CHAPTER I.

CAPTAIN RAVENSHAW

[Illustration: "THERE WAS EXCHANGE OF THRUST AND PARRY."

(_See page 333_).]

CAPTAIN RAVENSHAW

OR,

THE MAID OF CHEAPSIDE

_A Romance of Elizabethan London_

By Robert Neilson Stephens

Author of "Philip Winwood," "A Gentleman Player," "An Enemy to the

King," etc., etc.

_Illustrated by_ HOWARD PYLE and others

"_Hang him, swaggering rascal!... He a captain!... He lives upon mouldy

stewed prunes and dried cakes._" _--King Henry IV., Part II._

[Illustration]

_Boston_: L. C. PAGE & COMPANY Publishers. _Mdcccci_

_Copyright, 1901_ BY L. C. PAGE & COMPANY (INCORPORATED)

_All rights reserved_

Colonial Press:

Electrotyped and Printed by C. H. Simonds & Co.

Boston, Mass., U. S. A.

PREFACE.

Here is offered mere story, the sort of thing Mr. Howells

cannot tolerate. He will have none of us and our works, poor

"neo-romanticists" that we are. Curiously enough, we neo-romanticists,

or most of us, will always gratefully have him; of his works we cannot

have too many; one of us, I know, has walked miles to get the magazine

containing the latest instalment of his latest serial. This looks as

if we were more liberal than he. He would, for the most part, prohibit

fiction from being else than the record of the passing moment; it

should reflect only ourselves and our own little tediousnesses; he

would hang the chamber with mirrors, and taboo all pictures; or if he

admitted pictures they should depict this hour's actualities alone,

there should be no figures in costume.

But who shall decide in these matters what is to be and what is not

to be? Who shall deny that all kinds of fiction have equal right to

exist? Who shall dictate our choice of theme, or place, or time? Who

shall forbid us in our faltering way to imagine forth the past if we

like? The dead past, say you? As dead as yesterday afternoon, no more.

"Where's he that died o' Wednesday?" As dead as the Queen of Sheba.

But on the pages of Sienkiewicz, for example, certain little matters

of Nero's time seem no more dead than last week's divorce trial in the

columns of those realists, the newspaper reporters. All that is not

immediately before our eyes, whether dead or distant, can be visualised

only by imagination informed by description, and a small transaction

in the reign of Elizabeth can be made as sensible to the mind's eye as

a domestic scene between Mr. and Mrs. Jones in the administration of

McKinley. But how can one describe authentically what one can never

have seen? You may propound that question to the realists; they are

often doing it, or else they see extraordinary things now and then.

But, now that I remember it, Mr. Howells is not really illiberal. He

has, upon occasion, admitted a tolerance--nay, an admiration--for

"genuine romance." But what is genuine romance? Is psychological

romance, for instance, more "genuine" than melodramatic romance? Are

we not all--we "neo-romanticists"--aiming at genuine romance in some

kind? Shall there not be many misses to a hit? many inconsiderable

achievements to a masterpiece? And we suffer under limitations which

the great romancers had not to observe. We must be watchful against

anachronisms, against many liberties in style and matter which the

esteemed Sir Walter, for instance, might take--and did take--without

stint. One's fancy was less restrained, in his day. One cannot, as he

did, bring Shakespeare to Greenwich palace before the festivities at

Kenilworth occurred; or let a shopman recommend a pair of spectacles

to a doctor of divinity with the information that the king, having

tried them on, had pronounced them fit for a bishop; or make the divine

buy them with the cheerful remark that a certain reverend brother's

advancing age gives hopes of an early promotion. Fancy such an exchange

of jocularity between a shop "assistant" in Piccadilly and Doctor

Ingram, while the late Doctor Creighton was Bishop of London! Flow of

fancy is easier upon such terms; or, when one may even, as the great

Dumas did, be so free of care for details as to have the same character

in two places at the same time.

It is not meant to be implied that Mr. Howells is thought to consider

the work of Scott or Dumas genuine romance. If he has anywhere

mentioned an example of what he takes to be true romance, I have missed

that mention. I should like to read his definition (perhaps he has

published one which I have not seen) of genuine romance. But I would

rather he taught us by example than by precept. What a fine romance he

could write if he chose!

But as for us less-gifted ones, the "neo-romanticists," shackled

as Scott and Dumas were not, we must work a while under the new

conditions, the new checks upon our imagination, ere we shall get a

masterpiece. Meanwhile none of us yields to Mr. Howells in admiration

of a true romance, and none of us would be sorry to lay down the pen,

or shut up the typewriter, some fine afternoon and find it achieved.

But until then may we not have indifferent romances, just as we have

indifferent realistic novels? Why not, pray? Again, shall one man, one

group, one school, decide what shall be and what shall not? "Dost thou

think, because thou art virtuous, there shall be no more cakes and ale?"

