10 from Grotefend—_s_ (or _ç_), _r_, _d_, _p_, _t_ (24), _u_ (36),
_sch_ (or _š_[441]), _f_, _a_ (41) and _kh_ or _k_—the same
as those accepted by Burnouf;
1 from St. Martin—_v_;
2 from Rask—_m_ and _n_;
2 deciphered simultaneously with Burnouf—_k_ and _z_;
6 added by himself—_i_, _t_ (22), _m_, _d_, _g_ (35), _g_ (44)—
twenty-three in all. There were also two added by himself nearly
correct—_w_ (10), _t_ (13), which, as approximate values, may be allowed
to pass, especially in consideration of the German pronunciation of _w_.
Nine were incorrect—_i_ (16), _k_ (19), _o_ (25), _z_ (26), _h_ (27), _n_
(28), _g_ (32), _g_ (33), _s_ (40).
But it contained a peculiarity of its own into which Lassen was betrayed
by a desire to press the grammatical forms of Zend upon the cuneiform
language. In the first place he insisted with not less force than
Burnouf, in distinguishing the long and short vowels. Each of the vowels
_a_, _i_, _u_ are accordingly allotted two distinct signs, and one of his
defective signs is pressed into the service in order to secure a _û_. But
in addition to this his _a_ (𐏃), when it occurs in the middle of a word,
takes the value of _ang_; and in a similar position his _î_ and _û_ may
become _y_ and _v_. Still more remarkable is his treatment of diphthongs.
He observed three instances in which two signs are seen frequently to
follow each other. Of one of these accidental combinations he made a
long _ê_,[442] of the second an _ô_[443] and of the third a _q_.[444] He
forfeited much of the advantage of his greater command of correct values
by falling into these errors. He, however, boldly recognised that some
consonants are represented by more than one cuneiform sign, among which
he includes _t_ with four signs; _s_, _v_, _n_ and _m_ with two each. He
was not uniformly correct in the signs he allotted nor in their number;
but if he gave too many to _t_, which has only two, he did not give
enough to _m_, which has three.
Lassen gave full credit to Grotefend for his ingenious discovery, and he
admitted that the values established upon the authority of the three
proper names were in all probability correct. But, so far as was known,
Grotefend had never published any account of the method he followed to
determine the other signs, a method that resulted in the production of
words that had no resemblance to any human language, and that could not
in fact be pronounced by any human tongue. Lassen did not put himself
forward as an opponent of Grotefend, but as a continuator of his work
from the point where he considered his predecessor had left it.[445] He
would not even accept his reading of ‘Cyrus’ in the Murgab inscription,
and in this his scepticism landed him in serious error. Lassen’s method
was much the same as that of Burnouf. The signs not explained in the
three proper names he regarded as doubtful or unknown, and he sought
for them elsewhere especially in the proper names in the I inscription,
where it might be possible to determine their sound by their occurrence
in a word identified as that of some well-known country or province. The
result of his special study of this text was that he made out correctly
no less than nineteen of the twenty-four names it contains, which
compares favourably with the eight of Burnouf. But in addition to these
he added three that are not to be found in the original, by fancying he
saw proper names in what are in fact merely common words. His nineteen
names, however, provided him with abundant material to continue the work
of decipherment.
One result of his study became immediately apparent to him. The constant
agglomeration of consonants without the intervention of a vowel proved
that in some cases the vowel must be inherent in the consonant. He
arrived at this conclusion from the word ‘Çprd,’ which he found as
the name of a country in his inscription, and which he concluded was
Çapardia, or the Sapeires of Herodotus.[446]. We have seen that Burnouf
was led to the same inference from the appearance of such forms as ‘izrk’
and ‘Aurmzda.’[447] Lassen also observed instances, such as the word
‘imam,’ where the word is sometimes written with and sometimes without
the _a_ (𐎠).[448] He at length laid down the rule that an _a_ is only
distinctly expressed at the beginning of a word, and in the middle before
_h_ or another vowel. On all other occasions, he says, it is inherent
in all the consonants, unless distinctly excluded by the occurrence of
another vowel.[449] This rule he afterwards applied more distinctly to
the short _a_ (𐏃), and adds that it is expressed when it follows the long
_â_ (𐎠), never after _i_ or _u_.[450] In his transliterations he assumes
the truth of this rule, and he invariably separates two consonants by the
interposition of an _a_.
We have said that he may indisputably claim to have added six new values
correctly to the alphabet, _i_, _t_, _m_, _d_, _g_ (25), _g_ (44).[451]
The sign for _i_ is the second letter in ‘Hystaspes,’ and it had been
variously given the value of _o_ by Grotefend and _y_ by St. Martin,
according as they followed the form ‘Goshtasp’ or ‘Vyschtaspo.’ But
Lassen pointed out that the correct Zend form is ‘Vistaçpa,’ and he
consequently, preferred _i_, a rendering confirmed by the word ‘imam,’
‘this,’ which corresponds exactly to the Zend and Sanscrit word.[452]
This alteration got rid of Burnouf’s _(h)ôma_ (‘excellent’), which went
to join the goodly company of Jamshid and the constellation of Moro.
The name ‘Katpatuk’ for Cappadocia, which Burnouf had already cited with
good effect, was turned to farther account by Lassen. He not only used
it to confirm the sign for _k_ (𐎣) with which it begins and ends; but it
enabled him to find a true sign for _t_, by comparison with other words
in which it occurs.[453]
We have already said that Burnouf suspected that _m_ was the true value
of the sign Grotefend made an _h_, and that he only rejected it because
he could not reconcile himself to the existence of two signs for the
same sound. Lassen was less influenced by such considerations, and when
he came to a word that transliterated ‘A r—i n,’ he had no scruple in
completing it by writing an _m_ for the unknown letter. Indeed the word
occurred exactly where, from geographical considerations he would be led
to expect ‘Armenia,’ and the conclusion would have been irresistible even
if it had not been confirmed by the name ‘Choras_m_ia’ which he observed
a little farther down in his list.[454] He made the useful remark that
the sign was always preceded by _i_, the full signification of which was
not then apparent. We now know that it is precisely the _m_ before _i_.
The discovery of the sign for _d_ was a happy intuition, and rested on
slight evidence. He found in the eighteenth line a name of which he knew
four letters, _a_ _i_—_u_ _s_, and he divined that the unknown letter
was _d_, which enabled him to read ‘Aidus’ = India.[455] This guess was
confirmed by one other instance only, where the same sign will make
‘_d_aquista,’ which he thought was Zend for ‘the wisest.’ The word is
really ‘duvaishtam’ and has quite another signification.
We have not noticed how he arrived at the value _g_ for Grotefend’s _u_,
or for the sign which Grotefend thought was a defective _n_. We find them
without explanation in the place where they appear to be mentioned for
the first time.[456] The first is _g_ before _a_; the other _g_ before
_u_.
In addition to the six correct values just enumerated, Lassen was also
very nearly successful in two others—_w_ (𐎺, 10) and _t_ (𐏂, 13), really
_v_ before _a_ and _tr_ before _a_. The latter he correctly acknowledged
in a later work.
The first is the _e_ of Grotefend in his ‘Darh_e_usch.’ Lassen had
the Hebrew form of the name ‘Darjavesch’ in his mind, and no doubt he
suspected the presence of the sound of _v_ in the Old Persian word. The
discovery of the _w_ was certainly ingenious, though scarcely convincing,
if it had not been supported from other sources.[457] At the end of the
B inscription there is a word in the nominative, ‘Akun_u_sh,’ which is
found elsewhere with the accusative termination _m_, but, instead of
the _u_, the sign now under discussion is substituted—that is, instead
of ‘nus,’ we have _n_ 𐎺 _m_. Now, he argued, it is impossible either in
Zend or Sanscrit for a word whose theme ends with _u_ to lose it in the
accusative; and therefore the unknown sign must either be a _u_ or the
corresponding half-vocal _v_.[458] But in Darius, the letter that follows
is a _u_, and therefore it must be the half-vocal—the only question being
whether it is the Zend _v_ or _w_. He eventually erroneously decided for
the _w_, and pointed to two other words _wᵃsna_ and _wᵃzᵃrk_, where as a
_w_ it would make excellent sense.[459]
With regard to the _t_, it will be recollected that Grotefend gave the
value of _n_ to a sign that completed the word ‘bun,’ to which he gave
the meaning ‘stirps.’ This word had long been a stumbling-block to Zend
scholars, and Lassen determined to get rid of it. He showed in the first
place that the _b_ or _p_ at the beginning could not be interchangeable,
and the word must at all events be treated as ‘pun’; but he proposed to
alter it still further by reading ‘put.’ By this means he came nearer
to its obvious meaning, ‘son’—that is, to the Zend ‘putra.’ He found
this innovation supported by another word, _k_ _s_ _t_ _m_, to which he
thought he could attach a Zend meaning.[460]
The nine incorrect values he admitted into his alphabet[461] show little
or no improvement on those suggested by Grotefend or Burnouf; and
unfortunately the decipherer himself can rarely distinguish the incorrect
values from the correct. A glance over a page of Lassen’s transliteration
will show the havoc these nine incorrect letters have made in his work.
But, as we have said, he introduced errors peculiar to himself that were
even more fatal than his failure to identify all the signs correctly. For
example, he remarked that the sign he took for a short _a_ (𐏃) seemed
composed of the sign for _n_ (𐎴) and an angular wedge which might be
an abbreviation of the sign itself. He was led to this hypothesis by
comparison with the Zend, where _ă_ is clearly a combination of _a_ and
_n_.[462] He goes farther and gives the short _a_ and _n_ the guttural
sound of _ang_, when it is found before the letter he thought was _h_
(𐎹, 27; really _y_), and he cites several instances which he thinks will
justify this opinion. He recognises, however, that the rule even thus
limited is not always applicable.[463]
Another error, due also to the deference he professed for Zend analogies,
arose from the supposition that the two letters which he took for _u_ and
_w_ had together the value of _q_. He compared them to the sound of _q_
which is produced in Zend by the two letters _sv_ or _hv_, the latter
being modified into _uv_ in the Old Persian.[464] Equally disastrous was
his introduction of the two diphthongs _hi_ for _ê_, and _au_ for _ô_.
He observed that these two letters are occasionally found together, and
he concluded they must correspond to the Sanscrit diphthong _ai_ = _ê_
and _au_ = _ô_. The occurrence of an _h_ for an _a_ in one of them was a
matter of small difficulty. Indeed he had actually found the _ai_ = _ê_
in Aidus = India; and suggests that _hi_ may be the form it assumes as
a medial.[465] The most eccentric peculiarities of his transliteration
may be traced to these unfortunate errors. His transformation of _a_
into _ng_ appears in his ‘Aurᵃngha Mᵃzdanga’ for ‘Aurahya Mazdaha.’
The diphthong _uv_ with the sound of _q_ seemed at first to yield a
better result. By it he was able to read ‘Quarᵃzmiᵃh’ and ‘Arᵃqᵃtis,’
which are more suggestive of the true words Chorasmia and Arachosia
than the correct forms ‘_Uv_arazamiya’ and ‘Hara_uv_atish.’[466] But,
on the other hand, it led him to read ‘qan’ or ‘qwan’ (Chaonia) for
‘Uvaja’ (Susa), ‘Aqᵃ’ for ‘Ha_uv_,’ Patᵃqᵃ for ‘patuv,’ ‘Dᵃqistᵃn’ for
‘duvaishtam,’ and so forth. The diphthong _hi_ (really _yi_) for the
long _ê_ produced ‘tesam’ in the place of ‘tyᵃisham.’ The diphthong _au_
(really _ku_) for the long _ô_ was still more disastrous. Burnouf, when
he wrote ‘aqunuch,’ had nearly reached the correct transliteration of
‘a_ku_naush,’ but it becomes scarcely recognisable in the ‘a_ô_nus’ of
Lassen. The first sign of this diphthong had been long since correctly
determined by Grotefend as a _k_. But its identification depended in
great measure on the belief that Murgab, where it is the first letter in
the inscription, represents the ancient Pasargadae, the city of Cyrus.
Lassen would by no means accept this as sufficient proof, for even upon
that hypothesis the inscription might not necessarily belong to Cyrus.
St. Martin read it ‘Houschousch,’ and conjectured that this name referred
to ‘Ochus.’ Lassen accepted this view, and saw in the first two signs,
which he took for _au_, the strongest confirmation that they had the
value of the _ô_ long in Ochus. In 1845, when the result of his farther
studies were published, we find that his original alphabet has undergone
considerable improvement. He has suppressed the second signs for each
of the vowels _a_, _i_ and _u_, and the two diphthongs for the long _ê_
and _ô_, that caused so much trouble, have disappeared. We hear no more
of the double letters for _q_, nor of the second value _ng_ which he
ascribed to his initial _a_, now found to be more correctly _h_. He has
also struck out the two defective signs he admitted for _t_ and _û_. For
the rest, the improvement consists chiefly in sweeping away the errors
into which his love of Zend analogies had at first hurried him. The only
addition he made to the number of his correct values was _thr_, suggested
by Grotefend, to which, as we have said, he had previously nearly
approached. The remaining signs now correctly represented are due to M.
Beer and M. Jacquet, who wrote in the interval that separated the two
Memoirs by Lassen.
Lassen’s translations are naturally much affected by the nine incorrect
values he still retained, and by the errors he introduced himself. Yet
if we compare the transliteration and translation of the Le Bruyn No.
131, as given by Burnouf and Lassen, we cannot fail to recognise the
superiority of the latter. For the ‘Bu izrk’ of the one we have ‘Baga
wazark’ of the other, which closely anticipates the ‘Baga vazraka’ of
the correct version. The ‘Omam buiom,’ the ‘Homa excellent,’ is replaced
by ‘imam buvam,’ ‘this earth;’ and many similar improvements may be
noted throughout. Both writers succeeded fairly well in rendering the
simple phrases, but great diversity still existed as to the meaning of
the obscurer passages. Both alike declare that Auramazda is the creator
of heaven and of man; and that he has established Darius or Xerxes as
King. But when we proceed to the second paragraph of the inscription our
translators go far astray. The passage beginning ‘king of countries’ is
thus variously rendered:[467]
B. oahunâm pl. ôznânam.
L. dᵃnghunâm ps‘uwᵃznânâm.
S. dahyunâm . par’uv . zanânâm.
_Trans._ B. [roi] des provinces qui produisent les braves.
