CHAPTER VIII.

_The Narrative is resumed and concluded. A learned Lecture upon Harmony,

by which the unlearned hearer is not greatly edified._

Since you make so polite a tender of your patience, said De Lancaster,

to me, who have already put it to so hard a trial, I must resume my

narrative from the landing of Brute and his Trojans, when my ancestors

established themselves on this very spot, I do not say in this very

castle, under Camber, the second son of the aforesaid Brute.

Lud-Hurdibras was the grandson of Camber, and King Bladud was the son of

Hurdibras: he built, as is notorious to all the world, the city of

Bath, and was the projector of those salubrious baths, that _William of

Malmsbury_ would fain ascribe to Julius Cæsar, which I pronounce to be

an egregious anachronism, and you may take it _meo periculo_.

I take it at my own peril, said the colonel; for I have seen Bladud

himself with these very eyes standing centinel over the bath of his own

making, and I never met with any body hardy enough to dispute his title

to it.

Let it pass then! He was a benefactor to mankind by the institution of

those baths, and might have been more eminently so, had his opinion upon

the practicability of men’s flying in the air been established upon

experiment. I confess there is much plausibility in the project, but I

am also aware of some difficulties attending it, which merit

consideration. I do not say it may not be achieved, but I am not

prepared to recommend the undertaking to any friend, whose life is of

immediate consequence to his family.

It would be a famous lift, said the wooden-legged warrior, to people in

my mutilated predicament; and though I am not quite disposed to the

experiment myself, any body else, who is so inclined, will have my good

wishes.

That was exactly the language, cried De Lancaster, of King Bladud’s

courtiers, and the learned men of the time. They unanimously declared

that many notable discoveries might be struck out in astrology, which

was the reigning study of the day, if men would fly up high enough to

look after them; but they were not impatient to be amongst the first to

fly upon those discoveries. My ancestor however, who was then about the

person of the king, and an enthusiastic admirer of the sublime and

beautiful, went a step beyond them all, and actually contrived a very

ample and becoming pair of artificial wings, which in the judgment of

the very best mechanics then living promised all possible success to the

experiment. Upon their exhibition in presence of the sovereign and of a

committee specially appointed, so charmed was King Bladud with the skill

displayed in their construction, that he was graciously pleased to

authorize and empower the inventor himself to make trial of his own

pinions, with free leave to fly as far and as high as he saw fit, and to

perch at discretion wherever it might suit him, the chimney tops and

lattices of the chambers even of the maids of honour not excepted.

Happy man! cried Wilson; this was a roving commission of a most tempting

sort, and I hope your ancestor had too much gallantry to hesitate about

embracing it.

I beg your pardon, replied De Lancaster, my ancestor was not a man of

that forward character as to aspire to situations, that ought to be

above the ambition of a subject, but when this flattering offer was with

all becoming thankfulness most modestly declined, King Bladud himself

(as my ancestor no doubt foresaw) had the aforesaid wings fitted to his

royal shoulders; ascended the roof of the temple of Apollo (at that time

the loftiest edifice in the city of Troy-nouvant) and launching himself

into the air confidently, as became a prince so sagacious and

philosophical, committed his sacred person to the protection of Apollo

and the artificial supporters, which promised him so delicious an

excursion. Whether the fault was in the wings themselves, or in King

Bladud’s want of dexterity in the management of them, is not for me to

determine; but history puts it out of doubt that the attempt was fatal

to the adventurous monarch. He fell headlong on the steps of the temple,

(as you see in the picture fronting you) and was dashed in pieces in the

twentieth year of his reign, and the two hundred and twentieth from the

landing of Brute. All the world believed my ancestor a lost man, but

Lear, son of Bladud and heir to his kingdom, being a prince of a most

noble nature, and sensible to whom he was indebted for his so early

elevation to the throne, rewarded the artificer of his father’s pinions

by empowering him to affix them to his armorial bearing of the harp, and

from that hour to this the harp of the bard between the wings of Bladud

has been the proper and distinguishing shield of the De Lancasters, as

not only the records of the herald’s office, but the head of every spout

appertaining to the castle, can testify and evince.

The spouts alone would satisfy me, said the colonel, but the heralds and

the spouts together are authorities incontestible; but since you have

named Lear, I should wish to know if he is that very Lear, who,

according to the drama of our poet Shakespear, having parted his kingdom

between his two ungrateful daughters Gonerill and Regan, ran mad upon

the reflection of his own folly for having done it.