Now, of merits which mere story may possess, and usually does

possess in measure greater than the other sort of thing does, one

is--construction. Wherefore, the opponents of this sort of thing

belittle that merit. But it is a prime merit, nevertheless. Is not the

first thing for praise, in a picture, its composition? in a building,

its main design? in a group of statuary, its general effect? So, too,

in a work of fiction. "Real life does not contrive so curiously,"

says Professor Saintsbury. Precisely; if it did, what would be the

good of fiction? Neither does nature contrive well-ordered squares

of turf, with walks, flower-beds, hedge-rows, shrubbery, trees set

with premeditation; shall we, on that account, make no gardens for

ourselves? Who shall ordain that there be no well-constructed plots

in fiction because life, seen in sections as small as a novel usually

represents, is not well constructed? It is time somebody put in a word

for plot. When all is said and done, the main thing in a story _is_ the

story.

Mr. Howells said, long ago, that the stories were all told. It is

doubtful. But even if it were certain, what of it? Because there

was an old tale of a king's wife whose lover lost the ring she gave

him, whereupon the king, finding out, bade her wear it on a certain

soon-coming occasion, and she was put to much concern to get it in

time, was the world to go without the pleasure of D'Artagnan's mission

for Anne of Austria? And what though Dumas himself had used the old

situation of a real king imprisoned, and his "double" filling the

throne in his place, were we to have no "Prisoner of Zenda?" Or even

if the story of the man apparently wooing the handsome sister, while

really loving the plain sister, had already been told, as it had, was

Mr. Howells prohibited from making it twice told, in "Silas Lapham?"

Now, as to this little attempt at romance in a certain kind, I wish

merely to say, for the benefit of those who turn over the first leaves

of a novel in a bookstore or library before deciding whether to take

or leave it, that it differs from the usual adventure-story in being

concerned merely with private life and unimportant people. Though

it has incidents enough, and perils enough, it deals neither with

war nor with state affairs. It contains no royal person; not even a

lord--nor a baronet, indeed, for baronets had not yet been invented

at the period of the tale. The characters are every-day people of the

London of the time, and the scenes in which they move are the street,

the tavern, the citizen's house and garden, the shop, the river, the

public resort,--such places as the ordinary reader would see if a

miracle turned back time and transported him to London in the closing

part of Elizabeth's reign. The atmosphere of that place and time, as

one may find it best in the less known and more realistic comedies

of Shakespeare's contemporaries, in prose narratives and anecdotes,

and in the records left of actual transactions, strikes us of the

twentieth century as a little strange, somewhat of a world which we

can hardly take to be real. If I have succeeded in putting a breath of

this strangeness, this (to us) seeming unreality, into this busy tale,

and yet have kept the tale vital with a human nature the same then as

now, I have done something not altogether bad. Bad or good, I have

been a long time about it, for I have grown to believe that, though

novel-reading properly comes under the head of play, novel-writing

properly comes under the head of work. My work herein has not gone

to attain the preciosity of style which distracts attention from the

story, or the brilliancy of dialogue which--as the author of "John

Inglesant" says--"declares the glory of the author more frequently than

it increases reality of effect." My work has gone, very much, to the

avoidance of anachronisms. This is a virtue really possessed by few

novels which deal with the past, as only the writers of such novels

know. It may be a virtue not worth achieving, but it was a whim of

mine to achieve it. Ill health forbade fast writing, the success of my

last previous book permitted slow writing, and I resolved to utilise

the occasion by achieving one rare merit which, as it required neither

genius nor talent, but merely care, was within my powers. The result

of my care must appear as much in what the story omits as in what it

contains. The reader may be assured at the outset, if it matters a

straw to him, that the author of this romance of Elizabethan London

(and its neighbourhood) is himself at home in Elizabethan London; if

he fails to make the reader also a little at home there in the course

of the story, it is only because he lacks the gift, or skill, of

imparting.

ROBERT NEILSON STEPHENS.

LONDON, June 1, 1901.

CONTENTS.

* * * * *

CHAPTER PAGE

I. MEN OF DESPERATE FORTUNES 11

II. DISTURBERS OF THE NIGHT 35

III. MASTER JERNINGHAM'S MADNESS 57

IV. THE ART OF ROARING 79

V. PENNILESS COMPANIONS 95

VI. REVENGE UPON WOMANKIND 107

VII. MISTRESS MILLICENT 119

VIII. SIR PEREGRINE MEDWAY 133

IX. THE PRAISE OF INNOCENCE 147

X. IN THE GOLDSMITH'S GARDEN 167

XI. THE RASCAL EMPLOYS HIS WITS 183

XII. MASTER HOLYDAY IN FEAR AND TREMBLING 203

XIII. A RIOT IN CHEAPSIDE 213

XIV. JERNINGHAM SEES THE WAY TO HIS DESIRE 238

XV. RAVENSHAW FALLS ASLEEP 250

XVI. THE POET AS A MAN OF ACTION 260

XVII. DIRE THINGS BEFALL IN THE FOREST 273

XVIII. RAVENSHAW'S SLEEP IS INTERRUPTED 285

XIX. KNAVE AGAINST GENTLEMAN 304

XX. HOLYDAY'S FURTHER ADVENTURES 338

XXI. THE CAPTAIN FORSWEARS SWAGGERING 352

LIST OF ILLUSTRATIONS.