L. [rex] populorum bene parentium.
S. [König] der Länder die aus vielen Stämmen bestehen [or
more simply by Menant: des pays bien peuplés].
B. âahâhâ buîôhâ izrkâhâ rurôh âpôh.
L. aᵃnghâhâ bu‘mihâ wᵃzᵃrkâhâ d’uriᵃh âpyᵃh.
S. ahyâyâ . bu‘miyâ . vazrakâyâ . d’uraiy . apiy.
_Trans._ B. [roi] du monde excellent, divin, redoutable, protecteur.
L. [rex] existentis orbis terrarum magni, sustentator, auctor.
S. [König] dieser grossen Erde auch fernhin [or, with Menant:
‘de cette vaste terre (qui commande) au loin et auprès’].
Lassen finishes thus: ‘Xerxes, rex magnus: ex voluntate Auramazdis
(palatium) domitor Darius rex constituit. Is meus pater. Memet tuere,
Auramazdes, heic felicitate: tum hoc ibi palatium, tum hoc patris Darii
regis palatium, excelse Auramazdes, tuere heic felicitate’—a passage
rendered by Menant: ‘Xerxès, le grand roi, déclare: Par la volonté
d’Ormuzd, Darius mon père a construit cette demeure. Qu’Ormuzd me protège
avec les autres Dieux, qu’Ormuzd avec les autres Dieux protègent mon
œuvre et l’œuvre de mon père le roi Darius.’ The I inscription, from
which Lassen derived so much assistance, fared badly at his hands when he
attempted to translate its concluding lines. Even in the list of proper
names he committed what must now appear to be the stupendous blunder of
mistaking three common words for the names of three provinces of the
Empire. The words so honoured are: ‘ushkahyâ,’ ‘darayahyâ,’ ‘parauvaiy,’
which figure as ‘Uscangha’ (the Uxii), ‘Drangha’ (the Drangii) and
‘Parutah’ (the Aparyten).[468]
His transliteration of the others is naturally frequently defective, but
nevertheless he identified twenty correctly. The four he failed in are
Susa, Arabia, Egypt and Ionia. It would have been difficult for him to
recognise either Susa or Egypt, even if his transliteration had been more
perfect. The first is represented in the cuneiform by three signs—_u_
_v_ _j_—and reads ‘uvaja,’ which certainly does not suggest Susa. But
Lassen turned the _uv_ into _q_; as the last letter in his opinion was
_n_ (𐎩, 28) he evolved _q’n_, from whence Chaona. The word for Egypt, as
correctly transliterated ‘M’udray,’ would perhaps have been even more
embarrassing than his own ‘Gudraha,’ in which he agreed with Burnouf
in recognising ‘Gordyene.’ The word he read ‘Arbela’ was correctly
translated ‘Arabia’ by Burnouf; and a somewhat too pedantic learning
reconciled him to ‘Huns,’ which Burnouf had rightly rejected.[469]
CHAPTER IV
BEER AND JACQUET TO RAWLINSON—A.D. 1838-1846
The simultaneous publication of the two essays by Burnouf and Lassen
roused considerable interest among those devoted to the obscure problems
of cuneiform decipherment. Grotefend, whose attention for the previous
twenty years had been chiefly diverted to other pursuits, returned once
more to the subject in which he had previously achieved such great
success, and in the year following he published ‘Neue Beiträge zur
Erläuterung der Persepolitanischen Keilschrift.’ We have already seen
that his mind had by that time lost much of its elasticity, and he
displayed more tenacity in defending his old errors than aptitude in
recognising the truth of the new discoveries. To some of these, however,
he is forced to give a qualified assent.[470] He may indeed claim the
merit of having now for the first time fixed the true value of one more
character. It may be recollected that the two signs 38 (𐏁) and 40 (𐎽)
had been long considered to express the same sound. Grotefend first
attributed to both the value of _sch_; but in consequence of the Murgab
inscription he afterwards considered that the last (40) must denote _sr_.
This opinion was not, however, generally accepted. St. Martin preferred
_ch_ for both, and Lassen _s_. Burnouf, however, suggested _ch_ for the
first and _l_ for the other. But Grotefend was now disposed to drop the
_s_ from the last letter (𐎽) and to read _r_, or some slight modification
of that sound, corresponding to the pronunciation adopted on the other
side of the Tigris for the letter which is rendered an _l_ on this side.
Accordingly in his translation of the Murgab inscription he writes simply
_Kurusch_ and elsewhere _Kurhush_. In his revised alphabet it appears
as _rh_.[471] Grotefend has also the merit in this tract of being the
first to indicate that (𐏂), the _t_ of Lassen, might sometimes have the
sound of _thr_, as in ‘puthra,’ and possibly in ‘Artakhshathra.’ In
his alphabet, however, he drops the sound of _r_ and makes the value
_th_.[472]
In the following year a more important contribution was made by the
appearance of two essays, one by E. F. F. Beer in Germany, the other by
Eugène Jacquet in France. The former was published in the ‘Hallische
Allgemeine Zeitung,’ the other in four papers inserted in the ‘Journal
Asiatique’ (1838).[473] Beer was a native of Bötzen, where he was born
in 1805 and received his early education. He went to Leipzig in 1824
and thenceforth he chiefly devoted himself to the study of Semitic
Palaeography. He died in 1841, at the age of thirty-six. Both he and
Jacquet showed that Lassen was entirely mistaken in supposing that
there were different cuneiform signs to indicate the long and short
signs of the vowels _a_, _i_, _u_.[474] They simultaneously discovered
the correct values of the two letters 27 (𐎹) and 41 (𐏃). The first, the
_h_ of Grotefend and Lassen, is ascertained to be _y_; the other, the
_a_ of Grotefend and the ‘_a_ long’ and _ng_ of Lassen, was found to
be the aspirate _h_.[475] The remaining corrections are due to the
ingenuity of Jacquet alone. Jacquet was born at Brussels, but the whole
of his short life was spent at Paris, where he died in 1838 at the age
of only twenty-seven. His extraordinary precocity and the wonderful
range of his acquirements place him among the most remarkable men of his
generation. He was distinguished at school by the critical accuracy of
his classical knowledge, and by the zeal with which he applied himself to
the geography, history and literature of ancient times. He had scarcely
ceased to be a school-boy when we find him studying Oriental languages
under the most distinguished masters. He was the pupil of De Chézy
in Sanscrit, of Silvestre de Sacy in Arabic and Persian, of Jaubert
in Turkish, and Abel Rémusat in Chinese.[476] His studies travelled
far beyond the ordinary course of even these learned professors, and
embraced the various languages of India, the Malay Archipelago, Java, and
even Ethiopia. At the same time he became familiar with most European
languages, including Danish and Portuguese. At the age of eighteen,
he began to contribute regularly to the ‘Journal Asiatique.’ It was
in its pages that he published his ‘Considerations on the Alphabets
of the Philippines,’ which appeared in 1831, when he had just reached
the age of twenty. It at once attracted the attention of M. G. von
Humboldt, who wrote to compliment the young author, and who farther
showed his appreciation by adopting in his own work most of Jacquet’s
conjectures.[477] This was followed by Memoirs on the languages and
literature of Polynesia, including the cabalistic writings of Madagascar.
From these subjects Jacquet passed to those affecting India. At the age
of twenty-four we find him in correspondence with Mr. James Prinsep,
the Secretary of the Asiatic Society of Calcutta, and well known as the
first decipherer of the Pali alphabet.[478] He has already planned the
execution of a ‘Corpus Inscriptionum Indicarum,’ and is busily occupied
collecting materials from every available source. He is associated with
Raoul Rochette in the study of Bactrian and Indo-Scythian medals, and
his extraordinary capacity as a numismatist is fully recognised. In the
midst of these various occupations he found time to devote himself to
cuneiform inscriptions, which his knowledge of Zend and Pehlevi qualified
him to investigate. From 1835 he was in constant correspondence with
Lassen upon this and kindred subjects; and his singular ability enabled
him to overcome many difficulties that had baffled previous inquirers.
He not only earned distinction in the somewhat arid fields of philology
and ethnology, but he was equally alive to the historical and literary
aspects of the subjects he investigated. He was particularly interested
in tracing the intellectual relations of the people of China, India, and
Upper Asia, and he devoted some interesting papers to the connection
between the East and West in ancient and mediaeval times. These were
mostly written at the age of nineteen to twenty. At nineteen we also find
him translating from the Danish and reviewing a tract by Rask on a Pali
and Cingalese manuscript. He amused his leisure moments by translating
from Chinese and from Sanscrit, in following the march of Alexander
through Bactria, and in studying the history and literature of Buddhism.
Jacquet’s life was inspired by two passions, devoted attachment to his
widowed mother and a boundless love of knowledge. To the one he was ready
to forego his hopes of fame: to the other he sacrificed his health.
There can be no doubt that his incessant and feverish labours induced
the fatal disease that first showed itself in the autumn of 1835, when
he was but twenty-four. The last three years of his life were ennobled
by an heroic struggle against increasing weakness. In the face of much
suffering, he continued his labours to the end; and he died as a scholar
might wish to die, seated at his desk, pen in hand, alone among his books
and manuscripts, his mind filled to the last moment of consciousness
with the work that had occupied his life. Thus passed away one of the
most promising scholars of the age. It is possible that the multitude
of his acquirements was incompatible with profound knowledge in each
of the many subjects he treated. M. Julien contested the accuracy of
his Chinese translations; and De Sacy seemed to doubt some other of his
qualifications; but he received the enthusiastic applause of many other
scholars—of the two Humboldts, of Ritter, Lassen, Burnouf, and Prinsep,
each in their several departments.[479]
His essay on Cuneiform Decipherment was among the works he left
incomplete. It was in the form of a review of Lassen’s recent Memoir, and
three papers on the subject appeared during his lifetime in the ‘Journal
Asiatique,’ and a fourth was published shortly after his death.[480] It
can scarcely be said that he has gone beyond the introduction. The first
essays are occupied chiefly with an account of what had been already
accomplished in the field of cuneiform research, and with a review of
the ethnological points raised by Lassen’s treatment of the provinces
of Darius. It is only incidentally that he touches upon the language
of the inscriptions, and he reserves the discussion of the alphabet to
a future paper. Unfortunately, his premature death prevented him from
accomplishing his task, and strange to say not a single note could be
found among his papers that might be used for the purpose. This is the
more remarkable from the frequent references he makes to that portion
of his work in which he proposes to explain the points of difference
with Lassen, and to the various passages from the inscriptions that he
intended to bring forward in support of his views.[481] On other subjects
he was in the habit of making the most elaborate notes, and it is
scarcely possible to suppose that in a matter of this kind he charged his
memory with an accumulation of detached words and phrases collected from
the numerous inscriptions then available.
The essays indicate some of the corrections he proposed, but for the
reason mentioned we are left very much to conjecture the foundation upon
which they were based.
We see, however, that his correction of 27 (𐎹) from _h_ into _y_
was suggested by the words read by Lassen ‘Arbah’ and ‘Huna,’ which
he recognised should be more properly read ‘Araba_y_a’ and ‘_Y_una’
(Ionians).[482] Similar etymological considerations led him to the
correction of the 𐏃 _a_ into _h_. This letter occurs at the beginning of
the words Lassen reads ‘aryᵃwᵃ,’ ‘arᵃqᵃtis,’ and ‘Aidhus,’ where Jacquet
points out that the corresponding Zend forms require an aspirate.[483]
In these essays we have only found two other corrections suggested. The
first is 10 (𐎺), the _e_ of Grotefend, which Lassen nearly approached in
_w_, but to which Jacquet rightly gives the value of _v_.[484] The other
is 26 (𐎰), the _i_ of Grotefend and _z_ of Lassen, which Jacquet changes
into _th_ in consideration of its occurrence in Assyria (Athuria) and
Sattagydes—which he reads ‘Thrataghadus’ and also (as Lassen adds) in
Mithra.[485]
If Jacquet’s contributions to the study of cuneiform had been limited
to the essays in the ‘Journal Asiatique,’ they would have been
comparatively unimportant. But he was also in correspondence with Lassen
on the subject, and he not only communicated to him the result of his
investigations, but also the reasons upon which they were based.[486] In
1837, Lassen took part in the foundation of a journal devoted to Oriental
subjects—the ‘Zeitschrift für die Kunde des Morgenlandes.’[487] Grotefend
became a contributor from the commencement,[488] and Lassen reported the
progress of cuneiform research as occasion required. His first essay
on the subject appeared in 1839,[489] and contained a criticism of the
recent writings of Beer and Jacquet; with, as regards the latter writer,
some important information derived from his correspondence. From this
source we learn that Jacquet recognised the correctness of the value of
_r_, already assigned to 𐎽 by Grotefend; and completed it by determining
it to be the _r_ before _u_.[490] He was led to this conclusion not only
by the occurrence of the letter in ‘Kurus,’ but also in ‘paru,’ which
compares with the Zend for ‘many’—‘the king of many lands.’ He showed
also that 16 (𐎨), the _o_ of Grotefend and _i_ of Lassen, is really
_ch_;[491] and finally 28 (𐎩), the _ng_ of Grotefend and _n_ of Lassen,
he finds to be _z_: which, if not correct, is a considerable improvement.
He was led to this conclusion by an ingenious conjecture. The letter
is found in the province Lassen transliterated _u_ _w_ _n_, and which,
from his theory of the diphthong, he read _q’n_ and supposed to denote
Chaona. The word occurs first in the list, and Jacquet inferred that it
must refer to the capital province, Susa. He did not altogether reject
Lassen’s _q_, but by changing the _n_ into _z_, he got near to what he
sought, either in ‘uwᵃzᵃ’ or ‘qᵃzᵃ’ for Susa.[492] To sum up: Beer and
Jacquet both independently found the correct values for 27 (𐎹) _y_ and 41
(𐏃) _h_; Jacquet added the correct value of 10 (𐎺) _v_, of 16 (𐎨) _ch_ or
_c_ of 26 (𐎰) _th_; and he completed the value of 40 (𐎽) _r_ before _u_.
