PENNONS, BANNERS, AND STANDARDS
Pennons, banners, and standards are so closely associated with
heraldry that we must not leave them altogether unnoticed.
In the Middle Ages three distinct classes of heraldic flags appear to
have been in use in England.
[Illustration: PLATE 7.
THE FLAGS OF GREAT BRITAIN.
1. The Union Jack. 2. The Royal Standard.]
The first was the pennon; this was an armorial lance flag, narrow
and tapering, and was the mark of knightly rank. Sometimes it was
triangular in form, but it was oftener forked or swallow-tailed at the
fly. It was borne on a lance, and served as the personal ensign of
the bearer, being charged with his badge or some other part of his
armorial bearings.
The banner was a square flag, very often representing the whole
coat of arms of the bearer, in exactly the same way as a shield was
blazoned. A banner was carried by all above the rank of a knight,
kings included.
An emperor's banner was 6 feet square, a king's 5, a nobleman's only
3.
The standard was the third variety of early heraldic flags. It was
chiefly in use in the fifteenth century, though some standards were
certainly in use some fifty years sooner.
In old days the term "standard" was loosely applied to any large flag
on which a badge and motto were represented; in fact, there is no
doubt that the standard was originally designed for the special
purpose of displaying armorial bearings. Nevertheless, a standard
proper was a tapering flag, richly embroidered, and slit slightly at
the narrow end. The standard of an emperor or king was 11 yards long
when it was planted before his pavilion, but when it was carried into
battle it was reduced to 9 yards in length. It is, therefore, quite
incorrect to speak of the square banner on which our royal arms are
blazoned as a _standard_, for it is most distinctly a _banner_. It
displays, as you all know, the armorial bearings of the sovereign
fully blazoned, just as they are marshalled in the royal shield. This
banner should only be hoisted over a palace when the king or some
member of the royal family is actually in residence.
In the Navy, the Royal Standard--falsely so-called--is considered the
supreme flag of Great Britain, and is only flown on a ship when the
monarch, or someone belonging to the royal family, is on board.
The Union Jack is the national banner of Great Britain and Ireland.
It represents the three united crosses of St. George for England, the
saltire of St. Andrew for Scotland, and the cross of St. Patrick for
Ireland. St. George's Cross is red on white; St. Andrew's is white
on blue; St. Patrick's (saltire-shaped like St. Andrew's) is red on
white.
Some writers have derived the word _jack_ from Jacques for James
I., because he was the monarch who united the flags of England and
Scotland; but this is held to be incorrect. The old heraldic name
for a surcoat was "jacque," hence obviously our word "jacket," which
recalls the German _jacke_ for coat, and therefore undoubtedly "jaque"
survives in the "Union _Jack_," which is intended to represent the
national arms, and thus certainly fulfils the purposes of a coat of
arms.
The Union Jack first came into use after James I.'s accession, when
England and Scotland became united. Till then, the English flag bore
St. George's Cross, a rectangular red cross on a white field, whilst
the Scotch flag showed the white diagonal cross of St. Andrew on a
blue ground.
The union of the two flags was effected by retaining the blue field
of St. Andrew's Cross, whilst the red field of the English flag was
represented by adding a narrow border of that colour to the limbs
of St. George's Cross. The heraldic term for this addition is
"fimbrication"--literally _bordering_. This combined flag remained
in use till 1801, when, Ireland having joined the Union, it became
necessary to incorporate the cross of St. Patrick into the national
banner. But, lest it should be thought that either of the diagonal
crosses took precedence of the other, care was taken that the white
and red borders of each should be alternately uppermost.
The Lord Lieutenant of Ireland flies the Union Jack with the harp of
Ireland on an escutcheon charged upon it. So also does the Governor of
India, but in this case the Union Jack bears the Star of India in the
centre, charged with a rose, and surmounted by an imperial crown.
