CHAPTER VIII.

THE LAWS OF PROGRESS IN LANGUAGE.

The history of almost every language points to the action of

certain general law’s of progress, which laws are psychological as

well as linguistic, _i.e._ they correspond and are parallel to the

growth and progress of the human mind. They may be briefly summed

up by saying that languages advance from exuberance to moderation,

from complexity and confusion to grammatical regularity, and from

synthesis to analysis. The explanation and illustration of these

laws will occupy the present chapter.

1st. _Languages advance from exuberance to moderation, by

eliminating superfluities._

The earliest languages are marked by exuberance,[214]

indetermination, extreme variety, uncontrolled liberty. They

are melodious, but prolix and measureless. Words were invented

independently, spontaneously, as they were required by the tribe or

the individual, with little or no reference to already existing

forms. The absence of literature, the want of political unity, the

habits of a nomadic life, tended to create an immense multitude of

terms and idioms. Among semi-barbarous and wandering communities

the peculiarities which we call dialects existed simultaneously and

side by side.

The Caucasus and Abyssinia present us a number of distinct

languages in a narrow district. The number and variety of the

American dialects is almost as great as that of the several tribes;

and in Oceania it has been asserted that nearly every island

or group of islands possesses a speech which barely offers any

affinity with that of the neighbouring groups.

Unity of speech is the result of civilisation, and it is

preceded by a diversity of forms which subsequently become the

characteristics of particular localities. The steps towards unity

are three; first, we have the confused, simultaneous existence of

dialectic varieties; then the isolated and independent existence

of dialects; and, finally, the fusion of these varieties in a

more[215] extended unity. Thus the earliest Hebrew records contain

traces of idioms which were subsequently the peculiar property of

Aramaic, and we find in the Homeric poems a thousand variations

of form and structure which were afterwards exclusively Æolic, or

Attic, or Doric. The explanation of this fact is to be found in

the consideration that these forms were in Homer’s time the common

property of the old Ionic tongue, and it was not till after ages

that they became appropriated and localised. The supposition that

the rhapsodists employed a judicious selection of idioms, and made

a mosaic out of distinct dialects, has long ago been abandoned as

impossible and absurd.

The process of eliminating superfluities is found in every

language. Redundancy seems to have been necessary to an early stage

of thought, for we find it not only in words but in expressions.

The whole of Hebrew poetry depends on a repetition and enforcement

of the same fundamental thought, so as to gain emphasis and

variety. In children we find a tendency to repeat the same thing

twice, once affirmatively and once negatively, as though the double

assertion gave them an additional security. “It is not you, but

I;” “This letter is not A, but B;” are turns of expression well

known to those who have observed the language of the nursery. It

is surprising to find the same unnecessary tautology existing

very widely in the most advanced literatures. “We have seen with

our eyes and heard with our ears,” is a superfluity which has many

types in the sacred writers; “They were in great numbers, not in

small,” is the translation of a line in the Œdipus Tyrannus, and we

find even a poet of our own times writing--

There saw he where some careless hand

O’er a DEAD[216] _corpse_ had heaped the sand.

There is no doubt that such tautologies are often so far from being

barren, that they give force and precision to the conception which

they convey; but the mischief of them is that they give rise to a

thousand errors of reasoning, and to many minds have the effect of

an argument.

The Spanish fleet you cannot see, because

It is not yet in sight,

or,

Et respondeo

Quia sit in eo

Vis quæ faciat homines dormire.

might be used as the satirical motto of many a treatise both in

science and metaphysics.[217]

There are two processes by which nations get rid of words which

are mere synonyms of other words, and are therefore burdensome.

The one is to drop altogether the superfluous word, or only retain

some one form or application of it; the other is to desynonymise

words by using them each with one special shade of signification.

Thus, when the Greek language obtained the word χρύσος to mean

“gold,” it dropped altogether the word αὔρον, which at one time

it must have possessed, as is clear from a comparison of the

word θήσαυρος with the Latin _aurum_. What are called anomalous

declensions and conjugations are explicable in the same manner,

since ancient idioms are always richer than those which have

undergone the revision of grammarians. It is, in fact, one of the

duties of grammarians to make a choice among the riches of popular

language, and to eliminate all words that are unnecessary. Thus

a boy would be naturally puzzled by being told that φέρω, οἴσω,

ἤνεγκα are parts of the same verb, but it will be easy for him to

understand and remember that these words are, in fact, the débris

of three entirely separate conjugations, parts of which only have

been retained, while the remaining forms have been dropped because

they were in no way needed. Merely capricious varieties have all

been solved into a single verb.

