THE BREAKING HEART
Sir Charles was up with the two girls before they reached the garden;
and they passed together through the gate and into the spicy wilderness.
The dew was falling, and as they sauntered through the narrow paths,
Betty held back her skirts that the damp leaves of sage and marjoram
might not brush them; but Patricia, gathering larkspur and
sweet-william, was heedless of her finery. At the further end of the
garden was a wicket leading into a grove of mulberries. The three walked
on beneath the spreading branches and the broad, heart-shaped leaves,
until they came to a tree of extraordinary height and girth whose roots
bulged out into great, smooth excrescences like inverted bowls. Patricia
stopped. "Betty is tired," she said kindly, "and she shall sit here and
rest. Betty is a windflower, Sir Charles, a little tender timid flower,
frail and sweet--are you not, Betty?" She sat down upon one of the
bowls, and pulled her friend down beside her. Sir Charles leaned against
the trunk of the tree. "Betty is a little Puritan," continued Patricia;
"she would not wear the set of ribbons I had for her; and that hurt me
very much."
"O Patricia!" cried Betty, with tears in her eyes. "If I thought you
really cared! But even then I could not wear them!"
"No, you little martyr," said the other, with a kiss. "You would go to
the stake any day for what you call your 'principles.' And I honor you
for it, you know I do. Cousin Charles, do you know that Betty thinks it
wrong to hold slaves?"
Sir Charles laughed, and Betty's delicate face flushed.
"O Patricia!" she cried. "I did not say that! I only said that we would
not like it ourselves."
"'Pon my soul, I don't suppose we would," said Sir Charles coolly. "But,
Mistress Betty, the negroes have neither thin skins nor nice feelings."
"I know that," said Betty bravely; "and I know that our divines and
learned men cannot yet decide whether or not they have souls. And, of
course, if they have not, they are as well treated as other animals; but
all the same I am sorry for them, and I am sorry for the servants too."
"For the servants!" cried Patricia, arching her brows.
"Yes," said Betty, standing to her guns. "I am sorry for the servants,
for those who must work seven years for another before they can do aught
for themselves. And often when their time is out they are bowed and
broken; and those whom they love at home, and would bring over, are
dead; and often before the seven years have passed they die themselves.
And I am sorry for those whom you call rebels, for the Oliverians; and
for the convicts, despised and outcast. And for the Indians about us,
dispossessed and broken, and--yes, I am sorry for the Quakers."
"I waste no pity on the under dog," said Sir Charles. "Keep him
down--and with a heavy hand--or he will fly at your throat."
"Hark!" said Patricia.
Some one in the distance was singing:--
"Gentle herdsman, tell to me
Of courtesy I thee pray,
Unto the town of Walsingham,
Which is the right and ready way?
"Unto the town of Walsingham
The way is hard for to be gone,
And very crooked are those paths
For you to find out all alone."
The notes were wild and plaintive, and sounded sadly through the
gathering dusk. A figure flitted towards them between the shadowy tree
trunks.
"It is Mad Margery," said Patricia.
"And who is Mad Margery?" asked Sir Charles.
"No one knows, cousin. She does not know herself. Ten years ago a ship
came in with servants, and she was on it. She was mad then. The captain
could give no account of her, save that when, the day after sailing, he
came to count the servants, he found one more than there should have
been, and that one a woman, stupid from drugs. She had been spirited on
board the ship, that was all he could say. It's a common occurrence, as
you know. She never came to herself,--has always been what she is now.
She was sold to a small planter, and cruelly treated by him. After a
time my father heard her story and bought her from her master. She has
been with us ever since. Her term of service is long out; but there is
nothing that could drive her from this plantation. She wanders about as
she pleases, and has a cabin in the woods yonder; for she will not live
in the quarters. They say that she is a white witch; and the Indians,
who reverence the mad, lay maize and venison at her door."
The voice, shrill and sweet, rang out close at hand.
"Thy years are young, thy face is fair,
Thy wits are weak, thy thoughts are green,
Time hath not given thee leave as yet,
For to commit so great a sin."
"Margery!" called Patricia softly.
The woman came towards them with a peculiar gliding step, swift and
stealthy. Within a pace or two of them she stopped, and asked, "Who
called me?" in a voice that seemed to come from far away. She was not
old, and might once have been beautiful.
"I called you, Margery," said Patricia gently. "Sit down beside us, and
tell us what you have been doing."
The woman came and sat herself down at Patricia's feet. She carried a
stick, or light pole, wound with thick strings of wild hops, which she
laid on the ground. Taking one of the wreaths from around it, she
dropped the pale green mass into Patricia's lap.
