CHAPTER I.

“IN THE

TWINKLING

OF AN EYE”

By Sydney Watson

_Author of_

“The Mark of the Beast”

“Life’s Lookout”, “Wops, the Waif”,

Etc.

Copyright 1918

THE BIOLA BOOK ROOM

BIBLE INSTITUTE OF LOS ANGELES

536-558 South Hope Street

Los Angeles, Cal.

AUTHOR’S FOREWORD

[Illustration]

Some years ago, I received from an important Southern town, a letter

from a Ladies’ Temperance Committee, to this effect:—“Sir, We, the

undersigned, are a committee of Ladies, who, for many years, have

purchased your “Stories for the People” in very large numbers, for free

distribution and loan; always assuming that you were to be thoroughly

relied upon as an upholder of strict Total-abstinence principles. But

your latest story has sadly undeceived us, as regards your usefulness as

a worker in the great cause we are pledged to uphold and further. On _pp_

—— of your last story, you make your hero, returning from a day’s run

with the hounds, come upon a woman lying in a lonely place, who has been

injured in a trap accident. You say, speaking of your hero’s prompt help

to the woman, that “taking his hunting flask from his pocket, he forced

a few drops of the brandy between the woman’s lips, etc.” Now, sir, we

contend that had you had the cause of Total-abstinence fully at heart,

you would have made that huntsman’s flask to have contained _water_.”

So much for the letter. The moral of it lies on the surface. There are

some persons who seem unable to see anything from the side of _real,

actual_ life—that Ladies’ committee could not—whose vision is narrowed

down to the tiny slit of their own cramped, cabined life and thought,

they have no true _out_look upon life, as a whole.

I preface this foreword with the above incident, because I am perfectly

certain that the standpoint from which I have written this book will be

utterly, absolutely misunderstood by many earnest, loving-hearted people,

whose eyes, with my own, have caught the _up_ward gaze “from whence we

look for the return of the Lord Jesus Christ.”

I would at once acknowledge that the inceptive idea of writing such a

book as this was born within me from reading “Long Odds,” that wondrous

little half-penny booklet written by the late General Robertson, I

believe, a booklet that has been so marvellously “owned and blessed.”

For five or six years the idea for this present volume has been simmering

and seething in my mind. The first and only real problem I had to face in

the matter was that of the _principle_ involved in using the fictional

form to clothe so sacred a subject (for, to me, the near Return of our

Lord is the _most_ sacred of all subjects.) But the problem of the

_principle_ was speedily settled, as I remembered how wondrously God had

owned and blessed “Long Odds,” in which the fictional is the vehicle of

the teaching.

Then, too, there are, I know, myriads of people into whose hands “Long

Odds,” could never, by any chance, fall—for there are multitudes who

will not so much as glance at, or touch a tract, while a volume will

easily win its way among all classes. There is an enormous percentage of

attendants at our churches and chapels, and many otherwise very earnest

Christian workers, to whom the whole subject of the Lord’s Second Coming

is an absolutely unknown realm of Truth—and these I would fain reach and

arouse with the message of this book.

To those Christians who are looking for the Return of the Lord, to

whom the subject is the most tenderly sacred of all subjects, who will

at first sight condemn the use of the fictional element, the dramatic

colour in this book—and many good people will, I am assured—I would

say, first, that the book is not written for them, and second, that,

our Lord Himself, speaking of His own Return, used two very remarkable

illustrations from life’s strangest dramas. First, “_As it was in the

days of Noah, even so shall it be also in the days of the Son of Man.

They ate, they drank, they married, they were given in marriage, until

THE DAY_, etc.” Now, think what a myriad _dramas_ were being enacted

when the flood came. And had the disciples asked their Lord, privately,

after His utterance, to explain more fully what He meant, what thrilling

stories He _could_, He _doubtless WOULD have sketched_. If any Christian

cavils at the dramatic in this book, I would refer him or her to Christ’s

own pointing in the picture of Noah’s time, then bid them fill out, by

help of the feeblest, simplest imagination, the picture of the myriad

dramas that were being enacted when that flood came, of old time. Then,

if the objector is honest, and is _capable_ of the least imagination, he

will say “I see! and, now that I see this fact, my wonder is _not_ that

there is a certain dramatic freedom in this book, but that the writer has

kept so powerful a restraint upon his pen.”