For his madness, replied De Lancaster, there is no authority. He

bestowed his eldest daughter Gonerill in marriage to Henuinus, Duke of

Cornwall, and Regan to Maglanus, Duke of Albania. His youngest daughter

Cordelia, who was justly his favourite, married Aganippus, prince of

Gallia, and succeeded to the crown at Lear’s death, being the first of

her sex, who had ever borne the title of queen absolute and governess of

Britain. After the decease of Aganippus she fell a victim to the malice

of her nephews Cunedagius and Morgan, sons of her unworthy sisters, and

being thrown into prison by them, died, after a reign of only five

years, by her own hand. The usurpers, who at first agreed to divide the

empire, soon rose in arms against each other, and Morgan was slain in

Cambria by Cunedagius, where the place of his death is yet called

Glen-Morgan, or Morgan’s Land, now in the possession of the friend, to

whom we meditate to-morrow’s visit.--But I am hastening to release you,

and conclude my narrative--The line of Brute, the Trojan, ended in the

year 3476 with Ferrex and Porrex, sons of old King Gorbodug, who swayed

the sceptre through a period of sixty and two years. During the whole

time of the Pentarchy, that took place upon the decease of the

abovenamed sons of Gorbodug, my family appear to have kept close in

their Cambrian retirement, till the reign of Mulmutius Dunwallo,

immediately subsequent to the Pentarchy. It was then that a learned

ancestor of mine assisted Mulmutius in compiling that incomparable code

of laws, which being turned into Latin from the British language by

Gildus Priscus, was in time long after translated into English by the

great King Alfred, and by him incorporated amongst his famous

statutes.--And now, my good friend, as I have always determined to have

nothing to do with modern history, I here wind up my long detail,

congratulating myself that those, from whom I trace my blood, had the

good sense to keep close in their quarters in Cambria upon the landing

of the Romans, never deigning to mix or intermarry either with them or

the Picts, who came with Roderic A. D. 73, or with the Saxons, who first

entered the land A. D. 390, or with the Danes in the time of Egbert,

much less with the Normans in a more recent period, but remained pure

and unadulterated from the days of Samothes, the grandson of Noah, to

the present moment, in which I have the honour of thanking you for the

attention, you have been pleased to bestow upon a detail, which I fear

has been extremely tedious and unentertaining to you throughout.

Assure yourself, my good sir, replied Wilson, that the attention I have

bestowed on your narrative has been amply repaid by the entertainment I

have received from it. You have given me a history of my native country,

which in many parts was perfectly new to me, and if it had had no

concern whatever with your genealogy, still it would have been

interesting to me, who have never thought, nor had the curiosity to

enquire, about the annals of a time so very distant. That you have

authorities for what you have narrated I cannot doubt, for I am sure you

are incapable of a voluntary fiction, which, if any such there is, must

rest with others, not with you. As for the gratification you may derive

from the persuasion, that you can trace your descent from the son of

Noah, and by consequence, through Noah, even from Adam himself, grace

forbid I should attempt to lessen it, persuaded as I am, that you have

too much consideration for Moses to enlist with the Pre-Adamites. At the

same time I am free to own, that my respect for you, being founded on

the virtues of your character, receives little addition from the

circumstances of your pedigree; let me not however be considered as an

abettor of plebean sentiments; I acknowledge a degree of prejudice for a

well-born gentleman, and so long as you display the wings of King Bladud

only on the shoulders of King Bardus’s harp, I look with respect upon

your ancient banners; and henceforward when blind David Williams shall

make your castle hall resound with his melodious harp, I shall recollect

with pleasure that you have not only a natural delight, but also an

hereditary interest, in that noble instrument. I am myself a lover of

music; but it is a love without knowledge, for I neither know the

practice, nor ever studied the theory of it. I like this tune, and I

can’t tell why; I don’t like that, and can assign no reason for it. If

music only creates surprise in me by the wonderful execution of a

performer, I scarcely wish to hear it above once; if it moves my

passions, and elicits (as it sometimes will) my tears, I could listen to

it, as I may say, for ever; no repetition can exhaust the charm. What

this is I cannot define, and for that very reason I suppose it to be

nature; for art admits of explanation, but there is no logic, that

applies to instinct.