PAGE

"THERE WAS EXCHANGE OF THRUST AND PARRY" _Frontispiece_

(_see page 333_)

"'SHE LED ME BUT A SHORT CHASE'" 60

"'SIR, I THANK YOU FOR WHAT YOU DID THAT NIGHT'" 128

"BADE HIS VISITOR BE SEATED UPON A STONE BENCH, AND FACED

HER SULLENLY" 153

"ONE HAND GESTICULATING, WHILE THE OTHER HELD HIS NEW-WRITTEN

MANUSCRIPT" 203

"SUDDENLY THE NARROW WAY BEFORE HIM BECAME BLOCKED WITH HUMAN

CREATURES" 251

"THERE ... WAS THE MAID OF CHEAPSIDE, PALE AND BEWILDERED" 303

CAPTAIN RAVENSHAW.

CHAPTER I.

MEN OF DESPERATE FORTUNES.

"Though my hard fate has thrust me out to servitude, I tumbled into th'

world a gentleman."--_The Changeling._

It was long past curfew, yet Captain Ravenshaw still tarried in the

front room of the Windmill tavern, in the Old Jewry. With him were

some young gentlemen, at whose cost he had been drinking throughout

the afternoon. For their bounty, he had paid with the satirical

conversation for which he was famed, as well as with richly embellished

anecdotes of his campaigns. Late in the evening, the company had been

joined by a young gallant who had previously sent them, from another

chamber, a quantity of Rhenish wine. This newcomer now ordered supper

for the party, a proceeding at which the captain dissembled his

long-deferred pleasure--for he had not eaten since the day before.

Moreover, besides the prospect of supper, there was this to hold him at

the tavern: he knew not where he should look for a bed, or shelter,

upon leaving it. The uncertainty was a grave consideration upon so

black and windy a night.

Master Vallance, the gentleman who had ordered supper, had listened

to the last of Ravenshaw's brag with a rather scornful silence. But

the other young men had been appreciative; it was their pose, or

affectation, to be as wicked as any man might; hence they looked up to

this celebrated bully as to a person from whom there was much to be

learned, and in whom there was much to be imitated.

The group had been sitting before the wide fireplace. But as soon as

the roast fowls were brought in, there was a movement to the long

table in the middle of the room. The captain was gifted with active,

striding legs and long, slashing arms. So he was first to be seated,

and, as he leaned forward upon his elbows, he seemed to cover more than

his share of the table. He had a broad, solid forehead, an assertive

nose, a narrow but forward chin, gray eyes accustomed to flash with a

devil-may-care defiance, a firm mouth inured to a curve of sardonic

derision. His rebellious hair, down-turning moustaches, and pointed

beard were of a dark brown hue. He was a man of good height; below

the sword-belt, he was lank to the ground; above, he broadened out

well for chest and shoulders. His voice was quick, vigorous, and not

unpleasantly metallic. He was under thirty, but rough experience had

hardened his visage to an older look. His jerkin, shirt, hose, shoes,

and ruff also betokened much and severe usage.

Master Vallance, in spotless velvet doublet and breeches, and perfectly

clean silk stockings, looked at him with contemptuous dislike.

"Take heed you scorch not the capon with your nose, roaring Ravenshaw,"

said the youth, quietly.

It was not Ravenshaw's habit to resent allusions to his character as

a "roaring boy;" indeed he encouraged the popular idea which saddled

him with that title, at that time applied to bullies of the taverns.

But some circumstance of the moment, perhaps something in the young

coxcomb's air of aristocratic ridicule, guided the epithet to a

sensitive spot.

"_Captain_ Ravenshaw, by your leave," he said, instantly, in a loud

tone, with an ironical show of a petitioner's deference.

"Forsooth, yes; a captain of the suburbs," replied the young gentleman,

with a more pronounced sneer.

Now at this time--toward the end of the reign of Queen Elizabeth--and

for a long time after, certain of the suburbs of London were inhabited

numerously by people of ill repute. There were, especially, women whom

the law sometimes took in hand and sent to the Bridewell to break

chalk, or treated to a public ride in a cart, as targets for rotten

vegetables, addled eggs, and such projectiles. Many an unemployed

soldier, or bully who called himself soldier, would bestow, or impose,

his protection upon some one of these frail creatures in the time of

her prosperity, exacting from her the means of livelihood. Hence did

Ravenshaw see in the title of "captain of the suburbs" an insult little

less than lay in that of "Apple-John," or "Apple-squire," itself.