Again, Christ said:—“_As it was in the days of LOT_,” etc. Now think over

_this_ saying of our Lord’s, and remembering what is actually recorded

in Genesis, of the _vice_ and _crime_ of Sodom, (and how, alas! even

when saved from the doomed city, Lot and his daughters brought away much

of the vicious, criminal essence of the place with them,) think how the

Return of our Lord, presently, will mean the snatching away of many of

His own out of scenes infinitely more awful than anything I have used

herein, or ever hinted at. A book written on the subject here chosen,

and written in the vein our Lord Himself suggests in the two passages

referred to above, could not have been written in any other way—to be

true to life, and to the subject.

Should any reader object to the expository lectures of Major H——, as

the chief vehicle for the doctrinal teaching, I would say that personal

experience has proved the style to be infinitely more acceptable to

readers than that of the dialogue mode.

I have purposely placed special emphasis on the Jewish side of the

subject, since the Jewish question is infinitely more closely enwrapped

with the fact of our Lord’s near return, than many speakers and writers

give prominence to.

SYDNEY WATSON.

“THE FIRE,” VERNHAM DEAN, HUNGERFORD, BERKS.

CONTENTS

[Illustration]

Chapter Page

I.—TAKEN AT THE FLOOD 11

II.—“THE COURIER” 20

III.—FLOTSAM 26

IV.—“I ONLY REAPED WHAT I SOWED” 33

V.—“LILY WORK” 38

VI.—AN INTERESTING TALK 44

VII.—“COMING” 55

VIII.—REVERIE 64

IX.—A THREAT 75

X.—IN THE NICK OF TIME 82

XI.—“LONG ODDS” 93

XII.—THE CENTER OF THE EARTH 101

XIII.—A DEMON 110

XIV.—MAJOR H—— ON “THE COMING!” 118

XV.—THE ADDRESS 124

XVI.—HER CABIN COMPANION 136

XVII.—CASTING A SHOE 142

XVIII.—TOLD IN A CAB 154

XIX.—TOM HAMMOND REVIEWING 164

XIXa.—“MY MENTOR” 176

XX.—THE PLACARD 185

XXI.—WAS HE MAD 189

XXII.—FROM THE PROPHET’S CHAMBER 195

XXIII.—PASSOVER! 200

XXIV.—“THIS SAYING SHALL COME TO PASS” 209

XXV.—FOILED! 218

XXVI.—A CASTAWAY 221

XXVII.—A STRICKEN CITY 226

XXVIII.—“HALLELUJAH LASS” 232

XXIX.—IN ST. PAUL’S 238

XXX.—CONCLUSION 246

“IN THE TWINKLING OF AN EYE”

[Illustration]

CHAPTER I.

TAKEN AT THE FLOOD.

The man walked aimlessly amid the thronging press. He was moody and

stern. His eyes showed his disappointment and perplexity. At times, about

his mouth there lurked an almost savage expression. As a rule he stood

and walked erect. Only the day before this incident one of a knot of

flower-girls in Drury Lane had drawn the attention of her companions to

him as he strode briskly along the pavement, and in a rollicking spirit

had sung, as he passed her:

“Stiff, starch, straight as a larch,

Every inch a soldier;

Fond o’ his country, fond o’ his queen,

An’ hawfully fond o’ me.”

But to-day there is nothing of the soldier in the pose or gait of Tom

Hammond.

Yet the time and place ought to have held his attention sufficiently to

have kept him alert to outward appearance. It was eleven in the forenoon.

The place was Piccadilly. He came abreast of Swan and Edgar’s. The

pavement was thronged with women on shopping bent. More than one of them

shot an admiring glance at him, for he had the face, the head, of a king

among men. But he had no eyes for these chance admirers.

Tom Hammond was thirty years of age, a journalist, and an exceptionally

clever one, at the time we make his acquaintance. He was a keen, shrewd

man, was gifted with a foresight and general prescience that were almost

remarkable, and hence was commonly regarded by his journalistic friends

as “a coming man.” He had strongly-fixed ideas of what a great daily

paper should be, but never having seen any attempt that came within

leagues of his ideal, he longed—lusted would not be too strong a term—for

the time and opportunity when, with practically unlimited capital behind

him, and with a perfectly free hand to use it, he could issue his ideal

journal.

This morning he seems farther from the goal of his hopes than ever. For

two years he had been sub-editor of a London daily that had made for

itself a great name—of a sort. There were certain reasons which had

prompted him to hope, to expect, the actual editorship before long. But

now his house of cards had suddenly tumbled about his ears.

A change had recently taken place in the composition of the syndicate

that financed the journal. There were wheels within wheels, the existence

of some of which he had never once guessed, and which in their whirling

had suddenly produced unexpected results. The editor-in-chief had

resigned, and the newly elected editor proved to be a man who had, years

before, done him, Tom Hammond, the foulest wrong one journalist can do to

another.

