Announcements

“_The Weavers_”

Gerhardt Hauptmann’s Weavers is coming to Chicago! It begins a limited

engagement at the Princess Theatre Sunday night, April 2. If you don’t

go—well, we will pray for you.

It is to be the same production with which Emanuel Reicher stirred New

York this winter. Mr. Reicher is no longer with the company, having

finally given up the struggle of trying to make a financial success of

art and truth. His stage director, Augustin Duncan, who is a man of

vision and ability, has formed the actors into a co-operative company,

and they have been struggling through various cities where their efforts

have been intensely though not largely appreciated. This is to be

expected; but surely in Chicago they ought to find an audience.

P. S.—Since I wrote the above _The Weavers_ has opened, and I have heard

how the first-night audience laughed where it should have applauded and

guffawed when it should have recognized something fine.

_Margaret Sanger in Chicago_

There is an announcement on the cover page of two of Margaret Sanger’s

lectures in Chicago, and others may be arranged after she gets here. We

have got into the habit of looking upon birth control as a thing in

which everybody believes, and which almost everybody practices whether

they believe in it or not. It seems quite superfluous to keep on talking

about it. But then you remember that Emma Goldman has been arrested for

talking about it, and that when her trial comes up—some time this month

or in May—it is quite within the possibilities that she may spend a year

in prison for her crime. That is something none of us could face without

a kind of insanity. So please don’t be content with merely abusing the

government: send your protests to the District Attorney and it may help

a great deal.

Any one who wishes to arrange for further lectures by Mrs. Sanger may

write to Fania Mindell, care THE LITTLE REVIEW.

_The Rupert Brooke Memorial_

It has been decided to set up in Rugby Chapel, England, a memorial of

Rupert Brooke in the form of a portrait-medallion in marble. The

medallion will be the work of Professor J. Havard Thomas, and is to be

based on the portrait by Schell. Contributions not exceeding five

dollars may be sent to Maurice Browne, Chicago Treasurer, Rupert Brooke

Memorial Fund, 434 Fine Arts Building, Michigan Avenue, and will be sent

to England without deduction. Money left over after the completion of

the medallion will be given to the Royal Literary Fund. Mr. Browne adds

that the nickels and dimes of those who wish to make their offering, but

cannot afford the larger sum, will be welcomed in the spirit of their

giving; also that he believes there are many admirers of Rupert Brooke

and his work in Chicago who will welcome the opportunity to pay in some

measure their debt to the poet, particularly remembering that this city

stimulated and interested him more than any other in America.

_Jerome Blum’s New Work_

Beginning April 15 Mr. Blum will have a two-weeks’ exhibit of paintings

done on a recent trip through China and Japan, at O’Brien’s Art

Galleries, 334 South Michigan Avenue. At the same time Mrs. Blum will

exhibit some Chinese and Japanese figures—and there is one especially

that we prophesy will be talked of. It is of a weary-eyed Chinese

philosopher, the art of which has been put into words by a painter: “He

has seen everything, so he doesn’t look any more; he has done

everything—so he folds his hands.”

_The Vers Libre Prize Contest_

Two of the judges for our contest have been chosen. They will be Helen

Hoyt and Zoë Akins. The third will be announced in the next issue, and

the contest will be continued until August 15, as it seems wiser not to

close it before it has been fully heralded. All details will be found on

page 40.

“_A Lost Tune_”

Between April 25 and May 7 Mr. Stanislaw Saukalski will give our soft

teeth a chance to crack a hard nut at the Art Institute. The “Lost Tune”

will lead the flaming lava of this young volcano. Will the readers of

THE LITTLE REVIEW send in their impressions of this sculptor’s work? We

may print some of them.—_L. de B._

_When You Buy Books_—

Won’t readers remember to order their books through the Gotham Book

Society? You can get any book you want from them, whether it is listed

in their advertisement or not, and THE LITTLE REVIEW makes a percentage

on the sales. Our margin of profit per book is small, but it all helps

very much and the continuation of the magazine depends upon just such

co-operation. We have two thousand subscribers. If each one of them

would order one dollar’s worth of books a month we should make about two

hundred dollars out of it,—which would pay for two issues of the

magazine and enable us to eat regularly besides. Will you please

remember?

_The Russian Literature Group_

Alexander Kaun’s next lecture on Russian Literature will be on

Dostoevsky, and will be given April 16, at 8:30 P. M., in 612 Fine Arts

Building. Mr. Kaun is becoming more interesting with each lecture—by

which I mean that he is revealing more of Kaun the artist, and less of

Kaun the professor.

_Independent Society of Artists_

The first international exhibition of this new organization will be held

on April 4 in the Ohio Building, Wabash Avenue and Congress Street, from

three to seven P. M.

“_Because of the War_”—

Paper is going up. We can’t help looking ugly this month.

The Beautiful and the Terrible. Which is which will never be put

into words. But I am free to tell myself; and let me but preserve

the senses—my eyes, my ears, my touch, and all shall be well—all

shall seem far more beautiful than terrible—_Gordon Craig._

The Little Review, April 1916 (Vol. 3, No. 2) · 第 46 / 87 题