This eBook was produced by David Widger
BOOK SECOND.
INITIAL CHAPTER.
INFORMING THE READER HOW THIS WORK CAME TO HAVE INITIAL CHAPTERS.
"There can't be a doubt," said my father, "that to each of the main
divisions of your work--whether you call them Books or Parts--you should
prefix an Initial or Introductory Chapter."
PISISTRATUS.--"Can't be a doubt, sir? Why so?"
MR. CAXTON.--"Fielding lays it down as an indispensable rule, which he
supports by his example; and Fielding was an artistical writer, and knew
what he was about."
PISISTRATUS.--"Do you remember any of his reasons, sir?"
MR. CAXTON.--"Why, indeed, Fielding says, very justly, that he is not
bound to assign any reason; but he does assign a good many, here and
there,--to find which I refer you to 'Tom Jones.' I will only observe,
that one of his reasons, which is unanswerable, runs to the effect that
thus, in every Part or Book, the reader has the advantage of beginning at
the fourth or fifth page instead of the first,--'a matter by no means of
trivial consequence,' saith Fielding, 'to persons who read books with no
other view than to say they have read them,--a more general motive to
reading than is commonly imagined; and from which not only law books and
good books, but the pages of Homer and Virgil, Swift and Cervantes, have
been often turned Over.' There," cried my father, triumphantly, "I will
lay a shilling to twopence that I have quoted the very words."
MRS. CANTON.--"Dear me, that only means skipping; I don't see any great
advantage in writing a chapter, merely for people to skip it."
PISISTRATUS.--"Neither do I!"
MR. CANTON (dogmatically).--"It is the repose in the picture,--Fielding
calls it 'contrast.'--(Still more dogmatically.)--I say there can't be a
doubt about it. Besides" added my father after a pause,--"besides, this
usage gives you opportunities to explain what has gone before, or to
prepare for what's coming; or, since Fielding contends, with great truth,
that some learning is necessary for this kind of historical composition,
it allows you, naturally and easily, the introduction of light and
pleasant ornaments of that nature. At each flight in the terrace you may
give the eye the relief of an urn or a statue. Moreover, when so
inclined, you create proper pausing-places for reflection; and complete
by a separate, yet harmonious ethical department, the design of a work,
which is but a mere Mother Goose's tale if it does not embrace a general
view of the thoughts and actions of mankind."
PISISTRATUS.--"But then, in these initial chapters, the author thrusts
himself forward; and just when you want to get on with the /dramatis
personae/, you find yourself face to face with the poet himself."
MR. CANTON.--"Pooh! you can contrive to prevent that! Imitate the
chorus of the Greek stage, who fill up the intervals between the action
by saying what the author would otherwise say in his own person."
PISISTRATUS (slyly).--"That's a good idea, sir,--and I have a chorus, and
a choregus too, already in my eye."
MR. CANTON (unsuspectingly).--"Aha! you are not so dull a fellow as you
would make yourself out to be; and, even if an author did thrust himself
forward, what objection is there to that? It is a mere affectation to
suppose that a book can come into the world without an author. Every
child has a father,--one father at least,--as the great Conde says very
well in his poem."
PISISTRATUS.--"The great Conde a poet! I never heard that before."
MR. CANTON.--"I don't say he was a poet, but he sent a poem to Madame de
Montansier. Envious critics think that he must have paid somebody else
to write it; but there is no reason why a great captain should not write
a poem,--I don't say a good poem, but a poem. I wonder, Roland, if the
duke ever tried his hand at 'Stanzas to Mary,' or 'Lines to a Sleeping
Babe.'"
CAPTAIN ROLAND.--"Austin, I'm ashamed of you. Of course the duke could
write poetry if he pleased,--something, I dare say, in the way of the
great Conde; that is, something warlike and heroic, I'll be bound. Let's
hear!"
MR. CAXTON (reciting).--
"Telle est du Ciel la loi severe
Qu'il faut qu'un enfant ait un pere;
On dit meme quelquefois
Tel enfant en a jusqu'a trois."
["That each child has a father
Is Nature's decree;
But, to judge by a rumour,
Some children have three."]
CAPTAIN ROLAND (greatly disgusted).--"Conde write such stuff!--I don't
believe it."