Under the present circumstances there had been no honourable course open

for Hammond but to resign. That morning he had found his resignation not

only accepted, but he found himself practically dismissed.

Enclosed in the letter of acceptance of his resignation was a cheque

covering the term of his notice, together with the intimation that his

services would cease from the time of his receipt of the cheque.

His dejection, at that moment when we meet him, was caused not so much at

finding himself out of employment as from the consciousness that the new

editor-elect had accomplished this move with a view to his degradation in

the eyes of his profession—in fact, out of sheer spite.

To escape the crowd that almost blocked the pavement in front of Swan and

Edgar’s windows, he turned sharply into the road, and literally ran into

the arms of a young man.

“Tom Hammond!”

“George Carlyon!”

The greeting flew simultaneously from the lips of the two men. They

gripped hands.

“By all that’s wonderful!” cried Carlyon, still wringing his friend’s

hand. “Do you know, Tom, I am actually up here in town for one purpose

only—to hunt you up.”

“To hunt me up!”

“Oh, let’s get out of this crush, old man,” interrupted Carlyon.

The pair steered their way through the traffic, crossed the Circus,

stopped for a moment at the beautiful Shaftesbury Fountain, then struck

across to the Avenue. In the comparative lull of that walk Carlyon went

on:

“Yes, I’ve run up to town this morning to find you out and ask you one

question: Are you so fixed up—excuse the Americanism, old boy. I’ve a

dashing little girl cousin, from the States, staying with my mother,

and—well, you know, old fellow, how it is. Man’s an imitative creature,

and all that, and absorbs dialect quicker than anything else under the

sun. But what I was going to say was this: are you too fixed up with your

present newspaper to forbid your entertaining the thought of a real plum

in the journalistic market?”

Hammond’s customary alert look returned to his face. He was now “every

inch a soldier,” as he cried, excitedly, “Don’t keep me in suspense,

Carlyon; tell me quickly what you mean.”

“Let’s jump into a gondola, Tom. I can talk better as we ride.”

Carlyon had caught the eye of a cab-driver, and the next moment the two

friends were being driven along riverwards.

“Someone, some Johnnie or other,” began Carlyon, as the two men settled

themselves back in the cab, “once called the hansom cab the gondola of

London’s streets——”

He caught the quick, impatient movement of Hammond’s face, and with a

light laugh went on:

“But you’re on thorns, old boy, to hear about the journalistic plum.

Well, here goes. You once met my uncle, Sir Archibald Carlyon?”

Hammond nodded.

“He is crazy to start a daily,” said Carlyon. “It is no new craze with

him; he has been itching to do it for years. And now that gold has been

discovered on that land of his in Western Australia, and he is likely to

be a multi-millionaire—the concessions he has already sold have given

him a clear million,—now that he is rich beyond all his dreams, he won’t

wait another day; he will be a newspaper proprietor. It’s a case of that

kiddie in the bath, Tom, doncher-know, that’s grabbing for the soap—‘he

won’t be happy till he gets it.’”

“He wants to find at once a good journalist, who is also a keen business

man; one who will take hold of the whole thing. To the right man he will

give a perfectly free hand, will interfere with nothing, but be content

simply to finance the affair.”

An almost fierce light was burning in the eyes of the eager, listening

Hammond. A thousand thoughts rioted through his brain, but he uttered no

word; he would not interrupt his friend.

“I told Nunkums last night, when he was bubbling and boiling over with

his project, that I had heard you say it was easier to drop a hundred or

two hundred thousand pounds over the starting of a new paper than perhaps

over any other venture in the world.

“Nunkums just smiled as I spoke, dropped a walnut into his port glass,

and said quietly, ‘Then I’ll drop them.’

“He hooked that walnut out of his wine with the miniature silver

boathook—he had the thing made for him for the purpose,—devoured the

wine-saturated nut, then smiled back into my face, as he said: ‘Yes,

Georgie, I am quite prepared to drop my hundred, two hundred, three

hundred thousand, if needs be, as I did my walnut. But I am equally

hopeful—if I can secure the right man to edit and manage my paper,—that I

shall eventually hook out an excellent dividend for my outlay. I want a

man who not only knows how to do his own work well, as an editor, but one

who has the true instinct in choosing his staff.’

“Of course, Tom, I trotted you out before him. He remembered you, of

course, and jumped at the idea of getting you, if you were to be got.

