Although some such account as this was necessary, no such account,

unless illustrated with the most copious citation, could do justice to

the book. The first part or Narrative is not of extraordinary, though it

is of considerable merit, and has some of Hogg's usual faults. The

_Memoirs_ proper are almost wholly free from these faults. In no book

known to me is the grave treatment of the topsy-turvy and improbable

better managed; although, by an old trick, it pleases the "editor" to

depreciate his work in the passage just mentioned. The writer, whoever

he was, was fully qualified for the task. The possibility of a young man

of narrow intellect--his passion against his brother already excited,

and his whole mind given to the theology of predestination--gliding into

such ideas as are here described is undoubted; and it is made thoroughly

credible to the reader. The story of the pretended Gil Martin,

preposterous as it is, is told by the unlucky maniac exactly in the

manner in which a man deluded, but with occasional suspicions of his

delusion, would tell it. The gradual change from intended and successful

rascality and crime into the incurring or the supposed incurring of the

most hideous guilt without any actual consciousness of guilty action may

seem an almost hopeless thing to treat probably. Yet it is so treated

here. And the final gathering and blackening of the clouds of despair

(though here again there is a very slight touch of Hogg's undue

prolongation of things) exhibits literary power of the ghastly kind

infinitely different from and far above the usual raw-head-and-bloody-bones

story of the supernatural.

Now, who wrote it?

No doubt, so far as I know, has been generally entertained of Hogg's

authorship, though, since I myself entertained doubts on the subject, I

have found some good judges not unwilling to agree with me. Although

admitting that it appeared anonymously, Hogg claims it, as we have seen,

not only without hesitation but apparently without any suspicion that it

was a particularly valuable or meritorious thing to claim, and without

any attempt to shift, divide, or in any way disclaim the responsibility,

though the book had been a failure. His publishers do not seem to have

doubted then that it was his; nor, I have been told, have their

representatives any reason to doubt it now. His daughter, I think, does

not so much as mention it in her _Memorials_, but his various

biographers have never, so far as I know, hinted the least hesitation.

At the same time I am absolutely unable to believe that it is Hogg's

unadulterated and unassisted work. It is not one of those cases where a

man once tries a particular style, and then from accident, disgust, or

what not, relinquishes it. Hogg was always trying the supernatural, and

he failed in it, except in this instance, as often as he tried it. Why

should he on this particular occasion have been saved from himself? and

who saved him?--for that great part of the book at least is his there

can be no doubt.

By way of answer to these questions I can at least point out certain

coincidences and probabilities. It has been seen that Lockhart's name

actually figures in the postscript to the book. Now at this time and for

long afterwards Lockhart was one of the closest of Hogg's literary

allies; and Hogg, while admitting that the author of _Peter's Letters_

hoaxed him as he hoaxed everybody, is warm in his praise. He describes

him in his _Autobiography_ as "a warm and disinterested friend." He

tells us in the book on Scott how he had a plan, even later than this,

that Lockhart should edit all his (the Shepherd's) works, for

discouraging which plan he was very cross with Sir Walter. Further, the

vein of the _Confessions_ is very closely akin to, if not wholly

identical with, a vein which Lockhart not only worked on his own account

but worked at this very same time. It was in these very years of his

residence at Chiefswood that Lockhart produced the little masterpiece of

"Adam Blair" (where the terrors and temptations of a convinced

Presbyterian minister are dwelt upon), and "Matthew Wald," which is

itself the history of a lunatic as full of horrors, and those of no very

different kind, as the _Confessions_ themselves. That editing, and

perhaps something more than editing, on Lockhart's part would have been

exactly the thing necessary to prune and train and direct the Shepherd's

disorderly luxuriance into the methodical madness of the Justified

Sinner--to give Hogg's loose though by no means vulgar style the dress

of his own polished manner--to weed and shape and correct and straighten

the faults of the Boar of the Forest--nobody who knows the undoubted

writing of the two men will deny. And Lockhart, who was so careless of

his work that to this day it is difficult, if not impossible, to

ascertain what he did or did not write unassisted, would certainly not

have been the man to claim a share in the book, even had it made more

noise; though he may have thought of this as well as of other things

when, in his wrath over the foolish blethering about Scott, he wrote

that the Shepherd's views of literary morality were peculiar. As for

Hogg himself, he would never have thought of acknowledging any such

editing or collaboration if it did take place; and that not nearly so

much from vanity or dishonesty as from simple carelessness, dashed

perhaps with something of the habit of literary _supercherie_ which the

society in which he lived affected, and which he carried as far at least

as any one of its members.

