XLV.—OF BUILDING.

Houses are built to live in, and not to look on, therefore, let use be

preferred before uniformity, except where both may be had. Leave the

goodly fabrics of houses, for beauty only, to the enchanted palaces

of the poets, who build them with small cost. He that builds a fair

house upon an ill seat,[459] committeth himself to prison; neither do I

reckon it an ill seat only where the air is unwholesome, but likewise

where the air is unequal. As you shall see many fine seats set upon

a knap[460] of ground environed with higher hills round about it,

whereby the heat of the sun is pent in, and the wind gathereth as in

troughs; so as you shall have, and that suddenly, as great diversity of

heat and cold as if you dwelt in several places. Neither is it ill air

only that maketh an ill seat; but ill ways, ill markets, and, if you

will consult with Momus,[461] ill neighbors. I speak not of many more:

want of water, want of wood, shade, and shelter, want of fruitfulness,

and mixture of grounds of several natures; want of prospect, want of

level grounds, want of places at some near distance for sports of

hunting, hawking, and races; too near the sea, too remote; having

the commodity of navigable rivers, or the discommodity of their

overflowing; too far off from great cities, which may hinder business;

or too near them, which lurcheth[462] all provisions, and maketh every

thing dear; where a man hath a great living laid together, and where he

is scanted; all which, as it is impossible perhaps to find together, so

it is good to know them, and think of them, that a man may take as many

as he can; and if he have several dwellings, that he sort them so, that

what he wanteth in the one he may find in the other. Lucullus answered

Pompey well, who, when he saw his stately galleries and rooms so large

and lightsome, in one of his houses, said, “Surely, an excellent place

for summer, but how do you do in winter?” Lucullus answered, “Why,

do you not think me as wise as some fowls are, that ever change their

abode towards the winter?”[463]

To pass from the seat to the house itself, we will do as Cicero doth in

the orator’s art, who writes books De Oratore, and a book he entitles

Orator; whereof the former delivers the precepts of the art, and the

latter the perfection. We will therefore describe a princely palace,

making a brief model thereof; for it is strange to see, now in Europe,

such huge buildings as the Vatican and Escurial,[464] and some others

be, and yet scarce a very fair room in them.

First, therefore, I say, you cannot have a perfect palace, except you

have two several sides; a side for the banquet, as is spoken of in

the book of Esther,[465] and a side for the household; the one for

feasts and triumphs, and the other for dwelling. I understand both

these sides to be not only returns, but parts of the front, and to be

uniform without, though severally partitioned within; and to be on both

sides of a great and stately tower in the midst of the front, that, as

it were, joineth them together on either hand. I would have, on the

side of the banquet in front, one only goodly room above stairs, of

some forty foot high; and under it a room for a dressing or preparing

place, at times of triumphs. On the other side, which is the household

side, I wish it divided at the first into a hall and a chapel, (with a

partition between), both of good state and bigness; and those not to go

all the length, but to have at the further end a winter and a summer

parlor, both fair; and under these rooms a fair and large cellar sunk

under ground; and likewise some privy kitchens, with butteries, and

pantries, and the like. As for the tower, I would have it two stories,

of eighteen foot high apiece above the two wings; and a goodly leads

upon the top, railed, with statues interposed; and the same tower to

be divided into rooms, as shall be thought fit. The stairs likewise to

the upper rooms, let them be upon a fair open newel,[466] and finely

railed in with images of wood cast into a brass color, and a very fair

landing-place at the top. But this to be, if you do not point any of

the lower rooms for a dining-place of servants; for, otherwise, you

shall have the servants’ dinner after your own; for the steam of it

will come up as in a tunnel.[467] And so much for the front; only I

understand the height of the first stairs to be sixteen foot, which is

the height of the lower room.

Beyond this front is there to be a fair court, but three sides of it

of a far lower building than the front; and in all the four corners of

that court fair staircases, cast into turrets on the outside, and not

within the row of buildings themselves; but those towers are not to

be of the height of the front, but rather proportionable to the lower

building. Let the court not be paved, for that striketh up a great

heat in summer, and much cold in winter; but only some side alleys

with a cross, and the quarters to graze, being kept shorn, but not

too near shorn. The row of return on the banquet side, let it be all

stately galleries; in which galleries let there be three or five fine

cupolas in the length of it, placed at equal distance, and fine colored

windows of several works; on the household side, chambers of presence

and ordinary entertainments, with some bedchambers; and let all three

sides be a double house, without thorough lights on the sides, that you

may have rooms from the sun, both for forenoon and afternoon. Cast it,

also, that you may have rooms both for summer and winter; shady for

summer, and warm for winter. You shall have sometimes fair houses so

full of glass, that one cannot tell where to become[468] to be out of

the sun or cold. For imbowed[469] windows, I hold them of good use; (in

cities, indeed, upright[470] do better, in respect of the uniformity

towards the street;) for they be pretty retiring places for conference;

and, besides, they keep both the wind and sun off; for that which

would strike almost through the room doth scarce pass the window: but

let them be but few, four in the court, on the sides only.

Beyond this court, let there be an inward court, of the same square

and height, which is to be environed with the garden on all sides;

and in the inside, cloistered on all sides upon decent and beautiful

arches, as high as the first story; on the under story towards the

garden, let it be turned to grotto, or place of shade, or estivation;

and only have opening and windows towards the garden, and be level

upon the floor, no whit sunk under ground to avoid all dampishness;

and let there be a fountain, or some fair work of statues in the

midst of this court, and to be paved as the other court was. These

buildings to be for privy lodgings on both sides, and the end for

privy galleries; whereof you must foresee that one of them be for an

infirmary, if the prince or any special person should be sick, with

chambers, bedchamber, “anticamera,”[471] and “recamera,”[472] joining

to it; this upon the second story. Upon the ground story, a fair

gallery, open, upon pillars; and upon the third story, likewise, an

open gallery upon pillars, to take the prospect and freshness of the

garden. At both corners of the further side, by way of return, let

there be two delicate or rich cabinets, daintily paved, richly hanged,

glazed with crystalline glass, and a rich cupola in the midst, and all

other elegancy that can be thought upon. In the upper gallery, too,

I wish that there may be, if the place will yield it, some fountains

running in divers places from the wall, with some fine avoidances.[473]

And thus much for the model of the palace, save that you must have,

before you come to the front, three courts: a green court plain, with

a wall about it; a second court of the same, but more garnished with

little turrets, or rather embellishments, upon the wall; and a third

court, to make a square with the front, but not to be built, nor yet

inclosed with a naked wall, but inclosed with terraces leaded aloft,

and fairly garnished on the three sides, and cloistered on the inside

with pillars, and not with arches below. As for offices, let them stand

at distance, with some low galleries to pass from them to the palace

itself.

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