XXXVII.—OF MASQUES AND TRIUMPHS.

These things are but toys to come amongst such serious observations;

but yet, since princes will have such things, it is better they should

be graced with elegancy, than daubed with cost. Dancing to song is a

thing of great state and pleasure. I understand it that the song be in

choir, placed aloft, and accompanied with some broken music, and the

ditty fitted to the device. Acting in song, especially in dialogues,

hath an extreme good grace; I say acting, not dancing (for that is

a mean and vulgar thing); and the voices of the dialogue would be

strong and manly (a base and a tenor, no treble), and the ditty high

and tragical, not nice or dainty. Several choirs, placed one over

against another, and taking the voices by catches anthem-wise, give

great pleasure. Turning dances into figure is a childish curiosity;

and, generally, let it be noted, that those things which I here set

down are such as do naturally take the sense, and not respect petty

wonderments. It is true, the alterations of scenes, so it be quietly

and without noise, are things of great beauty and pleasure: for they

feed and relieve the eye before it be full of the same object. Let the

scenes abound with light, specially colored and varied; and let the

masquers, or any other that are to come down from the scene, have some

motions upon the scene itself before their coming down; for it draws

the eye strangely, and makes it with great pleasure to desire to see

that it cannot perfectly discern. Let the songs be loud and cheerful,

and not chirpings or pulings;[405] let the music, likewise, be sharp

and loud, and well placed. The colors that show best by candlelight,

are white, carnation, and a kind of sea-water green; and ouches,[406]

or spangs,[407] as they are of no great cost, so they are of most

glory. As for rich embroidery, it is lost and not discerned. Let the

suits of the masquers be graceful, and such as become the person

when the vizors are off; not after examples of known attires, Turks,

soldiers, mariners, and the like. Let anti-masques[408] not be long;

they have been commonly of fools, satyrs, baboons, wild men, antics,

beasts, sprites, witches, Ethiopes, pigmies, turquets,[409] nymphs,

rustics, Cupids, statues moving, and the like. As for angels, it is

not comical enough to put them in anti-masques; and any thing that

is hideous, as devils, giants, is, on the other side, as unfit; but,

chiefly, let the music of them be recreative, and with some strange

changes. Some sweet odors suddenly coming forth, without any drops

falling, are, in such a company as there is steam and heat, things of

great pleasure and refreshment. Double masques, one of men, another of

ladies, addeth state and variety; but all is nothing, except the room

be kept clear and neat.

For justs, and tourneys, and barriers, the glories of them are chiefly

in the chariots, wherein the challengers make their entry; especially

if they be drawn with strange beasts, as lions, bears, camels, and the

like; or in the devices of their entrance, or in the bravery of their

liveries, or in the goodly furniture of their horses and armor. But

enough of these toys.

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