PISISTRATUS.--"I do, and accept the quotations; you and Roland shall be
joint fathers to my child as well as myself.
"'Tel enfant en a jusqu'a trois.'"
MR. CAXTON (solemnly).--"I refuse the proffered paternity; but so far as
administering a little wholesome castigation now and then, I have no
objection to join in the discharge of a father's duty."
PISISTRATUS.--"Agreed. Have you anything to say against the infant
hitherto?"
MR. CAXTON.--"He is in long clothes at present; let us wait till he can
walk."
BLANCHE.--"But pray whom do you mean for a hero? And is Miss Jemima your
heroine?"
CAPTAIN ROLAND.--"There is some mystery about the--"
PISISTRATUS (hastily).-"Hush, Uncle: no letting the cat out of the bag
yet. Listen, all of you! I left Frank Hazeldean on his way to the
Casino."
CHAPTER II.
"It is a sweet pretty place," thought Frank, as he opened the gate which
led across the fields to the Casino, that smiled down upon him with its
plaster pilasters. "I wonder, though, that my father, who is so
particular in general, suffers the carriage-road to be so full of holes
and weeds. Mounseer does not receive many visits, I take it."
But when Frank got into the ground immediately before the house, he saw
no cause of complaint as to want of order and repair. Nothing could be
kept more neatly. Frank was ashamed of the dint made by the pony's hoofs
on the smooth gravel: he dismounted, tied the animal to the wicket, and
went on foot towards the glass door in front.
He rang the bell once, twice, but nobody came, for the old woman-servant,
who was hard of hearing, was far away in the yard, searching for any eggs
which the hen might have scandalously hidden for culinary purposes; and
Jackeymo was fishing for the sticklebacks and minnows which were, when
caught, to assist the eggs, when found, in keeping together the bodies
and souls of himself and his master. The old woman had been lately put
upon board wages. Lucky old woman! Frank rang a third time, and with
the impetuosity of his age. A face peeped from the belvidere on the
terrace. "Diavolo!" said Dr. Riccabocca to himself. "Young cocks crow
hard on their own dunghill; it must be a cock of a high race to crow so
loud at another's."
Therewith he shambled out of the summer-house, and appeared suddenly
before Frank, in a very wizard-like dressing-robe of black serge, a red
cap on his head, and a cloud of smoke coming rapidly from his lips, as a
final consolatory whiff, before he removed the pipe from them. Frank had
indeed seen the doctor before, but never in so scholastic a costume, and
he was a little startled by the apparition at his elbow, as he turned
round.
"Signorino," said the Italian, taking off his cap with his usual
urbanity, "pardon the negligence of my people; I am too happy to receive
your commands in person."
"Dr. Rickeybockey?" stammered Frank, much confused by this polite
address, and the low, yet stately, bow with which it was accompanied.
"I--I have a note from the Hall. Mamma--that is, my mother--and aunt
Jemima beg their best compliments, and hope you will come, sir."
The doctor took the note with another bow, and, opening the glass door,
invited Frank to enter.
The young gentleman, with a schoolboy's usual bluntness, was about to say
that he was in a hurry, and had rather not; but Dr. Riccabocca's grand
manner awed him, while a glimpse of the hall excited his curiosity, so he
silently obeyed the invitation.
The hall, which was of an octagon shape, had been originally panelled off
into compartments, and in these the Italian had painted landscapes, rich
with the warm sunny light of his native climate. Frank was no judge of
the art displayed; but he was greatly struck with the scenes depicted:
they were all views of some lake, real or imaginary; in all, dark-blue
shining waters reflected dark-blue placid skies. In one, a flight of
steps ascended to the lake, and a gay group was seen feasting on the
margin; in another, sunset threw its rose-hues over a vast villa or
palace, backed by Alpine hills, and flanked by long arcades of vines,
while pleasure-boats skimmed over the waves below. In short, throughout
all the eight compartments, the scene, though it differed in details,
preserved the same general character, as if illustrating some favourite
locality. The Italian did not, however, evince any desire to do the
honours of his own art, but, preceding Frank across the hall, opened the
door of his usual sitting-room, and requested him to enter. Frank did so
rather reluctantly, and seated himself with unwonted bashfulness on the
edge of a chair. But here new specimens of the doctor's handicraft soon
riveted attention. The room had been originally papered, but Riccabocca
had stretched canvas over the walls, and painted thereon sundry satirical
devices, each separated from the other by scroll-works of fantastic
arabesques. Here a Cupid was trundling a wheelbarrow full of hearts,
which he appeared to be selling to an ugly old fellow, with a money-bag
in his hand--probably Plutus. There Diogenes might be seen walking
through a market-place, with his lantern in his hand, in search of an
honest man, whilst the children jeered at him, and the curs snapped at
his heels. In another place a lion was seen half dressed in a fox's
hide, while a wolf in a sheep's mask was conversing very amicably with
a young lamb. Here again might be seen the geese stretching out their
necks from the Roman Capitol in full cackle, while the stout invaders
were beheld in the distance, running off as hard as they could.