2ndly. _Languages advance from confusion to regularity, from

indetermination to grammar._

What is true of the vocabulary of a language is no less true

of its grammar. Here also simplicity is due to reflection, and

is posterior to the rich complexity of a faculty spontaneously

exercised. Scientific grammar is a subsequent invention; at their

birth languages are lawless and irregular. The reason why the

oldest and least grammatical languages appear to have the longest

grammars, is because the anomalies are all catalogued as though

they were so many rules, and what was once permissible because

it then violated no law of language is ranked as the recognised

exception to a definite order. An Isaiah would have been amazed

at reading the innumerable rules of language by which modern

grammarians suppose him to have been governed; and a Thucydides

would have been hardly less astonished to see his “syllogism of

passion” rigidly reduced to a syllogism of grammar.

At first, until usage had arisen, every body seems to have been

at liberty to invent or adopt conjugations and declensions

almost at his own caprice. “The more barbarous a language,” says

Herder, “the greater is the number of its conjugations.” It has

been a fatal mistake of philology to suppose that simplicity is

anterior to complexity: simplicity is the triumph of science,

not the spontaneous result of intelligence. The Basque language,

which has retained much of the primitive spirit, has eleven

moods; the Caffir language has upwards of twenty. Agglutination

or Polysynthetism[218] is the name which has been invented for

the complex condition of early language, when words follow each

other in a sort of idyllic and laissez-aller carelessness, and

the whole sentence, or even the whole discourse, is conjugated or

declined as though it were a single word, every subordinate clause

being inserted in the main one by a species of _incapsulation_.

This is the case with the Astec, the languages of the Pacific,

and many other languages. The Mongol declines an entire firman,

and even in Sanskrit, flexions so far supersede syntax that

the whole thought is in some sort declined. In Mexican, the

word[219] _Notlazomahiuzteopixcatatzin_, with which they salute

the priests, is easily decomposed into “Venerable priest, whom

I honour as my father;” and in Turkish,[220] the single word

_Sev-ish-dir-il-me-mek_ means “not to be brought to love one

another.” Yet even these are entirely surpassed by some of the

dialects of North America. In the[221] Iroquois, for instance, one

word of twenty-one letters expresses this sentence of eighteen

words: “I give some money to those who have arrived, in order to

buy them more clothes with it.” This one word is an agglomeration

of simple words and roots in a violent state of fusion and apocope.

3rdly. Analogous in great measure to the law which we have been

mentioning (or perhaps we may say a further development of the same

law), is the progress of language _from Synthesis to Analysis_.

We have seen that many ancient languages are polysynthetic

or[222] holophrastic, _i.e._, that they produce the entire thought

or sentence under the form of one complex and rich unity, and

subordinate every word and phrase to the domination of the entire

clause. Even in early Greek and Latin we may find traces of this

“_holophrasis_” in the separation of two parts of the same word

which was permissible by what is called _tmesis_, as for instance

in such expressions as κατὰ δάκρυ χέουσα, and even κατὰ πίονα μήρι’

ἔκηα. In Latin the same licence is far more rare, although we find

it in the lines, “_Inque cruentatus_,” &c., and it was retained

in one or two compounds, as “_Quo te cumque_ ferent.” In both

languages these extreme cases early disappeared, and the startling

audacity of Ennius in the famous

_Cere_ comminuit _brum_,

for “comminuit cerebrum,” would probably have made Virgil stare and

gasp, as much as[223] the modern

O _Jo_ qui terras de cœlo despicis _hannes_.

But although nothing is left in the Indo-European languages but

the faint _traces_ of that sylleptical tendency which seems to

have marked the earliest stage of language, they offer the most

splendid examples of a perfect synthesis. By a facile power of

composition, and by attaching to the verb and noun a variety of

terminations capable of distinguishing the nicest modifications

of meaning, they have produced an instrument of thought almost

unrivalled in accuracy and beauty.

In Greek and Latin one word was enough to express alike the

subject, copula, and predicate; in English, two are always

requisite, and generally three. The single word τύπτω requires

the three words--“I am striking”--to render it; to translate

_amabor_ in English or in German we require four words, “I shall be

loved--_Ich werde geliebt werden_;” and the same is true of many

other parts of the verb; as ἐτετιμήμεθα, _periisses_, “we had been

honoured,” “you would have perished.”