When a gentleman calls another by the name of a bad thing, it is not

necessarily implied that he thinks the other is that thing; but it is

certain that he means to be defiantly offensive. Therefore, in this

case, the captain's part was not to deny, but to resent. Not only must

he keep up his reputation with the other gentlemen as a man not to be

affronted, but he really was in a towering rage at being bearded with

easy temerity by such a youngling.

"What!" quoth he. "Thou sprig! Thy wits are strayed away, methinks. Or

has thy nurse been teaching thee to use a pert tongue?"

"Nay, save your own tongue for the tasting of yon capon. I speak only

truth. Your reputation is well known."

"Why, thou saucy boy, I may not spit butterflies on my sword, nor

provoke striplings by giving them the lie; else--"

The captain finished with a shrug of vexation.

"Look ye, gentlemen, he lays it to my youth," continued the persecutor,

"but there's yet a horse of another colour. This captain is free

enough with his bluster and his sword; he has drawn quarts of blood

for a single word that misliked him, upon occasion; but he will bear

a thousand scurvy affronts from any man for the sake of a supper. You

shall see--"

"Supper!" echoed the captain, springing up. "Do you cast your filthy

supper in my teeth? Nay, then, I'll cast it in thine own."

With this, thoroughly enraged, Captain Ravenshaw seized the particular

capon to which the gallant had alluded, and flung it across the table

into the gallant's face. It struck with a thud, and, rebounding, left

the young man a countenance both startled and greasy. Not content,

the offended captain thereupon reached forth to the fowl which had

been served as companion to the capon, and this he hurled in the same

direction. But he aimed a little too high, moreover the fop ducked his

head, and so the juicy missile sped across the room, to lodge plump

against the stomach of a person who had just then come into view in the

open doorway.

This person showed lean in body and shabby in raiment. He made a swift,

instinctive grasp at the thing with which he had come so unexpectedly

in contact, and happened to catch it before it could fall to the

floor. He held it up with both hands to his gaze a moment, and then,

having ascertained beyond doubt its nature, he suddenly turned and

vanished with it. Let us follow him, leaving behind us the scene in the

tavern room, which scene, upon the landlady's rushing in to preserve

order for the good name of the house, was very soon after restored to

a condition of peace by the wrathful departure of Ravenshaw from the

company of an offender too young for him to chastise with the sword.

The ill-clad person who clutched the cooked fowl, which accident had

thus summarily bestowed upon him, made short work of fleeing down the

stairs and out into the black, chill February night. Once outside,

though he could not see his hand before his face, he turned toward

Cheapside and stumbled forward along the miry way, his desire evidently

being to put himself so far from the Windmill tavern that he might not

be overtaken by any one who could lay claim to the fowl.

The air was damp as well as cold. The fugitive, keeping his ungloved

hands warm by spreading them around the fowl, which was fresh from

the spit, had to grope his way through an inky wind. He listened for

possible footfalls behind him, but he heard none, and so he chuckled

inwardly and held his prize close to his breast with a sense of

security. Now and then he raised it to his nostrils, in anticipation

of the feast he should enjoy upon arriving at the resting-place he had

in mind. He would have made a strange spectacle to anybody who might

have been able to see him from one of the rattling casements as he

passed; but so dark it was that downlookers could no more have seen him

than he could see the painted plaster, carved cross-timbers, projecting

windows, and gabled roof-peaks of the tall houses that lined the narrow

street through which he fled.

At one place a lantern hanging over a door threw a faint light upon him

for a moment, and showed a young man's face, with sharp features and a

soft expression; but the face was instantly gone in the darkness, and

there was no other night-walker abroad in the street to have seen it

while it was visible.

"Surely," he meditated, as he went, "the time of miracles has returned.

And even a starved scholar is found worthy of Heaven's interposition.

With the temerity of the famished, I enter a tavern, ascend the stairs,

and steal into a room which I take to be empty because no sound comes

from it, my only hope being to pilfer a little warmth nobody will miss,

perchance to fall heir to a drop of wine at the bottom of a glass, or

a bone upon an uncleared table. And lo, I find myself in the presence

of a gentleman asleep before a pot of mulled canary, which he has

scarce wet his throat withal. In three swallows I make the canary my

own, just in time to set down the pot before in comes a tapster. I

feign I am in search of friends, who must be in t'other chamber. To

make good the deceit, I must needs look in at t'other chamber door;

when, behold, some follower of Mars, who looks as hungry as myself,

pelts me with poultry. It is plainly a gift of the gods, and I am no

such ill-mannered clown as to stay and inquire into the matter. Well,

_gaudeamus igitur_, my sweet bird; here we are at St. Mary Cole Church,

on the steps of which we shall make each other's better acquaintance.