We have three flags constantly in use nowadays, which are always
spoken of as _ensigns_. These are:
_First_, the Red Ensign, a plain red flag, bearing a Union Jack in a
canton on the dexter side. This is know as the "Ensign of England,"
and when displayed at sea distinguishes all vessels not belonging to
the Royal Navy.
_Second_, the White or St. George's Ensign; the original banner of St.
George with a "jack" cantoned in the first quarter. This is the ensign
of the Royal Navy.
_Third_, the Blue Ensign, a plain blue field with the Union Jack
cantoned in the dexter side. This is the ensign of the Naval Reserve.
The Admiralty flag, displaying a yellow anchor and cable set fesswise
on a red field, may be grouped with the three ensigns.
As regards military flags, the cavalry standards--banners
properly--are the true survivals of the knightly banners of the Middle
Ages. The colour of the field repeats that of the regimental facings,
and each standard bears the number, motto, and specific title of its
own regiment, as well as its own heraldic badge. Upon these standards
are also blazoned the regimental "honours," such as "Waterloo,"
"Alma," "Lucknow," thus commemorating the services rendered by that
corps to their country.
Infantry regiments have their "colours," or, properly, _pair of
colours_. One of these is the sovereign's colour, always crimson,
displaying a Union Jack, charged with the regimental device; the other
is the regimental colour, repeating the tincture of the facings. Upon
this the "honours" and "devices" of the regiment are charged, whilst a
small "jack" is cantoned on the dexter side of the flag.
The regimental "colours" of the Guards is the Union Jack.
The Royal Artillery have neither colours nor standards.
It would be curious to note the various forms of banners which have
been in use since the days when the old Roman general hoisted a small
truss of hay as his ensign, but surely one of the queerest flags that
ever found its way into history was that displayed by our own Henry
V., when, in 1420, he made his entry into Paris, riding between
Charles VI. and Philippe, Duke of Burgundy. For then, we are told,
that, amongst other banners, the English monarch bore a lance with a
fox-tail attached to it, for being "a great hunter of foxes," this was
his own personal badge.
* * * * *
Here we must close our "Peeps at Heraldry," but please, dear eyes,
that have been peeping with me up to this point, do not close too.
Otherwise the object with which this little book has been
written--namely, to _open_ your eyes to the rudiments of heraldry, so
that, having begun with a peep, you may go on to take an exhaustive
view of the art and its developments--will be sadly defeated.
For this small volume pretends to be nothing more than a simple
introduction, a path-finder, to that fascinating language, in
which the golden deeds of chivalry and patriotism, of science and
philanthropy, are kept alive from age to age in all quarters of the
civilized world.
GLOSSARY
OF SOME OF THE TERMS TO BE MET WITH IN HERALDRY
=Abased=, applied to a charge placed lower than its usual
position.
=Accollée=, side by side.
=Accrued=, fully grown.
=Achievement=, complete heraldic emblazonment.
=Addorsed=, back to back.
=Agroupment=, grouping of two or more shields to form one
achievement.
=Ailettes=, part of mail armour for protecting neck.
=Appaumée=, open hand, showing palm (Fig. 51).
=Arménie=, ermine.
=Armes parlantes=, allusive arms.
=Armory=, heraldry.
=Aspersed=, scattered over.
=Assurgeant=, rising from the sea.
=Barbute=, chin-piece of helm.
=Bardings=, horse-trappings.
=Basilisk=, cockatrice, produced from egg, laid by cock and
hatched by a toad on a dunghill.
=Basinet=, steel cap; part of old armour.
=Beacon=, fire chest of burning combustibles set on a pole
with a ladder against it.
=Bezant=, disc-like coin.
=Birdbolt=, arrow with a blunt head.
=Breys=, horse curbs.
=Brisure=, mark of cadency.
=Caltrap=, or =Cheval-trap=, used to maim horses in battle.
=Cameleopardel=, mythical beast.