It may seem rather hard after praising a man's ewe lamb so highly to

question his right in her. But I do not think there is any real

hardship. I should think that the actual imagination of the story is

chiefly Hogg's, for Lockhart's forte was not that quality, and his own

novels suffer rather for want of it. If this be the one specimen of what

the Shepherd's genius could turn out when it submitted to correction and

training, it gives us a useful and interesting explanation why the mass

of his work, with such excellent flashes, is so flawed and formless as a

whole. It explains why he wished Lockhart to edit the others. It

explains at the same time why (for the Shepherd's vanity was never far

off) he set apparently little store by the book. It is only a hypothesis

of course, and a hypothesis which is very unlikely ever to be proved,

while in the nature of things it is even less capable of disproof. But I

think there is good critical reason for it.

At any rate, I confess for myself, that I should not take anything like

the same interest in Hogg, if he were not the putative author of the

_Confessions_. The book is in a style which wearies soon if it be

overdone, and which is very difficult indeed to do well. But it is one

of the very best things of its kind, and that is a claim which ought

never to be overlooked. And if Hogg in some lucky moment did really

"write it all by himself," as the children say, then we could make up

for him a volume composed of it, of "Kilmeny," and of the best of the

songs, which would be a very remarkable volume indeed. It would not

represent a twentieth part of his collected work, and it would probably

represent a still smaller fraction of what he wrote, while all the rest

would be vastly inferior. But it would be a title to no inconsiderable

place in literature, and we know that good judges did think Hogg, with

all his personal weakness and all his literary shortcomings, entitled to

such a place.

FOOTNOTES:

[7] For something more, however, see the Essay on Lockhart below.

III

SYDNEY SMITH

The hackneyed joke about biographers adding a new terror to death holds

still as good as ever. But biography can sometimes make a good case

against her persecutors; and one of the instances which she would

certainly adduce would be the instance of Sydney Smith. I more than

suspect that his actual works are less and less read as time goes on,

and that the brilliant virulence of _Peter Plymley_, the even greater

brilliance, not marred by virulence at all, of the _Letters to

Archdeacon Singleton_, the inimitable quips of his articles in the

_Edinburgh Review_, are familiar, if they are familiar at all, only to

the professed readers of the literature of the past, and perhaps to some

intelligent newspaper men who find Sydney[8] to be what Fuseli

pronounced Blake, "d----d good to steal from." But the _Life_ which

Lady Holland, with her mother's and Mrs. Austin's aid, produced more

than thirty years ago has had a different fate; and a fresh lease of

popularity seems to have been secured by another _Life_, published by

Mr. Stuart Reid in 1883. This was partly abridged from the first, and

partly supplied with fresh matter by a new sifting of the documents

which Lady Holland had used. Nor do the authors of these works, however

great must be our gratitude to them, take to themselves any such share

of the credit as is due to Boswell in the case of Johnson, to Lockhart

in the case of Scott, to Carlyle in the case of Sterling. Neither can

lay claim to the highest literary merit of writing or arrangement; and

the latter of the two contains digressions, not interesting to all

readers, about the nobility of Sydney's cause. It is because both books

let their subject reveal himself by familiar letters, scraps of journal,

or conversation, and because the revelation of self is so full and so

delightful, that Sydney Smith's immortality, now that the generation

which actually heard him talk has all but disappeared, is still secured

without the slightest fear of disturbance or decay. With a few

exceptions (the Mrs. Partington business, the apologue of the dinners at

the synod of Dort, "Noodle's Oration," and one or two more), the things

by which Sydney is known to the general, all come, not from his works,

but from his _Life_ or _Lives_. No one with any sense of fun can read

the Works without being delighted; but in the Life and the letters the

same qualities of wit appear, with other qualities which in the Works

hardly appear at all. A person absolutely ignorant of anything but the

Works might possibly dismiss Sydney Smith as a brilliant but bitter and

not too consistent partisan, who fought desperately against abuses when

his party was out, and discovered that they were not abuses at all when

his party was in. A reader of his Life and of his private utterances

knows him better, likes him better, and certainly does not admire him

less.

