II

The political purpose of literature in Italy had become conscious long

before Guerrazzi's time; but it was the motive of poetry long before

it became conscious. When Alfieri, for example, began to write, in the

last quarter of the eighteenth century, there was no reason to suppose

that the future of Italy was ever to differ very much from its past.

Italian civilization had long worn a fixed character, and Italian

literature had reflected its traits; it was soft, unambitious,

elegant, and trivial. At that time Piedmont had a king whom she loved,

but not that free constitution which she has since shared with

the whole peninsula. Lombardy had lapsed from Spanish to Austrian

despotism; the Republic of Venice still retained a feeble hold upon

her wide territories of the main-land, and had little trouble in

drugging any intellectual aspiration among her subjects with the

sensual pleasures of her capital. Tuscany was quiet under the

Lorrainese dukes who had succeeded the Medici; the little states of

Modena and Parma enjoyed each its little court and its little Bourbon

prince, apparently without a dream of liberty; the Holy Father ruled

over Bologna, Ferrara, Ancona, and all the great cities and towns of

the Romagna; and Naples was equally divided between the Bourbons and

the bandits. There seemed no reason, for anything that priests or

princes of that day could foresee, why this state of things should not

continue indefinitely; and it would be a long story to say just why it

did not continue. What every one knows is that the French revolution

took place, that armies of French democrats overran all these languid

lordships and drowsy despotisms, and awakened their subjects, more or

less willingly or unwillingly, to a sense of the rights of man, as

Frenchmen understood them, and to the approach of the nineteenth

century. The whole of Italy fell, directly or indirectly, under French

sway; the Piedmontese and Neapolitan kings were driven away, as were

the smaller princes of the other states; the Republic of Venice ceased

to be, and the Pope became very much less a prince, if not more a

priest, than he had been for a great many ages. In due time French

democracy passed into French imperialism, and then French imperialism

passed altogether away; and so after 1815 came the Holy Alliance with

its consecrated contrivances for fettering mankind. Lombardy, with

all Venetia, was given to Austria; the dukes of Parma, of Modena, and

Tuscany were brought back and propped up on their thrones again. The

Bourbons returned to Naples, and the Pope's temporal glory and power

were restored to him. This condition of affairs endured, with more

or less disturbance from the plots of the Carbonari and many other

ineffectual aspirants and conspirators, until 1848, when, as we know,

the Austrians were driven out, as well as the Pope and the various

princes small and great, except the King of Sardinia, who not only

gave a constitution to his people, but singularly kept the oath

he swore to support it. The Pope and the other princes, even the

Austrians, had given constitutions and sworn oaths, but their memories

were bad, and their repute for veracity was so poor that they were not

believed or trusted. The Italians had then the idea of freedom and

independence, but not of unity, and their enemies easily broke, one

at a time, the power of states which, even if bound together, could

hardly have resisted their attack. In a little while the Austrians

were once more in Milan and Venice, the dukes and grand-dukes in their

different places, the Pope in Rome, the Bourbons in Naples, and all

was as if nothing had been, or worse than nothing, except in Sardinia,

where the constitution was still maintained, and the foundations of

the present kingdom of Italy were laid. Carlo Alberto had abdicated on

that battle-field where an Austrian victory over the Sardinians sealed

the fate of the Italian states allied with him, and his son, Victor

Emmanuel, succeeded him. As to what took place ten years later, when

the Austrians were finally expelled from Lombardy, and the transitory

sovereigns of the duchies and of Naples flitted for good, and the

Pope's dominion was reduced to the meager size it kept till 1871, and

the Italian states were united under one constitutional king--I need

not speak.

In this way the governments of Italy had been four times wholly

changed, and each of these changes was attended by the most marked

variations in the intellectual life of the people; yet its general

tendency always continued the same.

Modern Italian Poets; Essays and Versions · 第 39 / 127 题