=Chape=, or =Crampet=, decorated top of sheath.
=Chatloup=, fabulous horned animal.
=Chess-rook=, chess piece.
=Chevronel=, small chevron.
=Chimera=, legendary beast.
=Cinque-foil=, leaf or flower of five foils.
=Closet=, bar diminished to half its width.
=Clouée=, nailed, nail-heads showing.
=Conjoined in lure=, wings united; tips in base.
=Contournée=, facing to the sinister.
=Cornish-chough=, crow with red beak and legs.
=Coronet=, badge of Peer; _Duke's_, with eight
strawberry-leaves of equal height above rim; _Marquis's_, four
strawberry-leaves alternating with four pearls on points of
same height as leaves; _Earl's_, same as Marquis's, but pearls
raised above leaves; _Viscount's_, with twelve silver balls on
coronet; _Baron's_, with six silver balls set close to rim.
=Côtise=, diminutive bend.
=Coupled-close=, half a chevronel.
=Cresset=, a beacon.
=Crusilly=, sown with cross crosslets.
=Cubit-arm=, human arm couped at elbow.
=Debased=, reversed.
=Debrusied=, when an ordinary surmounts an animal or other
ordinary.
=Decollated=, said of a decapitated lion.
=Decrescent=, half-moon, with horns to the left.
=Defamed=, said of a lion looking backwards.
=Degraded=, set on steps.
=Demembered=, figure cut into bits, with original figure left
unaltered.
=Depressed=, surmounted.
=Dimidiated=, cut in halves pale-wise, and one-half removed.
=Doubling=, lining of a mantle.
=Eaglet=, little eagle.
=Embowed=, bent.
=Embrued=, blood-stained.
=Endorse=, a little pale.
=Enfiled=, pierced with a sword.
=Enhanced=, raised towards the chief.
=Ensigned=, ornamented.
=Erne=, eagle.
=Escroll=, ribbon bearing motto.
=Erminites=, fur, white, with black spots, and a red hair each
side of spots.
=Fermail=, a buckle.
=Ferr=, horseshoe.
=Fetter-lock=, chain and padlock.
=Fillet=, diminutive of chief.
=Fitched=, pointed at base.
=Flexed=, bowed and bent.
=Fylfot=, curious cruciform figure.
=Gadbee=, horse-fly.
=Gambe=, or =Jambe=, leg of beast of prey.
=Gorged=, encircled round the throat.
=Gradient=, walking.
=Grand quarters=, four primary divisions of the shield.
=Greeces=, steps.
=Guige=, a shield-belt.
=Hames=, parts of horse harness.
=Hastilude=, tournament.
=Hatchment=, achievement of arms in a lozenge-shaped frame
placed over residence of a lately deceased person.
=Heights=, applied to plumes rising in rows above one another.
=Hirondelles=, swallows.
=Hoist=, depth of flag from chief to base.
=Hurst=, clump of trees.
=Jessant=, shooting forth.
=Ladycow=, ladybird.
=Lambel=, label.
=Lion morné=, lion sans claws or teeth.
=Luce=, =Lucy=, a pike.
=Lymphad=, old galley.
=Membered=, used to denote legs of birds.
=Nag=, often used for horse.
=Opinicus=, fabulous beast.
=Oriflamme=, square scarlet banner with three tails.
=Overt=, with open wings.
=Panache=, a plume arranged fan-wise.
=Pascuant=, grazing.
=Pean=, a fur.
=Pelt=, for hide.
=Pheon=, pointed spear-head.
=Potent=, variety of heraldic cross; also fur; also a crutch.
=Prasin=, green.
=Purfled=, bordered.
=Ragully=, cut off roughly.
=Rebated=, snapped off.
=Retorted=, intertwined.
=Reynard=, fox.
=Roundle=, a circular figure; when gold, a bezant; when
silver, a plate; when gules, a torteau; when azure, a hurt;
when sable, a gunstone; when vert, a pomme.