He was born in 1771, the son of an eccentric and apparently rather

provoking person, who for no assigned reason left his wife at the church

door in order to wander about the world, and who maintained his vagabond

principles so well that, as his granddaughter ruefully records, he

bought, spent money on, and sold at a loss, no less than nineteen

different houses in England and Wales. Sydney was also the second of

four clever brothers, the eldest and cleverest being the somewhat famous

"Bobus," who co-operated in the _Microcosm_ with Canning and Frere,

survived his better known brother but a fortnight, founded a family, and

has left one of those odd reputations of immense talent not justified by

any producible work, to which our English life of public schools,

universities, and Parliament gives peculiar facilities. Bobus and Cecil

the third brother were sent to Eton: Sydney and Courtenay, the fourth,

to Winchester, after a childhood spent in precocious reading and arguing

among themselves. From Winchester Sydney (of whose school-days some

trifling but only trifling anecdotes are recorded,) proceeded in regular

course to New College, Oxford, and being elected of right to a

Fellowship, then worth about a hundred pounds a year, was left by his

father to "do for himself" on that not extensive revenue. He did for

himself at Oxford during the space of nine years; and it is supposed

that his straitened circumstances had something to do with his dislike

for universities, which however was a kind of point of conscience among

his Whig friends. It is at least singular that this residence of nearly

a decade has left hardly a single story or recorded incident of any

kind; and that though three generations of undergraduates passed through

Oxford in his time, no one of them seems in later years to have had

anything to say of not the least famous and one of the most sociable of

Englishmen. At that time, it is true, and for long afterwards, the men

of New College kept more to themselves than the men of any other college

in Oxford; but still it is odd. Another little mystery is, Why did

Sydney take orders? Although there is not the slightest reason to

question his being, according to his own standard, a very sincere and

sufficient divine, it obviously was not quite the profession for him.

He is said to have wished for the Bar, but to have deferred to his

father's wishes for the Church. That Sydney was an affectionate and

dutiful son nobody need doubt: he was always affectionate, and in his

own way dutiful. But he is about the last man one can think of as likely

to undertake an uncongenial profession out of high-flown dutifulness to

a father who had long left him to his own resources, and who had neither

influence nor prospects in the Church to offer him. The Fellowship would

have kept him, as it had kept him already, till briefs came. However, he

did take orders; and the later _Life_ gives more particulars than the

first as to the incumbency which indirectly determined his career. It

was the curacy of Netheravon on Salisbury Plain; and its almost complete

seclusion was tempered by a kindly squire, Mr. Hicks-Beach,

great-grandfather of the present Sir Michael Hicks-Beach. Mr.

Hicks-Beach offered Sydney the post of tutor to his eldest son; Sydney

accepted it, started for Germany with his pupil, but (as he

picturesquely though rather vaguely expresses it) "put into Edinburgh

under stress of war" and stayed there for five years.