"Take it," she said. "They are flowers I gathered in Paradise, long ago.
They wither in this air; but if you fan them with your sighs, and water
them with your tears, they will revive.... Paradise is a long way from
here. I have been seeking the road all day; but I have not found it yet.
I think it must lie near Bristol Town, Bristol Town, Bristol Town."
Her voice died away in a long sigh, and she sat plucking at the fragrant
blooms.
Patricia said softly, "She talks much of Bristol Town, and she is always
seeking the road to Paradise. I think that once some one must have said
to her, 'We will meet in Paradise.'"
"I know little of Paradise, Margery," said Sir Charles, good-naturedly;
"but Bristol Town is many leagues from here, across the great ocean."
"Yes, I know. It lieth in the rising of the sun. I have never seen it
except in my dreams. But it is a beautiful place--not like this world of
trees. The church bells are ever ringing there, ... and the children
sing in the streets. It is all fair, and smiling and beautiful, all but
one spot, one black, black, black spot. I will tell you." She sunk her
voice to a whisper and looked fearfully around. "The mouth of the Pit is
there, the Bottomless Pit that the Preacher tells about. It is a small
room, dark, dark, ... and there is a heavy smell in the air, ... and
there are fiends with black cloth over their faces. They hold a draught
of hell to your mouth, and they make you drink it; ... it burns, burns.
And then you go down, down, down, into everlasting blackness." She broke
off, and shuddered violently, then burst into eldritch laughter.
"Shall I tell you what I found just now while I was looking for
Paradise?"
"Yes," said Patricia.
"A breaking heart."
"A breaking heart!"
Margery nodded. "Yes," she said. "I thought it would surprise you. I
find many things, looking for Paradise. The other day I found a brown
pixie sitting beneath a mushroom, and he told me curious things. But a
breaking heart is different. I know all about it, for once upon a time
my heart broke; but mine was soft and easy to break. It was as soft and
weak as a baby's wrist, a little, tender, helpless thing, you know, that
melts under your kisses. But this heart that I found will take a long
time to break. Proud anger will strengthen it at first; but one string
will snap, and then another, and another, until, at last--" she swept
her arms abroad with a wild and desolate gesture.
"What does she mean?" asked Sir Charles.
"I do not know," answered Patricia.
Margery rose and took up her leafy staff.
"Come," she said. "Come and see the breaking heart."
"O Patricia!" cried Betty, "do not go with her!"
"Why not?" asked Patricia resolutely. "Come, cousin, let us find out
what she means. We will go with you, Margery; but you must not take us
far. It grows late."
Margery laughed weirdly. "It is never late for Margery. There is a star
far up in heaven that is sorry for Margery, and it shines for her,
bright, bright, all night long, that she may not miss the road to
Paradise."
She glided in front of them, and moved rapidly down the dim alley of
trees, her feet seeming scarce to touch the short grass, and the long
green wreaths, stirred by the wind, coiling and uncoiling around her
staff like serpents. Patricia, with Betty and Sir Charles, followed her
closely. She led them out of the mulberry grove, through a small
vineyard, and into a patch of corn, beyond which could be seen the gleam
of water, faintly pink from the faded sunset.
"She is taking us towards the quarters!" exclaimed Patricia. "Margery!
Margery!"
But Margery held on, moving swiftly through the waist-deep corn. Betty
looked down with a little sigh at her dainty shoes, which were suffering
by their contact with the dew-laden leaves of pumpkins and macocks. Sir
Charles put aside the long corn blades with his cane, and so made a way
for the girls. He felt mildly curious and somewhat bored.
Suddenly they emerged upon the banks of the inlet, within a hundred
yards of the quarters. Patricia would have spoken, but Margery put her
finger to her lips and flitted on towards the row of cabins.
Before them stretched a long, narrow lane, sandy and barren, with a
pine-tree rising here and there. Rude cabins, windowless and with mud
chimneys, faced each other across the lane. Half way down was an open
space, or small square, in the centre of which stood a dead tree with a
board nailed across its trunk at about a man's height from the ground.
In either end of the board was cut a round hole big enough for a man's
hand to be squeezed through, and above hung a heavy stick with leathern
thongs tied to it, the whole forming a pillory and whipping-post, rude,
but satisfactory.
It was almost dark. The larger stars had come out, and the fireflies
began to sparkle restlessly. The wind sighed in the pines, and a strong
salt smell came from the sea. Overhead a whip-poor-will uttered its
mournful cry.
