POLICEMAN. So here’s to absent friends—

GLADYS (_with another inspiration_). Absent boxes!

POLICEMAN. Absent boxes! And there’s a party we know about who

would like uncommon to have the charge of the lot of them—(_looking

at Cinderella_). And I couples the toast with the name of the said

party.

CINDERELLA (_giving a pennyworth for nothing_). Kind friends, it

would be pretending of me not to let on that I know I am the party

referred to by the last speaker—in far too flattersome words. When

I look about me and see just four boxes I am a kind of shamed, but

it wasn’t very convenient to me to have more. I will now conclude

by saying I wish I was the old woman that lived in a shoe, and it

doesn’t matter how many I had I would have known fine what to do.

The end.

(_After further diversion._) It’s a fine party. I hope your potato

is mealy?

POLICEMAN. I never had a better tatie.

CINDERELLA. Don’t spare the skins.

POLICEMAN. But you’re eating nothing yourself.

CINDERELLA. I’m not hungry. And, of course, I’ll be expected to

take a bite at the ball.

(_This reminder of the ball spoils the_ POLICEMAN’S _enjoyment_.)

POLICEMAN. I wish—you wasn’t so sure of the ball.

GLADYS (_in defence_). Why shouldn’t she not be sure of it?

DELPHINE. Pourquoi, Monsieur?

CINDERELLA (_rather hotly_). Don’t say things like that here.

MARIE. Has Monsieur by chance seen God-mamma coming?

POLICEMAN. God-mamma?

CINDERELLA. That’s my Godmother; she brings my ball dress and a

carriage with four ponies.

GLADYS. Then away she goes to the ball—hooray—hooray!

CINDERELLA. It’s all perfectly simple once Godmother comes.

POLICEMAN (_with unconscious sarcasm_). I can see she’s important.

CINDERELLA (_with the dreadful sinking that comes to her at

times_). You think she’ll come, don’t you?

POLICEMAN. Cinderella, your hand’s burning—and in this cold room.

CINDERELLA. Say you think she’ll come.

POLICEMAN. I—well, I.... I....

GLADYS (_imploringly_). Say it, Mister!

DELPHINE (_begging_). Monsieur! Monsieur!

MARIE. If it is that you love me, Monsieur!

POLICEMAN (_in distress_). I question of there was ever before a

member of the Force in such a position. (_Yielding._) I expect

she’ll come.

(_This settles it in the opinion of the children, but their

eyes are too bright for such a late hour, and they are ordered

to bed. Our_ POLICEMAN _replaces them in their boxes_.)

CINDERELLA. One—two—three . . . couchy!

(_They disappear._)

POLICEMAN (_awkwardly and trying to hedge_). Of course this is an

out-of-the-way little street for a Godmother to find.

CINDERELLA. Yes, I’ve thought of that. I’d best go and hang about

outside; she would know me by my dress.

POLICEMAN (_hastily_). I wouldn’t do that. It’s a cold night. (_He

wanders about the room eyeing her sideways._) Balls is always late

things.

CINDERELLA. I’m none so sure. In war-time, you see, with the

streets so dark and the King so kind, it would be just like him to

begin early and close at ten instead of twelve. I must leave before

twelve. If I don’t, there’s terrible disasters happens.

POLICEMAN (_unable to follow this_). The ball might be put off

owing to the Prince of Wales being in France.

CINDERELLA. He catched the last boat. I’ll go out and watch.

POLICEMAN (_desperate_). Stay where you are, and—and I’ll have a

look for her.

CINDERELLA. You’re too kind.

POLICEMAN. Not at all. I must be stepping at any rate. If I can

lay hands on her I’ll march her here, though I have to put the

handcuffs on her.

GLADYS (_looking up_). I think I heard a knock!

(_The_ POLICEMAN _looks out, shakes his head, and finally

departs after a queer sort of handshake with_ MISS THING.)

CINDERELLA. He’s a nice man.

GLADYS. Have you known him long?

CINDERELLA (_thinking it out_). A longish time. He’s head of the

secret police; him and me used to play together as children down in

Badgery. His folks live in a magnificent castle, with two doors.

(_She becomes a little bewildered._) I’m all mixed up.

(_The children are soon asleep. She wanders aimlessly to

the door. The wall closes on the little room, and we now

see her standing in the street. Our_ POLICEMAN _returns and

flashes his lantern on her_.)

CINDERELLA. It’s you!

POLICEMAN. It’s me. But there’s no Godmother! There’s not a

soul.... No.... Good night, Cinderella. Go inside.

CINDERELLA (_doggedly_). Not me! I don’t feel the cold—not much.

And one has to take risks to get a Prince. The only thing I’m

feared about is my feet. If they was to swell I mightn’t be able

to get the slippers on, and he would have naught to do with me.

POLICEMAN. What slippers? If you won’t go back, I’ll stop here with

you.

CINDERELLA. No, I think there’s more chance of her coming if I’m

alone.

POLICEMAN. I’m very troubled about you.

CINDERELLA (_wistfully_). Do you think I’m just a liar? Maybe I am.

You see I’m all mixed up. I’m sore in need of somebody to help me

out.

POLICEMAN. I would do it if I could.

CINDERELLA. I’m sure. (_Anxiously_.) Are you good at riddles?

(_He shakes his head._)

There’s always a riddle before you can marry into a royal family.

POLICEMAN (_with increased gloom_). The whole thing seems to be

most terrible difficult.

CINDERELLA. Yes.... Good night.

POLICEMAN. You won’t let me stay with you?

CINDERELLA. No.

(_He puts his lantern on the ground beside her._)

What’s that for?

POLICEMAN (_humbly_). It’s just a sort of guard for you. (_He takes

off his muffler and puts it several times round her neck._)

CINDERELLA. Nice!

POLICEMAN. Good luck!

(_She finds it easiest just to nod in reply._)

A kiss for Cinderella: A comedy · 第 16 / 30 题