The sojourn at Edinburgh began in June 1798: it ended in August 1803. It

will thus be seen that Sydney was by no means a very young man even when

he began reviewing, the year before leaving the Scotch capital. Indeed

the aimless prolongation of his stay at Oxford, which brought him

neither friends, money, nor professional experience of any kind, threw

him considerably behindhand all his life; and this delay, much more than

Tory persecution or Whig indifference, was the cause of the comparative

slowness with which he made his way. His time at Edinburgh was, however,

usefully spent even before that invention of the _Review_, over which

there is an amicable and unimportant dispute between himself and

Jeffrey. His tutorship was so successful that Mr. Hicks-Beach rewarded

it with a cheque for a thousand pounds: he did duty in the Episcopal

churches of Edinburgh: he made friends with all the Whigs and many of

the Tories of the place: he laughed unceasingly at Scotchmen and liked

them very much. Also, about the middle of his stay, he got married, but

not to a Scotch girl. His wife was Miss Catherine Pybus, of Cheam, and

the marriage was as harebrained a one, from the point of view of

settlements, as Jeffrey's own.[9] Sydney's settlement on his wife is

well known: it consisted of "six small silver teaspoons much worn," with

which worldly goods he did her literally endow by throwing them into her

lap. It would appear that there never was a happier marriage; but it

certainly seemed for some years as if there might have been many more

prosperous in point of money. When Sydney moved to London he had no

very definite prospect of any income whatever; and had not Mrs. Smith

sold her mother's jewels (which came to her just at the time), they

would apparently have had some difficulty in furnishing their house in

Doughty Street. But Horner, their friend (the "parish bull" of Scott's

irreverent comparison), had gone to London before them, and impressed

himself, apparently by sheer gravity, on the political world as a good

young man. Introduced by him, Sydney Smith soon became one of the circle

at Holland House. It is indeed not easy to live on invitations and your

mother-in-law's pearls; but Sydney reviewed vigorously, preached

occasionally, before very long received a regular appointment at the

Foundling Hospital, and made some money by lecturing very agreeably at

the Royal Institution on Moral Philosophy--a subject of which he

honestly admits that he knew, in the technical sense, nothing. But his

hearers did not want technical ethics, and in Sydney Smith they had a

moral philosopher of the practical kind who could hardly be excelled

either in sense or in wit. One little incident of this time, however,

throws some light on the complaints which have been made about the delay

of his promotion. He applied to a London rector to license him to a

vacant chapel, which had not hitherto been used for the services of the

Church. The immediate answer has not been preserved; but from what

followed it clearly was a civil and rather evasive but perfectly

intelligible request to be excused. The man was of course quite within

his right, and a dozen good reasons can be guessed for his conduct. He

may really have objected, as he seems to have said he did, to take a

step which his predecessors had refused to take, and which might

inconvenience his successors. But Sydney would not take the refusal, and

wrote another very logical, but extremely injudicious, letter pressing

his request with much elaboration, and begging the worthy Doctor of

Divinity to observe that he, the Doctor, was guilty of inconsistency and

other faults. Naturally this put the Doctor's back up, and he now

replied with a flat and very high and mighty refusal. We know from

another instance that Sydney was indisposed to take "No" for an answer.

However he obtained, besides his place at the Foundling, preacherships

in two proprietary chapels, and seems to have had both business and

pleasure enough on his hands during his London sojourn, which was about

the same length as his Edinburgh one. It was, however, much more

profitable, for in three years the ministry of "All the Talents" came

in, the Holland House interest was exerted, and the Chancellor's living

of Foston, near York, valued at five hundred pounds a year, was given to

Sydney. He paid for it, after a fashion which in a less zealous and

convinced Whig might seem a little dubious, by the famous lampoons of

the _Plymley Letters_, advocating the claims of Catholic emancipation,

and extolling Fox and Grenville at the expense of Perceval and Canning.

Very edifying is it to find Sydney Smith objecting to this latter that

he is a "diner out," a "maker of jokes and parodies," a trifler on

important subjects--in fact each and all of the things which the Rev.

Sydney Smith himself was, in a perfection only equalled by the object of

his righteous wrath. But of Peter more presently.

Even his admiring biographers have noticed, with something of a chuckle,

the revenge which Perceval, who was the chief object of Plymley's

sarcasm, took, without in the least knowing it, on his lampooner. Had it

not been for the Clergy Residence Bill, which that very respectable, if

not very brilliant, statesman passed in 1808, and which put an end to

perhaps the most flagrant of all then existing abuses, Sydney, the enemy

of abuses, would no doubt have continued with a perfectly clear

conscience to draw the revenues of Foston, and while serving it by a

curate, to preach, lecture, dine out, and rebuke Canning for making

jokes, in London. As it was he had to make up his mind, though he

obtained a respite from the Archbishop, to resign (which in the

recurring frost of Whig hopes was not to be thought of), to exchange,

which he found impossible, or to bury himself in Yorkshire. This was a

real hardship upon him, because Foston, as it was, was uninhabitable,

and had had no resident clergyman since the seventeenth century. But

whatever bad things could be said of Sydney (and I really do not know

what they are, except that the combination of a sharp wit, a ready pen,

and strong political prejudices sometimes made him abuse his talents),

no one could say that he ever shirked either a difficulty or a duty.