Beer may thus be credited with having contributed two letters (27 and
41), Jacquet with six (10, 16, 26, 27, 40 and 41). He also suggested that
the name of the first province in the I inscription referred to Susa and
not to Chaonia, and that Babirus—not Babisus—was the correct reading for
Babylon.[493]
The year 1838 was memorable not only for the essays of Beer and Jacquet,
but also for the appearance of Major Rawlinson among the number of
cuneiform scholars. We have already related how his attention was
directed to the subject while he was stationed at Kermanshah during
the years 1835-7, and that he succeeded in making a transcript of two
hundred lines, or about one half of the great inscription at Behistun.
When he first began the study, in 1835, he was aware that Grotefend had
previously ‘deciphered some names of the early sovereigns of the house
of Achaemenes,’ but he could not obtain a copy of the alphabet, nor
ascertain from which inscription it had been formed. Rawlinson began upon
the two inscriptions he had copied at Elvend, and ‘when he proceeded to
compare them, he found that the characters coincided throughout, except
in certain particular groups, and it was only reasonable to suppose that
the groups which were thus brought out and individualised must represent
proper names. There were but three of these distinct groups in the two
inscriptions,’ and they were arranged so as ‘to indicate a genealogical
succession,’ no doubt ‘belonging to three consecutive generations of
the Persian monarchy; and it so happened that the first three names, of
Hystaspes, Darius and Xerxes, which I applied at hazard to the three
groups proved to answer and were in fact the true identifications.’[494]
This ingenious process was precisely the same as that already followed by
Grotefend, which we have described in detail. Rawlinson appears, however,
to have divined the method independently, though the application of the
three names to the three groups was no doubt suggested to him by what he
had heard reported by Grotefend’s discovery. He next turned his attention
to the first two paragraphs of the Behistun inscription, and by the same
means he detected five other proper names, which he identified with
Arsames, Ariaramnes, Teispes, Achaemenes and Persia. The recognition of
these eight proper names yielded him the values of eighteen cuneiform
characters, which later study showed he had correctly identified.[495]
Such was the progress he had made down to the autumn of 1836 by his own
independent research. Shortly afterwards he received copies of Heeren
and Klaproth’s writings, where at length he found the alphabets of
Grotefend and St. Martin explained; but he writes: ‘Far from deriving
any assistance from either of these sources, I could not doubt that my
knowledge of the character ... was much in advance of their respective
and in some measure conflicting systems of interpretation.’[496] He had
indeed some cause for congratulation, for he had discovered eighteen
correct values, while Grotefend was only successful in twelve, though,
with the two from Münter, he had at his disposal fourteen in all. St.
Martin only made out two letters by his own ingenuity, and disposed
altogether of not more than ten.[497]
Having thus greater means at his disposal, Rawlinson succeeded, in the
course of 1837, in arriving at an approximate translation of the first
two paragraphs of the Behistun inscription, ‘which,’ he says, ‘would
have been wholly inexplicable according to the systems of interpretation
adopted either by Grotefend or Saint Martin,’ the only ones with which
he was at that time acquainted. By the end of the year his paper was
complete, and on January 1, 1838, he forwarded the translation of the two
paragraphs to the Royal Asiatic Society, where it was received on March
14. In April a copy was submitted to the Asiatic Society in Paris, where
it excited great interest, and Rawlinson was at once elected an Honorary
Member. Steps were at the same time taken to put him in possession of
the latest results of European investigation. M. Burnouf sent him his
‘Mémoire’ of 1836. M. Mohl shortly afterwards forwarded him a copy of
the Yaçna. Sir Gore Ouseley, the Vice-President of the Asiatic Society,
introduced him to the notice of Lassen, who wrote to him from Bonn in
August (1838) to acquaint him with his alphabet and with the corrections
made since its appearance in 1836 ‘as well by others as by myself.’[498]
With the valuable assistance thus placed at his disposal, Rawlinson
continued to work at his translations during the remainder of 1838 and
till the autumn of 1839. So early as January 1839, we learn from Mrs.
Rich that he had already succeeded in deciphering a large part of the two
hundred lines.[499] He derived the greatest assistance from Burnouf’s
‘Commentaire sur le Yaçna.’ ‘To this work,’ he says, ‘I owe in great
measure the success of my translations.’ During his stay at Bagdad in
1839 he was in correspondence with Lassen and Burnouf, who informed him
of the progress recently made by Beer and Jacquet. Rawlinson, on his
part, was rapidly completing his alphabet, and he lost no time in making
his friends acquainted with the result. He was surprised to find that
the European scholars just about kept pace with his own progress, and
that he had little to learn from them, though perhaps he might be in a
position to add something to their knowledge. He observed that Lassen’s
newest version of the alphabet ‘coincided in all essential points with
my own,’ but that his labours ‘have been of no farther assistance to me
than in adding one new letter to my alphabet and in confirming opinions
which were sometimes conjectural.’[500] Rawlinson had indeed succeeded in
working out the whole of the alphabet by his own unaided ingenuity, so
that he was accustomed to say that there were only two letters he owed to
others: _k_, 𐎣 No. 4, which he learned from Burnouf, and _y_, 𐎹 No. 27,
from Lassen, who got it from Jacquet.[501]
On the other hand, his contributions to the general advance of the
study were necessarily limited. By the time he became known to European
scholars they had on their part advanced so far that only four letters of
Niebuhr’s list remained for which a correct or approximate value had not
been found. These were:
19 𐎮 _k_ of Lassen,
28 𐎩 _z_ of Jacquet,
32 𐎪 _g’_ of Lassen,
33 𐎸 _g_ of Lassen.
The appearance of Rawlinson did not, therefore, take place till after
the difficulty of the decipherment had been almost completely surmounted
without his assistance. When his correspondence with Burnouf and Lassen
began, in the autumn of 1838, he was, however, still in time to rectify
two out of the four incorrect values.
He found 32 (𐎪) in the name of Cambyses, where it occurs as the fourth
sign, which he transliterated correctly as _j_; Kₐbujᵢy. Hincks
afterwards read the sign _zh(i)_ and Oppert _z(j)i_; but both these
sounds have since yielded to the one proposed by Rawlinson, and it now
appears as _j_ before _i_. But Rawlinson’s most striking success was
with the last letter, 33 (𐎸), another _g_ of Lassen. In his letter to
Burnouf, he proposed to substitute _m_.[502] It is the initial letter
in the name Lassen read ‘Gudrâha’ and thought indicated the Gordyaei.
Rawlinson suggested the name was M’udraya, and should be compared with
the Phoenician ‘Mŭdra’ and the Hebrew ‘Mitsraim,’ and signified, in fact,
Egypt. Both of these emendations were, however, rejected by Lassen.[503]
There is another sign which came under discussion at this time. It will
be recollected that we have assigned 13 (𐎡) to Lassen, who gave it the
approximate value of _t_. Rawlinson, however, suggested to Burnouf
that its true value is not _t_ but _tr_. In this, however, he had been
anticipated, as we have seen, by Grotefend in 1837, who suggested
_thr_.[504] It is admitted that it is impossible to distinguish between
the comparative merits of _tr_ and _thr_;[505] and as Rawlinson probably
knew nothing of Grotefend’s ‘Beiträge’ at the time, he may be credited
with having discerned the correct sound of the sign.[506]
Then, as on subsequent occasions, his great merit lay in the superiority
of his translations. He was already in a position to criticise Lassen’s
efforts in this department with some severity. He thought that Lassen
had ‘in many cases misunderstood both the etymology of the words and
the grammatical structure of the language.’[507] When Rawlinson
found that he was obliged to renounce the claim to a ‘priority of
alphabetical discovery,’ and that he was continually being anticipated
in the values he gave to the signs which he had himself just ‘obtained
through continued labour,’ he was consoled by the reflection that he
was ‘the first to present to the world a literal and, as I believe, a
correct grammatical translation of nearly two hundred lines of cuneiform
writing.’ Unfortunately, however, he withheld his translation, in the
hope of making the accessories more perfect. A host of historical and
geographical questions started up in rapid succession, and he was
unwilling to limit his task to the series of critical notes which was
all he at first contemplated. He accordingly began to recast his Memoir
in the autumn of 1839, with the confident hope that it would be ready
for publication early in the spring of 1840; but the outbreak of the
Afghan War interrupted his literary projects and summoned him to a very
different sphere of activity. Before he left, however, he had time to
make a second communication to the Asiatic Society, in which he related
some of the results of his study. His paper, which was read before a
meeting of the Society, contained a ‘_précis_ of the contents of a
large part of the Behistun inscription, which differed in no material
respect’ from the translation he elaborated at a much later date.[508]
Indeed, we are told that, so far as the original materials extended, it
was ‘absolutely identical’ with his subsequent work, which, as we shall
presently see, was so perfect that later scholarship has found little to
correct.[509] This was certainly a great achievement on the part of a
young officer of twenty-nine years of age, and it was far in advance of
anything that had yet been accomplished.
Meanwhile the number of inscriptions available for study continued to
increase. In 1837, Grotefend published four lines of an inscription from
the collection of Lord Aberdeen and Sir Gore Ouseley, which had recently
been presented to the British Museum by Mountstuart Elphinstone. With the
assistance of Lassen’s alphabet he deciphered the name of the king to
whom it belonged. It read ‘Artks’t’â,’ which he easily identified with
Artaxerxes.[510] The last line contained what appeared to be a new letter
(𐏍), which he thought had the value of _v_.
Two years later (1839) the inscriptions copied by Mr. Rich so far back
as 1821 at last saw the light.[511] Several of them were already known
by the copies made by Le Bruyn and Niebuhr; but the plates were found
to contain the complete text of the Inscription of Artaxerxes, of which
Grotefend’s formed the four concluding lines (Pl. 23, Inscr. P). It
was taken from the north wall of the palace, now identified as that of
Ochus, facing the Palace of Darius. He also was the first to copy the
Inscription of Xerxes from the anta of his palace (Pl. 16, Inscr. E).
The same inscriptions are frequently repeated, and it was an advantage
to have copies of more than one version. Thus Rich gave the celebrated
four-line Inscription of Xerxes, copied from the east portal of the
palace, which was already so well known from Niebuhr’s copy, taken from
the north (Inscr. G, Pl. 18). Rich has also given two versions of the
Inscription of Darius—one taken from the anta of the palace and already
known from Le Bruyn (131) (Inscr. Cᵃ), the other from the south stairs,
which he was himself the first to disinter from the rubbish by which it
was hidden (Pl. 20, Cᵇ).[512]
Of greater importance than any of these were the copies taken by the
Danish Sanscrit scholar Westergaard. He was commissioned by the Danish
Government to visit Persia for the purpose of collecting inscriptions
and other matters of archæological interest. He went to Persepolis and
Naksh-i-Rustam in 1843, and not only did he carefully recopy all the
inscriptions already known, but some others that had hitherto been
neglected. Among the latter are the inscriptions over the animals on the
great Eastern Porch at Persepolis, and the long inscription upon the
tomb at Naksh-i-Rustam. The first is indeed to be found in Mr. Rich’s
collection (Pl. 24, 25, 26); but the copy, as we have seen, was made
by his Seyid and was found useless for purposes of study. All previous
travellers had recoiled before the difficulties of transcribing the tomb
inscription, but these were at length surmounted by Westergaard, and his
copy is the greatest prize he secured. It was found to be an inscription
of Darius, and it served to identify the rock-hewn sepulchre upon which
it is inscribed with the tomb of that king. It contained a more complete
enumeration of the provinces than the I inscription, and as it was
trilingual, it was hoped that so large a number of proper names would at
length afford a clue to the values of the signs in the second and third
columns, which had as yet remained unknown. Westergaard was the first
of the travellers who possessed a competent knowledge of the cuneiform
character, before he undertook the difficult task of transcribing them;
and consequently his copies are of exceptional value and accuracy. On
his return to Bonn he gave Lassen his copies of the first or Persian
column; and reserved to himself the study of the second or Susian column.
In the following year (1844) the two scholars published the results of
their labours in the ‘Zeitschrift,’ and their Memoirs afterwards appeared
together in a separate volume under the title ‘Ueber die Keilinschriften
der Ersten und Zweiten Gattung, von Chr. Lassen und N. L. Westergaard’
(Bonn, 1845).
Six years had now elapsed since Lassen published his first Memoir. During
the interval Beer and Jacquet had made their contributions to the general
knowledge; and although Major Rawlinson had not yet published his Memoir
on the Behistun inscription, he had been in correspondence with Lassen
since 1838, and had already corrected two letters. It is interesting
therefore to inquire how far Lassen profited by these investigations. We
have seen that he had nine incorrect values in 1836 for the letters in
Niebuhr’s list.[513] These were:
16 𐎨 _i_
19 𐎮 _k_
25 𐎤 with _u_ = _ô_
26 𐎰 (_z_)
27 𐎹 _h_
28 𐎩 _n_
32 𐎪 _g_
33 𐎸 _g_
40 𐎽 _s_
By 1844 he corrected the four following:
(1) 25 𐎤 into _q_, an approximate value for _k_.
(2) 26 𐎰 into _θ_, following Jacquet _th_.
(3) 27 𐎹 into _j_ for _y_, following Beer and Jacquet.
(4) 40 𐎽 into _r_, following Jacquet.[514]
He also accepted the corrected value of 41 (𐏃) as the aspirate _h_,
following Jacquet and Beer; but this value we have already allowed to
Grotefend’s _a_ for _ha_, as approximately correct. One other letter, 22
(𐎬) _t_, which he made correct in 1836, he now changes into _d’h_. Thus,
in 1844, he still had six wrong values; of these one had been correctly
fixed by himself in 1836, 22 (𐎬) _t_; another, 16 (𐎨) _ch_, recently by
Jacquet, and two by Rawlinson, 32 (𐎪) _j_, and 33 (𐎸) _m_ before _u_.