The upshot of it is, nothing would satisfy him but that I should come

up by an early train this morning—early bird catches the worm, and all

that kind of business, you know,—and now, in spite of the fact that my

particular worm had wriggled and squirmed miles from his usual habitat,

I’ve caught him. Now, tell me, are you open to treat with Sir Archibald?”

“Yes, and can begin business this very day!” Hammond laughed with the

abandon of a boy, as he told, in a few sentences, the story of his

dismissal.

“Good!” Carlyon, in his own exuberant glee, slapped his friend’s knee.

“Sir Archibald,” he went on, “was to come up by the 10:05 from our place,

due at Waterloo at 11:49. He’ll be fixed up—“Hail Columbia!” again—at the

hotel by this time. That’s where we are driving to now, and—ah! here we

are!”

A moment later the two men were mounting the hotel steps. One of the

servants standing in the vestibule recognized Carlyon, and saluted him.

“My uncle arrived, Bates?” Carlyon asked.

“Yes, sir, and a young lady with him!”

Carlyon turned quickly to Hammond.

“That’s Madge, my American cousin, Tom. I’m awfully glad she has come; I

should like you to know her.”

Turning to the servant, he asked, “Same old rooms, Bates?”

“Yes, sir.”

Three steps at a time, laughing and talking all the while, Carlyon,

ignoring the lift, raced up the staircase, followed more slowly by his

friend.

Hammond never wholly forgot the picture of the sitting-room and

its occupant, as he entered with Carlyon. The room was a large one,

exquisitely furnished, and flooded with a warm, mellow light. A small but

cheerful-looking wood fire burned upon the tiled hearth, the atmosphere

of the room fragrant with a soft, subtle odour, as though the burning

wood were scented. From a couch, as the two men entered, a girl rose

briskly, and faced them. She made a picture which Tom never forgot. The

warm, mellow light that filled the room seemed to clothe her as she stood

to meet them. “America” was stamped upon her and her dress, upon the

arrangement of her hair, upon the very droop of her figure. She was tall,

fair, with that exquisite colouring and smoothness of complexion that is

the product of an unartificial, hygienic life.

Her face could not be pronounced wholly beautiful, but it was a face that

was full of life and charm, her eyes being especially arrestive.

“Awfully glad you came up, Madge!” cried Carlyon. “I’ve run my quarry

down, and this is my own particular, Tom Hammond.”

He made a couple of mockingly-funny elaborate bows, saying: “Miss Madge

Finisterre, of Duchess County, New York. Mr. Tom Hammond, of—oh, shades

of Cosmopolitanism!—of everywhere, of London just at present.”—Tom bowed

to the girl.—She returned his salute, and then held forth her hand in a

frank, pleasant way, as she laughingly said, “I have heard so much of

Tom Hammond during the last few days, that I guess you seem like an old

acquaintance.”

Tom shook hands with the maiden, and for a moment or two they chatted as

freely and merrily as though they were old acquaintances.

The voice of Carlyon broke into their chat, asking: “Where’s Nunkums,

Madge?”

Before the girl could reply, the door opened and Sir Archibald entered

the room.

One glance into his face would have been sufficient to have told Tom the

type of man he had to deal with, even if he had not seen him before.

A warm-hearted, unconventional, impulsive man, a perfect gentleman in

appearance, but a merry, hail-fellow-well-met man in his dealings with

his fellows.

With a bit of mock drama in the gesture, Madge Finisterre flourished her

hand towards the newcomer, crying,

“Sir Archibald, George? Lo, he is here!” She flashed a quick glance to

the piano as she added, “If only I had known you were about to enter,

uncle, I would have treated you to a few crashing bars of stage-life

entree-music.”

“Go away with your nonsense!” laughed the old man.

“Nonsense, indeed!” the girl laughed as merrily as the old man. Then,

with a sudden, swift movement, she crossed to the piano, struck one sharp

note upon it, and whispered in well-feigned hoarseness, “Slow music for

the three conspirators as they retire to plot the destruction of London’s

press, and the accumulation of untold millions by their own special

journalistic production!”

Her fingers moved over the ivory keys, and low, weird, creepy music

filled the room with its eerie notes.

Sir Archibald and George Carlyon fell in with the girl’s mood, and crept

doorwards on tiptoe.

“Number three,” hissed the girl.

And Tom Hammond laughingly followed with the two other men.

“She is a treat, is Madge!” laughed George Carlyon, as the three men

passed through the doorway and made for the study-like room of Sir

Archibald.

"In the twinkling of an eye" · 第 1 / 30 章