Jove!--or rather Bacchus!--what tumult a pint or so of mulled wine

makes in the head of a poor master of arts, when too suddenly imbibed!"

He went half-way up the steps and sat down, crouching into the smallest

figure possible, as if he might thus offer the least surface to the

cold. Sinking his teeth into the succulent breast of the roast fowl, he

forgot the weather in the joy of eating. But he had scarce taken two

bites when he was fain to suspend his pleasure, for the sound of rapid

footfalls came along the way he had just traversed. He took alarm.

"Sit quiet now, in God's name, Master Holyday!" he mentally adjured

himself. "'Tis mayhap one in search of the fowl. Night, I am beholden

to thee for thy mantle."

The person strode past and into Cheapside without apprehension of the

scholar's presence upon the steps. The scholar could not make out the

man's looks, but could divine from sundry muttered oaths he gave vent

to, and from his incautious haste of movement, that he was angry.

"God 'a' mercy! how he takes to heart the loss of a paltry fowl!" mused

Master Holyday, resuming the consumption of his supper on the church

steps. "For, certes, 'twas from the Windmill he came; from his voice,

and the copiousness of his swearing, I should take him to be that very

soldier whom the gods impelled to provide me with supper. Well, he is

now out of hearing; and a good thing, too, for there comes the moon at

last from the ragged edge of yon black cloud. Blow, wind, and clear the

sky for her. Pish! what is this? Can I not find my mouth? Ha, ha! 'tis

the mulled wine."

The scholar had indeed struck his nose with the fowl, when he had

meant to bring it again between his teeth. He was conscious of the

increased effect of the wine in other ways, too, and chiefly in a

pleasanter perception of everything, a sense of agreeable comicality in

all his surroundings, a warmed regard for all objects within view or

thought. This enhanced the enjoyment of his meal. The moonlight, though

frequently dimmed by rushing scraps of cloud, made visible the streets

near whose junction he sat, so that the house fronts stood strangely

forth in weird shine and shadow. The scholar, shivering upon the steps,

was the only living creature in the scene. Yet there seemed to be a

queer half-life come into inanimate things. The wind could be heard

moaning sometimes in unseen passages. The hanging signs creaked as if

they now and then conversed one with another in brief, monosyllabic

language.

"In the daylight," thought the scholar, "men and women possess the

streets, their customs prevail, and their opinions rule. But now,

forsooth, the house fronts and the signs, the casements and the

weathercocks, have their conference. Are they considering solely of

their own matters, or do they tell one another tales of the foolish

beings that move about on legs, hurrying and chattering, by day?

Faith, is it of me they are talking? See with what a blank look those

houses gaze down at me, like a bench of magistrates at a rogue. But

the house at the end, the tall one with the straight front,--I swear

it is frowning upon me. And the one beside it, with the fat oriel

windows, and whose upper stories belly so far out over the street,--as

I'm a gentleman and a scholar, 'tis laughing at me. Has it come to

this?--to be a thing of mirth to a monster of wood and plaster, a huge

face with eyes of glass? For this did Ralph Holyday take his degrees

at Cambridge University, and was esteemed as able a disputant as ever

came forth of Benet College? Go thy ways, Ralph; better wert thou

some fat citizen snoring behind yon same walls, than Master Holyday,

_magister artium_, lodging houseless on the church steps with all thy

scholarship. Not so, neither; thou wouldst be damned rather! Hark, who

is it walks in Cheapside, and coming this way, too?"

He might have recognised the tread as the same which had some minutes

before moved in the opposite direction; though it was now less rapid,

as if the owner of the feet had walked off some of his wrath. Coming

into view at the end of the Old Jewry, that owner proved to be in truth

the very soldier of whom Holyday had caught a glimpse at the tavern.

The soldier, turning by some impulse, saw the scholar on the steps; but

his warlike gaze had now no terror for Master Holyday, who had put at

least half of the fowl beyond possible recovery, and whose appetite was

no longer keen.

"God save you, sir!" said the scholar, courteously. "Were you seeking a

certain roast fowl?"

"Not I, sirrah," replied Captain Ravenshaw, approaching Holyday. "You

are he that stood in the doorway, perchance? Rest easy; the fowl was

none of mine. I should scorn to swallow a morsel of it."

And yet he eyed it in such a manner that Master Holyday, who was a good

judge of a hungry glance, said, placidly:

"You are welcome to what is left of it here." Which offer the scholar

enforced with a satisfied sigh, indicating fulness of stomach.

The captain made a very brief pretence of silent hesitation, then

accepted the remainder of the feast from the scholar's hands, saying:

"Worshipful sir, it should go hard with me ere I would refuse

true hospitality. Have I not seen you about the town before this

night?" He sat down beside Holyday, and began to devour the already

much-diminished fowl.