At first sight this analysis may seem to be a defect, but, in point

of fact, it is a development. It is a bad thing for the human mind

to be subjected to the despotism of a rigid grammar, the tyranny of

too perfect a form. As it is the danger of advancing civilisation

and of too refined a society to reduce men to the dead level of

uniformity, and subject every caprice of the individual to the

domination of an unwritten code, called the “laws of society,” so

a language which crystallises every relation in a definite form

tends to cramp and restrain the genius of those who use it. In the

tragedies of Æschylus and the odes of Pindar, marvellous as is the

power which crams every rigid phrase with the fire of a hidden

meaning, we yet feel that the form is cracking under the spirit,

or at least there is a tension injurious to the general effect. A

language which gets rid of its earlier inflections--English, for

instance, as compared with Anglo-Saxon--loses far less than might

have been supposed.

The progress of language from synthesis to analysis is that of the

human intelligence. Later generations find the language of their

ancestors too learned for their own use. For the unity, spontaneous

but often obscure, of the primitive tongues, they substitute an

idiom clearer and more explicit by giving a separate existence to

every subject in the sentence. They break up the conglomerated

jewels of old speech to reset them in an order less dazzling but

more distinct. They sacrifice the magnificence of mystery to the

light of distinct comprehension. Instead of one sentence, out of

whose tangled intricacies flashed, all the more brightly from

contrast, the rays of enthusiasm and genius, they attain to a

logical accuracy which gives to each idea and each relation its

isolated expression. What they lose in euphony, force, and poetic

concision, they gain in the power of marking the nicest shades of

thought; what they lose in[224] elasticity they gain in strength.

If synthetic and agglutinative languages are the best instruments

of imagination, analysis better serves the purposes of reflection.

Splendid efflorescence is followed by ripe fruit.

It is thus[225] that Sanskrit, with its eight cases, six moods, and

numerous inflections, capable of expressing a crowd of secondary

ideas, decomposes first into the Pali (?), Prâkrit, and Kawi,

dialects less rich and learned, but more precise, which substitute

auxiliaries and prepositions for case and tense; and even these

latter, too complex for ordinary use, are gradually displaced by

the more vulgar dialects of Hindostan,--the Hindoo, the Mahrattah,

and the Bengali.

In the same way the Zend, Pehlvi, and Pars-i, are replaced by the

modern Persian. The Zend, with its long and complicated words,

its want of prepositions, and its method of supplying the want by

means of cases, represents a language eminently synthetic. Modern

Persian, on the contrary, is poorer in flexions than almost any

language which exists; it may be said, without exaggeration, that

its whole grammar might be compressed into a few pages. Modern

Greek is the analysis or decomposition of ancient Greek during a

long period of barbarism. The Romance languages are Latin submitted

to the same process; Italian, Spanish, French, and Wallachian,

are merely Latin mutilated, deprived of its flexions, reduced

to shortened forms, and supplying by numerous monosyllables the

learned organisation of the ancient idioms. “The fact then that

the people in Italy, in France, in Spain, in Greece, on the

banks of the Danube and of the Ganges, have been reduced to the

necessity of treating their ancient languages in precisely the same

manner to accommodate them to their wants; and the fact that two

languages, so distant in time and space as the Pali and the Italian

for instance, occupy positions exactly identical in relation to

their mother-tongues, affords the best proof that there is in

the progress of languages a necessary law, and that there is an

irresistible tendency which leads idioms to despoil themselves of

an apparel too learned to clothe a form more simple, more popular,

and more convenient.”[226]

In the Semitic languages we find the progress towards analysis

from various[227] causes less decided, but no less ascertainable.

Ancient Hebrew is remarkable for its agglutination. “Like a child,”

says Herder, “it seeks to say all at once.” It uses one word where

we require five or six. But as we approach the period of the

captivity we find a propensity to replace grammatical mechanisms by

periphrasis, a propensity still more marked in modern or Rabbinical

Hebrew. The later dialects--Chaldean, Samaritan, Syriac--are

longer, clearer, more analytic. These, in their turn, are absorbed

into Arabic, which pushes still farther the analysis of grammatical

relations. But the delicate and varied flexions of Arabic are still

too difficult for the rude soldiers of the early Khâlifs; solecisms

multiply, grammatical forms are abandoned, and for the Arabic of

the schools we get the vulgar Arabic, which is simpler and less

elegant, but in some respects more accurate and distinct.