There thus remained only two letters not yet provided with correct
values: viz. 19 (𐎮), which was fixed by Holtzmann in 1845 as _d_ before
_i_,[515] and 28 (𐎩), fixed simultaneously by Hincks and Rawlinson in
1846 as _j_ before _a_.
In addition to the thirty-three signs in Niebuhr’s alphabet that gained
final recognition, two others have since been added. One of them was
first found at Behistun by Rawlinson, 43 (𐎵) _n_, and does not appear
in Lassen. The other, 44 (𐎦), was admitted in 1836 by both Burnouf
and Lassen as _gh_ and _g_, and is finally accepted as _g_ before _u_
(Spiegel). But in the Memoir of 1836, Lassen farther sanctioned two other
signs, ([Persian]) _t_, and ([Persian]) _u_, which he now rightly omits
as defective signs for 24 (𐎫) _t_ and 36 (𐎢) _u_.
His new alphabet shows also a great improvement in other respects. In
deference to the decisive opinions of both Beer and Jacquet, Lassen
has given up his double signs for the long and short vowels. He indeed
admits that his _a_ (𐏃) is in fact _h_; his _î_ (𐎨) is _k_, and his
_û_ ([Persian]) is defective.[516] His diphthongs (𐎹 · 𐎡) _ê_ and (𐎤
· 𐎢) _ô_, likewise disappear; and, what is even of more consequence,
his disastrous (𐎢 · 𐎺) for _q_ is quietly suffered to drop. Strange to
say, the unlucky conjunction of these two letters _u_ and _w_ with _q_
excited the unbounded admiration of Jacquet, who regarded it as the most
brilliant inspiration of its author.[517]
To compensate for these omissions, Lassen added a sign ([Persian]) which
with 44 (𐎦), in addition to the thirty-three signs in Niebuhr’s list,
made up the thirty-five letters which constitute his alphabet.[518]
This sign ([Persian]) is always found in conjunction with 31 (𐎴) _n_.
Grotefend pointed out long ago that the two signs 𐎴 · [Persian] replace
the word for ‘king’ and, whatever might be their pronunciation, there was
no doubt as to their signification.[519] It was at first supposed that
the last letter was an alternative sign for 27 (𐎹); but this had to be
abandoned, and Lassen now gives it the value of _rp_, and he reads the
combined letters ‘narap.’ He was led to this result because Westergaard
thought that the word corresponding to it in the second column had the
sound of ‘narap.’[520] The two signs are now treated as together forming
a monogram for ‘king,’ and in transliteration they are represented by
_khs_ to indicate an abbreviated form of the royal title. He adds also
the two new signs that occur in the Inscription of Artaxerxes. The one
(𐏍) first appeared in the copy published by Grotefend in 1837; the
other (𐏏) is dimly discernible in Rich (Pl. 23, line 10), and is no
doubt more clearly delineated by Westergaard. The first had evidently
the sound of _dah_, for it precedes the _j_ in the well-known word
‘dahjunam’; the other clearly denotes the complex sound ‘bumi’ in the
word ‘bumi-ja.’[521]
The long line of scholars from Münter to Jacquet, whose labours we
have now passed in review, had at length succeeded in deciphering the
cuneiform alphabet of the first species of writing found at Persepolis,
and, with the exception of two, they had attached correct values to
each of the thirty-five letters. When, therefore, Lassen wrote his
second Memoir, the task he had to perform was concerned much less with
the alphabet than with the numerous strange words formed by it, which
it was now necessary to assign a meaning to and connect together by
grammatical rules. It is clear there was only one method to pursue, and
that was to compare them with the words and forms of other languages
with which the Old Persian was likely to be connected. It was natural
in the first instance to turn to Zend, the sacred language of the
country in which the inscriptions were found; and the most superficial
comparison, which was all that was then possible, was sufficient to
prove that the two languages were closely allied. The early scholars
were, however, greatly impeded by the extremely imperfect knowledge
of Zend that as yet prevailed; and even if the cuneiform alphabet had
been completely deciphered by Grotefend, it may be doubted whether the
means were then available to grapple successfully with the difficulties
of translation.[522] At that time Zend was known only by the work of
Duperron, which, however remarkable for the time at which it appeared,
was quite inadequate for the purpose. Indeed some scholars, even long
afterwards, had doubts as to the genuineness of the language itself.
Since then, however, the edition of the Yaçna published by Burnouf
in 1833 placed the study upon an entirely different footing; and the
progress made by Bopp and many others in Sanscrit was also of material
service. It thus happened that concurrently with the improvement of the
cuneiform alphabet the chief obstacles to the translation of the language
were removed. When Burnouf and Lassen wrote their Memoirs in 1836, little
progress had been made in that direction beyond the identification of
the names of the Achaemenian kings, and of a few simple words. The
attempt to go beyond rested chiefly upon conjecture and frequently
resulted in absurdities of which the constellation of Moro is the typical
instance.[523]
Progress was at first considerably retarded by a misapprehension of
the relation between the Old Persian of the inscriptions and the
language of the Zend-Avesta. Grotefend for a long time thought the two
were absolutely identical, an opinion which, however, he subsequently
modified.[524] Both Burnouf and Lassen, especially the latter, were at
first inclined to suppose too close a resemblance between them. We have
already pointed out some of the errors that resulted, especially with
regard to the long and short vowels and the diphthongs. But this error
was speedily corrected, and Lassen afterwards showed that the relation
they bore to each other was that of descent from a common parent; and
although Old Persian is historically more modern, it continued to retain
some of the primitive forms which Zend had changed. While he recognised
that they were two distinct dialects, he admitted that they closely
resembled each other, and hence the great assistance he derived from
the Zend in the interpretation of the inscriptions.[525] After Zend,
he found that Sanscrit afforded him the greatest help. Indeed he was
surprised to observe how often it agreed with the Old Persian, and it was
particularly useful with respect to the grammatical forms.[526]
It is the natural affectation of the minute scholar to exaggerate the
importance of an accurate knowledge of grammatical construction, and to
disparage or ridicule even great results that may have been attained in
defiance of strict rule. It became the fashion to underrate the very
considerable achievements of Lassen as a translator, because it was
afterwards found that he fell into several errors which later knowledge
has cleared away. Major Rawlinson was unfortunately peculiarly liable
to depreciate the work of his competitors, and it is therefore with no
surprise that we find him dwell with more emphasis upon their failures
than upon their success. But it is certainly remarkable that Hincks,
the Irish cuneiform scholar, should have been betrayed into a judgment
that must now be regarded as singularly unfair and censorious. Writing
in 1847, he gave expression to the opinion that ‘Lassen seems to have
been completely destitute of the peculiar talent of a decipherer, and
his attempts at translation were consequently as bad as could be made
... the number and grossness of many of his mistakes are such as to
create astonishment.’[527] It is quite true that Lassen sometimes mistook
verbs for adjectives, and that in some places he had to warn the reader
that his translation was purely conjectural. But his services should be
estimated by the state of knowledge at the time he wrote. It must be
remembered that when he began these studies, in 1836, all that was known
were a few proper names, and every attempt to pass beyond had hitherto
led to ridiculous misrepresentations of the true meaning of the texts.
When, in 1844, he completed his translation of the whole series of
inscriptions of the Persian column—with the exception of the Behistun,
which was not accessible to him—he had succeeded in making their contents
as well known as they are at present in all the essential points of their
subject-matter. It must be recollected also that he had to contend with
difficulties that have since been in great measure removed. The texts
upon which he worked were in many places in need of emendation; and the
parallel columns in Susian and Babylonian, which have afforded so much
assistance to later translators, were then completely unknown. Moreover,
it should not be forgotten that, notwithstanding all the advantages that
are now at command, many of the passages over which Lassen stumbled are
still the subject of dispute.
His collection included the ten independent inscriptions at Persepolis;
the Tomb inscription at Naksh-i-Rustam, so lately recovered by
Westergaard; the Cyrus inscription from Murgab; the inscriptions of
Elvend and Van that only a few years before had acquired an entire
volume to expound. He added a translation of the short inscription on
the crystal cylinder brought from Egypt and now in the British Museum.
He reads: ‘Ego Darius hominum tutor.’ He also translated the Denon
inscription, found in 1800 near Suez, which, according to him, signifies
‘Darius hominum tutor magnus.’ Both these inscriptions write ‘King’
with the abbreviation to which Lassen assigned the value of ‘narpa’ and
translates ‘hominum tutor.’ The true meaning of the first is ‘I [am]
Darius the King,’ and of the second ‘Darius the great King.’[528] The
same abbreviation occurs in the inscription on the Caylus vase, but in
this case Lassen translates it simply as ‘rex’—‘Xerxes rex magnus.’[529]
Although Lassen may justly claim great praise for the skill he has
displayed in his translations, it must not be supposed that he succeeded
in overcoming all the difficulties that stood in his way. His task was
greatly simplified by the constant recurrence of a set form of words
with which the inscriptions usually begin.[530] At Persepolis this form
is first met with on the Porch, and it occurs altogether five times in
the ten Persepolitan inscriptions. The two Hamadan inscriptions consist
of nothing else. A shorter form, which begins at the second paragraph
of the one just mentioned, is repeated three times at Persepolis. The
longer form sometimes reaches over twenty lines, and as the whole series
of these inscriptions only amount to three hundred lines, it is evident
how considerably the task of the translator was reduced. Most of the
inscriptions are, as we have seen, repeated in several places: the window
inscription in the Palace of Darius no less than eighteen times. But the
very limitation thus imposed upon him was one of the chief obstacles to
his progress. Indeed, until the Behistun inscription became available it
was impossible to acquire any extensive knowledge of the language. To
this circumstance must be partly ascribed the inferiority of Lassen’s
rendering of difficult passages, when compared with the facility we
observe in Rawlinson from the first.
Between the publication of the First Memoir and the one we are now
considering, Lassen made considerable progress. In the I inscription
the names of the twenty-five provinces are now given correctly with
the exception of two: ‘Gordyaei,’ which Rawlinson had shown should read
‘M’udraya,’ Egypt; and ‘Parutia,’ which is not a proper name at all, but
means ‘east.’ Neither Lassen nor Rawlinson had much success in their
treatment of the new names of provinces found at Naksh-i-Rustam, and no
general agreement has even yet been reached with regard to some of them.
A careful collation of the difficult passages in the subject-matter of
the inscriptions is, however, sufficient to prove the great superiority
of Rawlinson over Lassen, both in the actual work of translation and
in the necessary emendation of a disputed text. An instance of the
comparative ingenuity of the two scholars is afforded by a passage in the
Naksh-i-Rustam inscription, where the last letter of the thirteenth line
is obliterated and the passage runs thus (Lassen’s transliteration):
line 13 ?
” 14 Arçahjâ puthra ârija ârija d—
” 15 thra
The omission of the letter led Lassen into one of the greatest blunders
in his revised translation. His ‘progenies Arçis’ commits him to a
definite historical error, while the rendering of the following words
‘ârija ârija’ is merely an instance of aberration to which the greatest
scholars are occasionally subject. Rawlinson, who greatly excelled him in
‘intuition,’ had no difficulty in supplying the missing letter as _p_,
and he translated the passage correctly: ‘son of a Persian, an Arian, of
Arian descent,’ in the place of ‘Progenies Arçis, a venerabilibus stirpis
auctoribus oriundi’! Lassen’s knowledge now enabled him to point out
several instances in the Inscription of Artaxerxes Ochus that served
to illustrate the decay of the language, though the interval from the
classical age of Darius was not more than a hundred and ninety years. It
is here that the two new signs—or rather contractions—for the syllables
‘dah’ and ‘bumi’ first occur. Of more interest is the evidence this
inscription affords of the degeneration of the Persian religion by the
admittance of Mithra into its worship. Artaxerxes the Third traces his
genealogy through Artaxerxes the Second (Mnemon), Darius the Second
(Nothus), Artaxerxes the First (Longimanus), Xerxes, Darius the First,
and Hystaspes, to Arsames the Achaemenian; and neither of the two last
are distinguished by the royal title.
The most important publication after Lassen’s essay in 1844 was a
criticism that appeared upon it by Adolf Holtzmann in the following
year.[531] It was written with much personal animosity to Lassen,
and this enlivens in an amusing fashion the extreme aridity of the
subject-matter.
Only two letters now remained to be correctly determined: 19 (𐎮),
the _k’h_ of Lassen, and this Holtzmann successfully accomplished.
The letter occurs in the words Lassen transliterated ‘jak’hija’
and ‘hak’hi(s).’[532] Holtzmann substituted _d_ and read the first
word ‘jadij,’ which he compared with the Sanscrit ‘jadi,’ Zend
‘jedhi’—‘when’—instead of Lassen’s ‘venerandus,’ a meaning that turned
out to be correct.[533] Finally, he reviewed all the words in which the
letter occurs, and he found that the substitution of _d_ for _k_ enabled
him to assign satisfactory meanings to the whole of them.[534]
Holtzmann is also credited[535] with having slightly improved the value
of 28 (𐎩), the _z_ of Jacquet, by giving it the sound of _g_—presumably
_g_ soft, but as it always precedes _a_ the reader would naturally assume
it to be hard, as in ‘gadija,’ ‘aga’mija,’ etc. It is in fact _j_ before
_a_.
Holtzmann has the merit also of rectifying several of Lassen’s verbal
errors. For example, he showed that ‘hadâ,’ which Lassen thought
signified ‘continually,’ in reality means ‘with.’[536] Of more importance
was his treatment of the word then read ‘Paru-ja’ (‘parauvaiy’).
