From Givors the river runs almost in a straight line to Vienne. On both
shores rise round-crested wooded hills--the foothills of the parallel
ranges of mountains by which the wide valley is shut in. Down this
perspective, commandingly upon a height, is seen the city--misty and
uncertain at first, but growing clearer and clearer, as the boat nears
it, until the stone-work of man and the rock-work of nature become
distinct and the picture is complete in all its parts: the time-browned
mass of houses on the hill-top; the tower of Philip the Fair; over all,
the huge facade of Saint Maurice--an ogival wonder that for centuries
was the cathedral church of the Primates of Gaul.
After Marseille, Vienne makes as handsome pretensions to age as are made
by any town in France. The tradition of its founding lies hidden in the
mists of heroic legend, and is the more momentous because it is so
impressively vague. Over its very name the etymologists wrangle with
such violence that one is lost in amazement at their ill-tempered
erudition; and over its structure the archaeologists--though a bit more
civil to each other--are almost as violently at cross-purposes. The best
esteemed of those antiquary gentry--at least the one whom I esteem the
most, because I like the fine boldness of his claim--is the Dominican
chronicler Lavinius: who says flatly that Vienne was founded thirteen
centuries before the dawn of the Christian era by a contemporary of
Moses, one King Allobrox--a Keltic sovereign descended from Hercules in
a right line! That is a good beginning; and it has the merit of
embodying the one fact upon which all of the testy antiquaries are
agreed: that Vienne the Strong, as folk called it in those days, was a
flourishing town long before Lyons was built or Paris even thought of,
and an age or two before the Romans came over into Gaul.
When at last they did come, the Romans transformed the town into a great
city--the metropolis of the region lying between Geneva and Marseille;
and so adorned it with noble buildings--temples, forum, circus, theatre,
aqueducts, baths--and so enriched it with all manner of works of art,
that it came to be known as Vienne the Beautiful throughout the
civilized world. One temple, approximately perfect, has survived to us
from that time; and one statue--the famous Crouching Venus: and it seems
fair enough to accept Vienne's beauty as proved by these. Moreover,
painting and music were cultivated there, together with the other arts:
and from all that the historians have to tell us it would appear that
the Roman citizens of that city lived softly and well.
In the dark ages of Mediaeval Christianity most of the beauties of Vienne
vanished: being destroyed outright, or made over into buildings
pertaining to the new faith and the new times. A pathetic little
attempt, to be sure, was made by the Viennese to hold fast to their
comfortable Paganism--when Valentinian II. was slain, and the old rites
were restored, at the end of the fourth century; but it was a mere flash
in the pan. The tendencies of the times were too strong to be resisted,
and presently the new creed rode down the old. Then it was that Vienne
was called Vienne the Holy--because, while losing nothing of her
splendours temporal, she gained great store of splendours spiritual:
whereof the culmination was that famous Council, at the beginning of the
fourteenth century, which crushed the Templars and gave over their
possessions to the Crown. While the Council deliberated, Philip the Fair
"watched his case," as the lawyers would put it, from the village of
Sainte-Colombe--across the river--where he was quartered with his court
in the convent of the Cordeliers; and in Sainte-Colombe, the next year,
he built the tower that was to safeguard the royal domains against the
aggressions of the Archbishops: whose too-notorious holiness was making
them overbold.
And nowadays Vienne is a mean little town; a withered kernel in the
shell of its former grandeur; a mere sousprefecture; scarcely more than
a manufacturing suburb of Lyons. In the tower of Philip the Fair are a
cheap restaurant, and a factory of macaroni, and a carpenter-shop. It is
enough to make the spirits of the Roman emperors indignant and the bones
of the Archbishops rattle dismally in their graves. No longer either
strong, or beautiful, or holy, they call it Vienne the Patriotic, now. A
city must be something, of course--and patriotism is an attribute that
may be had for the claiming, in these days.