=Roussant=, about to fly.
=Sallet=, a kind of helm.
=Sarcellée=, sawn through the centre.
=Shelldrake=, kind of duck.
=Tennée=, or =Tawny=, deep orange colour.
=Timbre=, the true heraldic crest.
=Torse=, crest-wreath, made of two skeins of silk twisted
together.
=Tressure=, a subordinary.
=Tricked=, sketched in outline with pen and ink.
=Trussed=, said of birds with closed wings.
=Tun=, barrel or cask.
=Tynes=, branches of a stag's antlers.
=Varvals=, small rings.
=Verdy=, sown with leaves.
=Vol=, two wings conjoined.
=Undy=, wavy.
=Unguled=, hoofed.
=Zona=, old word for fesse.
BILLING AND SONS, LTD., PRINTERS, GUILDFORD
BEAUTIFUL BOOKS FOR
BOYS & GIRLS
WITH ILLUSTRATIONS IN COLOUR SIMILAR TO THOSE IN THIS VOLUME
PRICE 1/= NET EACH
"TALES OF ENGLISH MINSTERS" SERIES
By ELIZABETH GRIERSON
EACH VOLUME CONTAINING 6 FULL-PAGE ILLUSTRATIONS (2 OF THEM IN COLOUR)
_Large crown 8vo., paper boards, with picture in colour on the cover_
CANTERBURY LINCOLN
DURHAM ST. ALBANS
ELY ST. PAUL'S
HEREFORD YORK
PRICE 1/6 NET EACH
RED CAP TALES FROM SCOTT
STOLEN FROM THE TREASURE-CHEST OF THE WIZARD OF THE NORTH
By S. R. CROCKETT
EACH VOLUME CONTAINING 8 FULL-PAGE ILLUSTRATIONS IN COLOUR
_Large crown 8vo., cloth, with picture in colour on the cover_
WAVERLEY THE PIRATE, and A LEGEND
GUY MANNERING OF MONTROSE
THE ANTIQUARY FORTUNES OF NIGEL
ROB ROY QUENTIN DURWARD
IVANHOE
PUBLISHED BY A. AND C. BLACK. 4, 5 AND 6 SOHO SQUARE, LONDON, W.
PRICE 1/6 NET EACH (_Continued_)
_Large crown 8vo., cloth (7-3/4 × 5-1/2 ins.), with picture in colour
on the cover_
PEEPS AT MANY LANDS AND CITIES
EACH CONTAINING 12 FULL-PAGE ILLUSTRATIONS IN COLOUR
This series of Little Travel Books for Young People who are of an age
to be interested in the countries of the world and their peoples has
steadily grown on account of its wide popularity. Each book is
written in a simple and very attractive style (avoiding the strings
of numbers, names and places that are the unavoidable features of the
school geography), and thus the child gains valuable instruction and
a vivid interest in countries, great cities, and peoples through
the sheer pleasure of reading and by examining the beautiful
illustrations. The youthful reader becomes absorbed in descriptions of
how children work and play, and in the way of living, in the various
countries of the world.
The volumes are handsomely bound and splendidly illustrated in colour,
and young people may now possess a series as attractive to them as
Black's "Colour Books" are to the older folk.