Rawlinson had already annihilated two of Lassen’s provinces—Uscangha
(the Uxii) and Drangha (the Drangii)[537]—and Holtzmann now disposes of
the third—Paru-ja—which Lassen still cherished in 1845. Lassen derived
the word from the Sanscrit ‘parvata,’ ‘hill,’ and thought it was a
mountain district called Parutia, near the Persian frontier. Holtzmann
had recourse to the Sanscrit ‘purva’ (easterly), and translated the
sentence ‘the land of the east,’ meaning the eastern provinces whose
names followed.[538] When Holtzmann attempted the correction of longer
sentences he was not always so successful. For example, he rendered the
words that were then transliterated ‘jak’hija âwamâ (ma)nijâhja hak’â
ânijanâ mâ rçam imam Pârçam,’ ‘When one goes—from Anijana to the ocean,
this land they call Persia’!—the real meaning being ‘Wenn Du so denkst
vor Niemanden möchte ich zittern—so schütze dieses Persische Heer.’[539]
Another instance of ingenuity is the rendering of the line ‘hak’â
ânijanâ nija tᵃrçᵃtija,’ ‘ab Anjana usque ad Tarsatia’ (_sic_). It will
enable the reader to see how uncertain was the progress yet made when
these same words were rendered by Lassen, in 1844, ‘adoratio consecrata
contingit,’ and by Rawlinson, in 1846, ‘From the enemy feareth not’—which
closely approached the true translation: ‘fürchtet sich ... vor keinem
Anderen.’[540]
Sometimes, however, Holtzmann showed a marked improvement upon
Lassen. Thus the latter scholar translated the fiftieth line of the
Naksh-i-Rustam inscription ‘Auramuzdi adorationem attulere, quae
[regiones] illae palatium exstruxere.’ Holtzmann substitutes ‘Auromazdas
enim opem tulit dum opus feci,’ and Rawlinson, in 1846, correctly renders
the sentence ‘Aurmazd brought help to me so that I accomplished the
work.’[541]
When Rawlinson was writing his Memoir in 1846 he remarked upon the
singular fact that no Englishman except himself had yet taken part in the
work of decipherment. Many had indeed occupied themselves in the more
adventurous task of collecting the materials—among whom were Morier,
Ouseley, Ker Porter, and Rich—but so far Rawlinson was alone among his
countrymen as a decipherer. This special study arose first in northern
Europe, and it is remarkable how large a share was borne by Denmark.
Niebuhr, upon whose foundation all later scholars built, was born at
Ludwigsworth in North Hanover; but he served under the king of Denmark,
and his Travels were first published at Copenhagen. Münter, though a
German by descent and birth, was brought up at Copenhagen, and passed
his whole life in Denmark, where he died as Bishop of Seeland. Rask
was a Dane, and he laboured throughout his life as a Professor at the
University of Copenhagen. Westergaard belonged to the same nationality
and, as in the case of Niebuhr, his journey to the East was due to the
liberality of the Danish Government. Lassen was born and educated at
Bergen, though, it is true, he left Norway at the age of twenty-two and
passed the greater portion of his life at Bonn. Tychsen was also of
Norwegian descent, but born at Tondern, in Schleswig. Grotefend was a
Hanoverian, born at Münden. Beer, on the other hand, was an Austrian from
Bötzen. France was as yet represented only by two scholars, St. Martin
and Burnouf; Belgium by one, Jacquet; and England also by one, Rawlinson.
But the latter was soon joined by two others, Hincks and Norris, both of
whom, especially the former, were soon to acquire a brilliant reputation
in cuneiform studies. The Rev. Edward Hincks belonged to a Chester
family settled in Ireland since 1767. His father was a Presbyterian
minister who for a time kept a school at Cork, and afterwards became
classical master at the Belfast Academy (1821-36). He was a man of
the most varied learning, who lectured with equal success on two such
different subjects as Chemistry and Hebrew. He wrote a Greek Grammar,
and was a frequent contributor to the proceedings of the Royal Irish
Academy. He married a Chester lady, by whom he had a numerous family,
many of whose members rose to distinction. One son became Archdeacon of
Connor, another Professor of Natural Science at Toronto, a third was well
known in Canadian politics. He became Premier in 1851, and was called
the ‘Colbert of Canada.’ He was afterwards appointed to a Colonial
Governorship, and was made a K.C.B. in 1862. His brother Edward, the
cuneiform scholar, was born in 1792, and after a distinguished career
at the University of Dublin, he settled down in a remote country parish
as Rector of Killyleagh in the county Down. In that inhospitable region
he spent forty-one years, till his death in 1866. He first attracted
attention by his papers on Egyptian hieroglyphics, contributed to the
Irish Academy. His contributions to cuneiform literature began in June
1846, when he read a paper ‘On the First and Second Kinds of Persepolitan
Writing.’[542] This was followed by another in November ‘On the Three
Kinds of Persepolitan Writing and on the Babylonian Lapidary Character.’
In January of the following year a farther essay appeared, ‘On the Third
Persepolitan,’ and in the December after he published a long paper in the
‘Journal of the Royal Asiatic Society’ on the Inscriptions of Van.[543]
When he entered upon the study of the first column but little remained
to be done to complete the decipherment of the Persian alphabet. His
attention was therefore chiefly directed to the writing in the Susian
and Babylonian columns. In a postscript to his first essay he insisted
on the substantial resemblance of the language of the third column to
those of the Babylonian and Assyrian inscriptions. He supported the
opinion which had been even then suggested, that both of these ‘have
much in common with the Semitic languages’ and he announced that he had
read the names of Babylon and Nineveh on the bricks.[544] He devoted his
ingenuity in the first instance to prove the identity of the cursive mode
of writing found in the third column and in some Babylonian inscriptions
with the character seen on Babylonian bricks and in the East India House
Inscription. He published two elaborate tables in illustration of this
theme, and offered a few suggestions as to the meaning of the signs.[545]
His later contributions deal chiefly with the Assyrian inscriptions,
which, since the excavations made by Botta, began to attract the largest
share of public attention. In 1850, he wrote on Khorsabad, on the
Assyrio-Babylonian phonetic system, and on Assyrian mythology. Among
his more important contributions to Assyriology are his treatise on the
Assyrian Verb (1855-6) and his Assyrian Grammar, begun in 1866.[546] The
last was left unfinished, and, strange to say, no notes were found among
his papers to assist in its completion. Like Jacquet, he seems to have
charged his memory with the whole burden of the complicated task he had
set himself to accomplish. Few scholars enjoyed a higher reputation for
extraordinary acumen in unravelling the difficulties of this intricate
subject. The ‘intuition’ he displayed was specially remarkable, and often
led him to anticipate conclusions that other scholars only reached by a
slow and arduous course of inquiry. Even Rawlinson, who shared to a high
degree in this rare gift, often found himself anticipated by the Irish
scholar. Hincks, for example, was the first to decipher the name and
titles of Nebuchadnezzar in the India House Inscription and in many other
places, where Grotefend thought he had found ‘forms of prayer.’[547]
This was, however, after he had received the Behistun Inscription, where
‘Nebuchadnezzar’ was found by Rawlinson in the Persian column.[548]
Hincks’s paper ‘On the First and Second Kinds of Persepolitan Writing’
was read to the Royal Irish Academy on June 9, 1846, and he communicated
its contents to Mr. Norris, the secretary of the Royal Asiatic Society,
who sent a detailed account of it to Major Rawlinson at Bagdad. This
letter was despatched from London on August 20, and five days afterwards,
on the twenty-fifth of the same month,[549] Major Rawlinson sent off
a Supplementary Note in which, by a very singular coincidence, he
introduced some important modifications in his system of transliteration
that brought it into substantial agreement with that just then proposed
by Hincks. Thus the two documents crossed each other on the way,
a circumstance that affords conclusive proof of their independent
production.[550] But as Hincks’s paper was read in June and Rawlinson’s
note not despatched till August, the priority must be awarded to the
former. This was the first occasion on which Hincks had contributed
to cuneiform research, and, as we have said, he had the good fortune
to forestall Rawlinson in one of his most useful discoveries. When he
wrote, Lassen’s Second Memoir of 1844 was still the chief authority on
the subject, and it is to it that he directs his criticism. In looking
over Lassen’s alphabet, nothing was more remarkable than the number of
signs allotted to certain supposed modifications of the same sound. Thus
_k_, for example, was represented by no less than four different signs
expressing _k_ (No. 4), _k’_ (16), _k’h_ (19), and _kh_ (42): _d_ by
three different signs, _d_ (11), _d’h_ (22), and _dh_ (34). At the same
time it was beginning to be remarked that certain of these signs to
which modifications of the same sound were ascribed were only to be found
in combination with particular vowels. Lassen himself had pointed out in
his First Memoir of 1836 that _m_ (29) always preceded an _i_. Jacquet
added that _r_ (40) always occurred before _u_. Holtzmann also remarked
that 28 (𐎩), to which he gave the value of _g_, is always followed by
_a_, and 19 _d_ by _i_.[551]
The merit of Hincks consists in this: that he was the first to point
out that the various signs allotted to the same letter did not differ
from each other by any modification of sound as Lassen supposed, and
also that their employment was regulated according to the vowel that
succeeded them. He accordingly divided the signs for these consonants
into two classes, according as they were followed by _a_, inherent or
expressed, and by _i_ or _u_; and he added _r_: the former he called
primary, and the latter secondary, consonants. Lassen, as we have said,
was of opinion that the secondary letters must have a somewhat different
value, and in particular that they were all aspirated. He also thought
they might be used indifferently before any vowel. Thus, for example, he
supposed that the two signs for _m_ (𐎶 and 𐎷) might both be used before
_i_, and that they expressed a slightly different sound. Hincks, on the
contrary, maintained that 𐎶 could never really open upon _i_; and when
it appears to do so, as in the group 𐎶·𐎡, _a_ is always understood.
Thus 𐎷·𐎡 is ‘mi,’ but 𐎶·𐎡 is ‘mai’ or ‘mê,’ the secondary form of _m_
being equivalent to its primary form; and he ascribed the existence
in the alphabet of this peculiarity to a survival from a syllabic
mode of writing. Its utility is, however, obvious, for with only three
vowels—_a_, _i_ and _u_—it would otherwise be impossible to render the
sounds _ê_ and _ô_ (_ai_—_au_). As, however, the consonants themselves
were of the same value, Hincks writes them with the same sign, and
discards the _h_ which had till then been added to mark an imaginary
difference in the sound of the secondary consonants. This is precisely
what Rawlinson did in his Supplementary Note, and for the same reason.
Hincks lays down the general rule that when a primary consonant replaces
a secondary consonant before _i_ or _u_ ‘an _a_ must be interposed either
as a distinct syllable or as a guṇa to the vowel.’[552] This alteration
led to a considerable modification in the method of transliteration, but
its importance arose from the altered translation of which the words
became susceptible. Thus, in the instance already given, ‘miy’ is the
termination of the first person singular present tense of the verb; while
‘mey’ (properly ‘maiy’) is the enclitic pronoun used for _my_. So also
the words Lassen transliterates ‘utamija khsathram’ and renders ‘tum
hoc regnum,’ when properly transliterated ‘utamê’ (‘utamaiy’) signify
‘meumque regnum.’[553]
Hincks had also the merit of calling attention to the indiscriminate
addition of _a_ by Lassen to words ending in _iy_ and _uw_. This
lengthening of the syllable sometimes entirely obscured the sense—as in
‘thatija’ which Lassen supposed to signify ‘generosus,’ and which is in
fact the verb ‘he says.’[554]
When we compare Hincks’s alphabet with Lassen’s (passing over the mere
omission of the aspirates) we find that Hincks had only four incorrect
values, as opposed to the six of Lassen. These were:
26 _z_ for _th_;
32 _zh(i)_ for _j(i)_;
33 _kh(u)_ for _m(u)_;
39 _p(r)_ for _f(a)_.
Two of these were already correctly given by Lassen (Nos. 26 and 39). On
the other hand, Hincks corrected three out of Lassen’s six wrong values:
16 _ch_ instead of Lassen’s _k’_;
19 _d(i)_ instead of Lassen’s _k’h_ (due to Holtzmann);
28 _j_ instead of Lassen’s _z’_.
It may be observed also that Hincks has correctly indicated all of
what he termed the secondary consonants and distinguished between
those followed by _i_ and those followed by _u_. The others not so
distinguished are the primary consonants preceding _a_ inherent or
expressed.
When Hincks read his paper in June, Rawlinson’s Memoir on the Behistun
Inscription had been already received by the Asiatic Society and was in
the printer’s hands. It was no easy task at that time to carry it through
the press. Cuneiform type had to be cast, and the expense and trouble it
caused were very great. The work was, however, looked forward to with
the greatest interest. After the appearance of Professor Lassen’s essay,
in 1844, all the cuneiform inscriptions of the Persian column then known
had, as we have said, with one notable exception, been translated. There
remained the great inscription at Behistun, which it was known Major
Rawlinson had copied and was at work upon. We have already narrated the
succession of untoward circumstances that had delayed its publication
for seven years, from the time when two hundred lines had been prepared
for the press in 1839 down to the late autumn of 1846, when the completed
work was first made public. Meanwhile no other traveller appeared at all
disposed to anticipate him. There were indeed few who cared to undergo
the personal risk Rawlinson had so cheerfully faced, nor willing to
expend a thousand pounds upon the dangerous task, as he had so generously
done. Indeed down to 1884 only one other traveller subsequently
accomplished the ascent.[555] In February 1846, Rawlinson forwarded a
complete translation of the entire text to the Royal Asiatic Society. The
remainder, with the cuneiform original and notes, followed at intervals
in the course of the year. The editorial note, dated September 7, tells
us that the text and the first five chapters of the Memoir had been
already received. The work appeared in four parts, of which the first
three form the tenth volume of the Society’s Journal. The first was
published in 1846, and contained eight plates, two representing the rock
of Behistun and the figures sculptured upon it, executed by Lieutenant
Jones of the Indian Navy;[556] the others are devoted to the five columns
and appendices which form the text. Then follow the transliteration and
two translations, one in Latin and the other in English, with notes on
the state of the text. This was followed by the first two chapters of
his ‘Memoir on the Inscription’ to page 53. This portion of the work
was reviewed by Hincks, in the January number of the ‘Dublin University
Magazine,’ 1847, and by Benfey in a pamphlet published at Leipzig in
January 1847. Part II. was published before the meeting of the Society
in May 1847, and included the third chapter of the Memoir, treating
of the cuneiform alphabet and the important Supplementary Note on the
pronunciation, pages 55 to 186.[557]
Part III. was at the same time in the hands of the printer, and appeared
later in the year (1847). It contains Chapters IV. and V. of the Memoir.
