REPRINTED PIECES

Those abuses which are supposed to belong specially to religion belong

to all human institutions. They are not the sins of supernaturalism, but

the sins of nature. In this respect it is interesting to observe that

all the evils which our Rationalist or Protestant tradition associates

with the idolatrous veneration of sacred figures arises in the merely

human atmosphere of literature and history. Every extravagance of

hagiology can be found in hero-worship. Every folly alleged in the

worship of saints can be found in the worship of poets. There are those

who are honourably and intensely opposed to the atmosphere of religious

symbolism or religious archaeology. There are people who have a vague

idea that the worship of saints is worse than the imitation of sinners.

There are some, like a lady I once knew, who think that hagiology is the

scientific study of hags. But these slightly prejudiced persons

generally have idolatries and superstitions of their own, particularly

idolatries and superstitions in connection with celebrated people. Mr.

Stead preserves a pistol belonging to Oliver Cromwell in the office of

the _Review of Reviews_; and I am sure he worships it in his rare

moments of solitude and leisure. A man, who could not be induced to

believe in God by all the arguments of all the philosophers, professed

himself ready to believe if he could see it stated on a postcard in the

handwriting of Mr. Gladstone. Persons not otherwise noted for their

religious exercise have been known to procure and preserve portions of

the hair of Paderewski. Nay, by this time blasphemy itself is a sacred

tradition, and almost as much respect would be paid to the alleged

relics of an atheist as to the alleged relics of a god. If any one has a

fork that belonged to Voltaire, he could probably exchange it in the

open market for a knife that belonged to St. Theresa.

Of all the instances of this there is none stranger than the case of

Dickens. It should be pondered very carefully by those who reproach

Christianity with having been easily corrupted into a system of

superstitions. If ever there was a message full of what modern people

call true Christianity, the direct appeal to the common heart, a faith

that was simple, a hope that was infinite, and a charity that was

omnivorous, if ever there came among men what they call the Christianity

of Christ, it was in the message of Dickens. Christianity has been in

the world nearly two thousand years, and it has not yet quite lost, its

enemies being judges, its first fire and charity; but friends and

enemies would agree that it was from the very first more detailed and

doctrinal than the spirit of Dickens. The spirit of Dickens has been in

the world about sixty years; and already it is a superstition. Already

it is loaded with relics. Already it is stiff with antiquity.

Everything that can be said about the perversion of Christianity can be

said about the perversion of Dickens. It is said that Christ's words

are repeated by the very High Priests and Scribes whom He meant to

denounce. It is just as true that the jokes in _Pickwick_ are quoted

with delight by the very bigwigs of bench and bar whom Dickens wished to

make absurd and impossible. It is said that texts from Scripture are

constantly taken in vain by Judas and Herod, by Caiaphas and Annas. It

is just as true that texts from Dickens are rapturously quoted on all

our platforms by Podsnap and Honeythunder, by Pardiggle and Veneering,

by Tigg when he is forming a company, or Pott when he is founding a

newspaper. People joke about Bumble in defence of Bumbledom; people

allude playfully to Mrs. Jellyby while agitating for Borrioboola Gha.

The very things which Dickens tried to destroy are preserved as relics

of him. The very houses he wished to pull down are propped up as

monuments of Dickens. We wish to preserve everything of him, except his

perilous public spirit.

This antiquarian attitude towards Dickens has many manifestations, some

of them somewhat ridiculous. I give one startling instance out of a

hundred of the irony remarked upon above. In his first important book,

Dickens lashed the loathsome corruption of our oligarchical politics,

their blaring servility and dirty diplomacy of bribes, under the name of

an imaginary town called Eatanswill. If Eatanswill, wherever it was, had

been burned to the ground by its indignant neighbours the day after the

exposure, it would have been not inappropriate. If it had been entirely

deserted by its inhabitants, if they had fled to hide themselves in

holes and caverns, one could have understood it. If it had been struck

by a thunderbolt out of heaven or outlawed by the whole human race, all

that would seem quite natural. What has really happened is this: that

two respectable towns in Suffolk are still disputing for the honour of

having been the original Eatanswill; as if two innocent hamlets each

claimed to be Gomorrah. I make no comment; the thing is beyond speech.

But this strange sentimental and relic-hunting worship of Dickens has

many more innocent manifestations. One of them is that which takes

advantage of the fact that Dickens happened to be a journalist by trade.

It occupies itself therefore with hunting through papers and magazines

for unsigned articles which may possibly be proved to be his. Only a

little time ago one of these enthusiasts ran up to me, rubbing his

hands, and told me that he was sure he had found two and a half short

paragraphs in _All the Year Round_ which were certainly written by

Dickens, whom he called (I regret to say) the Master. Something of this

archaeological weakness must cling to all mere reprints of his minor

work. He was a great novelist; but he was also, among other things, a

good journalist and a good man. It is often necessary for a good

journalist to write bad literature. It is sometimes the first duty of a

good man to write it. Pot-boilers to my feeling are sacred things; but

they may well be secret as well as sacred, like the holy pot which it is

their purpose to boil. In the collection called _Reprinted Pieces_ there

are some, I think, which demand or deserve this apology. There are many

which fall below the level of his recognised books of fragments, such as

_The Sketches by Boz_, and _The Uncommercial Traveller_. Two or three

elements in the compilation, however, make it quite essential to any

solid appreciation of the author.

Of these the first in importance is that which comes last in order. I

mean the three remarkable pamphlets upon the English Sunday, called

_Sunday under Three Heads_. Here, at least, we find the eternal Dickens,

though not the eternal Dickens of fiction. His other political and

sociological suggestions in this volume are so far unimportant that they

are incidental, and even personal. Any man might have formed Dickens's

opinion about flogging for garrotters, and altered it afterwards. Any

one might have come to Dickens's conclusion about model prisons, or to

any other conclusion equally reasonable and unimportant. These things

have no colour of the great man's character. But on the subject of the

English Sunday he does stand for his own philosophy. He stands for a

particular view, remote at present both from Liberals and Conservatives.

He was, in a conscious sense, the first of its spokesmen. He was in

every sense the last.

In his appeal for the pleasures of the people, Dickens has remained

alone. The pleasures of the people have now no defender, Radical or

Tory. The Tories despise the people. The Radicals despise the pleasures.

Appreciations and Criticisms of the Works of Charles Dickens · 第 39 / 40 题