"I know not," replied the scholar, who had a mild, untroubled way of

speaking. "'Twas last Michaelmas I came to London. I have kept some

riotous company, but, if I have met you, I remember not."

"'Slight! you know then who I be?"

"Not I, truly."

"Yet you call me riotous."

"That argues no previous knowledge. Though I be a Cambridge man, it

takes none of my scholarship to know a gentleman of brawls at sight, a

roaring boy, a swaggerer of the taverns--"

"Why, boy, why! Do you mean offence in these names?"

"No offence in the world. You see I bear no sword, being but a

poor master of arts. None so bold of speech as the helpless, among

honourable men of the sword."

"Some truth in that. Look ye, young sir, hast ever heard of one

Ravenshaw, a captain, about the town here?"

"Ay, he is the loudest roarer of them all, I have heard; one whose bite

is as bad as his bark, too, which is not the case with all of these

braggadocios; but he is a scurvy rascal, is he not? a ragged hector of

the ale-houses. Is it he you mean?"

"Ha! that is his reputation? Well, to say truth, he may comfort himself

by knowing he deserves it. But the world used him scurvily first--nay,

a plague on them that whine for themselves! I am that Ravenshaw."

"Then I must deal softly; else I am a hare as good as torn to pieces by

the dogs."

"Why, no, scholar, thou needst not be afeard. I like thee, young

night-walker. Thou wert most civil concerning this fowl. 'Od's light!

but for thee, my sudden pride had played my belly a sad trick this

night. Thou art one to be trusted, I see, and when I have finished with

this bird, I will tell thee something curious of my rascal reputation.

But while I eat, prithee, who art thou? and what is it hath sent thee

to be a lodger on the steps of St. Mary Cole Church? Come, scholar;

thou might do worse than make a friend of roaring Ravenshaw."

"Nay, I have no enemies I would wish killed. But I am any man's gossip,

if he have inclination for my discourse, and be not without lining to

his headpiece. My name is Ralph Holyday; I am only son to Mr. Francis

Holyday, a Kentish gentleman of good estate. He is as different a

manner of man from me as this night is from a summer day. He is

stubborn and tempestuous; he will have his way, though the house fall

for it. He has no love of books and learning, neither; but my mother,

seeing that I was of a bookish mind, worked upon him unceasingly to

send me to the university, till at last, for peace' sake, he packed me

off to Cambridge. While I was there, my mother died--rest her soul,

poor lady! After I took my degrees, my father would have it that I

come home, and fit myself to succeed him. Home I went, perforce, but

I had no stomach for the life he would lead me. I rather preferred

to sit among my books, and to royster at the ale-house in company

with a parson, who had as great love for learned disputation as for

beer and venison. Many a pleasant day and night have I sat with good

Sir Nicholas, drinking, and arguing upon the soul's immortality.

This parson had sundry friends, too, good knaves, though less given

to learning than to tossing the pot; they were poachers all, to say

truth, and none better with the crossbow at a likely deer than the

vicar. Thus, when I ought to have been busy in the matter of preserving

my father's deer, I would be abroad in forbidden quest of other men's;

'twas, I know not how, the more sportive and curious occupation. Well,

my father stormed at these ways of mine, but there was no method of

curing them. But one day he became fearful his blood should die out.

He must have descendants, he swore, and to that end I must find a

wife straightway. Here is where we crossed weapons. I am not blind to

the charms of women, but I am cursed with such timidity of them, such

bashfulness when I am near them, that if I tried to court one, or if

one were put upon me as wife, I should fall to pieces for shaking. I

would sooner attempt anew the labours of Hercules than go a-wooing for

a wife."

"'Tis a curious affliction," remarked the captain, pausing in his

feast. "But many men have it; fighting men, too. There was Dick Rokeby,

that was my comrade in France; he that fought with Harry Spence and me,

each one 'gainst t'other two, upon the question of the properest oath

for a soldier to swear by. Harry was one of your Latin fellows, and

held for 'the buckler of Mars.' Dick Rokeby said an Englishman could

do no better than swear by the lance of St. George. And I vowed by the

spurs of Harry Fift' I would put down any man that thought better of

any other oath. We fought it out, three-cornered, in Grey's Inn Fields;

and the spurs of Harry Fift' won the day. As for women, I am their

enemy on other grounds. There was one I trusted, and when I was at the

wars she wronged me with my friend. I have sworn revenge upon the sex,

curse 'em! So you would not marry?"

"That I would not. The only women I can approach without trembling

at the knees, and my face burning, and my tongue sticking fast,

are serving-maids and common drabs, and such as I would not raise

to a place of quality. So the end was that, after he had raged and

threatened for six months, my father cast me forth, swearing I should

never cross his doorsill, or have a penny of him, till I should come

back with a wife on my arm. And so I came last Michaelmas to London."

"And how hast made shift to live since then?"

