THE MAJOR CHORD

I

'The Bishop of Rome----'

Thomas Cranmer began a hesitating speech. In the pause after the words

the King himself hesitated, as if he poised between a heavy rage and a

sardonic humour. He deemed, however, that the humour could the more

terrify the Archbishop--and, indeed, he was so much upon the joyous side

in those summer days that he had forgotten how to browbeat.

'Our holy father,' he corrected the Archbishop. 'Or I will say my holy

father, since thou art a heretic----'

Cranmer's eyes had always the expression of a man's who looked at

approaching calamity, but at the King's words his whole face, his closed

lips, his brows, the lines from his round nose, all drooped suddenly

downwards.

'Your Grace will have me write a letter to the--to his--to him----'

The downward lines fixed themselves, and from amongst them the

panic-stricken eyes made a dumb appeal to the griffins and crowns of his

dark green hangings, for they were afraid to turn to the King. Henry

retained his heavy look of jocularity: he jumped at a weighty gibe--

'My Grace will have thy Grace write a letter to his Holiness.'

He dropped into a heavy impassivity, rolled his eyes, fluttered his

swollen fingers on the red and gilded table, and then said clearly, 'My.

Thy. His.'

When he was in that mood he spoke with a singular distinctness that came

up from his husky and ordinary joviality like something dire and

terrible--like that something that upon a clear smooth day will suggest

to you suddenly the cruelty that lies always hidden in the limpid sea.

'To Caesar--egomet, I mineself--that which is Caesar's: to him--that is to

say to his Holiness, our lord of Rome--the things which are of God! But

to thee, Archbishop, I know not what belongs.'

He paused and then struck his hand upon the table: 'Cold porridge is thy

portion! Cold porridge!' he laughed; 'for they say: Cold porridge to the

devil! And, since thou art neither God's nor the King's, what may I call

thee but the devil's self's man?'

A heavy and minatory silence seemed to descend upon him; the

Archbishop's thin hands opened suddenly as if he were letting something

fall to the ground. The King scowled heavily, but rather as if he were

remembering past heavinesses than for any present griefs.

'Why,' he said, 'I am growing an old man. It is time I redded up my

house.'

It was as if he thought he could take his time, for his heavily pursed

eyes looked down at the square tips of his fingers where they drummed on

the table. He was such a weighty man that the old chair in which he sat

creaked at the movement of his limbs. It was his affectation of courtesy

that he would not sit in the Archbishop's own new gilded and great chair

that had been brought from Lambeth on a mule's back along with the

hangings. But the other furnishings of that Castle of Pontefract were as

old as the days of Edward IV--even the scarlet wood of the table had

upon it the arms of Edward IV's Queen Elizabeth, side by side with that

King's. Henry noted it and said--

'It is time these arms were changed. See that you have here fairly

painted the arms of my Queen and me--Howard and Tudor--in token that we

have passed this way and sojourned in this Castle of Pontefract.'

He was dallying with time as if it were a luxury to dally: he looked

curiously round the room.

'Why, they have not housed you very well,' he said, and, as the

Archbishop shivered suddenly, he added, 'there should be glass in the

windows. This is a foul old kennel.'

'I have made a complaint to the Earl Marshal,' Cranmer said dismally,

'but 'a said there was overmuch room needed above ground.'

This room was indeed below ground and very old, strong, and damp. The

Archbishop's own hangings covered the walls, but the windows shot

upwards through the stones to the light; there was upon the ground of

stone not a carpet but only rushes; being early in the year, no

provision was made for firing, and the soot of the chimney back was

damp, and sparkled with the track of a snail that had lived there

undisturbed for many years, and neither increasing, because it had no

mate, nor dying, because it was well fed by the ferns that, behind the

present hangings, grew in the joints of the stones. In that low-ceiled

and dark place the Archbishop was aware that above his head were fair

and sunlit rooms, newly painted and hung, with the bosses on the

ceilings fresh silvered or gilt, all these fair places having been given

over to kinsmen of the yellow Earl Marshal from the Norfolk Queen

downwards. And the temporal and material neglect angered him and filled

him with a querulous bitterness that gnawed up even through his dread of

a future--still shadowy--fall and ruin.

The King looked sardonically at the line of the ceiling. He had known

that Norfolk, who was the Earl Marshal, had the mean mind to make him

set these indignities upon the Archbishop, and loftily he considered

this result as if the Archbishop were a cat mauled by his own dog whose

nature it was to maul cats.

The Archbishop had been standing with one hand on the arm of his heavy

chair, about to haul it back from the table to sit himself down. He had

been standing thus when the King had entered with the brusque words--

'Make you ready to write a letter to Rome.'

And he still stood there, the cold feet among the damp rushes, the cold

hand still upon the arm of the chair, the cap pulled forward over his

eyes, the long black gown hanging motionless to the boot tops that were

furred around the ankles.

'I have made a plaint to the Earl Marshal,' he said; 'it is not fitting

that a lord of the Church should be so housed.'

Henry eyed him sardonically.

'Sir,' he said, 'I am being brought round to think that ye are only a

false lord of the Church. And I am minded to think that ye are being

brought round to trow even the like to mine own self.'

His eyes rested, little and twinkling like a pig's, upon the opening of

the Archbishop's cloak above his breastbone, and the Archbishop's right

hand nervously sought that spot.

'I was always of the thought,' he said, 'that the prohibition of the

wearing of crucifixes was against your Highness' will and the teachings

of the Church.'

A great crucifix of silver, the Man of Sorrows depending dolorously from

its arms and backed up by a plaque of silver so that it resembled a

porter's badge, depended over the black buttons of his undercoat. He had

put it on upon the day when secretly he had married Henry to the papist

Lady Katharine Howard. On the same day he had put on a hair shirt, and

he had never since removed either the one or the other. He had known

very well that this news would reach the Queen's ears, as also that he

had fasted thrice weekly and had taken a Benedictine sub-prior out of

chains in the tower to be his second chaplain.

'Holy Church! Holy Church!' the King muttered amusedly into the stiff

hair of his chin and lips. The Archbishop was driven into one of his

fits of panic-stricken boldness.

'Your Grace,' he said, 'if ye write a letter to Rome you will--for I see

not how ye may avoid it--reverse all your acts of this last twenty

years.'

'Your Grace,' the King mocked him, 'by your setting on of chains,

crucifixes, phylacteries, and by your aping of monkish ways, ye have

reversed--well ye know it--all my and thy acts of a long time gone.'

He cast himself back from the table into the leathern shoulder-straps of

the chair.

'And if,' he continued with sardonic good-humour, 'my fellow and servant

may reverse my acts--videlicet, the King's--wherefore shall not

I--videlicet, the King--reverse what acts I will? It is to set me below

my servants!'

'I am minded to redd up my house!' he repeated after a moment.

'Please it, your Grace----' the Archbishop muttered. His eyes were upon

the door.

The King said, 'Anan?' He could not turn his bulky head, he would not

move his bulky body.

'My gentleman!' the Archbishop whispered.

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