The former gives a revised transliteration and translation of the text
with an Analysis; and the other a complete revised edition of all the
inscriptions previously published by Lassen. Mr. Norris, the Assistant
Secretary of the Asiatic Society, saw the whole of this complicated
work through the press, and he undertook to alter the transliteration
given in Chapter IV. in accordance with the principles laid down in the
Supplementary Note. For his services in this matter, he received a vote
of thanks from the Society. ‘He unites,’ said the proposer, ‘more varied
learning and more rare and extensive research and intelligence than I
have ever seen combined in the same individual’;[558] and he subsequently
attained an independent position in the first rank of cuneiform scholars.
Part IV. was not published till 1849. It included the sixth chapter
of the Memoir and treated of the Vocabulary, but the dissertation was
never completed. It breaks off in the middle of a sentence, when the
writer had not proceeded further than the words commencing with vowels
and with consonants of the first three classes. It purports to give a
few brief etymological explanations, but in reality it is admirable as
a display of learning in many fields of knowledge, and it is especially
interesting for the explanation it affords of the reasons that led to
the determination of words of doubtful meaning. While he was engaged in
this work, he received Lassen’s Second Memoir. It did not reach him
till August 1845, when his own translations were completed and already
beyond the reach of alteration. He had little cause, however, to regret
the delay that arose from the difficulty in those times of ‘communicating
between Bonn and Bagdad,’ for he could have derived small benefit from
the very inferior translations of his predecessor. In the philological
branch of the subject, however, he found the Memoir ‘of the greatest
convenience as a manual of reference,’ and his marginal notes show how
carefully he consulted it.[559]
By the publication of this work Major Rawlinson at length took his place
among the cuneiform scholars of Europe. We have shown that the study was
by that time far advanced, and most of the difficulties of the Persian
column were already surmounted. Rawlinson did not, therefore, put forward
any pretension to original discovery in that department, but was, he
said, ‘content to rest my present claims on the novelty and interest of
my translations.’[560] He hoped eventually to earn the higher distinction
of an original discoverer, ‘according to the success that may attend my
efforts to decipher the Median [Susian] and Babylonian inscriptions.’
It was not, however, without an effort that he presented himself in so
modest a garb upon this occasion. He was convinced that he had made each
step in the tedious process of decipherment by his own unaided effort;
and in whatever light he might appear to the public, he was certainly an
original discoverer to himself. He had no doubt that if Grotefend and
Lassen had never lived the world would have been indebted wholly to him
for the discovery, and, although we think he may have been influenced
more than he suspected by other scholars, there is no great improbability
in supposing that his own ingenuity would have been quite equal to
grapple singly with the task.
Notwithstanding his avowed disclaimer, he still cherished the opinion
that he had really made some important contributions to the determination
of the alphabet. On one occasion indeed he went so far as to claim the
paternity, directly or indirectly, of at least ten characters, and he
referred to his correspondence with Burnouf and Lassen as the medium
through which he had made his influence felt. It is clear, however, that
in this he was entirely mistaken. According to his own admission, he
knew as little of the Continental scholars as they did of him until his
first communication to the Asiatic Society, which was received in March
1838. It will be recollected that Burnouf and Lassen had published their
Memoirs two years before; so neither of these could have been influenced
by Rawlinson. It only remains to inquire whether he could have suggested
any of the six values ascribed to Jacquet, whose essay appeared in the
course of 1838. Here a comparison of dates is not sufficient in itself to
determine the question. Rawlinson’s communication was known in London on
March 14, and was submitted to the French Society on April 20. Jacquet
began that very month to publish his criticism of Lassen, and his active
mind was full of the subject. He was no doubt present at the meeting when
Rawlinson’s copy of the inscription was submitted to the Society, and
there was ample time for him to profit by any suggestions it contained
in his future papers on the subject. We have, however, conclusive proof
from Rawlinson’s own admission that the values of these six letters were
not then known to him. Nor could they have been communicated to Jacquet
through his subsequent correspondence with Burnouf. Jacquet died in
July 1838, and Rawlinson’s correspondence with Burnouf and Lassen did
not begin till the summer of that year.[561] From that period Rawlinson
himself accounts for all the letters in question. Writing after Jacquet’s
death, he tells us in a letter to Burnouf that he had just found the
value of 16 (𐎨) _ch_. Two other values, 26 (𐎰) _th_ and 41 (𐏃) _h_,
he fixed still later in the winter 1838-9; another, 27 (𐎹) _y_, he
acknowledges he received from Lassen.[562] The sign 10 (𐎺) he also fixed
in 1838-9; but he gave it the same value as Lassen had done in 1836, viz.
_w_. In Germany _w_ was no doubt equivalent to its correct value _v_, but
scarcely so to an English-speaking man, especially as he distinguishes
it from his _v_ (𐎻) No. 15. The other letter, 40 (𐎽) _r_, was known
correctly to Grotefend in 1837. With reference, therefore, to the six
letters attributed to Jacquet, it is seen that none of them were due to
the influence of Rawlinson, either through his Memoir or subsequently by
correspondence. One letter (_r_) was fixed before Rawlinson was known.
Three others were first announced after Jacquet was dead (16, 26, 41).
One was wrong (10), and the other (27) he acknowledged to have borrowed
from Lassen. It is impossible, therefore, to admit the pretension put
forward by Rawlinson, that he could ‘fairly claim the paternity, either
directly or indirectly, of at least ten characters’ on the ground
that ‘it was impossible to say by whom each individual letter became
identified.’ On the contrary, the history of the identification is plain
enough, and there is no difficulty in assigning the proportion of merit
due to each discoverer. It was not till after the essays of Jacquet that
Rawlinson bore any share in the general progress of the study; and then
not more than four characters remained to be correctly identified.
We have already seen with what conspicuous success Rawlinson had found
the true values of two of these, so far back as 1838. One still gave
Lassen a great deal of trouble, and he had variously valued it as _k_
(1836), _ich_ (1839), _k’h_ (1844). In his letter to Rawlinson he
preferred to leave it undetermined (1839).[563] Rawlinson suggested that
it had the sound of _t_ before _i_, which is so nearly correct and so
great an improvement upon all previous attempts that it might almost be
conceded to him as an approximate value if he had announced it earlier.
He acknowledges that he remained long in doubt concerning it, and
there is no evidence, as in the case of the other two letters, that he
suggested the emendation to Burnouf.[564] Before his alphabet appeared,
in 1846, the true value had been already fixed by Holtzmann in 1845 as
_d_ before _i_.
It thus appears that Rawlinson had a real aptitude for unravelling this
kind of puzzle. Only four letters were left to him by his predecessors;
and of these he determined two correctly and one nearly correctly.
The fourth, 28 (𐎩) the _z_ of Jacquet, he improves to an approximate
correct value _j’h_ in his first alphabet; and in his second he gives
it correctly as _j_ before _a_: a correction made simultaneously by
Hincks. He may also claim the merit of having restored the sound of _k_
(he writes _kh_) to 25 (𐎤). The value of this letter had long before
been fixed by Grotefend, but since then it had passed through many
vicissitudes. St. Martin thought it was _h_; Burnouf made it _q_; and
Lassen thought, in 1836, it stood for the _a_ in the diphthong _au_,
_ô_, till at length, in 1844, he reluctantly adopted Burnouf’s _q_.
Tn addition to these services, Rawlinson contributed two new letters,
one of which, No. 43 (𐎵), _n_ before _u_, has taken a permanent place
in the alphabet. The other (𐎾), _ñ_, is really a Susian letter with a
nasal sound, and is found in the Persian column in only two proper names.
Oppert suggests that it may be the missing _l_; and Spiegel is disposed
to agree.[565]
If we consult Rawlinson’s alphabet as it stood early in 1846, it will be
seen that he was in possession of correct values for the thirty-three
signs in Niebuhr’s list, with the exception of two, 10 (𐎺) _w_ for _v_,
and 19 (𐎮) _t_ for _d_, and both of these may be almost allowed to him as
approximately correct. In the case of the first, indeed, we have already
conceded it to Lassen, in consequence of the practical exclusion of _w_
from the German language; and we have only denied it to Rawlinson because
he distinguishes it from his 15 (𐎻) _v_.
We have not included the addition of the aspirate among the number of
errors, where it indicated only an unimportant modification of a correct
sound. It had its origin in the difficulty that was found in believing
that there could be more than one sign in the alphabet to express
precisely the same sound. We have seen that Hincks had just shown that
these signs do in fact express the same sound, and that their employment
depends solely upon the vowel that follows. After Major Rawlinson’s first
alphabet was in print, he arrived, independently, as we have already
stated, at precisely the same conclusion. He had long been struck with
the peculiarity that certain consonants are only to be found followed by
a particular vowel, and in his first alphabet he indicated five letters
thus distinguished. These were: 19, _t_ with _i_; 29, _m_ with _i_;
33, _m_ with _u_; 40, _r_ with _u_; 43, _n_ with _u_; and he observed
especially the affinity the vowel _i_ had for certain consonants—a
peculiarity he noticed also in some of the Scythic languages.[566] When
once his attention was directed to these facts it was not long before he
set himself to account for them. One of the most useful contributions
to decipherment made by Lassen arose from the suggestion that an _a_
is understood though not always expressed after a consonant, when not
followed by another vowel. Indeed until this idea occurred to him the
result of decipherment was the apparition of a long series of words
consisting of an agglomeration of consonants which no living tongue could
pronounce. The next step to be made, resulted from the observation that
some letters were always followed by _i_ and others by _u_. A laborious
classification of each letter according as it was followed by each of
these vowels was therefore undertaken, and the result was sufficiently
remarkable. It showed that in two cases in the grade of sonants (_d_ and
_m_) there was a different sign according as the letter was followed
by _a_, _i_, or _u_. Conversely, there were three cases in the grade
of aspirates (_th_, _y_, _sh_), where the same sign might be found
before any of the three vowels; and finally there were several cases in
the grade of surds (_k_, _t_, and _r_), where it was noticed that the
same sign was followed by either _a_ or _i_, and that a different sign
was used before _u_. Taking these facts into consideration, Rawlinson
thought he observed sufficient regularity to justify him in formulating
the general law that, for some unexplained reason, the grade of surds
in each class were expressed by two signs, one used before _a_ and _i_,
the other before _u_; the grade of aspirates by one sign only, equally
available before any of the three vowels; and the grade of sonants by
three signs, each applied to one vowel only. He admitted that there were
numerous exceptions to the rule; indeed, the class of dentals is the only
one where the series is complete, but the exceptions he was inclined to
attribute chiefly to the incompleteness of the alphabet.[567]
When the letters of Rawlinson’s original alphabet were distributed into
the various classes of gutturals, palatals, and so on, and among the
subdivisions of surds, aspirates, and sonants, they were found sufficient
to suggest the existence of some such law in the cases that have been
named. With Holtzmann’s correction of 19 (𐎮) from _t_ to _d_, he had the
three _d’s_ required to complete his sonants of the dental class. His
own list gave him the three _m’s_ required for the sonants of the nasal
class; and he already knew that one was used only before _i_, and the
other only before _u_. He knew also that the aspirates of three of the
classes were to be found indifferently before any vowel. In the case of
the surds, he had found that five of them (_k_ 𐎣, _ch_ 𐎨, _t_ 𐎫, _n_ 𐎴,
_r_ 𐎼) are always to be found before either an _a_ or an _i_. He knew
also that his second sign for _n_ 𐎵 (43) and his second sign for _r_ 𐎽
were only to be found before _u_; and he observed that the signs he still
read (𐎤) _kh_ and (𐎬) _th_ were also only found before _u_. It required,
therefore, no great effort to deprive them of their _h_, and to range
them with the others as the second signs in the surd grades for _k_ and
_t_.
Once the existence of this law was inferred, Rawlinson was led to make
other modifications in his original alphabet, in order to bring it
into strict conformity, and in every instance the alteration has been
confirmed. The following Table shows the distribution of the letters into
the various classes and grades, and the modifications they underwent.
When they fail to comply with the supposed law, the deficiencies are left
blank: when they violate it, the offence is marked by ‘!’.
RAWLINSON’S ALPHABET, AFTER AUGUST 25, 1846[568]
_Gutturals._ Followed by _a_ (𐎠) by _i_ (𐎡) by _u_ (𐎢)
_k_ surd 𐎣 𐎣 𐎤
_kh_ aspirate 𐎧 — 𐎧
_g_ sonant 𐎥 ? 𐎦
_Palatals_
_ch_ surd 𐎨 𐎨 —
_j_ sonant 𐎩 𐎪 —
_Dentals_
_t_ surd 𐎫 𐎫 𐎬
_th_ aspirate 𐎰 𐎰 𐎰
_d_ sonant 𐎭 𐎮 𐎯
_Labials_
_p_ surd 𐎱 𐎱 𐎱!
_f_ aspirate 𐎳? ? ?
_b_ sonant 𐎲 𐎲! 𐎲!
_Nasals_
_n_ surd 𐎴 𐎴 𐎵
_ñ_ aspirate 𐎾 ? ?
_m_ sonant 𐎶 𐎷 𐎸
_Semi-vowels_ Followed by _a_ (𐎠) by _i_ (𐎡) by _u_ (𐎢)
_r_ surd 𐎼 𐎼 𐎽
_y_ aspirate 𐎹 𐎹 𐎹
_v_ sonant 𐎺 𐎻 𐎺!
_Sibilants_
_s_ surd 𐎿 𐎿 𐎿?!
_sh_ aspirate 𐏁 𐏁 𐏁
_z_ sonant 𐏀 — 𐏀?!
