JENNY LIND.

The Childhood of the "Swedish Nightingale."--Her First Musical

Instruction.--The Loss and Return of her Voice.--Jenny Lind's

Pupilage in Paris under Manuel Garcia.--She makes the Acquaintance of

Meyerbeer.--Great Sue-cess in Stockholm in "Robert le Diable."--Fredrika

Bremer and Hans Christian Andersen on the Young Singer.--Her _Début_

in Berlin.--Becomes Prima Donna at the Royal Theatre.--Beginning of

the Lind Enthusiasm that overran Europe.--She appears in Dresden in

Meyerbeer's New Opera, "Feldlager in Schliesen."--Offers throng in from

all the Leading Theatres of Europe.--The Grand _Furore_ in Every Part

of Germany.--Description of Scenes in her Musical Progresses.--She makes

her _Début_ in London.--Extraordinary Excitement of the English Public,

such as had never before been known.--Descriptions of her Singing

by Contemporary Critics.--Her Quality as an Actress.--Jenny Lind's

_Personnel_.--Scenes and Incidents of the "Lind" Mania.--Her Second

London Season.--Her Place and Character as a Lyric Artist.--Mlle.

Lind's American Tour.--Extraordinary Enthusiasm in America.--Her

Lavish Generosity.--She marries Herr Otto Goldschmidt.--Present Life of

Retirement in London.--Jenny Lind as a Public Benefactor

Great Singers, Second Series Malibran To Titiens · 第 16 / 68 题