"Why, first upon some money my friend Sir Nick thrust upon me; then by

the barter of my clothes in Cornhill; and meanwhile I had writ a play,

a tragedy, that Master Henslowe gave me five pounds for."

"I would fain see thy tragedy. How is it named?"

"God knows when it may be played; it has not yet been. It is 'The

Lamentable Tragedy of Queen Nitocris.' The story is in a Greek

history."

"What, you dare not even discourse with a mere gentlewoman, yet write

the intimate histories of queens?"

"Yes, friend; there are many of us poor poets do so. We herd with

trulls, and dream of empresses. (A passable decasyllabic line, that!)

But I have not been able to sell another tragedy, nor yet to have my

sonnets printed, whereby I might get ten pounds for a dedication. And

so you see me as I am."

"Well," said the captain, having by this time pretty well stuffed

himself, "I like thee the better for being a poet. Such as you know me

to be, you will scarce believe it; but I am one--or was once--fitted

by nature to take joy in naught so much as in poetry, and the sweet

pastoral life that poets praise so. But never whisper this; I were a

dead man if the town knew the softness underneath my leathern outside.

But in very truth, as for books, I would give all the Plutarchs in the

world for one canto of 'The Faerie Queene' or ten pages of the gentler

part of Sidney's 'Arcadia.' Had I won my choice, I had passed my days,

not in camps and battles, taverns and brawls, but in green meadows,

sitting and strolling among flowers, reading some book of faery or

shepherds--for I never could make up poetry of my own."

"That picture belies the common report of Captain Ravenshaw."

"Ay, Master Holyday; swaggering Ravenshaw is no shepherd of poesy.

But hearken to what I promised thee: I, too, am a gentleman's son;

the family is an old one in Worcestershire,--observe I call it not

_my_ family. I was early a cast-off scion, and for no fault of mine,

I swear. 'Twas the work of a woman, a she-devil, that bewitched my

father. But God forbid I should afflict any man, or rouse mine own dead

feelings, with the tale of my wrongs! I was no roaring boy then; I was

a tame youth, and a modest. But when I found myself out in the world,

I soon learned that with a mild mien, unless a man have a craftiness I

lacked, he is ever thrust backward, and crushed against the wall, or

trodden upon in the ditch. And so for policy I took the time and pains

to make myself a master of the sword, not that I might brawl, but that

I might go my ways in peace. In good time, I killed two men or so that

were thought invincible; and I supposed the noise of this would save me

from affronts after that."

"And was it not so?"

"Perchance it had been, if my manner had comported with the deed. But

I still went modest in my bearing, and so my prowess was soon forgot;

some may have thought my victories an accident of fortune; besides,

strangers knew not what I had done, and saw no daring in me; and so I

found myself as unconsidered as ever. And at last, when the woman I

loved turned treacherous and robbed me of the friend at court on whom

my fortune hung, and malice was hatched in me, I bethought me of a new

trick. I took on a bold front, an insolent outside; I became a swearer,

a swaggerer, a roaring boy, a braggart; and lo! people soon stepped

aside to let me pass. I found this blustering masquerade a thousand

times more potent to secure immunity than my real swordsmanship had

been. The transformation was but skin-deep at first; but the wars,

and my hard life and my poverty, helped its increase, so that now it

has worked in to the heart of me. There was a time it made me ill to

sink my rapier into a man's soft flesh, but I grew to be of stronger

stomach. And when I first put on the mask of brazen effrontery, I was

often faint within when I seemed most insolent. But now I am indeed

roaring Ravenshaw, all but a little of me, and that little often

sleeps."

"But this insolence of thine, real or false, seems not to have made thy

fortune."

"Nay, but it has made my poverty the less contemptible. Lay not my

undoing to it. When the war lasted, I fared well enough, as long as

I kept the captainship my friend had got me ere the woman played me

false. A score of things have happened to bring me to this pass. My

braggadocio, ofttimes enforced with deeds, hath neither helped nor

hindered my downfall; it hath stood me in good stead in fair times and

foul. Pish, man, but for my reputation, and the fear of my enmity or

violence, could I have run up such scores at taverns as I have done,

being penniless? How often have I roared dicing fools, and card-playing

asses, out of the stakes when they had fairly won 'em? Could any but a

man who has made himself feared do such things, and keep out of Newgate

or at least the Counter i' the Poultry here?"

"Why, is not that rank robbery, sir?"

"Yes, sir, and rank filling of my empty stomach. Tut, scholar, you have

been hungry yourself; roofless, too. Be so as oft as I have been, and

with as small chance of mending matters, and I'll give a cracked three

farthings for what virtue is left in you. Boy, boy, hast thou yet to

learn what a troublesome comrade thy belly is, in time of poverty? What

a leader into temptation? Am I, who was once a gentleman, a rascal as

well as a brawler? Yes, I am a rascal. So be it; and the more beholden

I to my rascality when it find me a dinner, or a warm place to sleep o'

nights. Would it might serve us now. Who are these a-coming?"