_Aspirate_
_h_ 𐏃 𐏃 𐏃
Compound [Persian], _tř_
Doubtful final, [Persian]
One of the results of the classification of the consonants according to
the vowels that follow them was to introduce a considerable change in
the method of transliteration. It is only in exceptional cases that the
_a_, following a consonant, is found in the text, but its inherence is
inferred. When, therefore, an _i_ or _u_ immediately follows a consonant
with an inherent _a_, instead of transliterating as formerly such a group
as 𐎥 𐎡 _gi_ and 𐎥 𐎢 _gu_, they are now written _gai_ and _gau_; and
this modification has materially assisted the explanation of the words
in which such combinations occur. An interesting proof of the accuracy
of this system is afforded by the word ‘Kurus,’ which was so long an
object of contention. The genitive is denoted by the insertion of an
_a_—‘Kuraus.’ The letter 𐎽 (_r_), which is followed by _u_, is used for
the nominative ‘Kurus’; but the letter 𐎼 (_r_), which has an inherent _a_
is substituted in the genitive. Thus:
Nom. _Kurus_, 𐎤 · 𐎢 · 𐎽 · 𐎢 · 𐏁
k u r u s
Gen. _Kuraus_, 𐎤 · 𐎢 · 𐎼 · 𐎢 · 𐏁
k u r(a) u s
The interchange of these two signs in ‘Kurus’ finally disposed of a
supposition started by Burnouf and supported so lately as Holtzmann,[569]
that 𐎽 might be _l_, and that the Persians pronounced the name of their
great king ‘Kulus.’
Considerations of the same kind greatly assisted Rawlinson in rectifying
some of his values. For example, in the case of 𐎦, which he had hitherto
read _gh_, he found that it replaced 𐎥 the _g_ before _a_, in order
to form the locative singular ‘Mar_gau_w;’ and consequently he had no
hesitation ‘in placing the two characters, not merely in the same class,
but in the same grade of that class.’ It is therefore now found among the
gutturals as _g_ before _u_.[570]
Precisely the same considerations led to the rectification of 28 (𐎩)
_j’h_ to _j_. He found the locative of Susiana (‘uwajaiya’) written 𐎩 ·
𐎡, i.e. _ji_, which he knew from grammatical considerations must stand
for _jai_; and he therefore concluded that 𐎩 is _j_ before _a_; which is
correct.
A farther result of this classification is to supply the sounds of the
missing vowels _e_ and _o_, for when _i_ or _u_ follow a consonant
with an inherent _a_, the diphthongs _ai_ and _au_ are produced, which
correspond phonetically and grammatically to the diphthongs _ê_ and _ô_
in Sanscrit.[571] Such were the results communicated by Rawlinson in
his Supplementary Note, which, as we have seen, crossed the detailed
account of Hincks’s paper on the same subject. It was received in London
on October 8, and its substance was read at a meeting of the Society
on December 6, and noticed in the ‘Athenæum’ of December 19.[572] The
alterations in the method of transliteration required by the new
system were, as we have said, carried out under the supervision of Mr.
Norris.[573]
Rawlinson has not drawn up a formal grammar of Old Persian, but he
loses no opportunity of comparing its forms with Sanscrit and Zend,
and pointing out wherein they agree and wherein they differ. He shows
that the initial letter _a_, so frequently employed, is used to express
the temporal augment in the past tenses of verbs, and according to the
analogy of the Sanscrit it is short. But the short _a_ of Sanscrit
terminations is changed into long _a_ in the cuneiform; and the mute
terminal consonants of the former are usually omitted, as in the endings
‘as,’ ‘at,’ ‘an,’ ‘am,’ a rule applicable to both nouns and verbs. He
shows also that the suffixes in _i_, so common in Sanscrit and Zend,
are all lengthened into ‘iya’; a rule also applicable to the terminal
_u_.[574] If he had finished his chapter on the Vocabulary, the student
might have been able from it to put together a complete grammar. Under
their initial letters we find ‘adam,’ the personal pronoun ‘ego’;
‘aniya,’ ‘alius’; the two demonstrative pronouns ‘ava,’ ‘that,’ and
‘iyam,’ ‘this’;[575] correctly traced through all their cases so far
as they were known—and the same is done for the cases of the verbs
‘am‘iy,’ ‘I am,’ and ‘thah,’ ‘to say’;[576] and in each he shows the
close similarity they exhibit to Sanscrit and Zend. In his notes to the
translation he dwells especially on the construction of the sentences and
upon the historical questions raised by the subject-matter of the text.
He gives an elaborate analysis of each letter of the cuneiform alphabet,
comparing its use and pronunciation with those of other languages. He
can draw a wealth of illustration at pleasure from the kindred languages
of Sanscrit, Zend, Pehlevi, Persian, as well as from Pali, Devanagari,
Hebrew, Chaldee, Syriac, and Turkish; and although he displays an amount
of knowledge that is truly surprising, he defers with unaffected humility
to ‘the more experienced philologist.’[577] He classifies Old Persian as
belonging to ‘the Arian type, resembling Sanscrit very closely in its
grammatical structure; but in its orthographical development more nearly
approximating to the Zend: while in the peculiarity of organisation which
requires the juxtaposition of certain consonants with certain vowels it
exhibits something of a Scythic character.’[578] He was not disposed to
admit the antiquity then beginning to be claimed for Zend. He thought
that in comparison with Old Persian it was modern. He imagined that the
latter became gradually extinct after the age of Alexander, and that
it was succeeded by Zend and Pehlevi, the former as a hieratic and the
other as a demotic language but both derived from it.[579] He was clear
at least that Old Persian could never have descended from Zend, though
he reluctantly admits the possibility of their contemporary existence.
His unwillingness to allow the antiquity of Zend was due in great measure
to the legendary character of the Zendavesta, a book which he considered
could not have been written till after the cuneiform Persian had been
entirely forgotten. Otherwise, he said, ‘the priesthood could neither
have had the audacity nor the desire to darken authentic history by the
distorted and incomplete allusions to Jemshid and the Kayanian monarchs
which are found in the Vendidád Sadé and in the ancient hymns.’[580]
The appearance of Rawlinson’s work was received with feelings of
enthusiasm in Germany. The reproach that England had hitherto neglected
the cuneiform records was at length effaced, and in such a manner as to
entitle her to claim the first place in the roll of discovery. Benfey
declared that few, if any, of the contributions made in recent times in
the field of Oriental research could compare with it in importance.[581]
Major Rawlinson, he says, displays an extraordinary aptitude for
decipherment, and an accuracy and depth of philological learning that
render it peculiarly fortunate that such an important document should
have fallen into his hands. In mere length, the inscription exceeds by
more than a hundred lines all those published by Lassen put together.
It consists of five columns of about four hundred and ten lines, and,
although there is considerable repetition, it nevertheless offers a great
variety of words and phrases which added immensely to the knowledge
previously acquired.[582] One great difficulty with which he had to
grapple was the very imperfect state of the text. A glance over the
plates will show the numerous blanks left in the writing in consequence
of injury to the rock. Rawlinson’s copy was so carefully executed that he
committed only one serious error, the omission of a line in the fourth
column. The other imperfections are due entirely to the ravages of time.
In the first column there is a large fissure on the right hand, extending
from the top to the twenty-fifth line, and again from the sixty-third
line to the end, besides numerous occasional gaps elsewhere. But the
second column is in a much worse condition. ‘A fissure, varying in
breadth, caused by the percolation of water, bisects it and destroys the
continuity of the writing throughout its whole extent.’[583] The third
is nearly perfect, except at the bottom, where several lines are wholly
lost. The fourth column is worse than the second; ‘a fissure transects
the tablet longitudinally,’ and in the lower half ‘the rock is more or
less broken by the trickling of the water.’ But when we come to the
fifth, we find ‘a state of such deplorable mutilation that it would be
waste of time and ingenuity to undertake an analysis of the text, or
to attempt anything like a connected and intelligible translation.’ In
the face of these difficulties he was obliged to have recourse to very
elaborate and ingenious restorations. At the end of the second column,
for instance, he found the Susian copy perfect, and this enabled him
to ‘restore’ the Persian text. It is one of the first instances of a
long translation from the Susian, and his version of it turned out
afterwards to be correct.[584] In the numerous repetitions that occur so
frequently, he found a safe guide in other passages of the inscriptions.
Sometimes, however, he had to work on much less solid foundation, as when
he sought help from other sentences that were only ‘of nearly similar
construction’; or when his restoration was ‘generally borne out by the
context’; or merely by considerations of ‘grammatical propriety.’ In
such cases he could never arrive at more than a high probability. He had
frequently to measure the length of a blank and then tax his memory to
supply one or more words with the required number of letters that would
fit into the vacant place and at the same time make sense. Sometimes,
as in the fourth column, the sense was so obscure that he feared his
‘restorations will be considered rather bold than felicitous.’[585]
Occasionally his courage failed him altogether, and he was obliged to
confess that ‘I cannot restore the [passage] even conjecturally.’ It
is remarkable how uniformly successful his ‘conjectural restorations’
were found to be. He imposed the most admirable restraint upon the
intuitive faculty with which he was so eminently gifted; and his
emendations exhibit a patience and sobriety that many scholars engaged
in similar work might advantageously study. When he had surmounted the
imperfections of the text so far as possible, he set himself to the task
of translation, and achieved the most notable success in this department
of literature. When we consider that he had to unravel the intricacies of
long sentences, determine the grammatical relations of multitudes of new
words and fix their meaning by a patient comparison with Zend or Sanscrit
analogies, the unfailing divination he displays is absolutely marvellous.
A careful comparison of this first translation with that now accepted as
correct will show comparatively few alterations, although the labours of
many scholars have since been devoted to a rigorous study of the same
text. The main body of the translation remains the same, word for word,
down to the minutest particulars. Some doubtful passages, concerning
which Rawlinson himself entertained doubts, have been cleared up; but it
rarely happens even in these that the original translation was in fault
as to the general meaning.
The long list of commentators begins with Benfey, whose tract on the
subject was sent to the press in January 1847, when he could only have
seen the first part of Rawlinson’s work. Some of Benfey’s suggestions
have been accepted, others definitely rejected. A few instances will
illustrate the nature and extent of the earliest attempt at revision.
Almost the first error occurs in Column I. par. 10, where we find:
‘The troubles of the state ceased which Bardius excited.’ Rawlinson
warns us that ‘this sentence cannot be read with any certainty,’ on
account of a blank in the inscription, and the doubt attaching to the
word ‘azada.’ Benfey derives this word from the Sanscrit ‘ajatá,’ which
signifies ‘deprived of children,’ and he translates the passage: ‘The
kingdom was deprived of heirs because Bardius was killed.’[586] But this
alteration turned out to be quite unauthorised. ‘Azda,’ as the word
is now written, is identified with the Armenian ‘azd,’ ‘information,’
corresponding to the Sanscrit ‘addhâ,’ ‘certain’; and Rawlinson himself
corrected the passage in 1873 to ‘It was not known to the state that
Bardius was killed.’ The accepted version given by Spiegel is ‘The army
had no information that Bardius was killed.’[587] Soon after, we are
told that ‘Cambyses, unable to endure his [misfortunes], died’ (par.
11). Benfey attributes his death to ‘overwhelming anger’ (übergrossem
Zorn); but Oppert showed that the word really means ‘suicide.’ In 1873,
Rawlinson had made the rectification himself.[588] Not more happy was
the substitution of ‘Liebet mich’ for the often repeated exclamation
Rawlinson renders ‘Hail to thee!’ and which properly signifies ‘Go
forth!’ as Rawlinson said in 1873.
There are, however, some instances where the commentator makes a
useful correction. The erroneous reading, ‘he would frequently address
the state’ (par. 13), he altered to ‘er möchte das Reich mit Macht
vernichten,’ which approaches Spiegel, ‘er möchte viele Leute tödten,’
or, as Rawlinson said in 1873, ‘he slew many people.’ So also the passage
‘afterwards Dadarses remained away from me in the field’ (Col. II. par.
9), is improved to ‘dann erwartete mich dem Befehl gemäss Dadarses.’
This Rawlinson changed in 1873 to ‘afterwards Dadarses waited for me
there,’ the accepted version being ‘dort erwartete mich Dadarses so
lange’ etc. It will be observed that the critic was himself liable to
fall into superfluous additions not far removed from error. Sometimes,
however, he avoided this trap, as when he substituted ‘he lied’ (Col.
IV. par. 1) for Rawlinson’s ‘impostor,’ and ‘if you so think’ (par. 5)
for ‘if it should be thus kept up.’ But in a large proportion of cases
Benfey follows his leader into error with perfect complacency. In one
or two places Rawlinson is obliged to confess that the difficulties are
so great that translation is almost impossible. One of these occurs in
the description of the religious reform after the death of Gomates,
the Magian (Col. I. par. 14). Referring to this passage, he says: ‘Of
several of the most important words the orthography is doubtful; of
others the etymology is almost impenetrable, and the construction,
moreover, in some parts renders the division into sentences a matter
of serious embarrassment.’[589] But the difficulties have been found
almost as insuperable by his successors. They have not been able to
derive assistance from the Susian and Babylonian columns, where the
difficulties are even greater. The meaning of some words still remains
a mystery, and even the general drift of the passage is open to
discussion. Spiegel[590] warns his readers that the explanation of the
whole paragraph is still so uncertain that no opinion as to the religious
history of the times can be prudently based upon it. But such passages
as these are fortunately of rare occurrence; and from the moment of
Rawlinson’s publication the contents of the inscription were known as
thoroughly as they are at the present day. The careful study of two
generations of scholars has changed a word here and a word there, and
cleared up the meaning of a few doubtful passages, but in all substantial
respects the translation remains unaltered.
Rawlinson’s revised translation of the inscriptions published two years
before by Lassen forms the concluding chapter of his Memoir. We have
already had occasion to contrast the merits and demerits of the two
translators. Rawlinson’s transliteration presents an entirely modern
appearance in consequence of the correctness of the values of so many
signs. There are still a few errors, owing chiefly to the prolongation
of the final syllable in such words as ‘thatiya,’ ‘tyaia,’ and others,
an error already signalled by Hincks. But these are of small importance.