But the saving grace of poetry, at least of the love of poetry, still
abides in Vienne: as was proved in a manner mightily tickling to our
self-complacency as we swept past the town. Taking the place of the
stone bridge that was built in Roman times--and so well built that it
was kept in service almost down to our own day--a suspension bridge here
spans the stream: and the poets and the poet-lovers of Vienne were all
a-swarm upon it, their heads and shoulders rising in an animated
crenellation above its rail, in waiting for our galley to go by. While
we still were a hundred yards away up stream there was a bustling
movement among them; and then a bouquet, swinging at the end of a light
line, was lowered away swiftly--the bright flowers flashing in the
sunlight as they swayed and twirled. Our brethren had calculated to a
nicety where our boat would pass. Right over the bow came the bouquet,
and fairly into the eager hands stretched out for it--while a great
cheer went up from the grateful poets in the boat that was echoed by the
generous poets in the air. And the prettiest touch of all was the
garland of verses that came to us with the flowers: to bid us welcome
and to wish us God-speed on our way. Truly, 'twas a delicately fine bit
of poetic courtesy. No troubadour in the days of Vienne the Holy (the
holiness was not of an austere variety) could have cast a more graceful
tribute upon the passing galley of the debonaire Queen Jeanne.
V
Before Vienne the river cuts its way narrowly through the rock, and on
each side the banks lift high above the stream. Far above us was the
town, rising in terraces to where was the citadel in the days of Vienne
the Strong. We had a flying glimpse of it all as we flashed past, sped
by the current and our great wheels; and then the valley widened again,
and soft meadows bordered by poplars and gay with yellow flowers lay
between us and the mountain ranges rising to right and left against the
sky. Here and there along the banks, where an outcrop of rock gave good
holding-ground, were anchored floating grist-mills carrying huge
water-wheels driven by the current--the wooden walls so browned with age
that they seemed to have held over from the times when the archbishops,
lording it in Vienne, took tithes of millers' toll.
We were come into a country of corn and wine. The mills certified to the
corn; and as we swung around the curves of the river or shot down its
reaches we met long lean steamboats fighting against the current under
heavy ladings of big-bellied wine-casks--on their genial way northward
to moisten thirsty Paris throats. Off on the right bank was the ancient
manor of Mont-Lys, where begins the growth of the Cotes-Roties: the
famous red and white wines, called the _brune_ and the _blonde_, which
have been dear to bottle-lovers for nearly two thousand years: from the
time when the best of them (such as now go northward to Paris) went
southward to the Greek merchants of Marseille and so onward to Rome to
be sold for, literally, their weight in gold. And as to the melons and
apricots which grow hereabouts, 'tis enough to say that Lyons bereft of
them would pine and die.
The softly-swelling banks, capped by the long lines of yellow-green
poplars, slipped by us at a gallop; while the mountains in the
background, seen through the haze of flickering leaves, seemed to stand
still. It was the most peaceful of landscapes: but there was endless
fighting thereabouts in former times. In an Early Christian way the
archbishops of Vienne ravaged among the Protestants; between whiles the
robber-counts, without respect to creed, ravaged among the travelling
public with a large-minded impartiality; and, down in the lowest rank of
ravagers, the road-agents of the period stole all that their betters
left for them to steal. As we passed the little town of Condrieu--where
a lonely enthusiast stood up on the bank and waved a flag at us--we saw
overtopping it, on a fierce little craggy height, the ruined stronghold
of its ancient lords. Already, in the thirty miles or thereabouts that
we had come since leaving Lyons, we had passed a half-dozen or more
warlike remnants of a like sort; and throughout the run to Avignon they
continued at about the rate of one in every five miles.
Singly, the histories of these castles are exceedingly interesting
studies in Mediaeval barbarism; but collectively they become a
wearisomely monotonous accumulation of horrors. Yet it is unfair to
blame the lords of the castles for their lack of originality in crime.