_VOLUMES IN THE SERIES_
AUSTRALIA ENGLAND ITALY PORTUGAL
BELGIUM FINLAND JAMAICA ROME
BERLIN FRANCE JAPAN RUSSIA
BURMA GERMANY KASHMIR SCOTLAND
CANADA GREECE KOREA SIAM
CEYLON HOLLAND LONDON SOUTH AFRICA
CHINA HOLY LAND MOROCCO SOUTH SEAS
CORSICA HUNGARY NEW YORK SPAIN
DENMARK ICELAND NEW ZEALAND SWEDEN
EDINBURGH INDIA NORWAY SWITZERLAND
EGYPT IRELAND PARIS TURKEY
WALES
_For Larger Volumes in this Series see p. 5 of this List_
PRICE 1/6 NET EACH (_Continued_)
_Large crown 8vo., cloth, with picture in colour on the cover_
"PEEPS AT MANY LANDS"
(IN FRENCH)
PUBLISHED UNDER THE TITLE OF
LES BEAUX VOYAGES
EACH VOLUME CONTAINING 12 FULL-PAGE ILLUSTRATIONS IN COLOUR
Arrangements have been made to issue the volumes in the "Peeps at Many
Lands" Series in French. The letterpress will not be a translation
into French of the English text, but in most cases will be an entirely
new description of the countries dealt with, written in a bright
and vivacious style by well-known Frenchmen, and the beautiful
illustrations in colour, which form such an attractive feature of the
English Edition, will be retained. The series will be edited, with a
preface, by JEAN AICARD, of the Académie Française.
EN CHINE
Par JUDITH GAUTIER, de l'Académie Goncourt
LE MAROC
Par le Comt. HAILLOT, détaché à Casablanca
AUX INDES
Par le Capitaine PIONNIER, Chargé de Mission
EGYPTE
Par JEAN BAYET, docteur en droit
LE JAPON
Par JUDITH GAUTIER, de l'Académie Goncourt
_In Preparation_:
A TRAVERS LA RUSSIE
LA PALESTINE
INDO CHINE
LES ALPES
L'ALSACE-LORRAINE
PEEPS AT NATURE
Each containing 16 full-page illustrations (8 of which are in colour)
WILD FLOWERS AND THEIR WONDERFUL WAYS
THE HEAVENS
BRITISH LAND MAMMALS
BIRD LIFE OF THE SEASONS
PEEPS AT HISTORY
Each containing 8 full-page illustrations in colour as well as
numerous black and white thumb-nail sketches in the text
CANADA
INDIA
JAPAN
SCOTLAND
PEEPS AT GREAT RAILWAYS
Each containing 8 full-page illustrations in colour as well as
numerous black and white thumb-nail sketches in the text
THE LONDON & NORTH-WESTERN RAILWAY
THE NORTH-EASTERN & GREAT NORTHERN RAILWAYS
PRICE 1/6 NET EACH (_Continued_)
BEAUTIFUL BRITAIN
EACH CONTAINING 12 FULL-PAGE ILLUSTRATIONS IN COLOUR
_Large square demy 8vo., boards, with picture cover_
Cambridge The Isle of Wight The Thames
Canterbury London The Trossachs
The Channel Islands Oxford North Wales
The Firth of Clyde Stratford-on-Avon Wessex
The English Lakes Leamington and Windsor and Eton
The Isle of Man Warwick
This is a new series of colour-books produced at a popular price, and
they are the most inexpensive books of this character which have
ever been produced. They therefore make a significant epoch in
colour-printing, _bringing for the first time a high-class colour-book
within the reach of all_. The illustrations are by well-known artists,
and their work has been reproduced with the greatest accuracy, while
the printing reaches an exceedingly high level. The authors have been
selected with great care, and are well known for the charm of their
style and the accuracy of their information.
PRICE 1/6 EACH
BLACK'S PICTURE SERIES FOR YOUNG PEOPLE
EACH CONTAINING 58 ILLUSTRATIONS, 32 OF WHICH ARE IN COLOUR
_Crown 4to., with picture in colour on the cover_
The British Empire in Pictures }
The British Isles in Pictures } By H. CLIVE BARNARD
Europe in Pictures } M.A., B.LITT.
How Other People Live }
The World in Pictures
Beasts and Birds } NATURE BOOKS FOR }
Gardens in their } YOUNG PEOPLE } By C. VON WYSS
Seasons } }
Pictures of British History. By E. L. HOSKYN
The underlying charm of these fascinating books for children will be
found in their delightful simplicity. Rich in beautifully coloured
illustrations, they should prove a valuable means of conveying to the
childish imagination delicate first impressions of the subjects dealt
with.