As regards the translations, he brought from the study of the Behistun
record a knowledge of the language that no one else then possessed, and
he was able at once to resolve difficulties that had baffled all previous
attempts. Such expressions as ‘generosus [sum]’ finally disappeared for
the correct rendering ‘he says.’ Sentences that were hitherto entirely
misapprehended now appear in their correct form. ‘The son of Arcis’ gives
place to ‘the son of a Persian, an Arian of Arian descent.’ The last
paragraph of the same inscription is satisfactorily explained. Even where
he fell short of success, as in the end of the I inscription, he made
important contributions to the elucidation of intricate passages.
Rawlinson added the inscription on the Venice vase, not known to Lassen.
It had been recently published by Longpérier in the ‘Revue Archéologique’
(1844), who thought it should be referred to Artaxerxes I. Rawlinson
translated it ‘Artaxerxes the King,’ and assigned it to Artaxerxes Ochus.
Opinion has since been divided upon the subject; Spiegel and Menant
follow Longpérier; Oppert and Weissbach follow Rawlinson.
Very few additional inscriptions in Old Persian have been brought to
light since the date of Rawlinson’s Memoir. But a good deal of labour has
been spent in clearing up the doubtful passages in those already known.
In some cases the text was, as we have said, so much mutilated as to
defy intelligible translation. This was the case with the fifth column
of the Behistun; and Rawlinson thought it best to omit it altogether
from his revised edition of 1873.[591] This diffidence, however, may
have stimulated M. Oppert to attempt a restoration of the text. We have
already described the process followed by Rawlinson. It consisted in
selecting a word or words containing the number of letters required to
fit into the space left vacant by the erasure of the text, and which
would at the same time make some kind of sense. It is obvious how
much of the success of this operation will depend upon the ingenuity
of the restorer; and still more upon the restraint he exercises over
his imagination. No one is more distinguished than M. Oppert for the
ingenuity of his conjectural restorations; and the column that Rawlinson
abandoned as hopeless appears in Oppert’s edition as the ‘Complementary
Behistun Text,’ and in a comparatively perfect condition. In this case
he could receive no assistance from the translations, because both the
other columns are destroyed; and not much by comparison, for there
are few parallel passages. His work is, therefore, the more admirable
as a display of the imaginative faculty. But his reading has not been
accepted by Menant or Spiegel, or by Weissbach.[592] No doubt we owe the
‘Testament of Darius at Naksh-i-Rustam’ to the same method which appears
to have been exercised upon the few lines copied by Westergaard from the
long inscription below the one known and which Spiegel declares it is
clearly impossible to translate.[593] One of the three short inscriptions
engraved above the figures of the Tomb has also given rise to some
discussion. Mr. Tasker, an English traveller, sent them to Rawlinson, by
whom they were published in the ‘Journal of the Asiatic Society,’ and an
improved version appeared some time afterwards.[594] Even at that period
considerable difference of opinion existed as to the meaning of at least
one of these short legends. According to Rawlinson, Norris, and Oppert,
Aspathines is the ‘keeper of the arrows’ of King Darius; but Norris adds
‘chamberlain’ and Oppert ‘quiver-bearer.’ Elsewhere Oppert translates it
quite differently: ‘Aspathines, minister of King Darius, who makes the
law observed.’ Spiegel’s version is: ‘Aspacanâ des Königs Darius genosse,
Zügelhalter (?).’[595]
In the autumn of 1846, when Rawlinson’s ‘Memoir’ was passing through
the press, Dr. Frederick Hitzig published a tract on the Persian Text
of the Tomb Inscription of Darius; but his translation shows little
advance beyond the point reached by Lassen.[596] The edition of the
Persian inscriptions by Theodore Benfey made its appearance early in
1847. His transliteration suffers from having been made before the
method of writing explained by Hincks and Rawlinson in the previous
year had become generally known. We have already sufficiently noticed
Benfey’s translations, which show considerable improvement on those of
Lassen, but fall far short of the comparative excellence obtained by
Rawlinson. In the course of the summer, another writer appeared whose
name has been already mentioned and who was destined to occupy a very
important place in the future history of Cuneiform Research. M. Oppert
was born in Hamburg in 1825, and studied successively at Heidelberg, Bonn
and Berlin. At Bonn he was a pupil of Lassen, and to this circumstance
probably we owe his early interest in cuneiform and the publication of
a tract on the subject at the age of twenty-two. The promising youth
was precluded by his Jewish faith from holding a professorship in
Germany, and consequently he went to Paris in 1847. His later writings
have all appeared in the French language, and for this reason he is
generally included among the number of French scholars, of whom, till
quite recent years, he was by far the ablest representative.[597] So
far as we are aware, the pamphlet on the ‘Lautsystem des Altpersischen’
was his first effort in this department of knowledge.[598] In it he
explains the principle that regulates the employment of the consonants
in substantially the same manner as Hincks and Rawlinson had done in the
previous year. He had evidently arrived at his conclusion independently,
and it is remarkable that he was not better informed of the progress
that had recently been made. It might be supposed that the attention of
everyone interested in the subject would be directed to the appearance
of Rawlinson’s ‘Memoir,’ which was then eagerly expected. It was in fact
published before May 1847, and Oppert’s tract was not sent to press till
July.
With the publication of Rawlinson’s Memoir, in 1846-7, the decipherment
of the Persian inscriptions may be considered accomplished. In 1850,
he could write that there ‘are probably not more than twenty words in
the whole range of the Persian cuneiform records upon the meaning,
grammatical condition or etymology of which any doubt or difference of
opinion can at present be said to exist.’[599] The value of his own
contribution to the general result received the fullest recognition.
Professor Max Müller declared to Canon Rawlinson that, ‘thanks mainly
to your brother, we have now as complete a knowledge of the grammar,
construction and general character of the ancient Persian language as
we have of Latin.’[600] He was greeted as the Champollion of the new
decipherment, a position he has retained to a large extent in Germany and
France. So late as 1895, M. Oppert found occasion to remark that, ‘after
Rawlinson it was only possible for other scholars to obtain gleanings
in the field of Persian cuneiform interpretation.’[601] In his own
country, however, he seems to have suffered for a time from the singular
affectation that was so long in fashion, of looking to Germany alone for
all the springs of knowledge. As a matter of fact, in this department at
least, few Germans, with the exception of Grotefend, made any important
contribution. Rask, Lassen, Westergaard, were all Scandinavians, and
it is certain that for many years Rawlinson continued to be the source
whence Continental writers drew most largely; and the neglect into
which he fell at home occasioned the surprise of at least one eminent
Frenchman. ‘Young English and Germans,’ says M. Oppert, ‘pretend not
to know him. An Englishman once told me he had never read a line of
Rawlinson. I replied: “I supposed just so; if you had read him, your
papers would be less imperfect than they are.”’[602] This testimony to
the great services of Sir Henry Rawlinson is given by the scholar who for
many years occupied by far the most prominent position among Continental
writers upon cuneiform subjects, and who has himself contributed largely
to the progress of the study.
In 1851, M. Oppert undertook a complete revision of the whole series of
Achaemenian inscriptions. The work appeared in the ‘Journal Asiatique,’
between February 1851 and February 1852, and was afterwards published in
a separate form.[603] He introduced a considerable number of alterations,
in both the transliteration and translation, and, so far as we have
noticed, a large proportion of them have been accepted. He criticised
some of Rawlinson’s opinions, but rarely with asperity, and he generously
acknowledges that the English scholar ‘a grandement mérité de l’histoire
du genre humain.’[604] He subsequently revised his own translations for
his book on the ‘Expédition en Mésopotamie,’ published in 1858. In the
same year Rawlinson made an amended version of the Behistun Inscription
for the edition of Herodotus published by his brother; and again in 1873
for the ‘Records of the Past.’[605] The other inscriptions were once
more revised by Oppert in 1877 for the same useful publication.[606] But
meanwhile a complete edition of the whole Persian inscriptions had been
published by Spiegel in Germany in 1862,[607] and in France in 1872, by
M. Menant.[608] The latest publications on the subject that have come
under our notice are the valuable treatises on the languages of the first
and second columns by Weissbach,[609] and of the third column by Dr.
Bezold,[610] accompanied in each case by a revised text, transliteration
and translation.
CHAPTER V
DECIPHERMENT OF THE SECOND OR SUSIAN COLUMN—WESTERGAARD TO OPPERT—A.D.
1844-52
The signal success that had been achieved in the decipherment of the
Persian column of the Achaemenian inscriptions greatly facilitated
the accomplishment of the difficult task that still remained. In the
other two columns it was comparatively easy, especially in the short
inscriptions, to identify the combinations of signs that corresponded to
the proper names in the Persian, and to check them by their recurrence
in the positions where they were again to be expected. The satisfactory
application of this process left no doubt that the writing in both
columns was from left to right; and that they were translations of the
same text. When the groups of characters composing the proper names
were ascertained, the next process was to separate them into letters
or syllables, and to identify each with the corresponding letter in
Persian. The result of this inquiry was to show clearly that the writing
was partly syllabic and to raise the suspicion that it was also partly
ideographic. It was seen that the signs were too numerous to be limited
to an alphabet, and that long words could be expressed with comparatively
few signs. In some cases its ideographic character was illustrated by the
occurrence of only one sign to represent an entire word—such as ‘King.’
It was also observed that in the second column a vertical wedge usually
preceded proper names as a determinative.
From the time when Niebuhr pointed out that there were three essentially
different styles of writing, and that each style was uniformly reproduced
in the same relative position in all the inscriptions, the subject had
given rise to much speculation. It was at first thought that the three
columns repeated the same text in the same language written in different
characters.[611] Grotefend, however, recognised that the languages also
were different, but he thought they were dialects closely related to
each other. The first, as we have seen, he considered to be Zend, which
he called the Median language; the second he thought was Parsi, or the
language of the Persians; and the third another dialect of Persian,
possibly Pehlevi.[612] Subsequently he changed the order of the last two,
and described them respectively as resembling Pehlevi and Parsi.[613]
As regards the signs, Münter thought that in the second column they
were syllabic and in the third ‘hieroglyphic’; Tychsen and Grotefend
thought that both had signs for vowels and consonants, which were at
times replaced by an ideogram. Grotefend further saw that the second
included signs for the combination of a consonant and vowel; the third he
considered had no vowel signs, but used signs for the triple combination
of consonant, vowel and consonant.[614] He entirely rejected the idea
that either system was purely ideographic. In 1824, he prepared a Table
for the third edition of Heeren, showing some words that corresponded to
each other in the three languages. The inscriptions he selected were the
G of Niebuhr, the inscriptions at Murgab and on the Caylus vase. These
he arranged word for word in parallel columns opposite to one another.
He used a full stop to indicate the combination of wedges that went to
form each letter or syllable; indeed at that period it required scarcely
less skill to divide the words into letters than to distinguish the words
themselves. No attempt was made to assign values to the characters, and
for many years no farther progress was made. In 1837 he still thought
the three columns represented dialects of Old Persian, though they might
not exactly correspond to Zend, Pehlevi and Parsi. The two first he
considered nearer to each other as regards language; but he remarked that
the two latter presented a closer resemblance to one another as regards
the writing. Still he said the resemblance was by no means so close as
that between the third column and the Babylonian inscriptions. He saw
indeed that the writing of the third column was a mere simplification of
the Babylonian; and he hazarded the useful conjecture that the writing of
the second might be only an arbitrary modification of the third. He would
not even yet admit that either could be, strictly speaking, described as
syllabic; and he entirely rejected the idea that the third was a Semitic
language.[615]
But the study was now upon the point of entering on an entirely new
phase. We have already seen the success with which Burnouf and Lassen
applied the discovery made by Grotefend to the long list of names in the
I inscription. The visit paid in 1843 by Westergaard to Naksh-i-Rustam
resulted in the recovery of a farther list of provinces from the Tomb
of Darius. On his return to Germany, he made over his copy of the first
column to Lassen, who was best qualified to turn it to account, and he
devoted himself to an attempt to decipher the language of the second
column. The result appeared in the ‘Zeitschrift für die Kunde des
Morgenlandes’ of 1844; and the same year, in English, in the ‘Mémoires
des Antiquaires du Nord.’[616] In 1845, the Memoir was republished in
German, along with Lassen’s Second Memoir, and this, as the latest, must
be regarded as the most authoritative version.[617] The investigation
is based upon an analysis of the various proper names contained in the
inscriptions. Westergaard began with the well-known names of the Kings
which Grotefend had turned to such good account, and afterwards reviewed
those of the provinces recently deciphered by Lassen. From these he
obtained a sufficient number of values to attempt a transliteration of
the more common words occurring in the Persian version, and especially
in the well-known form that opens so many of the inscriptions. He has
given us a transliteration of this passage, which is the first ever
made into Roman characters of a Susian inscription.[618] His work was
necessarily based upon Lassen’s defective decipherment of the Persian
signs; and it was therefore inevitable that it should reproduce the
same erroneous values. He transliterated all the various inscriptions,
beginning with those of Xerxes as the shortest and simplest, and
proceeding to those of Darius, including the one at Naksh-i-Rustam, which
he was the first to copy.[619] It is curious to compare the earliest
attempts at transliteration with those subsequently made by Oppert
and Weisbach. It will be seen that few of the words in his glossary
could now be recognised. He had little opportunity of displaying his
skill as a translator, for in this department he implicitly followed
Lassen’s rendering of the corresponding Persian column, and we find the
same errors in both, from ‘Arça’ downwards; but he concludes with the
K inscription, which has no Persian counterpart, and here he achieved
a respectable success. He was able to make out sufficient to show that
Darius laid claim to the foundation of the Persepolitan platform.[620] In
the German edition he omits his adventurous transliterations (as well as
the declination of Ku, ‘king,’ which it will surprise some scholars to
hear takes the forms of ‘Kuyoni’ in the accusative singular, and ‘Kuthin’
or ‘Kuthrar’ in the genitive plural), and he has consequently lessened
the interest, if not the value, of that work.[621]