Even the languages of central and eastern Asia are not entirely

wanting in analogous phenomena. But the facts already adduced

are amply sufficient to prove that, in the history of languages,

Synthesis is primitive, and Analysis, far from being the natural

process of the intelligence, is only the slow result of its

development. And if it be a natural development it must, on the

whole, be considered an advance.

“An instance,”[228] observes Grimm, “unique but decisive, is

alone sufficient to replace all the proofs and arguments which I

have accumulated in my reasoning on this subject. Among modern

languages there is not one which has gained more force and solidity

than the English by neglecting or breaking the ancient rules of

sound, and suffering almost all flexions to drop. The abundance

of medial sounds, the pronunciation of which may be learnt but

cannot be taught, gives to this language a power of expression,

such as perhaps no human language has ever attained. Its highly

spiritual genius and marvellously happy development are due to

the astonishing union of the two most noble languages in modern

Europe, German and Romance. We know the part which each of these

elements plays in the English language; one of them is almost

entirely devoted to the representation of sensible ideas, the other

to the expression of intellectual relations. Yes, the English

language, which has produced and nourished with its milk the

greatest of modern poets, the only one who can be compared to the

classical poets of antiquity (who does not see that I am speaking

of Shakspeare?), may of good right be called an universal language,

and seems destined, like the English people itself, to extend its

empire farther and farther in all quarters of the globe.”

To the laws which we have been considering, many philologists would

be inclined to add a fourth--viz., the _progress to polysyllabism

from a state originally monosyllabic_. Many arguments may

undoubtedly be adduced, which give a _primâ facie_ probability to

this supposition.[229] We will proceed briefly to state them.

It is argued, firstly, that we should have expected _à priori_ a

predominance of monosyllabic roots, because it is unlikely that a

single powerful impression would have expressed itself by more

than one sound. Since one sound would have been sufficient, we

should not be inclined to look for any superfluity. Impression

would provoke expression with the same rapidity that the flash

of lightning is kindled by the shock of two electric clouds. It

must be remembered that the young senses of the human race were

unaccustomed to compound articulations, and neither their ears nor

their tongues would have led them to signify by two sounds or two

syllables an impression essentially single.

_Secondly_, it is said that existing facts prove the likelihood

of this conclusion. Thus, to this day, some nations are unable

to pronounce compound consonants by one emission of the voice.

Such is the case with the Mantschou, and the Chinese can only

utter the word _Christus_ by changing it according to the custom

of his language into _ki-li-su-tu-su_.[230] The Chinese then

may be considered as a language petrified in its first stage of

flexionless and ungrammatical monosyllabism. Thus, in order to

express the plural, they are obliged to add the words, “another”

and “much,” or to repeat the noun twice, expressing “us” by “me

another,” and trees by “tree,[231] tree.” The prayer, “Our Father

which art in heaven,” assumes in Chinese[232] the form “Being

heaven me another (= our) Father who,” a style not unlike the

natural language of very young children.

Thirdly, it is asserted that all existing languages are capable

of being deduced from monosyllabic roots; that even the

triliteral[233] Semitic languages afford abundant evidence of the

fact that the three consonants are only the result of a growth,

since one of the consonants is often weak and unnecessary, and many

of the words expressing simple[234] ideas have only one syllable.

Whatever weight may attach to these considerations, they do not

appear to be convincing. The attempt of Fürst and Delitzch to

get over the fact of Semitic triliteralism is not completely

successful, and no evidence has ever been adduced to show the

causes which could have influenced a language to abandon an

essentially monosyllabic character, or the time when so immense a

change could have taken place.

Chinese, as we know, has been monosyllabic from the earliest

period, and continues so to this day; and even Thibetian and

Burmese,[235] though they have, under the influence of other

languages, made great efforts to attain a grammar, have yet

retained the ineffaceable impress of their original condition. We

therefore reject this fourth law, as one which, even if possible,

is by no means proven. Further discussion of it will, indirectly,

be involved in the following chapter. At best, it can only be

regarded as an artificial hypothesis, occasionally convenient for

the purposes of the grammarian, but not corresponding to any real

condition of the languages as once spoken.

An essay on the origin of language, based on modern researches, and especially on the works of M. Renan · 第 8 / 11 章