NOTE.

In the preparation of this companion volume of "Great Singers," the

same limitations of purpose have guided the author as in the case of

the earlier book, which sketched the lives of the greatest lyric artists

from Faustina Bordoni to Henrietta Sontag. It has been impossible to

include any but those who stand incontestably in the front rank of the

operatic profession, except so far as some account of the lesser lights

is essential to the study of those artistic lives whose names make the

captions of these sketches. So, too, it has been attempted to embody, in

several of the articles, intelligent, if not fully adequate, notice of

a few of the greatest men singers, who, if they have not aroused as

deep an enthusiasm as have those of the other sex, are perhaps justly

entitled to as much consideration on art grounds. It will be observed

that the great living vocalists have been excluded from this book,

except those who, having definitely retired from the stage, may be

considered as dead to their art. This plan has been pursued, not from

any undervaluation of the Pattis, the Nilssons, and the Luccas of the

present musical stage, but because, in obeying that necessity imposed by

limitation of space, it has seemed more desirable to exclude those whose

place in art is not yet finally settled, rather than those whose names

belong to history, and who may be seen in full perspective.

The material from which this little book is compiled has been drawn from

a variety of sources, among which may be mentioned the three works of

Henry F. Chorley, "Music and Manners in France and Germany," "Modern

German Music," and "Thirty Years' Musical Kecollections"; Sutherland

Edwards's "History of the Opera"; Fetis's "Biographie des Musiciens";

Ebers's "Seven Years of the King's Theatre"; Lumley's "Reminiscences";

Charles Hervey's "Theatres of Paris"; Arsène Houssaye's "Galerie

de Portraits"; Countess de Merlin's "Mémoires de Madame Malibran";

Ox-berry's "Dramatic Biography and Histrionic Anecdotes"; Crowest's

"Musical Anecdotes" and Mrs. Clayton's "Queens of Song."

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