Some dark figures were approaching from up the Old Jewry, attended by

two fellows bearing links, for the moonlight was not to be relied upon.

The figures came arm in arm, at a blithe but unsteady gait, swaying

and plunging. Presently the captain recognised the gentlemen who had

been his afternoon companions at the sign of the Windmill. But Master

Vallance was not with them, having doubtless taken lodging at one of

the inns near the tavern. The sparks, jubilant with their wine, no

sooner made out the captain's form than they hailed him heartily.

"What, old war boy!" cried Master Maylands, a spruce and bold young

exquisite. "Well met, well met! Hey, gentles, we'll make a night on't.

Captain, you shall captain us, captain!"

"Ay, you shall captain us about the town," put in Master Hawes, who

spoke shrilly, and with a lisp, for which he would have been admired

had it been affected, but for which he was often ridiculed because it

was natural. "You shall teach us to roar as loud as you do. What say

you, gallants? Shall we go to school to him to learn roaring? He is the

master swaggerer of all that ever swaggered."

The proposal was received with noisy approval, the roysterers gathering

around the captain where he sat, and grasping him by the sleeves to

draw him along with them.

"Softly, gentlemen, softly," said the captain. "Ye seem of a mind here.

But do you consider? There is much I might impart, in the practice of

swaggering. Would you in good sooth have me for a tutor?"

There was a chorus of affirmative protestation.

The captain thought it politic to urge a scruple.

"But bethink ye," quoth he, "to be a true swaggerer is no child's play.

And you are of delicate rearing, all; meant to play lutes in ladies'

chambers; court buds, gallants."

"Why, then," said Maylands, "we shall be gallants and swaggerers, too;

an you make swaggerers of us, we will make a gallant of you, will we

not, boys?"

"Nay," replied Ravenshaw, "I have been a gallant in my time, and need

but the clothes to be one again; and so does my friend here, who is a

gentleman and a scholar, though out of favour with fortune. Now there

be many tricks in the swaggering trade; the choice of oaths is alone a

subtle study, and that is but one branch of many. I'll not be any man's

schoolmaster for nothing."

"Faith, man, who asks it?" cried Master Maylands. "We'll pay you. For

an earnest, take my cloak; my doublet is thick." He flung the rich

broadcloth garment over the captain's uncloaked shoulders. "You need

but the clothes to be a gallant again? 'Fore God, I believe it! Tom

Hawes, I've cloaked him; you doublet him. Barter your doublet for

his jerkin; your cloak will hide it for the night; you've a score of

doublets at home."

Master Maylands, in his zeal, fell upon the unobjecting Hawes, and

in a trice had helped to effect the transfer, the captain feigning

a helpless compliance in the hands of his insistent benefactors. It

occurred to another of the youths, Master Clarington, to exchange

his jewelled German cap of velvet for Ravenshaw's ragged felt hat;

whereupon Master Dauncey, not to be outdone, would have had his

breeches untrussed by his link-boy, to bestow upon the captain, but

that the captain himself interposed on the score of the cold weather.

"But I'll take it as kindly of you," said Ravenshaw, "if you should

have a cloak for my scholar friend. How say you, Master Holyday?

Thou'lt be one of us? Thou'lt be a swaggering gallant, too?"

Master Holyday, inwardly thanking his stars for the benevolent impulse

which had made him share the fowl, and so elicit this gratitude, would

have agreed to anything under the moon (except to woo a woman) for the

sake of warmer clothes.

"Yes, sir," said he, with his wonted studious gravity of manner; "if

these gentlemen will be so gracious."

The gentlemen were readily so gracious. After a few rapid exchanges,

which they treated as a great piece of mirth, they beheld the scholar

also cloaked and richly doubleted and hatted. He wore his fine garments

with a greater sense of their comfort than of his improved appearance,

yet with a somewhat pleasant scholastic grace.

The captain strutted a little way down the street, to enjoy the effect

of his new cloak; but, as he stepped into Cheapside, the moon was

clouded, and he could no longer see the garment tailing out finely

over his sword behind. A distant sound of plodding feet made him look

westward in Cheapside, and he saw a few dim lanterns approaching from

afar.

"Lads, the watch is coming," said he. "Shall we tarry here, and be

challenged for night-walkers?"

"Marry," quoth Master Maylands, leaping forward to the captain's side,

"we shall take our first lesson in swaggering now; we shall beat the

watch."

"As good a piece of swaggering gallantry as any," said the captain.

"Come, my hearts!"

And he led the way along Cheapside toward the approaching watchmen.

Captain Ravenshaw; Or, The Maid of Cheapside. A Romance of Elizabethan London · 第 1 / 21 章