The long day's work, from sunrise to sunset, was over, and the
population of the quarter had drifted in from the fields of tobacco and
maize, the boats, the carpenter's shop, the forge, the mill, the
stables, and barns. Hard-earned rest was theirs, and they were prepared
to enjoy it. It was supper-time. In the square a great fire of
brush-wood had been kindled, and around it squatted a ring of negroes,
busy with bowls of loblolly and great chunks of corn bread. They
chattered like monkeys, and one who had finished his mess raised a chant
in which one note was a yell of triumph, the next a long-drawn
plaintive wail. The rich barbaric voice filled the night. A figure,
rising, tossed aside an empty bowl, and began to dance in the red
firelight.
The white men ate at their cabin doors, sitting upon logs of wood, or in
groups of three or four messed at tables made by stretching planks from
one tree-stump to another. It was meat-day; and they, too, made merry.
From the women's cabins also came shrill laughter. Snatches of song
arose, altercations that suddenly began and as suddenly ceased, a babel
of voices in many fashions of speech. Broad Yorkshire contended with the
thin nasal tones of the cockney; the man from the banks of the Tweed
thrust cautious sarcasms at the man from Galway. A mulatto, the color of
pale amber, spoke sonorous Spanish to an olive-hued piece of drift-wood
from Florida. An Indian indulged in a monologue in a tongue of a faraway
tribe of the Blue Mountains.
The glare from the fire and from flaring pine-knots played fitfully over
the motley throng, now bringing out in strong relief some one face or
figure, then plunging it into profoundest shadow. It burnished the high
forehead and scalp lock of the Indian, and made to gleam intensely the
gold earring in the ear of the mulatto. The scarlet cloth wound about
the head of a Turk seemed to turn to actual flame. Under the baleful
light vacant faces of dully honest English rustics became malignant,
while the negro, dancing with long, outstretched arms and uncouth
swayings to and fro, appeared a mirthful fiend.
The three gentlefolk and their mad conductress gazed from out the shadow
and at a safe distance. Sir Charles Carew, a man of taste, felt strong
artistic pleasure in the Rembrandtesque scene before him--the leaping
light, the weird shadows, resolving themselves into figures posed with
savage freedom, the dancing satyr, the sombre pines above, and, beyond
the pines, the stillness of the stars. Betty drew a little shuddering
breath, and her hand went to clasp Patricia's. The latter was looking
steadily upward at the slender crescent moon.
"Do not look, Betty," she said quietly. "I do not. It is a horror to
me--a horror. I am going back," she said, turning.
But she had reckoned without Margery, who caught her by the arm. "Come,"
she said imperiously. "Come and see the breaking heart!" Patricia
hesitated, then yielded to curiosity and the insistent pressure of the
skeleton fingers.
The cabins nearest them were deserted, their occupants having joined
themselves to the groups further down the lane where the firelight beat
strongest and the torches were more numerous. With no more sound than a
moth would make, flitting through the dusk, the mad woman led them to
the outermost of these cabins. Within five paces of the door she stopped
and pointed a long forefinger.
"The breaking heart!" she said in a triumphant whisper.
A man lay, face downwards, in the coarse and scanty grass. One arm was
bent beneath his forehead, the other was outstretched, the hand
clenched. It was the attitude of one who has flung himself down in dumb,
despairing misery. As they looked, he gave a long gasping sob that shook
his whole frame, then lay quiet.
A burst of revelry came down the lane. The man raised his head
impatiently, then let it drop again upon his arm.
Patricia turned and walked quickly back the way they had come. Betty and
Sir Charles followed her; Margery, her whim gratified, had vanished into
the darkness of the pines.
No one spoke until they were again amidst the wet and rustling corn.
Then said Betty with tears in her voice, "O Patricia, darling! there is
so much misery in the world, fair and peaceful as it looks to-night.
That poor man!"
"That 'poor man,' Betty," answered Patricia in a hard voice, "is a
criminal, a felon, guilty of some dreadful, sordid thing, a gaol-bird
reclaimed from the gallows and sent here to pollute the air we breathe."
"It was the convict, Landless, was it not?" asked Sir Charles.
"Yes."
"But, Patricia," said the gentle Betty, "whatever he may have done, he
is wretched now."
"He has sowed the wind; let him reap the whirlwind," said Patricia
steadily.
They went on to the house and into the great room where the myrtle
candles were burning softly, the dimity curtains shutting out the night.
Mrs. Lettice was at the spinet, with Captain Laramore to turn the leaves
of her song book, and the Governor, with the chess table out and the
pieces in battle array, awaited (he said) the arrival of the Princess of
the Castle in the Air.