This was an unlucky remark, and the colonel stepped a little out of his

natural character when he risqued it: had he kept clear of definitions,

and said nothing about instinct, he might have escaped a lecture on the

Harmonics, which now became unavoidable, and he heard himself addressed

as follows--

You discern correctly, my good colonel, as to effect, not so as to

cause. You say there is no logic, that applies to instinct; I say there

is no instinct, that applies to rationality: the brute creation is

submitted to it, and directed by it; man must not offer to degrade his

virtues, or defend his vices, by a reference to instinct: the plea of

impulse will not save the criminal; for there are no propensities, which

reason may not conquer. From what you tell me I perceive that you

understand as much of music as ninety-nine in a hundred, who affect to

profess it, and more than many, who profess to teach it, forasmuch as

you feel it: now as there can be no effect without a cause, depend upon

it, there is a reason why you feel exactly in the manner you describe,

and in no other, though to investigate that reason, and intelligibly

describe it to you, cannot be done without a more intimate knowledge of

the constituent properties and powers of music, than falls to many

people’s lot to attain. To descant upon these at present would take up

more time than either of us would perhaps find convenient to devote to

it. I will postpone it to a better opportunity, when I flatter myself I

shall be able to relate to you so many striking instances of the

astonishing powers of harmony, as will set that sacred science in a

stronger and a clearer light, than you may be as yet aware of. Believe

me, it is one of the sublimest studies, that the human faculties can

embrace. The systems, that have come down to us from the Greek and Roman

harmonists, as well as all that has been written by the moderns on that

subject, are above measure difficult, elaborate and recondite--

Then I shall never understand them, said the colonel, nor desire to have

any thing to do with them.

Pardon me! resumed De Lancaster: If leisure now served, I could give you

specimens of the pains I have taken in the way of illustration, not only

with the learned treatise of _Vincentio Galilei_, a noble Spaniard,

published in the year 1581, but also with the Satyricon of _Martianus

Capella_, as edited and illustrated by the celebrated Grotius in his

early years. Permit me to say that I could give you the scale, and mark

out to you the distinct semitones of _Quarlino_, _Giovanni Bardi_, and

_Pierro Strozzi_. This would be demonstration, that could not fail to

edify, and at the same time I would adduce such evidence, as should

prove to you that my ancestorial harp was the very prototype of that,

which _Epigonus_ of _Ambracia_ was said to have played upon with forty

strings, when he first taught the Sicyonian minstrels to lay aside the

plectrum, and employ their fingers in the place of it: when _Julius

Pollux_ therefore gives this new-constructed harp the name of Epigonium

in honour of Epigonus, it is a mere trick, after the custom of the

Greeks, to arrogate all originality to their countrymen, and defraud my

ancestor of his prior title to give name to his own invention. In like

manner I can detect their plagiarism, when they ascribe the invention of

the double-headed plectrum to Sappho, whilst I have models still in my

possession, that prove it to have been the very identical plectrum in

general use, when my ingenious ancestor struck out a better practice. I

am therefore very naturally interested to prevent my ancestorial harp

from being confounded with the seven-stringed lyre, ascribed by Homer to

Mercury, of which the testudo formed the sounding-board; much less would

I have it mistaken for that delineated by _Hyginus_ with crooked arms,

and least of all with the suspicious model in the museum of the Medici.

All this, my dear sir, said the colonel, I should be extremely delighted

with, were I capable of understanding it; but alas! how should I, who

was never accustomed to admire any thing above the crash of a regimental

band, comprehend a single word of what you have been saying to me? That

I am capable of preferring one tune before another is all I pretend to,

but to assign any reason for that preference is what I do not pretend

to.

Yet there is a reason, resumed De Lancaster, and that reason is not

inscrutable to all, because not enquired into by you. That _tones_ have

power over the human feelings will not be disputed; but tones have

different properties, and of course different operations: the one,

entire, full and legitimate _tone_ contains within itself a variety of

divisional parts, by the expression and application of which various

passions may be excited, and various effects produced. The full tone

may be resolved into the half-tone, or _hemitonium_; the half-tone into

the quarter-tone, or _diesis_; neither does its divisibility stop here,

for the diesis may be again resolved, first, into its proper

quarter-tone, or _tetartemoria_, which be pleased to observe, is also

called _enarmonios_; secondly, into its third of a tone, or

_tritemoria_, (which by the way is the true chromatique) and thirdly and

lastly, into a tone, which involves a third part of a full tone and half

a third, and this is called _hemiolia_--And now, my good friend, having

given you some insight into the various combinations and resolutions of

musical tones, according to the system of the Greek writers on the

harmonics, (which, though briefly stated, cannot fail to be perfectly

clear to your comprehension) I think I may trust you to discover the

reason, why certain modulations and assortments of tones are pleasing to

you, and others not. These are the elements of all harmony, and as you

are now fully possessed of the definition of them, you cannot possibly

find any difficulty in the application.

I am under no difficulty at all, cried the colonel, in finding out when

I am pleased, and that being the only discovery I have any concern in, I

will trouble you no further to explain to me why I am pleased, but take

your word for having given me the true reason, and be content.

Here the lecture ended as many lectures do: the expounder was perfectly

satisfied with the instruction he had imparted, and the disciple was

entirely reconciled to remain in ignorance of what he did not wish to

understand.

At this moment Cecilia opportunely entered the room, and the

recollection of Sir Owen’s proposal instantly occuring to her father, he

desired to have a little private talk with her, and Wilson on the hint

withdrew.

John de Lancaster: a novel; vol. I. · 第 8 / 10 章