With the few possible combinations at their command, the Law of
Permutation literally compelled them to do the same things over and over
again: maintaining or sustaining sieges ending in death with or without
quarter for the besieged; leading forays for the sake of plunder, with
or without the incentive of revenge; crushing peasant rebellions by
hanging such few peasants as escaped the sword; and at all times robbing
every unlucky merchant who chanced to come their way. It was a curious
twist, that reversion to savagery, from the Roman epoch: when the Rhone
Valley was inhabited by a civilized people who encouraged commerce and
who had a genuine love for the arts. And, after all--unless they had
some sort of pooling arrangement--the robber lords in the mid-region of
the Rhone could not have found their business very profitable. Merchants
travelling south from Lyons must have been poor booty by the time that
they had passed Vienne; and merchants travelling north from Avignon,
similarly, must have been well fleeced by the time that they were come
to the Pont-Saint-Esprit. Indeed, the lords in the middle of the run
doubtless were hard put to it at times to make any sort of a living at
all. Nor could the little local stealing that went on have helped them
much--since, their respective castles being not more than five miles
asunder, each of them in ordinary times was pulled up short in his
ravaging at the end of two miles and a half. In brief, the business was
overcrowded in all its branches, and badly managed beside. The more that
I look into the history of that time the more am I convinced that
mediaevalism, either as an institution or as an investment, was not a
success.
Condrieu is a dead little town now. As a seat of thieving industry its
importance disappeared centuries ago; and its importance as a boating
town--whence were recruited a large proportion of the Rhone
boatmen--vanished in the dawn of the age of steam. They were good
fellows, those Condrieu boatmen, renowned for their bravery and their
honesty throughout the river's length. Because of their leather-seated
breeches they were nicknamed "Leather-tails"; but their more
sailor-like distinction was their tattooing: on the fore-arm a flaming
heart pierced with an arrow, symbol of their fidelity and love; on the
breast a cross and anchor, symbols of their faith and craft. From Roman
times downward until railways came, the heavy freighting of central
France has been done by boat upon the Rhone--in precisely the same
fashion that flat-boat freighting was carried on upon the Mississippi
and its tributaries--and three or four of the river towns were peopled
mainly by members of the boating guilds. Trinquetaille, the western
suburb of Arles, still shows signs of the nautical tastes of its
inhabitants in the queer sailor-like exterior and interior adornments of
its houses: most noticeable of which is the setting up on a house-top of
a good-sized boat full-rigged with mast and sails.
The survivors of the boating period nowadays are few. Five years ago I
used to see whenever I crossed to Trinquetaille a little group of old
boatmen sitting at the end of the bridge on a long bench that was their
especial property. They moved stiffly and slowly; their white heads were
bowed breastward; their voices were cracked with age. Yet they seemed
to be cheery together, as they basked in the hot sunshine--that warmed
only comfortably their lean old bodies--and talked of ancient victories
over sand-bars and rapids: and the while looked southward over the broad
Rhone water toward the sea. No doubt they held in scorn their few
successors--one where of old were a hundred--who navigate the Rhone of
to-day, clipped of its perils by dykes and beacons, in boats driven by
steam.
Yet these modern mariners, charged with the care of the great steamboats
two and three hundred feet long, are more heroic characters than were
the greatest of the old-time navigators. The finest sight that I saw in
all that day aboard the _Gladiateur_ was our pilot at his post as he
swung us around certain of the more dangerous of the curves: where rocks
or sand-bars narrowed the channel closely and where a fall in the
river-bed more than usually abrupt made the current fiercely strong. In
such perilous passes he had behind him in a row at the long
tiller--these boats are not steered by a wheel forward, but by a tiller
at the stern--two, three, and at one turn four men. He himself, at the
extreme end of the tiller, stood firmly posed and a little leaning
forward, his body rigid, his face set in resolute lines, his eyes
fixedly bent upon the course ahead; behind him the others, elately
poised in readiness to swing their whole weight with his on the instant
that his tense energy in repose flashed into energy in action as the
critical turn was made--the whole group, raised above us on the high
quarter-deck, in relief against the deep blue sky. Amy, or another of
the Southern sculptors, will be moved some day, I hope, to seize upon
that thrilling group and to fasten it forever in enduring bronze.