PRICE 3/6 NET EACH
PEEPS AT MANY LANDS AND CITIES
_Larger Volumes in the style of the popular One Shilling and Sixpenny
"PEEPS AT MANY LANDS" SERIES (see page 2 of this List)_
EACH CONTAINING 32 FULL-PAGE ILLUSTRATIONS IN COLOUR
_Extra large crown 8vo., cloth, with picture in colour on cover_
THE BRITISH EMPIRE OCEANIA
By FRANK FOX (AUSTRALIA, NEW ZEALAND and SOUTH SEAS)
By FRANK FOX
THE FAR EAST THE WORLD
(CHINA, JAPAN and KOREA) By ASCOTT R. HOPE
By FRANK ELIAS
PRICE 3/6 NET
By Rev. CHARLES A. HALL
THE OPEN BOOK OF NATURE
A BOOK OF NATURE STUDY FOR YOUNG PEOPLE
16 FULL-PAGE ILLUSTRATIONS IN COLOUR, ALSO 114 REPRODUCTIONS IN BLACK
AND WHITE FROM PHOTOGRAPHS, AS WELL AS NUMEROUS ILLUSTRATIONS IN THE
TEXT
_Large crown 8vo., cloth_
PRICE 3/6 EACH
LIFE STORIES OF ANIMALS
_Large crown 8vo., cloth_
THE BLACK BEAR THE LION
By H. PERRY ROBINSON By AGNES HERBERT
8 full-page Illustrations 8 full-page Illustrations
in Colour by in Colour by
J. VAN OORT HARRY DIXON
THE CAT THE RAT
By VIOLET HUNT By G. M. A. HEWETT
8 full-page Illustrations 8 full-page Illustrations
in Colour by in Colour by
ADOLPH BIRKENRUTH STEPHEN BAGHOT DE LA BERE
THE DOG THE SQUIRREL
By G. E. MITTON By T. C. BRIDGES
8 full-page Illustrations 8 full-page Illustrations
in Colour by in Colour by
JOHN WILLIAMSON ALLAN STEWART
THE FOWL THE TIGER
By J. W. HURST By Lieut.-Col. A. F. MOCKLER-FERRYMAN
8 full-page Illustrations 8 full-page Illustrations
in Colour by in Colour by
ALLAN STEWART and HARRY DIXON
MAUDE SCRIVENER
PRICE 3/6 EACH (_Continued_)
ALL WITH FULL-PAGE ILLUSTRATIONS IN COLOUR
_Large crown 8vo., cloth_
By FRANK ELIAS
THE FIRST VOYAGES OF GLORIOUS MEMORY
(Retold from Hakluyt)
8 full-page Illustrations in Colour
by NORMAN WILKINSON, R.B.A., R.I.
By OLIVER GOLDSMITH
THE VICAR OF WAKEFIELD
8 full-page Illustrations in Colour by
J. MASSEY WRIGHT
By DUDLEY KIDD
THE BULL OF THE KRAAL
A Tale of Black Children
8 full-page Illustrations in Colour by
A. M. GOODALL
By ASCOTT R. HOPE
BEASTS OF BUSINESS
8 full-page Illustrations in Colour by
G. VERNON STOKES and ALAN WRIGHT
STORIES
8 full-page Illustrations in Colour by
DOROTHY FURNISS
By DANIEL DEFOE
ROBINSON CRUSOE
8 full-page Illustrations in Colour by
JOHN WILLIAMSON
By CAPTAIN COOK
COOK'S VOYAGES
8 full page Illustrations in Colour by
JOHN WILLIAMSON
By MUNGO PARK
TRAVELS IN AFRICA
8 full-page Illustrations in Colour by
JOHN WILLIAMSON
By ELIZABETH GRIERSON
THE LIFE of ST. PAUL FOR YOUNG PEOPLE
8 full-page Illustrations in Colour by
OSWALD MOSER, R.I.