When his first three years' leave expired, he went down in 1809 with his

family to York, and established himself at Heslington, a village near

the city and not far from his parish. And when a second term of

dispensation from actual residence was over, he set to work and built

the snuggest if the ugliest parsonage in England, with farm-buildings

and all complete, at the cost of some four thousand pounds. Of the

details of that building his own inimitable account exists, and is or

ought to be well known. The brick-pit and kiln on the property, which

were going to save fortunes and resulted in nothing but the production

of exactly a hundred and fifty thousand unusable bricks: the four oxen,

Tug, Lug, Haul and Crawl, who were to be the instruments of another

economy and proved to be, at least in Sydneian language, equal to

nothing but the consumption of "buckets of sal volatile:" the entry of

the distracted mother of the household on her new domains with a baby

clutched in her arms and one shoe left in the circumambient mud: the

great folks of the neighbourhood (Lord and Lady Carlisle) coming to call

graciously on the strangers, and being whelmed, coach and four,

outriders and all, in a ploughed field of despond: the "universal

scratcher" in the meadows, inclined so as to let the brute creation of

all heights enjoy that luxury: Bunch the butler, a female child of

tender years but stout proportions: Annie Kay the factotum: the

"Immortal," a chariot which was picked up at York in the last stage of

decay, and carried the family for many years half over England--all

these things and persons are told in divers delightful scraps of

autobiography and in innumerable letters, after a fashion impossible to

better and at a length too long to quote.

Sydney Smith was for more than twenty years rector of Foston, and for

fully fifteen actually resided there. During this time he made the

acquaintance of Lord and Lady Grey, next to Lord and Lady Holland his

most constant friends, visited a little, entertained in his own

unostentatious but hearty fashion a great deal, wrote many articles for

the _Edinburgh Review_, found himself in a minority of one or two among

the clergy of Yorkshire on the subject of Emancipation and similar

matters, but was on the most friendly terms possible with his diocesan,

Archbishop Vernon Harcourt. Nor was he even without further preferment,

for he held for some years (on the then not discredited understanding of

resignation when one of the Howards was ready for it) the neighbouring

and valuable living of Londesborough. Then the death of an aunt put an

end to his monetary anxieties, which for years had been considerable, by

the legacy of a small but sufficient fortune. And at last, when he was

approaching sixty, the good things of the Church, which he never

affected to despise, came in earnest. The Tory Chancellor Lyndhurst gave

him a stall at Bristol, which carried with it a small Devonshire living,

and soon afterwards he was able to exchange Foston (which he had greatly

improved), for Combe Florey near Taunton. When his friend Lord Grey

became Prime Minister, the stall at Bristol was exchanged for a much

more valuable one at St. Paul's; Halberton, the Devonshire vicarage, and

Combe Florey still remaining his. These made up an ecclesiastical

revenue not far short of three thousand a year, which Sydney enjoyed for

the last fifteen years of his life. He never got anything more, and it

is certain that for a time he was very sore at not being made a bishop,

or at least offered a bishopric. Lord Holland had rather rashly

explained the whole difficulty years before, by reporting a conversation

of his with Lord Grenville, in which they had hoped that when the Whigs

came into power they would be more grateful to Sydney than the Tories

had been to Swift. Sydney's acuteness must have made him wince at the

omen. For my part I do not see why either Harley or Grey should have

hesitated, as far as any scruples of their own went. But I think any

fair-minded person must admit the possibility of a scruple, though he

may not share it, about the effect of seeing either the _Tale of a Tub_

or _Peter Plymley's Letters_, with "By the Right Rev. the Lord Bishop

of----" on the title-page. The people who would have been shocked might

in each case have been fools: there is nothing that I at least can see,

in either book, inconsistent with sound religion and churchmanship. But

they would have been honest fools, and of such a Prime Minister has to

take heed. So Amen Corner (or rather, for he did not live there, certain

streets near Grosvenor Square) in London, and Combe Florey in the

country, were Sydney Smith's abodes till his death. In the former he

gave his breakfasts and dinners in the season, being further enabled to

do so by his share (some thirty thousand pounds) of his brother

Courtenay's Indian fortune. The latter, after rebuilding it,--for he had

either a fate or a passion for bricks and mortar,--he made on a small

scale one of the most beautiful and hospitable houses in the West of

England.

Essays in English Literature, 1780-1860 · 第 5 / 27 段