one of

Ouida's guardsmen threw away his cigarette and came forward looking at

me curiously. He seemed surprised when I asked for Mrs Valetta.

"My wife? Yes, but she is ill," he answered hesitatingly, evidently

knowing nothing of her note to me.

"I heard so, and have come to see her," I said. "She and I knew each

other long ago in Fort George. I am Mrs Stair."

"Ah! Will you come in? I'll tell her."

He led the way into a sitting-room, and in the light gave me another

enveloping stare full of the bold admiration men of a certain type

imagine appeals to women, not knowing that really nice women very much

resent being admired by the wrong men.

After one glance at him I turned away a little wearily. Early in a

girl's life these handsome, dissolute faces have their own special

_allure_. But I knew too much. Africa had educated me, and my mind

asked for something more in a man's face now than much evil and a few

charming possibilities for good.

Men who have reached the Rubicon boundary, which lies between thirty and

forty, should have something more than possibilities stamped upon their

faces.

"Is that Mrs Stair, Claude?" a very weary voice called from the next

room; the weakness, the terrible slow lassitude of it horrified me.

"Is she so ill?" I asked in a low voice, after he had called back:

"(Yes: coming, dear.) It is only a matter of days with her now," he

answered laconically.

And when I saw Nonie Valetta lying there, her pallid hands plucking at

the blue and white stripes of her coverlet, I knew that he had spoken

truth. Her hours were numbered. Pale as ashes, she lay there watching

me with her strangely coloured eyes, the old weary bitter curve still on

her lips. She too had eaten of the aloes of life.

I took her hand, and for a moment or two, as long as the nurse was in

the room, we murmured the little conventional things that always lie

ready on women's lips while the eyes are probing deep, deep for the

unspoken things. But as soon as we were alone she smiled her twisted

smile at me and said:

"I see why they call you Ghostie."

"It is very impertinent of them if they do," I responded, smiling a

little too.

"But it is true. You are the ghost of your old self when you came to

Africa. You were very lovely then. I knew the moment I saw you that my

life was over." I felt myself paling.

"Do not speak of those days. That is past grief and pain. We are all

much older and wiser now."

"You do not look a day older--only as though you had been burnt in a

fire, and there is nothing but the white ashes of you left. Yet if

anything you are more beautiful--there is something about you no man

could resist--something _unwon_--they'll lay down their lives and burn

in hell for the unwon. I am glad Tony Kinsella cannot see you to-night

looking like a white flame among red roses--What are all those red

roses? Yes--I am glad he cannot see you to-night."

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