Translated and abridged by DOMINICK DALY
THE ADVENTURES OF DON QUIXOTE
8 full-page Illustrations in Colour by
STEPHEN BAGHOT DE LA BERE
By DEAN FARRAR
ERIC; or, Little by Little
8 full-page Illustrations in Colour by
G. D. ROWLANDSON, and 78 in Black and White
by GORDON BROWNE
ST. WINIFRED'S; or, The World of School
8 full-page Illustrations in Colour by
DUDLEY TENNANT, and 152 in Black and White by
GORDON BROWNE
JULIAN HOME
A Tale of College Life
8 full-page Illustrations in Colour by
PATTEN WILSON
By JOHN FINNEMORE
THE STORY of ROBIN HOOD
AND HIS MERRY MEN
8 full-page Illustrations in Colour by
ALLAN STEWART
THE WOLF PATROL
A Story of Baden-Powell's Boy Scouts
8 full-page Illustrations in Colour by
H. M. PAGET
JACK HAYDON'S QUEST
8 full-page Illustrations in Colour by
J. JELLICOE
PRICE 3/6 EACH (_Continued_)
ALL WITH FULL-PAGE ILLUSTRATIONS IN COLOUR
_Large crown 8vo., cloth_
By HUME NISBET
THE DIVERS
8 full-page Illustrations in Colour by
the Author
By Lieut.-Col. A. F. MOCKLER-FERRYMAN
THE GOLDEN GIRDLE
8 full-page Illustrations in Colour by
ALLAN STEWART
By STANLEY WATERLOO
A TALE OF THE TIME OF THE CAVE MEN
8 full-page Illustrations in Colour by
SIMON HARMON VEDDER
By the Rev. R. C. GILLIE
THE KINSFOLK AND FRIENDS OF JESUS
16 full-page Illustrations in Colour and Sepia
By DOROTHY SENIOR
THE KING WHO NEVER DIED
Tales of King Arthur
8 full-page Illustrations in Colour by
FRANK WATKINS
By ANDREW HOME
BY A SCHOOLBOY'S HAND
8 full-page Illustrations in Colour by
STRICKLAND BROWN
FROM FAG TO MONITOR
8 full-page Illustrations in Colour by
JOHN WILLIAMSON
EXILED FROM SCHOOL
8 full-page Illustrations in Colour by
JOHN WILLIAMSON
By the DUCHESS OF BUCKINGHAM AND CHANDOS
WILLY WIND, AND JOCK AND THE CHEESES
57 Illustrations by J. S. ELAND
(9 full-page in Colour)
PRICE 6/= EACH
ALL WITH FULL-PAGE ILLUSTRATIONS IN COLOUR
_Small square demy 8vo., cloth, gilt top_
With Introduction by JOHN RUSKIN
GRIMM'S FAIRY TALES
12 full-page Illustrations in Colour by
CHARLES J. FOLKARD
By Sir WALTER SCOTT
THE TALES OF A GRANDFATHER
20 full-page Illustrations in Colour
By Mrs. ALFRED SIDGWICK and Mrs. PAYNTER
THE CHILDREN'S BOOK OF GARDENING
12 full-page Illustrations in Colour by
Mrs. CAYLEY-ROBINSON
By FRANK FINN, B.A., F.Z.S.