In short, in all these quaint entablatures some pithy sarcasm was
symbolically conveyed; only over the mantel piece was the design graver
and more touching. It was the figure of a man in a pilgrim's garb,
chained to the earth by small but innumerable ligaments, while a phantom
likeness of himself, his shadow, was seen hastening down what seemed an
interminable vista; and underneath were written the pathetic words of
Horace--
"Patriae quis exul
Se quoque fugit?"
["What exile from his country can also fly from himself?"]
The furniture of the room was extremely simple, and somewhat scanty; yet
it was arranged so as to impart an air of taste and elegance to the room.
Even a few plaster busts and statues, though bought but of some humble
itinerant, had their classical effect, glistening from out stands of
flowers that were grouped around them, or backed by graceful screen-works
formed from twisted osiers, which, by the simple contrivance of trays at
the bottom filled with earth, served for living parasitical plants, with
gay flowers contrasting thick ivy leaves, and gave to the whole room the
aspect of a bower. "May I ask your permission?" said the Italian, with
his finger on the seal of the letter.
"Oh, yes," said Frank, with naivete.
Riccabocca broke the seal, and a slight smile stole over his countenance.
Then he turned a little aside from Frank, shaded his face with his hand,
and seemed to muse. "Mrs. Hazeldean," said he, at last, "does me very
great honour. I hardly recognize her handwriting, or I should have been
more impatient to open the letter." The dark eyes were lifted over the
spectacles and went right into Frank's unprotected and undiplomatic
heart. The doctor raised the note, and pointed to the characters with
his forefinger.
"Cousin Jemima's hand," said Frank, as directly as if the question had
been put to him.
The Italian smiled. "Mr. Hazeldean has company staying with him?"
"No; that is, only Barney,--the captain. There's seldom much company
before the shooting season," added Frank, with a slight sigh; "and then,
you know, the holidays are over. For my part, I think we ought to break
up a month later."
The doctor seemed reassured by the first sentence in Frank's reply, and,
seating himself at the table, wrote his answer,--not hastily, as we
English write, but with care and precision, like one accustomed to weigh
the nature of words,--in that stiff Italian hand, which allows the writer
so much time to think while he forms his letters. He did not, therefore,
reply at once to Frank's remark about the holidays, but was silent till
he had concluded his note, read it three times over, sealed it by the
taper he slowly lighted, and then, giving it to Frank, he said,
"For your sake, young gentleman, I regret that your holidays are so
early; for mine, I must rejoice, since I accept the kind invitation you
have rendered doubly gratifying by bringing it yourself."
"Deuce take the fellow and his fine speeches! One don't know which way
to look," thought English Frank.
The Italian smiled again, as if this time he had read the boy's heart,
without need of those piercing black eyes, and said, less ceremoniously
than before, "You don't care much for compliments, young gentleman?"
"No, I don't indeed," said Frank, heartily.
"So much the better for you, since your way in the world is made: it
would be so much the worse if you had to make it!"
Frank looked puzzled: the thought was too deep for him, so he turned to
the pictures.
"Those are very funny," said he; "they seem capitally done. Who did
'em?"
"Signoriuo Hazeldean, you are giving me what you refused yourself."
"Eh?" said Frank, inquiringly.
"Compliments!"
"Oh--I--no; but they are well done: are n't they, sir?"--
"Not particularly: you speak to the artist."
"What! you painted them?"
"Yes."
"And the pictures in the hall?"
"Those too."
"Taken from nature, eh?"
"Nature," said the Italian, sententiously, perhaps evasively, "lets
nothing be taken from her."
"Oh!" said Frank, puzzled again. "Well, I must wish you good morning,
sir; I am very glad you are coming."
"Without compliment?"
"Without compliment."
"A rivedersi--good-by for the present, my young signorino. This way,"
observing Frank make a bolt towards the wrong door. "Can I offer you a
glass of wine?--it is pure, of our own making."
"No, thank you, indeed, sir," cried Frank, suddenly recollecting his
father's admonition. "Good-by, don't trouble yourself, sir; I know any
way now."
But the bland Italian followed his guest to the wicket, where Frank had
left the pony. The young gentleman, afraid lest so courteous a host
should hold the stirrup for him, twitched off the bridle, and mounted in
haste, not even staying to ask if the Italian could put him in the way to
Rood Hall, of which way he was profoundly ignorant. The Italian's eye
followed the boy as he rode up the ascent in the lane, and the doctor
sighed heavily. "The wiser we grow," said he to himself, "the more we
regret the age of our follies: it is better to gallop with a light heart
up the stony hill than sit in the summer-house and cry 'How true!' to the
stony truths of Machiavelli!"
With that he turned back into the belvidere; but he could not resume his
studies. He remained some minutes gazing on the prospect, till the
prospect reminded him of the fields which Jackeymo was bent on his
hiring, and the fields reminded him of Lenny Fairfield. He returned to
the house, and in a few moments re-emerged in his out-of-door trim, with
cloak and umbrella, re-lighted his pipe, and strolled towards Hazeldean
village.
Meanwhile Frank, after cantering on for some distance, stopped at a
cottage, and there learned that there was a short cut across the fields
to Rood Hall, by which he could save nearly three miles. Frank, however,
missed the short cut, and came out into the high road; a turnpike-keeper,
after first taking his toll, put him back again into the short cut; and
finally, he got into some green lanes, where a dilapidated finger-post
directed him to Rood. Late at noon, having ridden fifteen miles in the
desire to reduce ten to seven, he came suddenly upon a wild and primitive
piece of ground, that seemed half chase, half common, with crazy
tumbledown cottages of villanous aspect scattered about in odd nooks and
corners. Idle, dirty children were making mud-pies on the road;
slovenly-looking women were plaiting straw at the threshold; a large but
forlorn and decayed church, that seemed to say that the generation which
saw it built was more pious than the generation which now resorted to it,
stood boldly and nakedly out by the roadside.
"Is this the village of Rood?" asked Frank of a stout young man breaking
stones on the road--sad sign that no better labour could be found for
him!
The man sullenly nodded, and continued his work. "And where's the Hall--
Mr. Leslie's?"
The man looked up in stolid surprise, and this time touched his hat.
"Be you going there?"
"Yes, if I can find out where it is."
"I'll show your honour," said the boor, alertly.
Frank reined in the pony, and the man walked by his side. Frank was much
of his father's son, despite the difference of age, and that more
fastidious change of manner which characterizes each succeeding race in
the progress of civilization. Despite all his Eton finery, he was
familiar with peasants, and had the quick eye of one country-born as to
country matters.
"You don't seem very well off in this village, my man?" said he,
knowingly.
"Noa; there be a deal of distress here in the winter time, and summer
too, for that matter; and the parish ben't much help to a single man."
"But surely the farmers want work here as well as elsewhere?"
"'Deed, and there ben't much farming work here,--most o' the parish be
all wild ground loike."
"The poor have a right of common, I suppose," said Frank, surveying a
large assortment of vagabond birds and quadrupeds.
"Yes; neighbour Timmins keeps his geese on the common, and some has a
cow, and them be neighbour Jowlas's pigs. I don't know if there's a
right, loike; but the folks at the Hall does all they can to help us, and
that ben't much: they ben't as rich as some folks; but," added the
peasant, proudly, "they be as good blood as any in the shire."
"I 'm glad to see you like them, at all events."
"Oh, yes, I likes them well eno'; mayhap you are at school with the young
gentleman?"
"Yes," said Frank.
"Ah, I heard the clergyman say as how Master Randal was a mighty clever
lad, and would get rich some day. I 'se sure I wish he would, for a poor
squire makes a poor parish. There's the Hall, sir."