TALKS ABOUT BIRDS
36 Illustrations (16 of which are full-page in Colour)
By J. C. TREGARTHEN
THE LIFE STORY OF A FOX
12 full-page Illustrations in Colour by
COUNTESS HELENA GLEICHEN
By Miss CONWAY and Sir MARTIN CONWAY
THE CHILDREN'S BOOK OF ART
16 full-page Illustrations in Colour from
Public and Private Galleries
PRICE 6/= EACH (_Continued_)
ALL WITH FULL-PAGE ILLUSTRATIONS IN COLOUR
_Small square demy 8vo., cloth, gilt top_
By G. E. MITTON
THE BOOK OF THE RAILWAY
12 full-page Illustrations in Colour by
ALLAN STEWART
THE CHILDREN'S BOOK OF STARS
Preface by Sir DAVID GILL, K.C.B. 16 full-page Illustrations
(11 in Colour) and 8 smaller Figures in the text
THE CHILDREN'S BOOK OF LONDON
12 full-page Illustrations in Colour by
JOHN WILLIAMSON
By ELIZABETH W. GRIERSON
CHILDREN'S TALES OF ENGLISH MINSTERS
12 full-page Illustrations in Colour
THE CHILDREN'S BOOK OF CELTIC STORIES
12 full-page Illustrations in Colour by
ALLAN STEWART
THE CHILDREN'S BOOK OF EDINBURGH
12 full-page Illustrations in Colour by
ALLAN STEWART
CHILDREN'S TALES FROM SCOTTISH BALLADS
12 full-page Illustrations in Colour by
ALLAN STEWART
By ASCOTT R. HOPE
ADVENTURERS IN AMERICA
12 full-page Illustrations in Colour by
HENRY SANDHAM, R.C.A.
THE ADVENTURES OF PUNCH
12 full-page Illustrations in Colour by
STEPHEN BAGHOT DE LA BERE
By S. R. CROCKETT
RED CAP TALES
Stolen from the Treasure-Chest of the Wizard of the North
16 full-page Illustrations in Colour by
SIMON HARMON VEDDER
RED CAP ADVENTURES
Being the Second Series of Red Cap Tales Stolen from the
Treasure-Chest of the Wizard of the North
16 full-page Illustrations by
ALLAN STEWART and others
GULLIVER'S TRAVELS
16 full-page Illustrations in Colour by
STEPHEN BAGHOT DE LA BERE
By JOHN BUNYAN
THE PILGRIM'S PROGRESS
8 full-page Illustrations in Colour by
GERTRUDE DEMAIN HAMMOND, R.I.
Edited by G. E. MITTON
SWISS FAMILY ROBINSON
12 full-page Illustrations in Colour by
HARRY ROUNTREE
By HARRIET BEECHER STOWE
UNCLE TOM'S CABIN
8 full-page Illustrations in Colour and many
others in the text
PUBLISHED BY A. AND C. BLACK, 4, 5 AND 6 SOHO SQUARE, LONDON, W.
* * * * *
Transcriber's Note
_ _ represents italic text.
= = represents bold text.
(The prices in the Book List at the end were in bold text. As the
symbol used to represent bold text in the main part of the book
was the same as the character used for 0 in the Book List, the
'bold text' indicator was omitted from this section to avoid
conflict.)
Sundry missing or damaged punctuation has been repaired.
Both hyphenated and non-hyphenated variants of many words occur
in this book. All have been retained.
The book contains many heraldic terms, derived from French, Arabic,
etc.
Any illustration which interrupted a paragraph has been moved to
a more convenient location, between paragraphs.
Some chapters contain many Footnotes, usually marked * and on
each page they occur. To avoid confusion, the Footnotes have been
numbered sequentially within each chapter, and indented and placed
below their relative paragraph.
Page 49: The Legends of the Fleur-de-Lys can be found here:
(https://)
travelfranceonline.com/fleur-de-lys-french-monarchys-emblem/
Page 74: 'repectively' corrected to 'respectively'.
"These represent respectively the armorial bearings...."
Page 75: Some armorial descriptions use spaced colons. These have
been retained as printed.
Page 80: 'On the cover we have the figure of a Crusader in his
mail armour, bearing on his breast the badge of a red cross
charged upon a white field.'
The Crusader's badge would appear to be somewhere behind his
shield, or perhaps under his surcoat.